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Anthology

Twelve-Tone Anthology

Mark Gotham

This page provides a list of rows used in the repertoire in the form of a:

  • Tabular list of all the rows collected (roughly 1,600);
  • Musical representation of those rows in ‘open’ values (quarter notes, no stems) and properties labelled;
  • Structured anthology, re-organising the rows by property (e.g. with a list of the all-interval rows).

As the twelve-tone part of this textbook is at pains to point out, it’s not always straightforward (or indeed musically relevant) to identify a single main row. Indeed it’s not always clear what counts as ‘serial’. That being the case, no list of this kind can aim to be ‘definitive’. All the same, it’s very useful to see at least some rows gathered together and compared.[1]

Tabular List

Composer Work Year 1 2 3 4 5 6 7 8 9 10 11 12
Adorno, Theodor W. Totenlied auf den Kater 1932-33 0 7 6 3 11 5 8 4 10 9 1 2
Apostel, Hans Erich Fischerhaus-Serenade, Op.45 1971 0 4 8 3 11 7 1 9 5 2 10 6
Argento, Dominick A Water Bird Talk, Bird Row 1974-76 0 7 2 1 10 9 3 8 5 4 11 6
Argento, Dominick A Water Bird Talk, Lecturer Row 1974-76 0 9 5 10 2 6 3 11 8 4 1 7
Argento, Dominick Evensong: Of Love and Angels 2007 0 11 9 8 5 3 4 1 2 7 10 6
Argento, Dominick From the Diary of Virginia Woolf 1974 0 7 6 2 11 5 3 1 8 9 4 10
Argento, Dominick Miss Havisham's Wedding Night 1979 0 2 7 11 10 1 6 5 3 4 8 9
Atterberg, Kurt Symphony 9 [Bbm], Op.54, 'Sinfonia visionaria' 1955-56 0 1 5 6 7 4 8 11 10 9 2 3
Babbitt, Milton All Set 1957 0 4 5 11 6 10 7 3 1 2 9 8
Babbitt, Milton Arie da Capo 1974 0 7 8 6 2 1 10 5 11 9 4 3
Babbitt, Milton Composition for Four Instruments 1948 0 3 11 2 10 1 7 4 8 5 9 6
Babbitt, Milton Composition for Four Instruments, row i 1948 0 10 9 8 7 5 11 1 2 3 4 6
Babbitt, Milton Composition for Four Instruments, row ii 1948 0 9 11 2 4 1 7 10 8 5 3 6
Babbitt, Milton Composition for Four Instruments, row iii 1948 0 4 3 8 7 11 5 1 2 9 10 6
Babbitt, Milton Composition for Four Instruments, row iv 1948 0 4 1 8 5 9 3 11 2 7 10 6
Babbitt, Milton Composition for Synthesizer 1961 0 9 1 8 4 5 7 2 3 6 10 11
Babbitt, Milton Composition for Tenor and Six Instruments 1960 0 11 7 5 6 1 4 3 10 8 2 9
Babbitt, Milton Composition for Twelve Instruments 1954 0 1 4 9 5 8 3 10 2 11 6 7
Babbitt, Milton Composition for Viola and Piano 1950 0 3 4 8 11 7 9 2 1 5 10 6
Babbitt, Milton Du, row i 1951 0 9 2 10 11 1 7 5 4 8 3 6
Babbitt, Milton Du, row ii 1956 0 5 2 10 9 7 1 3 4 8 11 6
Babbitt, Milton Groupwise 1983 0 5 4 6 10 11 2 9 3 1 8 7
Babbitt, Milton My Complements to Roger 1978 0 3 7 8 11 4 2 6 1 9 10 5
Babbitt, Milton My Ends Are My Beginnings 1978 0 11 4 8 7 3 5 6 9 2 10 1
Babbitt, Milton Paraphrases 1979 0 11 3 10 8 1 7 5 4 6 2 9
Babbitt, Milton Partitions 1957 0 7 9 10 2 11 5 8 4 3 1 6
Babbitt, Milton Philomel 1964 0 1 11 3 8 6 9 10 5 4 7 2
Babbitt, Milton Post-Partions 1966 0 5 10 9 1 6 11 8 4 2 7 3
Babbitt, Milton Relata I 1965 0 1 11 2 10 3 9 8 4 6 7 5
Babbitt, Milton Relata II 1968 0 1 11 2 10 3 9 8 4 6 7 5
Babbitt, Milton Semi-simple variations 1956 0 8 1 10 9 11 5 3 4 7 2 6
Babbitt, Milton Sounds and Words 1960 0 9 2 4 8 3 11 10 1 7 5 6
Babbitt, Milton String Quartet, No.2 1954 0 3 11 4 1 2 8 10 5 9 7 6
Babbitt, Milton String Quartet, No.3 1970 0 11 6 7 5 1 10 2 9 3 4 8
Babbitt, Milton String Quartet, No.4 1970 0 2 9 7 11 10 1 8 4 3 5 6
Babbitt, Milton Tableaux 1972 0 11 4 6 10 5 2 1 7 9 8 3
Babbitt, Milton The Crowded Air 1988 0 8 5 7 10 6 11 1 9 3 2 4
Babbitt, Milton The Widow's Lament in Springtime 1951 0 11 9 2 10 7 1 4 8 3 5 6
Babbitt, Milton Three Compositions for Piano, No.1 1947 0 5 7 4 2 3 9 1 8 11 10 6
Babbitt, Milton Two Sonnets of Gerard Manley Hopkins 1955 0 2 3 4 7 5 11 6 10 9 8 1
Babbitt, Milton Vision and Prayer 1961 0 11 8 3 7 4 10 9 2 6 1 5
Babbitt, Milton Woodwind Quartet 1953 0 3 1 2 11 10 8 9 5 7 6 4
Bach, Johann Sebastian Chromatische Fantasie 1717? 0 3 6 9 11 2 5 8 10 1 4 7
Badger, Christine aleatoric row, at 17:14; Graz 2013/2/5 0 2 6 11 3 4 5 7 10 1 9 8
Baker, David “Status Symbol” from "The Black Experience" 1973 0 3 4 7 8 11 1 10 9 6 5 2
Barber, Samuel Piano Sonata, Op.26 1949 0 8 4 11 3 7 1 9 5 10 2 6
Bartók, Béla String Quartet, No.4 1928 0 5 6 11 4 9 10 3 8 1 2 7
Bartók, Béla Violin Concerto, No.2, mvt 1 1937-38 0 2 8 1 9 4 10 6 3 7 11 5
Bartók, Béla Violin Concerto, No.2, mvt 3 1937-38 0 8 2 9 1 4 10 7 6 3 11 5
Beecroft, Norma Improvvisazioni Concertanti, No.1 1961 0 1 11 9 3 2 7 6 10 8 4 5
Bennett, Richard Rodney Five Studies for Piano 1962 0 3 5 6 11 9 4 2 7 8 10 1
Bennett, Richard Rodney Symphony 1965 0 2 9 8 3 5 6 1 7 11 10 4
Berg, Alban Altenberg Lieder 1912 0 1 11 10 2 9 3 8 7 6 5 4
Berg, Alban Chamber Concerto, mvts 1, 3 1923-25 0 1 3 8 4 9 10 7 6 5 11 2
Berg, Alban Chamber Concerto, mvts 2, 3 1923-25 0 11 10 4 5 9 7 1 2 6 8 3
Berg, Alban Der Wein 1929 0 2 3 5 7 8 11 4 6 10 9 1
Berg, Alban Lulu, (no character) 1927-35 0 5 2 7 9 6 8 10 3 1 4 11
Berg, Alban Lulu, Acrobat/Athlete 1927-35 0 5 7 6 11 3 4 2 9 8 10 1
Berg, Alban Lulu, Act II, Scene I. (Every 5th Note of Transposed Primary Row) 1927-35 0 9 3 2 11 4 6 1 7 10 5 8
Berg, Alban Lulu, Alwa 1927-35 0 8 5 10 7 1 6 4 11 2 3 9
Berg, Alban Lulu, Chorale row 1927-35 0 5 1 2 3 9 8 10 4 11 6 7
Berg, Alban Lulu, Countess Geschwitz 1927-35 0 5 2 10 1 7 8 6 11 4 9 3
Berg, Alban Lulu, Dr. Schön 1927-35 0 5 9 10 4 7 6 11 1 2 8 3
Berg, Alban Lulu, Lulu (title character) row 1927-35 0 2 3 5 7 9 1 10 11 4 6 8
Berg, Alban Lulu, Primary / Main / Basic Row 1934 0 4 5 2 7 9 6 8 11 10 3 1
Berg, Alban Lulu, Schigolch 1927-35 0 2 3 1 4 5 6 7 8 9 11 10
Berg, Alban Lulu, Schoolboy row 1927-35 0 2 6 10 4 7 8 3 5 9 11 1
Berg, Alban Lulu, permutation of main row 1927-35 0 4 2 7 9 6 8 11 3 1 5 10
Berg, Alban Lulu, whole-tone row 1927-35 0 2 4 6 10 8 11 7 9 1 3 5
Berg, Alban Lyric Suite, Primary Row / mvt I 1925-26 0 11 7 4 2 9 3 8 10 1 5 6
Berg, Alban Lyric Suite, mvt I 1925-26 0 2 4 5 7 9 6 8 10 11 1 3
Berg, Alban Lyric Suite, mvt I, m.7-9 1925-26 0 3 7 8 2 1 9 6 4 11 5 10
Berg, Alban Lyric Suite, mvt III 1925-26 0 11 7 1 2 9 3 8 10 4 5 6
Berg, Alban Lyric Suite, mvt V and VI 1925-26 0 1 4 3 5 6 11 7 8 9 10 2
Berg, Alban Lyric Suite, mvt VI 1925-26 0 2 4 7 9 11 6 8 10 1 3 5
Berg, Alban Lyric Suite, mvt VI, row 2 1925-26 0 11 8 9 7 6 1 5 4 3 2 10
Berg, Alban Schliesse mir die Augen Beide 1907 0 11 7 4 2 9 3 8 10 1 5 6
Berg, Alban Violin Concerto 1935 0 3 7 11 2 5 9 1 4 6 8 10
Berg, Alban Wozzeck, Act I, Scene 4 "Passacaglia" 1914-22 0 8 4 10 9 3 1 7 6 2 5 11
Berger, Arthur Chamber Music for Thirteen Players 1956 0 1 11 7 10 9 6 5 8 4 2 3
Berio, Luciano Chamber Music 1953 0 9 3 5 7 10 2 11 4 6 8 1
Berio, Luciano Cinque Variazioni 1952-53 0 2 4 1 3 5 8 10 6 7 9 11
Berio, Luciano Sequenza I 1958 0 11 10 9 8 7 4 6 5 3 1 2
Bischof, Rainer 'Und so sink ich leise in mich selbst hinein'. Österreichischer Liederzyklus für Mezzosopran und Violine, Op.17 1982-1983 0 6 5 11 4 9 3 2 8 7 1 10
Bischof, Rainer Sonatine für Klarinette solo, Op.1 1969 0 5 4 10 6 7 1 9 11 2 8 3
Boulez, Pierre 1st Piano Sonata 1946,49 0 8 11 9 10 5 6 4 3 1 2 7
Boulez, Pierre 2nd Piano Sonata 1948 0 7 1 6 11 3 5 8 9 10 4 2
Boulez, Pierre 2nd Piano Sonata, mvt II, Section 1 1948 0 2 1 11 3 9 8 10 7 6 5 4
Boulez, Pierre 3rd Piano Sonata 1957 0 1 7 2 4 3 6 8 5 10 9 11
Boulez, Pierre Le Marteau sans Maître (alternative view) 1953-55 0 2 11 10 7 8 6 9 5 1 4 3
Boulez, Pierre Le Marteau sans Maître, cycle of Bel Édifice et les pressentiments 1953-55 0 10 1 11 3 7 2 4 8 6 9 5
Boulez, Pierre Le Marteau sans Maître, cycle of Bourreaux de solitude 1953-55 0 1 2 3 4 5 6 7 8 9 10 11
Boulez, Pierre Le Marteau sans Maître, cycle of L'Artisanat furieux 1953-55 0 10 1 2 6 3 7 4 5 8 11 9
Boulez, Pierre Le Soleil des eaux, series I 1965 0 6 10 2 5 1 7 11 3 4 8 9
Boulez, Pierre Le Soleil des eaux, series II 1965 0 6 10 2 5 1 4 7 11 8 3 9
Boulez, Pierre Le Soleil des eaux, series III 1965 0 11 7 2 6 5 4 8 10 1 3 9
Boulez, Pierre Notations 1945- 0 2 7 6 1 8 4 9 5 11 10 3
Boulez, Pierre Pli selon pli 1958,67,71 0 1 8 6 7 9 4 5 11 3 2 10
Boulez, Pierre Sonatine 1946,49 0 1 5 11 4 8 9 3 10 2 7 6
Boulez, Pierre Structures Ia 1952 0 11 6 5 4 3 1 10 9 7 2 8
Britten, Benjamin Missa Brevis in D, Op.63 1959 0 5 2 9 10 3 6 1 4 11 8 7
Britten, Benjamin The Turn of the Screw 1954 0 5 2 7 4 9 6 11 8 1 10 3
Cage, John Sonata for Clarinet 1933 0 1 10 11 9 7 6 5 4 8 3 2
Cage, John Sonata for Clarinet, mvt 2 1933 0 11 9 10 8 6 5 4 3 7 2 1
Cage, John Two pieces for Piano 1935 0 11 8 3 4 2 9 7 1 5 10 6
Carlos, Juan Canciones y Baladas, Balada II 1936 0 4 10 6 3 8 7 2 5 9 1 11
Carter, Elliott A Symphony of Three Orchestras 1976 0 8 7 10 4 5 2 9 11 3 1 6
Carter, Elliott Caténaires 2006 0 8 5 3 7 9 10 4 11 2 1 6
Carter, Elliott Night Fantasies 1982 0 10 3 11 8 7 1 2 5 9 4 6
Carter, Elliott Piano Concerto, Orchestra 1964-65 0 7 4 11 6 10 3 9 1 8 5 2
Carter, Elliott Piano Concerto, Soloist 1964-65 0 8 4 9 10 3 1 6 11 2 7 5
Carter, Elliott String Quartet, No.2 (sketch) 1 1958 0 4 8 3 7 11 6 10 2 9 1 5
Carter, Elliott String Quartet, No.2 (sketch) 2 1958 0 8 4 3 11 7 6 2 10 9 5 1
Carter, Elliott String Quartet, No.2 (sketch) 3 1958 0 2 4 6 8 10 1 3 5 7 9 11
Carter, Elliott String Quartet, No.3 1973 0 11 2 9 5 3 4 8 10 7 1 6
Carter, Elliott Variations for Orchestra (sketch) 1955 0 8 4 9 11 2 1 5 10 3 6 7
Coltrane, John Miles Mode 1962 0 3 5 2 7 9 10 8 1 11 6 4
Copland, Aaron Connotations, row 1 1962 0 1 3 6 2 9 8 5 10 4 11 7
Copland, Aaron Connotations, row 2 1962 0 7 9 6 2 3 8 11 10 4 5 1
Copland, Aaron Inscape, ("Row 2") 1967 0 7 3 9 2 4 6 10 5 8 11 1
Copland, Aaron Inscape, ("Y form" or "Row 1") 1967 0 4 3 11 2 7 6 8 10 9 5 1
Copland, Aaron Piano Fantasy 1952-57 0 7 2 10 8 3 6 4 11 9 1 5
Cordero, Roque Concerto for Violin, mvt 2A 1962 0 11 6 4 7 8 5 9 3 10 1 2
Cordero, Roque Concerto for Violin, mvt 2B 1962 0 5 3 11 6 8 7 2 1 4 9 10
Cordero, Roque Soliloquios 1975 0 1 5 11 3 2 9 8 4 10 6 7
Cordero, Roque Sonata breve 1966 0 1 4 11 10 7 5 8 9 6 3 2
Cordero, Roque Tres mensajes breves 1966 0 11 10 7 1 2 3 6 5 4 8 9
Cordero, Roque Violin Concerto mvt 1-3 1962 0 11 6 4 8 7 5 1 3 2 10 9
Crosse, Gordon Elegy for Small Orchestra, Op.1 1959-61 0 11 3 1 9 10 5 6 2 4 8 7
Dallapiccola, Luigi 'Intermezzo' from the 'Ciaccona' (of 'Ciaccona, intermezzo e adagio') 1945 0 5 6 3 8 9 7 11 10 2 1 4
Dallapiccola, Luigi An Mathilde 1955 0 1 10 4 6 5 3 9 2 8 7 11
Dallapiccola, Luigi Canti di Liberationi, No.2 1951-1955 0 5 8 3 1 9 10 4 2 11 7 6
Dallapiccola, Luigi Canti di Liberazione 1951-55 0 1 5 8 10 4 3 7 9 2 11 6
Dallapiccola, Luigi Cinque canti 1956 0 11 5 8 6 2 7 3 1 4 10 9
Dallapiccola, Luigi Cinque fragment di Saffo, No.4 1942 0 2 8 6 7 9 10 3 1 11 4 5
Dallapiccola, Luigi Commiato 1972 0 6 5 3 9 11 10 8 7 1 2 4
Dallapiccola, Luigi Dialoghi 1959-60 0 1 10 2 6 4 5 3 7 11 8 9
Dallapiccola, Luigi Due studi, 'Fanfare' 1951 0 1 7 9 10 3 4 2 8 11 6 5
Dallapiccola, Luigi Goethe-Lieder, No.2 1953 0 1 11 9 3 8 6 7 2 5 4 10
Dallapiccola, Luigi Il Prigioniero, "Hope" 1949 0 1 2 3 11 5 4 10 6 7 9 8
Dallapiccola, Luigi Il Prigioniero, "Liberty" 1949 0 2 5 8 10 1 3 6 9 11 4 7
Dallapiccola, Luigi Il prigioniero, "Prayer" 1949 0 3 6 11 9 2 1 7 8 4 5 10
Dallapiccola, Luigi Job 1950 0 1 5 7 8 11 2 10 4 6 9 3
Dallapiccola, Luigi Liriche greche c: Sex Carmina Alcaei 1943 0 3 5 6 2 9 8 7 4 1 10 11
Dallapiccola, Luigi Parole di San Paolo 1964 0 8 9 10 4 3 6 7 5 11 2 1
Dallapiccola, Luigi Piccola musica notturna 1954 0 9 1 3 4 11 2 8 7 5 10 6
Dallapiccola, Luigi Preghiere 1962 0 11 2 3 8 9 7 6 1 5 4 10
Dallapiccola, Luigi Quaderno musicale di Annalibera 1952 0 1 5 8 10 4 3 7 9 2 11 6
Dallapiccola, Luigi Quattro liriche di Antonio Machado, i, iv 1948 0 3 5 6 8 9 11 10 7 4 2 1
Dallapiccola, Luigi Quattro liriche di Antonio Machado, ii 1948 0 1 4 6 7 9 10 11 2 3 5 8
Dallapiccola, Luigi Requiescant 1957-58 0 2 1 3 4 6 7 9 8 10 5 11
Dallapiccola, Luigi Requiescant (alternative view) 1957-1958 0 2 1 7 11 8 9 6 10 4 3 5
Dallapiccola, Luigi Sicut umbra 1970 0 1 2 8 6 5 3 9 4 7 10 11
Dallapiccola, Luigi Tempus, 'Exhortatio' 1970-71 0 11 9 3 5 6 4 7 8 2 1 10
Dallapiccola, Luigi Tempus, 'Ploratus' 1970-71 0 1 7 6 10 4 3 2 5 11 9 8
Dallapiccola, Luigi Tre poemi 1948 0 8 9 6 3 1 2 11 7 5 4 10
Dallapiccola, Luigi Ulisse [opera] 1960-1968 0 2 1 3 9 8 11 10 4 6 5 7
Dallapiccola, Luigi Variazioni per orchestra 1954 0 1 5 8 10 4 3 7 9 2 11 6
David, Johann Nepomuk Sonata for violin, Op.58, No.1 1963 0 2 3 9 11 10 5 8 1 6 4 7
David, Johann Nepomuk Symphony, No.8, Op.59 1964-1965 0 5 9 2 6 11 3 4 7 8 10 1
Davies, Peter Maxwell Five Pieces for Piano, Op.2, No.1 1956 0 6 11 10 1 3 5 8 7 2 4 9
Davies, Peter Maxwell Five Pieces for Piano, Op.2, No.1 (first row) 1955-56 0 6 11 10 1 3 5 8 7 2 4 9
Davies, Peter Maxwell Five Pieces for Piano, Op.2, No.1 (second row) 1955-56 0 6 1 2 11 9 7 4 5 10 8 3
Davies, Peter Maxwell Five Pieces for Piano, Op.2, No.2 1956 0 7 11 1 3 5 8 6 4 9 10 2
Davies, Peter Maxwell Sonata for Trumpet and Piano, Op.1 1955 0 7 6 2 11 10 8 9 1 5 3 4
Denisov, Edison Concerto for Guitar and Orchestra, Row 1 1991 0 6 10 4 8 2 3 9 1 7 11 5
Denisov, Edison Concerto for Guitar and Orchestra, Row 2 1991 0 11 5 8 9 10 6 7 1 2 4 3
Denisov, Edison Five Etudes for Solo Bassoon, row A 1983 0 6 1 7 8 3 2 9 10 5 11 4
Denisov, Edison Five Etudes for Solo Bassoon, row B 1983 0 11 6 5 4 10 9 3 2 7 1 8
Denisov, Edison Five Etudes for Solo Bassoon, row C 1983 0 6 11 5 4 10 9 3 2 7 1 8
Denisov, Edison Five Etudes for Solo Bassoon, row D 1983 0 6 1 7 8 3 2 9 10 11 5 4
Denisov, Edison Five Etudes for Solo Bassoon, row E 1983 0 1 7 6 5 11 10 4 3 8 2 9
Denisov, Edison Five Etudes for Solo Bassoon, row F 1983 0 6 1 7 3 2 8 9 10 5 11 4
Denisov, Edison Five Etudes for Solo Bassoon, row G 1983 0 11 5 10 4 3 9 8 2 1 6 7
Denisov, Edison Five Etudes for Solo Bassoon, row H 1983 0 6 1 2 8 3 7 9 10 5 11 4
Denisov, Edison Five Etudes for Solo Bassoon, row I 1983 0 6 1 7 2 8 3 10 5 11 9 4
Denisov, Edison Five Etudes for Solo Bassoon, row J 1983 0 6 5 11 4 10 9 3 2 7 1 8
Denisov, Edison Octet for Winds, mvt 2, row A 1991 0 1 3 2 4 5 8 7 6 11 9 10
Denisov, Edison Octet for Winds, mvt 2, row B 1991 0 6 11 5 4 10 9 3 2 8 1 7
Denisov, Edison Sonata for Alto Saxophone and Piano, mvt 3, row A 1970 0 1 10 9 11 6 7 8 5 4 2 3
Denisov, Edison Sonata for Alto Saxophone and Piano, mvt 3, row B 1970 0 4 7 11 3 6 9 2 5 8 1 10
Denisov, Edison Variations 1961 0 1 9 6 8 10 4 3 7 11 5 2
Dessau, Paul >Guernica< for piano 1937 0 7 6 2 10 11 5 9 1 3 4 8
Dessau, Paul Les Voix 1939 0 11 6 8 9 3 4 10 5 7 2 1
Diamond, David The World of Paul Klee, frame I 1958 0 5 8 4 9 3 1 11 2 6 10 7
Diamond, David The World of Paul Klee, frame I, II 1958 0 7 11 3 4 10 6 8 9 1 5 2
Dobbins, Bill Concerto for Jazz Orchestra 1999 0 9 7 4 3 1 10 11 8 6 5 2
Dzubay, David Di,Con[ver(gence,sions)] 1988 0 9 8 4 7 6 1 10 3 5 11 2
Eder, Helmut Concerto for violin and orchestra, Op.32 1960 0 9 6 2 11 3 8 1 7 5 10 4
Eisler, Hanns >Spruch< for voice and piano 1939 0 3 11 9 5 8 4 1 2 10 7 6
Eisler, Hanns An den Schlaf 1939 0 8 2 10 11 5 6 1 9 3 7 4
Eisler, Hanns Chamber Symphony / Film music for "White Flood", row 1 1940 0 1 2 3 11 7 6 5 9 8 10 4
Eisler, Hanns Chamber Symphony / Film music for "White Flood", row 2 1940 0 8 2 10 11 5 6 1 4 9 7 3
Eisler, Hanns Der Zweck der Musik 1939 0 2 4 5 7 9 6 8 10 11 1 3
Eisler, Hanns Deutsche Symphonie, mvt 4 1936-47 0 10 5 6 11 7 1 4 2 8 9 3
Eisler, Hanns Deutsche Symphonie, mvt 5 1936-47 0 1 3 5 8 9 6 11 10 4 2 7
Eisler, Hanns Deutsche Symphonie, mvt 7 1936-47 0 11 8 5 2 1 4 3 10 7 6 9
Eisler, Hanns Deutsche Symphonie, mvt 8 1936-47 0 3 1 11 2 10 8 9 6 7 5 4
Eisler, Hanns Deutsche Symphonie, mvt 9 1936-47 0 4 1 10 8 6 3 11 9 2 5 7
Eisler, Hanns Deutsche Symphonie, mvts 1, 10 1936-47 0 10 6 1 11 7 5 8 9 3 4 2
Eisler, Hanns Deutsche Symphonie, mvts 2, 6 1936-47 0 3 11 9 5 8 4 7 6 2 1 10
Eisler, Hanns Five Pieces for Orchestra, mvt 1 1938-40 0 6 2 3 10 9 11 5 8 7 1 4
Eisler, Hanns Five Pieces for Orchestra, mvt 2 1938-40 0 2 3 1 11 7 5 4 8 10 9 6
Eisler, Hanns Five Pieces for Orchestra, mvt 3 1938-40 0 3 2 1 5 4 6 9 8 11 10 7
Eisler, Hanns Five Pieces for Orchestra, mvt 4 1938-40 0 10 9 8 6 7 3 4 5 11 1 2
Eisler, Hanns Five Pieces for Orchestra, mvt 5 1938-40 0 2 6 4 10 9 11 1 7 5 8 3
Eisler, Hanns Gegen den Krieg, Op.55 1936 0 3 2 5 4 7 6 8 9 10 1 11
Eisler, Hanns Kleine Symphonie, Op.29, mvt 1 1931 0 10 11 8 5 4 1 2 3 9 7 6
Eisler, Hanns Man lebt von einem Tage zu dem andern ("Kantate im Exil") 1937 0 10 11 3 1 8 7 4 2 6 9 5
Eisler, Hanns Nonet (No. 1) / Film music for "The Living Land" 1939 0 3 5 7 10 4 2 9 8 6 11 1
Eisler, Hanns Palmström, Op.5, No.2 1924-25 0 1 11 7 10 8 6 4 2 5 3 9
Eisler, Hanns Palmström, Op.5, No.4 1924-25 0 11 2 8 3 9 6 7 10 1 4 5
Eisler, Hanns Palmström, Op.5, No.5 1924-25 0 10 11 9 8 1 7 6 5 3 4 2
Eisler, Hanns Praeludium und Fuge über B-A-C-H for String Trio, Op.46 1934 0 11 2 1 4 3 6 5 8 7 10 9
Eisler, Hanns Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 1 1924-25 0 4 6 3 2 1 9 10 7 8 5 11
Eisler, Hanns Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 2 1924-25 0 4 3 2 6 1 9 10 7 8 5 11
Eisler, Hanns Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 3 1924-25 0 4 3 2 1 9 10 6 7 8 5 11
Eisler, Hanns Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 4 1924-25 0 4 3 2 9 6 10 1 7 5 8 11
Eisler, Hanns Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 5 1924-25 0 3 2 4 6 1 9 10 7 8 5 11
Eisler, Hanns Sonata for violin and piano ("Reisesonate") 1937 0 5 9 4 2 3 1 11 10 6 7 8
Eisler, Hanns Sonatina for Piano ("Gradus ad parnassum"), Op.44 1934 0 2 3 5 7 8 11 10 9 1 6 4
Eisler, Hanns String Quartet 1938 0 9 3 2 11 1 4 5 10 7 8 6
Eisler, Hanns Suite for Orchestra, No.1, mvt 4 1930 0 4 2 3 1 11 7 10 9 8 6 5
Eisler, Hanns Variations for Piano 1941 0 3 10 6 5 8 1 11 2 4 7 9
Eisler, Hanns Vierzehn Arten den Regen zu beschreiben / Film music for "Regen" 1941 0 6 7 4 5 3 2 1 11 9 10 8
Eisler, Hanns Zwei Elegien, No.1 ("In die Städte kam ich") 1937 0 10 5 1 2 7 6 8 9 3 4 11
Eisler, Hanns Zwei Elegien, No.2 (An die Überlebenden) 1937 0 1 4 3 2 6 8 11 10 9 5 7
Eröd, Ivan Die Seidenraupen 1964-1968 0 4 6 3 1 10 8 11 9 5 2 7
Evans, Bill Twelve Tone Tune 1971 0 10 2 3 1 11 4 6 9 8 5 7
Evans, Bill Twelve Tone Tune Two 1972 0 9 11 1 10 3 2 6 4 5 8 7
Fano, Michel Sonata for Two Pianos 1951 0 6 10 7 9 8 3 2 4 1 5 11
Ferneyhough, Brian Superscriptio 1981 0 3 5 6 1 11 8 9 2 4 7 10
Fine, Irving Fantasia for String Trio 1957 0 2 6 3 1 11 8 9 4 5 10 7
Fine, Vivian Chaconne for piano 1947 0 11 1 10 2 9 3 8 4 7 5 6
Fine, Vivian Four Songs, No.1, "The Lover in Winter Plaineth For The Spring" 1933 0 10 2 7 6 9 11 8 4 5 1 3
Fine, Vivian Four Songs, No.2, "Comfort To A Youth That Had Lost His Love" 1933 0 1 2 6 9 10 11 3 5 4 7 8
Finney, Ross Lee Concerto for Alto Sax 1974 0 1 3 4 6 9 11 10 8 7 5 2
Finney, Ross Lee Fantasy in Two Movements for solo violin 1958 0 1 3 5 4 2 11 10 8 6 7 9
Finney, Ross Lee Sonata Quasi una Fantasia 1961 0 1 3 2 4 5 6 7 9 8 10 11
Florey, Hans 'Achteck' für Flöte, Violine und Klavier 1991/4/5 0 7 8 9 2 6 11 10 3 1 5 4
Florey, Hans 'Die Blume der Blumen' für Gesang und Viola 1983/9/19 0 3 4 8 9 6 1 7 10 11 2 5
Florey, Hans 'Fort, fort sind meine Rosen' für Gesang und Instrument 1985/7/29 0 7 6 3 5 9 2 10 8 4 1 11
Florey, Hans 'Jünglingstrauer' für Singstimme und Klavier 1983/10/16 0 11 2 8 9 4 10 1 6 5 3 7
Florey, Hans Bildentwurf 1959 0 7 5 4 9 3 8 10 2 11 1 6
Florey, Hans Die Aussicht 1986/8/2 0 9 11 8 2 10 5 6 7 4 3 1
Florey, Hans Duo mit Schloßreihe 1998/11/14 0 6 9 7 5 11 2 3 10 8 1 4
Florey, Hans Fragment für Gesang und Melodieinstrument 1986/1/5 0 6 3 4 11 10 9 5 1 7 8 2
Florey, Hans Fünfstimmiger Kanon mit Krebs (für Gerhard Zeller) 1985/6/27 0 3 10 6 1 5 11 2 9 7 4 8
Florey, Hans Fünfstimmiger Kanon mit Sonnenquadrat 1985/3/19 0 9 7 2 10 6 1 4 5 8 3 11
Florey, Hans Grabgesang 2006/3/21 0 2 8 5 10 11 4 1 6 3 9 7
Florey, Hans Griechisch-lateinisches Quadrat der Ordnung 4 mit Fuge in Klangnotation 2001/1977 0 9 3 7 4 10 2 6 1 8 11 5
Florey, Hans Hexaeder für Klavier 1986/1/21 0 9 4 8 5 10 11 3 2 6 1 7
Florey, Hans Hälfte des Lebens 1986/11/29 0 3 4 1 7 11 6 9 10 8 2 5
Florey, Hans I Ging 1980/10 0 7 2 10 11 6 5 1 9 8 4 3
Florey, Hans Im Mondlicht 1988/1/5 0 1 4 6 5 3 11 10 9 7 8 3
Florey, Hans Im Winter 1983/9/6 0 6 7 10 1 8 2 9 4 3 11 5
Florey, Hans Kanonvariationen 1992/6 0 1 4 6 5 3 11 10 9 7 8 2
Florey, Hans Klavierstück 1982/2/22 0 1 11 10 9 6 4 8 5 7 2 3
Florey, Hans Kleiner Doppelkanon 1991/11/19 0 4 6 3 8 9 7 2 1 5 11 10
Florey, Hans Magische Klangordnung 1978/11/7 0 5 7 4 1 2 3 9 10 6 8 11
Florey, Hans Magischer Würfel mit 6 Spiegelpunkten 1983/1982 0 10 1 7 4 6 5 8 3 9 2 11
Florey, Hans Magisches Quadrat der Ordnung 3 1992/1973 0 4 6 3 8 9 7 2 1 5 11 10
Florey, Hans Polare Doppelzeichen-Kreise 1991/11/21 0 2 11 4 5 3 10 9 1 7 6 8
Florey, Hans Sechs Kanonzyklen einunddesselben magischen Quadrates 1982/9 0 10 1 7 4 6 5 8 3 9 2 11
Florey, Hans Trigramme 1991/10/15 0 8 9 7 6 4 3 5 10 11 1 2
Florey, Hans Triptychon 2005/6/23 0 8 9 3 7 2 1 10 5 6 11 4
Florey, Hans Zwölftonspiel für Streichquartett. 3. Dezember 1965 1965/12/3 0 10 2 5 3 4 1 8 9 6 7 11
Fortner, Wolfgang Sieben Elegien 1951 0 10 5 8 1 11 9 6 7 4 2 3
Frankel, Benjamin The Curse of the Werewolf 1961 0 3 2 1 4 8 11 5 10 7 6 9
Gerhard, Roberto Capriccio for Solo Flute 1949 0 11 9 3 1 10 8 6 4 7 2 5
Gerhard, Roberto Chaconne for Unaccompanied Violin 1959 0 11 4 2 1 3 9 10 8 6 5 7
Gerhard, Roberto Concert for 8 1962 0 8 11 2 1 4 9 6 3 10 5 7
Gerhard, Roberto Concerto for Harpsichord, String Orchestra, and Percussion 1955-56 0 2 8 7 11 5 1 4 3 6 9 10
Gerhard, Roberto Concerto for Piano and String Orchestra 1951 0 4 1 11 10 3 6 5 9 8 2 7
Gerhard, Roberto Concerto for Violin and Orchestra 1942-43 0 8 7 1 11 10 5 9 4 6 3 2
Gerhard, Roberto Gemini 1966 0 11 3 1 5 4 8 6 7 2 9 10
Gerhard, Roberto Hymnody 1963 0 10 11 8 2 9 4 5 1 6 7 3
Gerhard, Roberto Leo 1969 0 2 1 6 5 7 3 8 9 10 4 11
Gerhard, Roberto Libra 1968 0 6 1 7 2 8 4 9 5 10 11 3
Gerhard, Roberto Nonet 1956-57 0 11 1 3 5 4 10 8 2 7 9 6
Gerhard, Roberto Sonata for Cello and Piano 1956 0 2 10 11 5 6 4 3 7 8 1 9
Gerhard, Roberto String Quartet 1950-55 0 7 8 2 6 10 9 11 4 5 1 3
Gerhard, Roberto String Quartet, No.2 1961 0 1 5 2 8 7 10 9 6 11 4 3
Gerhard, Roberto Symphony, No.1 1952-53 0 11 8 5 10 9 6 3 4 2 1 7
Gerhard, Roberto Symphony, No.2 1957-59 0 8 1 7 5 6 10 11 2 3 9 4
Gerhard, Roberto The Plague 1963-64 0 1 9 11 8 10 4 5 6 2 3 7
Gerhard, Roberto Three Impromptus 1950 0 8 1 10 4 6 7 5 3 2 9 11
Geßler, Florian Die Dinge des Lebens (Klavierquartett) 11/2010 0 9 3 1 7 2 5 11 4 10 8 6
Gielen, Michael Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano 1958 0 5 1 4 2 3 9 8 10 7 11 6
Ginastera, Alberto Cantata para América Mágica, Op.27 1960 0 7 6 5 10 11 8 1 2 9 4 3
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 1 1963-64 0 1 6 7 8 2 10 11 5 4 9 3
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 2 1963-64 0 11 2 3 4 1 6 5 8 9 10 7
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 3 1963-64 0 5 6 11 2 1 8 7 10 4 9 3
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 4 1963-64 0 9 10 11 6 5 8 7 2 3 4 1
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 5 1963-64 0 1 7 6 5 11 2 8 9 10 4 3
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 6 1963-64 0 11 1 2 5 4 6 7 10 8 9 3
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 7 1963-64 0 1 8 2 7 6 5 11 9 10 4 3
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 8 1963-64 0 1 7 6 8 9 3 2 4 5 11 10
Ginastera, Alberto Don Rodrigo, Op.31, Row Class 9 1963-64 0 11 3 4 7 10 6 5 9 1 2 8
Ginastera, Alberto Piano Concerto, No.1, Op.28 1961 0 11 5 1 8 2 7 6 10 4 9 3
Ginastera, Alberto Quintet, Op.29, Row Class III 1 1963 0 11 1 8 2 7 10 3 9 4 6 5
Ginastera, Alberto Quintet, Op.29, Row Class III 2 1963 0 11 1 8 2 7 5 6 4 9 3 10
Ginastera, Alberto Quintet, Op.29, Row Class V 1963 0 5 4 7 3 2 6 9 8 1 10 11
Ginastera, Alberto Quintet, Op.29, Row Class VII 1 1963 0 9 10 11 4 3 6 2 1 5 8 7
Ginastera, Alberto Quintet, Op.29, Row Class VII 2 1963 0 11 1 8 2 7 5 6 4 9 3 10
Ginastera, Alberto Quintet, Op.29, Row Class VII S 1963 0 11 1 10 2 9 3 8 4 7 5 6
Ginastera, Alberto Quintet, Op.29, mvt.III 1963 0 7 3 10 2 6 9 1 4 8 11 5
Ginastera, Alberto Sonata for Cello and Piano, Op.49 1979 0 3 2 1 10 11 8 9 5 4 7 6
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class II 1 1976 0 11 10 9 8 7 6 5 4 3 2 1
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class II 2 1976 0 3 6 9 2 5 8 11 4 7 10 1
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class II 3 1976 0 9 3 2 11 6 5 1 8 7 4 10
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class II 4 1976 0 2 1 5 3 4 7 8 6 10 9 11
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class II 5 1976 0 7 1 6 4 11 5 10 8 3 9 2
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class II 6 1976 0 11 4 3 8 7 1 2 9 10 5 6
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class II 7 1976 0 9 10 11 8 7 6 3 4 5 2 1
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class III 1976 0 11 7 4 2 9 3 8 10 1 5 6
Ginastera, Alberto Sonata for Guitar, Op.47, mvts II and III, Row Class III S 1976 0 6 11 5 8 2 7 1 4 10 3 9
Ginastera, Alberto String Quartet, No.2, Op.26 1958 0 5 11 2 8 1 9 10 7 4 3 6
Ginastera, Alberto Turbae ad Passionem Gregorianam, Op.43, mvt II 1974 0 5 1 7 6 11 8 2 3 4 9 10
Ginastera, Alberto Violin Concerto, Op.30 1963 0 11 2 3 4 1 6 5 8 9 10 7
Goehr, Alexander Little Symphony, Op.15 1963 0 3 7 10 6 4 5 2 9 8 11 1
Goehr, Alexander Piano Trio, Op.20 1966 0 6 7 4 3 8 5 9 11 2 10 1
Goehr, Alexander Sonata in One Movement, Op.2 1953-55 0 2 7 1 4 10 6 9 11 8 5 3
Goehr, Alexander Violin Concerto, Op.13 1962 0 8 2 1 3 11 5 10 7 6 4 9
Goeyvaerts, Karel 'Opus 2 for 13 Instruments' aka 'Nummer 2' 1951 0 7 6 5 8 9 4 3 10 11 2 1
Goeyvaerts, Karel Sonata for Two Pianos, aka 'Opus 1', 'Nummer 1' 1950-51 0 8 1 11 10 4 6 5 2 7 3 9
Goeyvaerts, Karel Violin concerto, No.2 1951/1950 0 11 7 1 2 9 10 8 5 6 3 4
Gotham, Mark 4x4x4x4, row 1 2021 0 2 6 10 5 3 8 9 11 7 4 1
Gotham, Mark 4x4x4x4, row 2 2021 0 2 6 10 11 9 8 3 5 1 4 7
Gotham, Mark 4x4x4x4, row 3 2021 0 2 6 10 7 4 11 9 8 3 5 1
Gotham, Mark 4x4x4x4, row 4 2021 0 2 6 10 1 4 5 3 8 9 11 7
Gotham, Mark Move On! 2022 0 4 3 10 6 9 1 5 2 8 11 7
Hamel, Peter Michael 'Klangspirale' für 13 Spieler oder drei Orchestergruppen 1977 0 10 5 9 3 4 1 6 8 11 2 7
Harrison, Lou A Twelve-Tone Morning After to Amuse Henry 1944-45 0 2 3 4 9 8 7 10 11 6 5 1
Harrison, Lou Rapunzel 1952 0 11 4 3 7 6 10 9 2 1 8 5
Harrison, Lou Suite for Piano 1943 0 1 6 2 5 7 11 4 9 8 10 3
Harrison, Lou Symphony on G 1947-64 0 1 5 4 3 10 11 7 6 2 9 8
Harrison, Lou Untitled Piano Piece 1937 0 10 4 3 9 7 2 8 6 1 11 5
Hartmann, Karl Amadeus Symphony, No.4 1947-1948 0 1 3 2 11 4 5 10 7 6 8 9
Hauer, Jose Matthias XXXII. Zwölftonspiel; für Violine, Bratsche und Cello 1946/8/19 0 2 6 1 10 9 5 8 11 7 4 3
Hauer, Josef Matthias 'Almanach 1957' [Zwölftonspiel] für vier Violinen 1956 0 2 6 5 1 9 8 3 7 4 10 11
Hauer, Josef Matthias 'Atonale Musik'. Klavierstücke 1922., Op.20 1920-1922 0 7 4 9 5 8 3 11 2 6 1 10
Hauer, Josef Matthias 'Der Menschen Weg', Op.67 1952/1934 0 8 5 4 10 2 7 9 1 3 11 6
Hauer, Josef Matthias 'Die schwarze Spinne', Op.62 1932/7/27 0 4 10 1 5 8 11 2 7 9 6 3
Hauer, Josef Matthias 'Durch Dick und Dünn zum Staatsvertrag'. Marsch für Klavier zu vier Händen 1955/5/20 0 4 5 1 8 11 3 9 6 10 7 2
Hauer, Josef Matthias 'Emilie vor ihrem Brauttag' (Friedrich Hölderlin) für Altsolo und Orchester, Op.58 1928/11/9-28 0 8 3 4 11 6 9 10 2 1 5 7
Hauer, Josef Matthias 'Empedokles', dramatische Gesänge in zwei Teilen für Soli Männerchor und Orchester; Opus 68 1935/6-09 0 6 10 5 7 9 1 4 11 8 3 2
Hauer, Josef Matthias 'Kaleidoskop' für Orchester 1956/8/20 0 9 6 7 3 8 2 4 11 1 5 10
Hauer, Josef Matthias 'Musik für Schule und Haus I' 22. September 1956. für zwei Violinen und Klavier 1956/9/22 0 5 1 3 6 11 7 8 2 10 4 9
Hauer, Josef Matthias 'Musik für Schule und Haus II' 22. September 1956. für Violine, Bratsche und Klavier 1956/9/22 0 7 8 1 6 5 10 2 11 9 3 4
Hauer, Josef Matthias 'Salambo', opera after Gustave Flaubert;, Op.60 1929/5-8 0 6 9 2 8 10 4 7 1 11 3 5
Hauer, Josef Matthias 'Tanz tibetanischer Mönche' im langsamen 3/4 Takt) [Zwölftonspiel]. 8. September 1956 1956/9/8 0 7 8 6 3 1 11 2 10 5 9 4
Hauer, Josef Matthias 'Wandlungen' (chamber-oratorio for stage or concert, for six solo-voices, choir and orchestra; after words of Friedrich Hölderlin), Op.53 1927/12/5 0 5 11 4 10 1 6 8 9 3 7 2
Hauer, Josef Matthias 1. canonic Example from the theoretical work 'Zwölftontechnik' 1925/10 0 1 4 6 5 3 11 10 9 7 8 2
Hauer, Josef Matthias Apokalyptische Phantasie, Op.5 1913/September-Oktober/16.9.-23.10 0 1 11 9 6 10 4 8 2 5 7 3
Hauer, Josef Matthias Baustein 1920 0 8 11 1 6 10 4 2 3 5 9 7
Hauer, Josef Matthias Divertimento für kleines Orchester, Op.61 1930/5/5 0 7 5 1 2 11 6 4 8 10 3 9
Hauer, Josef Matthias Erste Suite für Orchester 1924/6 0 7 5 10 1 11 9 4 6 2 8 3
Hauer, Josef Matthias Fünfte Tanzfantasie für kleines Orchester, Opus 66 1933/12/17 0 10 4 7 8 11 6 2 5 9 3 1
Hauer, Josef Matthias Harmonie - Melodie - Rhythmus - in kristallischer Bindung - im vierfachen Kontrapunkt [Zwölftonspiel] für Zwölftonorchester 1956/8/23 0 2 10 9 6 5 1 4 7 11 8 3
Hauer, Josef Matthias Hausmusik [Zwölftonspiel] für Klavier zu vier Händen. September 1958 1958/9/11 0 9 6 11 4 1 10 5 2 8 3 7
Hauer, Josef Matthias Hausmusik [Zwölftonspiel] für zwei Violinen und Klavier 1955/4/6 0 1 5 3 7 10 9 6 11 4 2 8
Hauer, Josef Matthias Hölderlinrezitation 1949/4/30 0 4 1 2 11 7 5 10 3 6 8 9
Hauer, Josef Matthias Kammermusik [Zwölftonspiel] für Flöte, Oboe, Baßklarinette, Fagott, zwei Violinen, Bratsche, Cello und Klavier zu vier Händen. 24. Jänner 1957 1957/1/24 0 9 3 7 5 10 1 6 11 4 2 8
Hauer, Josef Matthias Klavierkonzert, Op.55 1928/4-5 0 1 9 2 10 3 5 11 7 8 4 6
Hauer, Josef Matthias Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op.25 ;, No.10 1923 0 6 11 10 9 5 2 3 7 1 4 8
Hauer, Josef Matthias Labyrinthischer Tanz [Zwölftonspiel] für Klavier zu vier Händen. 16. November 1952 1952/11/16 0 3 8 7 2 10 6 1 11 9 4 5
Hauer, Josef Matthias Langsamer Walzer [Zwölftonspiel] für Orchester. 10. Jänner 1957 1957/1/10 0 8 10 2 3 6 1 9 7 4 11 5
Hauer, Josef Matthias Langsamer Walzer [Zwölftonspiel] für Orchester. 19. Jänner 1957 1957/1/19 0 10 1 5 7 2 9 11 6 3 8 4
Hauer, Josef Matthias Langsamer Walzer [Zwölftonspiel] für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen 1955/9/24 0 6 2 11 10 7 3 4 5 9 1 8
Hauer, Josef Matthias Lateinische Messe, Op.46 für gemischten Chor, Orchester und Orgel 1926 0 8 5 4 11 7 1 3 10 2 6 9
Hauer, Josef Matthias Nomos 1919 0 5 7 3 9 6 11 2 8 4 1 10
Hauer, Josef Matthias Nomos, Op.19 (bb.1-36) 1919/8/25-29 0 5 7 3 9 6 11 2 8 4 1 10
Hauer, Josef Matthias Nomos, Op.19 (bb.101-102) 1919/8/25-29 0 7 4 2 1 10 9 11 8 6 3 5
Hauer, Josef Matthias Nomos, Op.19 (bb.103-105) 1919/8/25-29 0 3 9 10 8 1 6 7 2 11 5 4
Hauer, Josef Matthias Nomos, Op.19 (bb.106-108) 1919/8/25-29 0 10 6 1 7 4 9 5 3 8 11 2
Hauer, Josef Matthias Nomos, Op.19 (bb.111-113) 1919/8/25-29 0 5 9 8 4 3 10 2 1 7 6 11
Hauer, Josef Matthias Nomos, Op.19 (bb.117-118) 1919/8/25-29 0 4 5 11 7 10 3 9 6 2 1 8
Hauer, Josef Matthias Nomos, Op.19 (bb.119-120) 1919/8/25-29 0 10 8 6 5 7 9 2 3 1 11 4
Hauer, Josef Matthias Nomos, Op.19 (bb.123-124) 1919/8/25-29 0 8 11 5 3 7 4 9 1 6 10 2
Hauer, Josef Matthias Nomos, Op.19 (bb.125-126) 1919/8/25-29 0 11 1 10 6 8 9 5 7 3 2 4
Hauer, Josef Matthias Nomos, Op.19 (bb.129-130) 1919/8/25-29 0 9 10 4 3 7 6 2 1 8 11 5
Hauer, Josef Matthias Nomos, Op.19 (bb.131-132) 1919/8/25-29 0 9 8 2 11 3 6 5 10 7 4 1
Hauer, Josef Matthias Nomos, Op.19 (bb.133-134) 1919/8/25-29 0 8 5 11 2 7 4 6 3 1 10 9
Hauer, Josef Matthias Nomos, Op.19 (bb.134-137) 1919/8/25-29 0 2 1 4 5 9 6 8 10 7 11 3
Hauer, Josef Matthias Nomos, Op.19 (bb.136-138) 1919/8/25-29 0 1 9 8 4 7 3 6 5 11 10 2
Hauer, Josef Matthias Nomos, Op.19 (bb.138-140) 1919/8/25-29 0 3 4 2 5 6 8 7 10 11 1 9
Hauer, Josef Matthias Nomos, Op.19 (bb.139-141) 1919/8/25-29 0 2 10 1 11 9 8 5 6 4 7 3
Hauer, Josef Matthias Nomos, Op.19 (bb.141-142) 1919/8/25-29 0 5 3 4 1 11 2 6 8 9 10 7
Hauer, Josef Matthias Nomos, Op.19 (bb.141-143) 1919/8/25-29 0 10 11 3 5 6 7 2 1 4 8 9
Hauer, Josef Matthias Nomos, Op.19 (bb.142-143) 1919/8/25-29 0 11 10 1 5 3 8 6 9 4 7 2
Hauer, Josef Matthias Nomos, Op.19 (bb.143-145) 1919/8/25-29 0 9 10 2 1 11 4 6 7 5 8 3
Hauer, Josef Matthias Nomos, Op.19 (bb.148-150) 1919/8/25-29 0 6 5 3 2 7 8 4 1 11 9 10
Hauer, Josef Matthias Nomos, Op.19 (bb.151-153) 1919/8/25-29 0 7 2 4 6 1 5 3 9 10 8 11
Hauer, Josef Matthias Nomos, Op.19 (bb.154-155) 1919/8/25-29 0 5 6 4 9 1 2 7 10 11 8 3
Hauer, Josef Matthias Nomos, Op.19 (bb.159-161) 1919/8/25-29 0 5 1 8 10 4 6 7 3 9 11 2
Hauer, Josef Matthias Nomos, Op.19 (bb.171-174) 1919/8/25-29 0 7 1 3 9 6 8 11 10 5 4 2
Hauer, Josef Matthias Nomos, Op.19 (bb.175-178) 1919/8/25-29 0 10 1 2 6 5 3 4 8 9 7 11
Hauer, Josef Matthias Nomos, Op.19 (bb.180-185) 1919/8/25-29 0 1 3 11 6 7 8 5 4 9 10 2
Hauer, Josef Matthias Nomos, Op.19 (bb.186-191) 1919/8/25-29 0 4 3 9 7 5 2 6 8 11 1 10
Hauer, Josef Matthias Nomos, Op.19 (bb.192-193) 1919/8/25-29 0 9 6 2 8 4 7 10 1 3 5 11
Hauer, Josef Matthias Nomos, Op.19 (bb.194-195) 1919/8/25-29 0 4 2 3 6 9 5 1 8 7 11 10
Hauer, Josef Matthias Nomos, Op.19 (bb.196-197) 1919/8/25-29 0 2 8 6 11 5 4 10 7 3 1 9
Hauer, Josef Matthias Nomos, Op.19 (bb.198-201) 1919/8/25-29 0 8 9 11 3 5 6 1 2 7 10 4
Hauer, Josef Matthias Nomos, Op.19 (bb.202-203) 1919/8/25-29 0 1 3 10 7 9 2 11 4 6 8 5
Hauer, Josef Matthias Nomos, Op.19 (bb.204-207) 1919/8/25-29 0 2 3 1 9 7 6 4 11 5 10 8
Hauer, Josef Matthias Nomos, Op.19 (bb.208-212) 1919/8/25-29 0 9 7 2 5 1 10 6 11 4 3 8
Hauer, Josef Matthias Nomos, Op.19 (bb.213-216) 1919/8/25-29 0 2 6 1 10 4 5 8 11 7 3 9
Hauer, Josef Matthias Nomos, Op.19 (bb.215-219) 1919/8/25-29 0 3 8 2 6 5 4 1 10 11 9 7
Hauer, Josef Matthias Nomos, Op.19 (bb.220-224) 1919/8/25-29 0 10 7 4 5 8 3 11 9 2 1 6
Hauer, Josef Matthias Nomos, Op.19 (bb.224-228) 1919/8/25-29 0 1 9 3 4 5 10 11 6 2 8 7
Hauer, Josef Matthias Nomos, Op.19 (bb.228-230) 1919/8/25-29 0 2 9 6 5 10 7 3 8 1 4 11
Hauer, Josef Matthias Nomos, Op.19 (bb.231-233) 1919/8/25-29 0 6 10 3 2 8 9 5 4 1 11 7
Hauer, Josef Matthias Nomos, Op.19 (bb.234-237) 1919/8/25-29 0 11 3 1 7 4 9 6 5 10 2 8
Hauer, Josef Matthias Nomos, Op.19 (bb.238-240) 1919/8/25-29 0 6 11 9 2 1 5 7 8 10 4 3
Hauer, Josef Matthias Nomos, Op.19 (bb.241-243) 1919/8/25-29 0 2 8 1 4 9 5 6 3 11 10 7
Hauer, Josef Matthias Nomos, Op.19 (bb.244-246) 1919/8/25-29 0 9 7 10 11 4 6 8 1 2 3 5
Hauer, Josef Matthias Nomos, Op.19 (bb.247-250) 1919/8/25-29 0 9 6 4 11 7 5 10 3 8 2 1
Hauer, Josef Matthias Nomos, Op.19 (bb.251-254) 1919/8/25-29 0 9 8 1 4 3 5 7 6 2 11 10
Hauer, Josef Matthias Nomos, Op.19 (bb.255-257) 1919/8/25-29 0 7 2 6 5 10 3 4 11 8 1 9
Hauer, Josef Matthias Nomos, Op.19 (bb.257-262) 1919/8/25-29 0 7 3 8 4 2 9 1 11 6 10 5
Hauer, Josef Matthias Nomos, Op.19 (bb.262-263) 1919/8/25-29 0 11 2 5 1 6 9 7 10 3 4 8
Hauer, Josef Matthias Nomos, Op.19 (bb.264-267) 1919/8/25-29 0 7 5 4 1 8 3 9 2 6 10 11
Hauer, Josef Matthias Nomos, Op.19 (bb.272-276) 1919/8/25-29 0 1 5 3 7 2 8 10 4 6 11 9
Hauer, Josef Matthias Nomos, Op.19 (bb.280-283) 1919/8/25-29 0 5 6 9 7 4 3 8 11 1 10 2
Hauer, Josef Matthias Nomos, Op.19 (bb.284-287) 1919/8/25-29 0 1 11 7 6 4 10 5 2 8 3 9
Hauer, Josef Matthias Nomos, Op.19 (bb.288-291) 1919/8/25-29 0 2 10 7 4 6 11 3 5 1 8 9
Hauer, Josef Matthias Nomos, Op.19 (bb.292-294) 1919/8/25-29 0 9 2 6 3 5 10 1 11 7 4 8
Hauer, Josef Matthias Nomos, Op.19 (bb.297-300) 1919/8/25-29 0 11 8 6 5 10 1 4 3 9 2 7
Hauer, Josef Matthias Nomos, Op.19 (bb.301-305) 1919/8/25-29 0 10 2 9 8 1 5 6 11 3 7 4
Hauer, Josef Matthias Nomos, Op.19 (bb.306-309) 1919/8/25-29 0 2 7 8 1 4 9 10 3 6 5 11
Hauer, Josef Matthias Nomos, Op.19 (bb.307-309) 1919/8/25-29 0 4 9 3 2 5 11 1 10 7 6 8
Hauer, Josef Matthias Nomos, Op.19 (bb.315-317) 1919/8/25-29 0 8 1 3 7 10 4 5 11 2 9 6
Hauer, Josef Matthias Nomos, Op.19 (bb.321-324) 1919/8/25-29 0 6 10 1 3 5 9 4 2 8 11 7
Hauer, Josef Matthias Nomos, Op.19 (bb.325-328) 1919/8/25-29 0 5 4 2 7 6 3 11 1 8 10 9
Hauer, Josef Matthias Nomos, Op.19 (bb.328-332) 1919/8/25-29 0 3 2 7 6 10 9 11 8 5 1 4
Hauer, Josef Matthias Nomos, Op.19 (bb.331-334) 1919/8/25-29 0 4 3 2 1 11 7 10 5 6 8 9
Hauer, Josef Matthias Nomos, Op.19 (bb.337-338) 1919/8/25-29 0 1 11 5 4 3 8 9 2 10 6 7
Hauer, Josef Matthias Nomos, Op.19 (bb.348-353) 1919/8/25-29 0 11 9 5 10 4 6 8 3 2 1 7
Hauer, Josef Matthias Nomos, Op.19 (bb.356-358) 1919/8/25-29 0 6 9 5 4 2 11 3 10 8 7 1
Hauer, Josef Matthias Nomos, Op.19 (bb.358-361) 1919/8/25-29 0 10 8 1 11 7 2 6 5 9 4 3
Hauer, Josef Matthias Nomos, Op.19 (bb.362-365) 1919/8/25-29 0 7 5 3 10 8 4 2 9 6 11 1
Hauer, Josef Matthias Nomos, Op.19 (bb.366-371) 1919/8/25-29 0 5 1 7 3 2 4 8 11 6 10 9
Hauer, Josef Matthias Nomos, Op.19 (bb.37-39) 1919/8/25-29 0 8 5 1 9 2 4 6 10 3 7 11
Hauer, Josef Matthias Nomos, Op.19 (bb.372-375) 1919/8/25-29 0 8 6 1 10 11 5 9 7 4 3 2
Hauer, Josef Matthias Nomos, Op.19 (bb.376-378) 1919/8/25-29 0 11 9 3 4 8 7 10 2 1 6 5
Hauer, Josef Matthias Nomos, Op.19 (bb.379-382) 1919/8/25-29 0 7 3 10 5 6 4 1 2 9 11 8
Hauer, Josef Matthias Nomos, Op.19 (bb.383-386) 1919/8/25-29 0 3 1 4 10 8 11 2 5 7 9 6
Hauer, Josef Matthias Nomos, Op.19 (bb.387-390) 1919/8/25-29 0 3 7 4 10 1 11 9 6 8 2 5
Hauer, Josef Matthias Nomos, Op.19 (bb.391-394) 1919/8/25-29 0 10 11 9 7 4 8 5 1 3 6 2
Hauer, Josef Matthias Nomos, Op.19 (bb.395-402) 1919/8/25-29 0 2 7 10 6 5 8 9 11 3 1 4
Hauer, Josef Matthias Nomos, Op.19 (bb.40-42) 1919/8/25-29 0 10 1 11 7 2 6 5 3 8 9 4
Hauer, Josef Matthias Nomos, Op.19 (bb.403-409) 1919/8/25-29 0 11 2 10 8 1 5 3 4 6 7 9
Hauer, Josef Matthias Nomos, Op.19 (bb.411-414) 1919/8/25-29 0 2 8 3 5 6 7 4 9 10 1 11
Hauer, Josef Matthias Nomos, Op.19 (bb.422-425) 1919/8/25-29 0 6 4 2 10 9 8 5 11 7 1 3
Hauer, Josef Matthias Nomos, Op.19 (bb.425-427) 1919/8/25-29 0 8 10 7 4 2 3 5 6 11 1 9
Hauer, Josef Matthias Nomos, Op.19 (bb.428-429) 1919/8/25-29 0 10 4 6 5 3 1 9 7 8 2 11
Hauer, Josef Matthias Nomos, Op.19 (bb.430-432) 1919/8/25-29 0 6 8 10 9 2 7 1 3 4 5 11
Hauer, Josef Matthias Nomos, Op.19 (bb.433-435) 1919/8/25-29 0 3 11 4 9 5 8 6 7 10 1 2
Hauer, Josef Matthias Nomos, Op.19 (bb.438-441) 1919/8/25-29 0 1 10 8 9 4 3 5 7 11 6 2
Hauer, Josef Matthias Nomos, Op.19 (bb.441-445) 1919/8/25-29 0 1 9 8 10 4 6 5 7 2 3 11
Hauer, Josef Matthias Nomos, Op.19 (bb.45-47) 1919/8/25-29 0 10 6 1 5 4 11 8 2 3 7 9
Hauer, Josef Matthias Nomos, Op.19 (bb.451-453) 1919/8/25-29 0 2 4 1 6 11 3 8 9 7 5 10
Hauer, Josef Matthias Nomos, Op.19 (bb.452-455) 1919/8/25-29 0 5 7 8 1 2 3 4 6 11 10 9
Hauer, Josef Matthias Nomos, Op.19 (bb.455-456) 1919/8/25-29 0 5 9 4 6 1 10 3 7 2 8 11
Hauer, Josef Matthias Nomos, Op.19 (bb.457-458) 1919/8/25-29 0 3 4 5 8 1 6 11 9 10 2 7
Hauer, Josef Matthias Nomos, Op.19 (bb.459-460) 1919/8/25-29 0 9 1 8 5 2 3 11 7 10 6 4
Hauer, Josef Matthias Nomos, Op.19 (bb.46-51) 1919/8/25-29 0 11 10 2 6 9 1 8 3 7 4 5
Hauer, Josef Matthias Nomos, Op.19 (bb.463-464) 1919/8/25-29 0 4 6 7 3 9 1 10 8 11 5 2
Hauer, Josef Matthias Nomos, Op.19 (bb.467-471) 1919/8/25-29 0 5 9 1 7 2 10 4 11 8 3 6
Hauer, Josef Matthias Nomos, Op.19 (bb.471-472) 1919/8/25-29 0 3 11 1 6 9 2 8 5 7 10 4
Hauer, Josef Matthias Nomos, Op.19 (bb.473-474) 1919/8/25-29 0 6 9 1 3 11 8 4 5 7 10 2
Hauer, Josef Matthias Nomos, Op.19 (bb.475-479) 1919/8/25-29 0 9 10 6 7 5 2 3 8 4 1 11
Hauer, Josef Matthias Nomos, Op.19 (bb.479-483) 1919/8/25-29 0 6 10 9 7 8 11 4 5 3 2 1
Hauer, Josef Matthias Nomos, Op.19 (bb.486-490) 1919/8/25-29 0 10 1 4 9 5 6 8 7 3 2 11
Hauer, Josef Matthias Nomos, Op.19 (bb.490-494) 1919/8/25-29 0 5 11 6 9 2 8 7 10 4 1 3
Hauer, Josef Matthias Nomos, Op.19 (bb.494-496) 1919/8/25-29 0 7 8 5 6 11 2 3 9 4 1 10
Hauer, Josef Matthias Nomos, Op.19 (bb.496-498) 1919/8/25-29 0 10 9 4 3 7 5 8 1 2 6 11
Hauer, Josef Matthias Nomos, Op.19 (bb.498-501) 1919/8/25-29 0 3 1 10 7 6 2 11 8 5 4 9
Hauer, Josef Matthias Nomos, Op.19 (bb.50-53) 1919/8/25-29 0 2 10 4 5 3 6 7 1 8 9 11
Hauer, Josef Matthias Nomos, Op.19 (bb.501-503) 1919/8/25-29 0 5 7 1 3 2 6 10 11 8 9 4
Hauer, Josef Matthias Nomos, Op.19 (bb.503-507) 1919/8/25-29 0 10 1 2 3 5 7 11 4 8 9 6
Hauer, Josef Matthias Nomos, Op.19 (bb.509-511) 1919/8/25-29 0 10 11 7 3 6 1 8 2 5 9 4
Hauer, Josef Matthias Nomos, Op.19 (bb.511-514) 1919/8/25-29 0 10 1 4 6 2 9 7 11 8 5 3
Hauer, Josef Matthias Nomos, Op.19 (bb.517-521) 1919/8/25-29 0 2 10 11 6 4 5 1 3 9 8 7
Hauer, Josef Matthias Nomos, Op.19 (bb.52-56) 1919/8/25-29 0 3 2 9 5 4 8 1 7 10 11 6
Hauer, Josef Matthias Nomos, Op.19 (bb.522-526) 1919/8/25-29 0 8 1 6 3 11 10 2 9 4 5 7
Hauer, Josef Matthias Nomos, Op.19 (bb.525-527) 1919/8/25-29 0 10 3 9 7 1 11 2 6 4 8 5
Hauer, Josef Matthias Nomos, Op.19 (bb.528-531) 1919/8/25-29 0 6 7 5 8 10 9 11 4 2 1 3
Hauer, Josef Matthias Nomos, Op.19 (bb.55-59) 1919/8/25-29 0 11 1 4 3 9 10 8 7 6 5 2
Hauer, Josef Matthias Nomos, Op.19 (bb.60-63) 1919/8/25-29 0 4 1 2 9 8 10 5 11 3 6 7
Hauer, Josef Matthias Nomos, Op.19 (bb.64-67) 1919/8/25-29 0 6 9 11 8 5 4 3 1 2 7 10
Hauer, Josef Matthias Nomos, Op.19 (bb.68-71) 1919/8/25-29 0 5 6 10 7 9 4 1 2 8 11 3
Hauer, Josef Matthias Nomos, Op.19 (bb.72-73) 1919/8/25-29 0 1 7 11 4 3 9 6 5 2 10 8
Hauer, Josef Matthias Nomos, Op.19 (bb.73-78) 1919/8/25-29 0 8 7 2 4 11 1 3 6 5 10 9
Hauer, Josef Matthias Nomos, Op.19 (bb.82-83) 1919/8/25-29 0 2 11 8 5 10 9 1 7 3 4 6
Hauer, Josef Matthias Nomos, Op.19 (bb.84-87) 1919/8/25-29 0 10 1 11 5 3 2 6 7 8 9 4
Hauer, Josef Matthias Nomos, Op.19 (bb.87-90) 1919/8/25-29 0 1 11 9 8 7 10 6 4 3 5 2
Hauer, Josef Matthias Nomos, Op.19 (bb.91-92) 1919/8/25-29 0 4 10 1 2 7 6 8 5 9 11 3
Hauer, Josef Matthias Nomos, Op.19 (bb.93-94) 1919/8/25-29 0 1 10 8 6 2 9 4 11 7 5 3
Hauer, Josef Matthias Nomos, Op.19 (bb.95-96) 1919/8/25-29 0 1 4 7 8 6 11 9 10 5 3 2
Hauer, Josef Matthias Nomos, Op.19 (bb.97-98) 1919/8/25-29 0 9 8 7 4 3 2 10 1 11 5 6
Hauer, Josef Matthias Nomos, Op.19 (bb.99-100) 1919/8/25-29 0 5 3 9 1 10 4 11 8 7 2 6
Hauer, Josef Matthias Nomos, Op.19 (row 1) 1919/8/25-29 0 8 9 5 4 6 10 11 7 1 2 3
Hauer, Josef Matthias Nomos, Op.19 (row 2) 1919/8/25-29 0 6 10 4 3 2 8 7 11 9 5 1
Hauer, Josef Matthias Paraphonie [Zwölftonspiel] für Bratsche und Klavier 1947/4/24 0 4 10 5 8 1 11 7 2 9 6 3
Hauer, Josef Matthias Romantische Phantasie für Orchester 1925/6 0 10 8 5 1 9 4 11 3 7 6 2
Hauer, Josef Matthias Sakraler Tanz [Zwölftonspiel] für Orchester 1957/3/2 0 3 10 8 5 2 9 1 11 6 4 7
Hauer, Josef Matthias Schulmusik für zwei Klaviere. 3. Oktober 1958 1958/10/3 0 9 6 11 4 1 10 5 2 8 3 7
Hauer, Josef Matthias Sechste Suite für Orchester, Op.47 1926 0 9 6 2 8 3 10 11 7 4 5 1
Hauer, Josef Matthias Sieben Charakterstücke mit Überschriften für Violine allein, Op.56 1928/5/17 0 7 10 11 4 6 8 3 5 2 9 1
Hauer, Josef Matthias Sinfonietta in drei Sätzen (Symphonische Stücke für großes Orchester), Op.50 1927 0 1 3 5 10 9 6 11 2 4 8 7
Hauer, Josef Matthias Streichquartett [Zwölftonspiel]. 27. August 1956 1956/8/27 0 6 11 8 3 7 2 10 4 1 9 5
Hauer, Josef Matthias Symphonische Stücke für Streichorchester, Klavier und Harmonium, Op.49 1926/12 0 4 6 3 2 8 1 11 10 7 9 5
Hauer, Josef Matthias Tanz [Zwölftonspiel] im langsamen 3/4 Takt für Klavier zu vier Händen. 26. Mai 1958 1958/5/26 0 2 9 6 1 4 10 3 7 5 11 8
Hauer, Josef Matthias Tanz [Zwölftonspiel] im langsamen 3/4 Takt für Violine, Bratsche und Klavier zu vier Händen. 6. September 1958 1958/9/6 0 9 6 11 4 1 10 5 2 8 3 7
Hauer, Josef Matthias Tanz [Zwölftonspiel] im langsamen 3/4 Takt für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen 1958/6/9 0 9 3 7 4 10 2 6 1 8 11 5
Hauer, Josef Matthias Tanz [Zwölftonspiel] im langsamen 4/4 Takt für zwei Violinen, zwei Bratschen und Klavier. August 1958 1958/8/28 0 8 3 11 2 7 5 9 1 6 4 10
Hauer, Josef Matthias Tanz für Violine allein 1954 0 7 3 4 10 9 2 8 11 1 6 5
Hauer, Josef Matthias Tanz im langsamen 3/4 Takt [Zwölftonspiel] für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen 1958/6/9 0 3 10 2 11 6 8 7 4 9 1 5
Hauer, Josef Matthias VIII. Zwölftonspiel für Orchester. Juni 1943 1943/6/18 0 5 10 8 4 2 11 9 3 1 7 6
Hauer, Josef Matthias Vierte Tanzsuite für neun Soloinstrumente 1937 0 5 2 6 4 11 10 7 9 3 8 1
Hauer, Josef Matthias Violinkonzert, Op.54 (9. März - 6. April 1928) 1928/3-4 0 7 6 8 4 11 1 10 5 9 2 3
Hauer, Josef Matthias XV. Zwölftönespiel für Orchester 1944/4/16 & 23 0 9 8 3 1 11 5 6 7 10 2 4
Hauer, Josef Matthias XXI. Zwölftonspiel für Orchester; mit einer Zwöfftonreihe, die in sechs Tropen steht, und vom Kulturreferenten der Stadt Wien Dr. Viktor Matejka gewählt wurde. Erster Teil 2,4-Takt (Halbe = 50) mit achttaktigen Perioden; zweiter Teil im 3/4 Takt (punktierte Halbe = 40) mit sechstaktigen Perioden 1945/6/23 0 3 4 9 11 10 1 7 6 2 5 8
Hauer, Josef Matthias XXII. Zwölftonspiel für Klavier 1946 0 2 11 6 7 10 1 3 8 4 9 5
Hauer, Josef Matthias XXIII. Zwölftonspiel für Klavierquintett 1946 0 4 11 9 10 2 6 3 7 5 8 1
Hauer, Josef Matthias XXIV. Zwölftonspiel für Klavier 1946/2/1 0 2 9 3 8 1 4 7 11 5 6 10
Hauer, Josef Matthias XXIX. Zwölftonspiel für Cembalo; mit der Sokolowski-Reihe zu Bachs Geburtstag 1946 0 11 2 1 4 3 10 5 8 9 6 7
Hauer, Josef Matthias XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (1/2) 1946/8/12 0 9 6 10 11 2 7 3 1 4 5 8
Hauer, Josef Matthias XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (2/2) 1946/8/12 0 7 4 3 11 2 5 1 10 9 6 8
Hauer, Josef Matthias XXXII. Zwölftonspiel; für Violine, Bratsche und Cello 1946/8/19 0 3 7 4 1 5 6 9 2 10 8 11
Hauer, Josef Matthias Zwölftonmusik [Zwölftonspiel] für Klavier zu vier Händen. Februar 1959 (Fragment) 1959/2 0 9 3 7 4 10 2 6 1 8 11 5
Hauer, Josef Matthias Zwölftonmusik für Orchester, Op.86 1939/7/16 0 2 6 3 11 8 10 9 5 7 1 4
Hauer, Josef Matthias Zwölftonspiel (Langsamer Walzer) 8. Oktober 1956; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen 1956/10/8 0 1 10 9 3 8 5 6 11 2 4 7
Hauer, Josef Matthias Zwölftonspiel (Weihnachten 1947) für Klarinette, Violine, Bratsche, Cello und Klavier 1948/6/2 0 6 2 10 8 3 11 4 9 7 5 1
Hauer, Josef Matthias Zwölftonspiel 10. Juli 1957; für Klavier zu vier Händen 1956/7/10 0 8 10 6 2 11 1 3 9 4 7 5
Hauer, Josef Matthias Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, 2 Violinen, Viola, Violoncello & Klavier vierhändig 1957/6/15 0 8 11 6 9 5 7 1 3 2 4 10
Hauer, Josef Matthias Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, zwei Violinen, Viola, Violoncello & Klavier vierhändig 1957/6/15 0 6 4 8 3 11 9 2 7 1 10 5
Hauer, Josef Matthias Zwölftonspiel 17. August 1957; für zwei Violinen und Klavier 1957/8/17 0 5 8 4 9 3 11 7 2 6 1 10
Hauer, Josef Matthias Zwölftonspiel 17. September 1956; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen 1956/9/17 0 5 7 1 6 3 9 8 2 10 4 11
Hauer, Josef Matthias Zwölftonspiel 18. Mai 1958; für Streichsextett 1958/5/18 0 5 1 8 2 6 4 11 9 7 3 10
Hauer, Josef Matthias Zwölftonspiel 2. Juni 1948 für Streichquartett und Klavier 1948/6/2 0 3 10 6 2 11 1 4 7 9 5 8
Hauer, Josef Matthias Zwölftonspiel 22. Mai 1958; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen 1958/5/22 0 9 6 11 4 1 10 5 2 8 3 7
Hauer, Josef Matthias Zwölftonspiel 26. April 1958; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen 1958/4/26 0 2 7 11 3 5 8 1 4 9 6 10
Hauer, Josef Matthias Zwölftonspiel 26. August 1948; für Violine und Klavier 1948/8/26 0 9 8 5 10 2 11 6 3 7 4 1
Hauer, Josef Matthias Zwölftonspiel 26. Juli 1957, für Flöte, Oboe, Bassklarinette, Fagott und Streichquartett 1957/7/26 0 4 1 6 8 2 10 7 3 9 11 5
Hauer, Josef Matthias Zwölftonspiel 28. August 1948; für Violine und Klavier 1948/8/28 0 9 6 2 3 10 8 5 4 7 11 1
Hauer, Josef Matthias Zwölftonspiel 3. Mai 1958; für Streichsextett 1958/5/3 0 4 10 3 7 1 8 2 11 6 9 5
Hauer, Josef Matthias Zwölftonspiel 31. August 1948; für Violine (Flöte) und Klavier 1948/8/28 0 9 6 2 3 10 8 5 4 7 11 1
Hauer, Josef Matthias Zwölftonspiel 31. August 1948; für Violine und Klavier; 2. Fassung 1948/8/28 0 9 6 2 3 10 8 5 4 7 11 1
Hauer, Josef Matthias Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier 1957/9/5 0 4 2 9 10 6 11 1 7 3 8 5
Hauer, Josef Matthias Zwölftonspiel 7. April 1957; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen 1957/4/7 0 6 2 9 10 4 11 3 7 1 5 8
Hauer, Josef Matthias Zwölftonspiel 8. Juni 1957; für Klavier zu vier Händen 1957/7/8 0 5 11 4 9 2 6 3 10 8 1 7
Hauer, Josef Matthias Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier 1957/9/9 0 4 2 9 10 6 11 1 7 3 8 5
Hauer, Josef Matthias Zwölftonspiel April 1956; für Klavier zu vier Händen 1956/4/22 0 5 7 2 8 4 10 3 9 11 6 1
Hauer, Josef Matthias Zwölftonspiel Jänner 1957; für zwei Violinen, Bratsche und Cello 1957/1/30 0 10 6 2 8 3 5 7 9 4 1 11
Hauer, Josef Matthias Zwölftonspiel März 1958; für Kammerorchester 1958/3/21 0 5 10 4 1 7 2 11 8 3 6 9
Hauer, Josef Matthias Zwölftonspiel November 1957; für zwei Violinen und Klavier 1957/10/10 0 6 3 9 1 5 11 8 10 7 2 4
Hauer, Josef Matthias Zwölftonspiel Oktober 1956; für Klavier zu vier Händen 1956/10/22 0 9 6 2 8 3 10 5 1 11 7 4
Hauer, Josef Matthias Zwölftonspiel Oktober 1957; für Heimorchester 1957/10 0 2 4 10 9 3 6 11 7 1 5 8
Hauer, Josef Matthias Zwölftonspiel für Cembalo oder Klavier. 13. Juni 1947 1947/7/13 0 5 10 4 7 6 2 1 9 8 3 11
Hauer, Josef Matthias Zwölftonspiel für Flöte, Fagott (Baßklarinette), zwei Violinen, Bratsche und Cello. Jänner 1958 1958/1 0 10 8 5 2 9 6 3 1 11 7 4
Hauer, Josef Matthias Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier 1953 od. 1954 0 10 7 2 8 6 3 4 9 11 1 5
Hauer, Josef Matthias Zwölftonspiel für Gitarre. 24. 7. 1949 1949/7/24 0 6 10 2 5 9 1 4 7 3 11 8
Hauer, Josef Matthias Zwölftonspiel für Hausorchester (Klavier zu vier Händen, Violine, Cello und Akkordeon) 1955/2/25 0 1 10 2 9 4 11 5 3 8 6 7
Hauer, Josef Matthias Zwölftonspiel für Hausorchester (für Klavier zu vier Händen und Harmonium). 26. Juni 1954 1954/6/26 0 9 5 3 8 10 6 2 4 7 11 1
Hauer, Josef Matthias Zwölftonspiel für Klavier und Streichquartett 1947/7 0 9 3 10 2 5 8 6 1 11 7 4
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen 1958/9/1 0 9 6 11 4 1 10 5 2 8 3 7
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen und Akkordeon (Hausorchester) 1955/3/14 0 7 2 9 6 4 11 3 10 8 1 5
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen und Harmonium 1952/7/31 0 9 6 10 8 5 1 4 2 11 3 7
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen und Streichquartett 1951/11/28 0 7 2 10 6 8 3 11 9 4 1 5
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen, Violine, Bratsche, Cello und Kontrabaß (melischer Entwurf vom 29.8.1954) 1954/9/8 0 4 2 7 9 6 8 3 11 5 10 1
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 10. Juli 1952 1952/7/10 0 10 6 8 9 7 11 3 1 5 2 4
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 8. Juli 1952 1952/7/8 0 2 10 6 8 7 5 9 11 3 1 4
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello 1954/10/24 0 1 4 9 6 11 2 10 8 5 7 3
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello. 19. Oktober 1954 1954/10/19 0 6 11 2 1 5 3 8 10 7 9 4
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 13. März 1952 1952/3/13 0 5 9 10 8 1 4 3 6 7 11 2
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 16. Oktober 1955 1955/10/16 0 4 6 3 2 7 10 1 9 5 8 11
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 2. Mai 1952 1952/5/2 0 4 6 10 11 7 9 2 8 1 3 5
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 24. Juni 1952 1952/6/24 0 6 10 7 9 3 4 1 8 5 11 2
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 26. Juni 1952 1952/6/26 0 6 2 10 9 5 3 4 8 7 11 1
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 28. Juli 1952 1952/7/28 0 11 9 4 1 6 10 5 2 7 8 3
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 30. Juni 1952, I 1952/6/30 0 2 10 4 11 8 1 7 5 3 6 9
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 5. Juli 1952 1952/7/5 0 2 3 10 4 7 6 1 9 8 5 11
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. 9. April 1952 1952/4/9 0 10 8 6 1 7 9 3 2 11 5 4
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen. Mai 1955 1955/5/7 0 6 11 4 2 9 3 1 5 7 10 8
Hauer, Josef Matthias Zwölftonspiel für Klavier zu vier Händen; mit einer Zwölftonreihe von Dr. Fritz Racek 1954/8/22 0 2 9 11 4 3 6 1 10 8 5 7
Hauer, Josef Matthias Zwölftonspiel für Klavier zu zwei Händen. Neujahr 1947 (mit einer Zwölftonreihe von Ernst Hartmann) 1947/1/1 0 10 6 3 7 4 9 2 8 11 1 5
Hauer, Josef Matthias Zwölftonspiel für Klavier. 11. Juni 1955 1955/6/11 0 6 11 4 2 9 3 1 5 7 10 8
Hauer, Josef Matthias Zwölftonspiel für Klavier. 17. Juli 1952 1952/7/17 0 6 4 9 2 10 7 11 1 8 5 3
Hauer, Josef Matthias Zwölftonspiel für Klavier. 19. Februar 1953 1953/2/19 0 6 9 11 1 10 2 4 5 7 3 8
Hauer, Josef Matthias Zwölftonspiel für Klavier. 2. Juni 1955 1955/6/2 0 10 2 7 3 6 4 8 1 9 11 5
Hauer, Josef Matthias Zwölftonspiel für Klavier. 24. Dezember 1946 1946/12/24 0 1 2 6 10 5 11 4 3 9 7 8
Hauer, Josef Matthias Zwölftonspiel für Klavier. 3. Februar 1954 1954/2/3 0 9 4 2 8 11 1 5 3 6 10 7
Hauer, Josef Matthias Zwölftonspiel für Klavier. 7. Juni 1955 1955/6/7 0 4 10 7 11 8 3 1 5 6 2 9
Hauer, Josef Matthias Zwölftonspiel für Klavier. März 1953 1953/3/2 0 6 8 7 5 10 2 3 11 4 9 1
Hauer, Josef Matthias Zwölftonspiel für Klavier. September 1956 1956/9/4 0 8 11 6 3 5 1 10 7 4 2 9
Hauer, Josef Matthias Zwölftonspiel für Oechester. 28. 9. 1954 1954/9/28 0 8 9 6 10 4 11 1 2 5 3 7
Hauer, Josef Matthias Zwölftonspiel für Orchester (August 1957) 1957/8/9 0 9 4 6 11 3 2 8 5 1 7 10
Hauer, Josef Matthias Zwölftonspiel für Orchester. 28. 9. 1954 1954/9/28 0 5 7 4 6 1 9 3 8 11 10 2
Hauer, Josef Matthias Zwölftonspiel für Orchester. September 1957 1957/9/22 0 8 6 10 5 7 2 4 1 9 11 3
Hauer, Josef Matthias Zwölftonspiel für Streichquartett 1948/10/4 0 3 7 2 9 6 4 10 1 8 11 5
Hauer, Josef Matthias Zwölftonspiel für Violine allein mit einer Zwölftonreihe von Dr. Ernst Weidinger 1948/8/23 0 9 8 5 10 2 11 6 3 7 4 1
Hauer, Josef Matthias Zwölftonspiel für Violine und Cembalo [Klavier]. 27. August 1948 1948/8/27 0 9 6 2 3 10 8 5 4 7 11 1
Hauer, Josef Matthias Zwölftonspiel für Violine und Cembalo. 22.Juli 1948 1948/7/22 0 6 1 8 5 9 2 7 10 3 11 4
Hauer, Josef Matthias Zwölftonspiel für Violine und Klavier 1954 0 10 7 2 8 6 3 4 9 11 1 5
Hauer, Josef Matthias Zwölftonspiel für Violine und Klavier. 15.Juni 1955 1955/6/15 0 6 3 2 11 4 1 9 7 10 5 8
Hauer, Josef Matthias Zwölftonspiel für Violine und Klavier. 2. September 1956 1956/9/2 0 6 8 1 10 5 9 3 11 4 7 2
Hauer, Josef Matthias Zwölftonspiel für Violine und Klavier. 3. April 1955 1955/4/3 0 2 6 4 9 10 5 3 7 8 11 1
Hauer, Josef Matthias Zwölftonspiel für Violine, Cello und Klavier zu vier Händen 1957/8/13 0 10 6 1 8 3 11 7 2 5 9 4
Hauer, Josef Matthias Zwölftonspiel für Violine, Viola und Klavier. September 1957 1957/9 0 5 9 4 7 10 3 6 1 11 8 2
Hauer, Josef Matthias Zwölftonspiel für fünf Instrumente (Klavierquintett) 1951/9/15 0 4 2 11 7 10 6 9 3 8 1 5
Hauer, Josef Matthias Zwölftonspiel für fünf Violinen. 16. August 1950 1950/8/16 0 7 3 6 1 11 4 10 5 2 8 9
Hauer, Josef Matthias Zwölftonspiel für fünf Violinen. Mai 1955 1955/5 0 7 11 8 5 1 3 9 4 10 6 2
Hauer, Josef Matthias Zwölftonspiel für kleinen Chor und Klavier. Ostern 1947 1947/4 0 7 2 5 1 4 8 10 3 11 9 6
Hauer, Josef Matthias Zwölftonspiel für zwei Violinen 1954/2/10 0 2 3 11 1 10 8 6 4 9 7 5
Hauer, Josef Matthias Zwölftonspiel für zwei Violinen und zwei Violinen und zwei Bratschen. 11. Oktober 1956 1956/10/11 0 10 1 3 2 9 5 6 4 8 11 7
Hauer, Josef Matthias Zwölftonspiel für zwei Violinen, Bratsche und Cello ('Ins Räumliche übertragen'). 3. September 1953 1953/9/3 0 10 7 2 8 6 3 4 9 11 1 5
Hauer, Josef Matthias Zwölftonspiel für zwei Violinen, Bratsche und Cello. 12. Jänner 1954 1954/1/12 0 11 10 1 9 4 5 6 2 7 8 3
Hauer, Josef Matthias Zwölftonspiel für zwei Violinen, Bratsche und Cello. Jänner 1948 1948/1 0 1 7 2 11 3 8 5 6 4 9 10
Hauer, Josef Matthias Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier 1956/1/19 0 6 9 11 4 3 7 5 2 8 10 1
Hauer, Josef Matthias Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier. 16. April 1958 1958/4/16 0 3 8 2 9 1 11 5 7 4 6 10
Hauer, Josef Matthias Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953 1953/7/31 0 10 7 2 8 6 3 4 9 11 1 5
Hauer, Josef Matthias Zwölftonspiel. 20. Mai 1956 1956/5/20 0 2 5 8 10 9 11 6 4 7 3 1
Hauer, Josef Matthias [Zwölftonspiel] 'Johann Sebastian Bach hat das Wohltemperierte Klavier im Himmel vollendet ...' 1952/11/2 0 10 5 4 2 9 8 1 3 11 6 7
Hauer, Josef Matthias twelve-tone-row-example 1920 0 2 5 11 1 10 4 8 7 3 6 9
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.1 1979/9 0 1 2 3 4 5 11 10 9 8 7 6
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.10 1979/9 0 4 6 7 8 10 9 5 3 2 1 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.11 1979/9 0 4 5 6 8 9 7 3 2 1 11 10
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.12 1979/9 0 3 6 7 9 10 11 8 5 4 2 1
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.13 1979/9 0 3 5 7 8 10 9 6 4 2 1 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.14 1979/9 0 2 5 7 8 10 11 9 6 4 3 1
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.15 1979/9 0 1 3 6 7 9 11 10 8 5 4 2
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.16 1979/9 0 1 3 5 7 10 9 8 6 4 2 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.17 1979/9 0 1 3 5 8 9 7 6 4 2 11 10
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.18 1979/9 0 3 4 6 9 10 11 8 7 5 2 1
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.19 1979/9 0 1 4 5 8 9 11 10 7 6 3 2
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.2 1979/9 0 1 2 3 4 10 9 8 7 6 5 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.20 1979/9 0 1 2 5 7 8 11 10 9 6 4 3
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.21 1979/9 0 1 2 5 6 10 9 8 7 4 3 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.22 1979/9 0 1 2 4 8 9 7 6 5 3 11 10
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.23 1979/9 0 3 4 5 9 10 11 8 7 6 2 1
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.24 1979/9 0 3 4 7 8 10 9 6 5 2 1 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.25 1979/9 0 3 5 6 8 9 7 4 2 1 11 10
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.26 1979/9 0 3 4 6 7 8 5 2 1 11 10 9
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.27 1979/9 0 2 4 5 6 7 3 1 11 10 9 8
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.28 1979/9 0 5 7 8 9 10 11 6 4 3 2 1
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.29 1979/9 0 1 6 7 8 9 11 10 5 4 3 2
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.3 1979/9 0 2 3 4 5 10 11 9 8 7 6 1
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.30 1979/9 0 1 2 6 7 8 11 10 9 5 4 3
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.31 1979/9 0 1 2 3 6 7 11 10 9 8 5 4
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.32 1979/9 0 1 2 3 4 6 11 10 9 8 7 5
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.4 1979/9 0 2 3 4 8 10 9 7 6 5 1 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.5 1979/9 0 2 4 5 8 10 11 9 7 6 3 1
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.6 1979/9 0 2 4 6 8 10 9 7 5 3 1 11
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.7 1979/9 0 2 4 6 8 9 7 5 3 1 11 10
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.8 1979/9 0 2 4 6 7 8 5 3 1 11 10 9
Hendler, Maximilian 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.9 1979/9 0 4 6 8 9 10 11 7 5 3 2 1
Hendler, Maximilian Vier Miniaturen für Klarinette, Op.51 1982/4/26 0 3 5 11 8 6 10 2 4 1 9 7
Hendler, Maximilian aus dem >Liederbuch für Annemarie< 'Zur Nachbarin' (Text: Herwig von Kreutzbruck), Op.56-2 1982/8/29 0 9 4 7 11 10 8 1 5 3 2 6
Hendler, Maximilian aus den fünf Liedern nach Texten von Elisabeth Pöschl : 'Sonnenaufgang' für Singstimme und Klavier, Op.44-1 1981/12 0 11 2 1 5 6 4 3 8 7 9 10
Hendler, Maximilian aus den fünf Liedern nach Texten von Karl Hans Haysen für Singstimme und Klavier : 'Erkenntnis', Op.45-2 1982/1 0 9 2 4 7 11 8 10 5 1 6 3
Hindemith, Paul Ludus Tonalis 1942 0 7 5 9 4 3 8 2 10 1 11 6
Huber, Klaus Zwei Sätze 1958 0 3 1 10 11 8 6 9 7 2 4 5
Husa, Karel Hudba pro Prahu 1968 1968 0 8 2 1 7 9 6 10 3 11 5 4
Husa, Karel Mosaïques 1960 0 6 4 3 2 9 10 5 7 8 11 1
Husa, Karel Poème for Viola and Chamber Orchestra, mvt 1 1959 0 6 5 7 8 11 9 10 3 4 2 1
Husa, Karel Poème for Viola and Chamber Orchestra, mvt 2 1959 0 1 11 10 5 8 6 7 9 3 2 4
Husa, Karel Poème for Viola and Chamber Orchestra, mvt 3 1959 0 3 1 2 4 10 9 11 7 8 6 5
Höller, York Der Meister und Margarita 1984-89 0 1 4 6 3 5 9 8 11 10 7 2
Ives, Charles On the Antipodes 1915-23 0 3 11 8 4 7 10 9 6 2 5 1
Ives, Charles String Quartet, No.2, mvt 2 1913 0 1 2 11 3 7 10 4 6 8 9 5
Ives, Charles Tone Roads, No.1 1911 0 10 3 4 2 7 6 9 8 11 1 5
Ives, Charles Tone Roads, No.3 1915 0 11 1 3 2 10 5 8 4 7 6 9
Jelinek, Hanns Zwölftonwerk, Op.15 1947-1957 0 10 5 7 3 6 1 8 11 9 2 4
Johnston, Ben String Quartet, No.6 1980 0 5 10 9 3 7 11 6 1 2 8 4
Johnston, Ben String Quartet, No.7, mov. 2 1984 0 5 10 8 4 7 2 6 1 11 3 9
Jung, Joachim 1994 0 11 3 10 2 1 7 8 4 9 5 6
Kahn, Erich Itor Bagatelle für Rene Leibowitz 1940/2/20 0 1 2 4 6 3 10 11 5 7 9 8
Kahn, Erich Itor Short Piano Piece 1951 0 3 11 10 8 6 2 7 9 4 5 1
Kalodiki, Georgia Six Sketches for piano 2004 0 7 6 1 2 9 8 3 4 11 5 10
Klein, Fritz Die Maschine: Eine extonale Selbstsatire, Op.1 1921 0 11 7 4 2 9 3 8 10 1 5 6
Klein, Fritz Variations for Piano 1924 0 1 5 11 8 4 9 3 2 10 7 6
Klein, Fritz Heinrich Die Maschine. Eine extonale Selbstsatire von Heautontimorumenus., Op.1 (Das Maschinen-Thema) 1921 0 5 7 9 3 2 11 6 8 10 4 1
Klein, Fritz Heinrich Variationen, Op.14 1924 0 11 7 4 2 9 3 8 10 1 5 6
Klenau, Paul von Elisabeth von England 1939/1938 0 2 8 11 7 1 4 10 3 6 5 9
Kokkonen, Joonas Cello Concerto, mov. 2, row "II/A" 1969 0 2 7 4 3 5 6 1 11 8 10 9
Kokkonen, Joonas Cello Concerto, mov. 2, row "II/B" 1969 0 2 3 1 4 5 7 8 6 9 10 11
Kokkonen, Joonas Cello Concerto, mov. 2, row "II/C" 1969 0 9 11 10 7 2 6 3 5 4 1 8
Kokkonen, Joonas Symphonic Sketches, mov. 3, row "III/A" 1968 0 2 1 3 8 7 5 6 4 11 9 10
Kokkonen, Joonas Woodwind Quintet, mov. 1, rows "I/A" and "I/B" 1973,75 0 2 11 9 10 1 3 6 4 5 7 8
Krenek Monologue for Solo Clarinet, Op.157 1956 0 1 11 2 10 5 4 7 6 3 8 9
Krenek, Ernst Eight Piano Pieces 1946 0 10 1 7 6 11 5 8 3 9 2 4
Krenek, Ernst Four Songs, Op.112 1946-1947 0 7 3 11 10 1 2 4 6 5 9 8
Krenek, Ernst Kafka-songs, Op.82 1938-1939 0 11 9 5 4 2 6 3 10 8 7 1
Krenek, Ernst Karl V 1938 0 3 1 6 2 10 9 8 11 7 5 4
Krenek, Ernst Karl V, King Francis Row 1938 0 10 5 6 11 3 9 4 2 7 1 8
Krenek, Ernst Kette, Kreis, und Spiegel (Circle, Chain and Mirror), Op.160 1956-57 0 5 6 9 8 4 10 7 11 3 1 2
Krenek, Ernst Lamentatio Jeremiae Prophetae, Op.93, row 1 1941 0 2 4 5 8 10 6 7 9 11 1 3
Krenek, Ernst Lamentatio Jeremiae Prophetae, Op.93, row 2 1941 0 2 3 6 8 10 5 7 9 11 1 4
Krenek, Ernst Lamentatio Jeremiae Prophetae, Op.93, row 3 1941 0 1 4 6 8 10 5 7 9 11 2 3
Krenek, Ernst Lamentatio Jeremiae Prophetae, Op.93, row 4 1941 0 3 5 7 9 11 6 8 10 1 2 4
Krenek, Ernst Lamentatio Jeremiae Prophetae, Op.93, row 5 1941 0 2 4 6 8 9 5 7 10 11 1 3
Krenek, Ernst Lamentatio Jeremiae Prophetae, Op.93, row 6 1941 0 2 4 6 7 10 5 8 9 11 1 3
Krenek, Ernst Quaestio temporis, Op.170 1959 0 3 11 4 2 1 7 8 10 5 9 6
Krenek, Ernst Sechs Vermessene, Op.168 1958 0 3 1 6 2 4 10 5 9 7 8 11
Krenek, Ernst Sestina, Op.161 1957 0 8 11 10 4 6 7 1 5 3 9 2
Krenek, Ernst Sonata for Viola and Piano, Op.117 1948 0 10 3 6 2 1 11 9 5 8 7 4
Krenek, Ernst Sonata, No.3, Op.92, No.4 1942 0 10 5 8 3 2 6 7 1 9 11 4
Krenek, Ernst Sonatine for Flute and Viola, Op.92/2a 1942 0 11 9 2 1 8 7 6 4 5 3 10
Krenek, Ernst String Quartet, No.6, Op.78 1936 0 10 11 8 1 9 3 7 2 4 6 5
Krenek, Ernst String Quartet, No.7, Op.96 1943-44 0 7 6 11 9 1 4 10 8 5 2 3
Krenek, Ernst Studies in Counterpoint 1940 0 4 3 11 10 9 1 7 8 6 2 5
Krenek, Ernst Studies in Counterpoint (i) 1937 0 4 3 11 10 9 1 7 8 6 2 5
Krenek, Ernst Studies in Counterpoint (ii) 1937 0 3 10 4 9 11 8 7 5 1 2 6
Krenek, Ernst Suite, Op.84 for solo cello 1939 0 4 3 11 10 9 1 7 8 6 2 5
Krenek, Ernst Symeon, der Stylit 1935-1936 0 3 10 4 9 11 8 7 5 1 2 6
Krenek, Ernst Symphonic Elegy for String Orchestra, Op.105 1946 0 1 9 11 10 2 3 7 6 8 4 5
Krenek, Ernst Symphonic Piece for string Orchestra, Op.86 1939 0 3 4 10 2 9 11 8 7 5 1 6
Krenek, Ernst Twelve Short Piano-Pieces, Op.83 1938 0 9 4 5 6 7 3 10 1 8 11 2
Krenek, Ernst Zwölf Variationen in Drei Satzen 1937 0 1 3 10 2 5 11 7 4 9 6 8
Krenek, Ernst Zwölf Variationen in Drei Sätzen, Op.79 1957/1940/1937 0 1 3 10 2 5 11 7 4 9 8 6
Krenek, Ernst concert for organ and string-orchestra, Op.230 1979/1-2 0 11 8 4 3 6 7 5 2 9 10 1
Krenek, Ernst twelve-tone-row in a display case of 'Steinerner Saal' in the 'Musikverein' of Vienna 1985/8/8 0 3 5 4 8 9 6 10 11 1 7 2
Kukuck, Felicitas 'Der Gottesknecht': 6. Kantate 1959 0 11 10 1 2 3 8 9 6 5 7 4
Kukuck, Felicitas 'Wo bist Du Trost'; motet 1974 0 11 10 7 6 1 2 5 4 3 9 8
Kurtág, György The Sayings of Péter Bornemisza, Op.7 1963 0 11 7 8 9 1 2 10 3 4 5 6
Lachenmann, Helmut Mouvement (- vor der Erstarrung) für Ensemble 1982-1984 0 10 11 7 8 2 5 3 1 9 4 6
Lackner, Peter 'An alle Außerirdischen'. Kanon für drei Singstimmen, Kontrabaß und Klavier 1995/9 0 4 9 7 11 2 5 1 8 10 6 3
Lackner, Peter 'Davongeflogene Seelen' für Singstimme, Violoncello und Klavier 1991 0 10 4 7 6 1 9 11 5 2 3 8
Lackner, Peter 'Der Winter' 2005/11/20 0 6 3 5 9 11 7 1 4 2 10 8
Lackner, Peter 'Drei Dinge' für Singstimme und Klavier 1982/7 0 4 2 11 7 10 1 5 9 3 6 8
Lackner, Peter 'Es fiel ein Reif in der Frühlingsnacht' für Singstimme und ein Melodie-Instrument 1984/11/13 0 9 4 7 2 5 1 8 10 11 3 6
Lackner, Peter 'Euphorbia obesa'. Kanon für Oboe, Englischhorn und Fagott. 2000/4/16 0 10 2 6 8 4 1 9 11 3 7 5
Lackner, Peter 'Flügelaltar' für Klavier 1983/7/15 0 9 11 10 2 7 1 8 4 5 3 6
Lackner, Peter 'Hexentanz' für Violine und Klavier 1986/9/2 0 3 5 7 8 4 1 10 11 2 6 9
Lackner, Peter 'INKE TAN MAGROV' für Singstimme und Klavier 1997/3/27 0 6 5 10 8 3 7 1 2 9 11 4
Lackner, Peter 'Lied des Harfenmädchens II' für Flöte, Klarinette, Posaune, Violine, Cello und Klavier 2005/10/19 0 3 5 11 7 10 1 8 4 9 6 2
Lackner, Peter 'Lied des Harfenmädchens' für Frauenstimme und Klavier 0 3 5 11 7 10 1 8 4 9 6 2
Lackner, Peter 'So lebe wohl' für Singstimme und Klavier 1986/2/25 0 2 3 8 10 7 6 5 1 11 9 4
Lackner, Peter 'Ständchen' für zwei Violinen und zwei Bratschen. 1913,2013 2013/1989 0 4 2 8 11 7 10 5 9 1 3 6
Lackner, Peter 'Venus-Quadrat' für Violine und Klavier 1985/10/20 0 7 2 5 9 10 11 6 8 4 3 1
Lackner, Peter 'Wo ist der Freund' (erstes Lied aus dem Zyklus 'Wilde Erdbeeren' für Singstimme und Klavier) 1989/9/13 0 3 6 2 9 11 7 4 1 5 10 8
Lackner, Peter 1. Kanonzyklus 1994/4/7 0 7 5 9 1 3 11 8 4 6 10 2
Lackner, Peter 2. Kanonzyklus 1993/7 0 10 2 7 9 5 11 3 1 8 4 6
Lackner, Peter 3. Kanonzyklus 1994/1/1 0 6 8 10 1 3 5 11 9 7 4 2
Lackner, Peter 4. Kanonzyklus 1991/7/21 0 5 3 7 11 1 9 4 6 2 10 8
Lackner, Peter 5. Kanonzyklus 1994/6 0 7 11 9 1 3 5 8 10 6 2 4
Lackner, Peter AGNI MEI (Kanon für Klavier. 5. Juni 2015) 2015/6/5 0 4 10 11 1 2 8 7 3 6 9 5
Lackner, Peter Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier 1998/4/16 0 8 3 5 1 10 7 11 4 2 6 9
Lackner, Peter Florianische Reihe 1995/4/16 0 3 9 7 4 11 5 2 8 6 1 10
Lackner, Peter INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente 2016/6/28 0 1 2 3 4 5 6 7 8 9 10 11
Lackner, Peter INKE TAN MAGROV für Singstimme und Klavier (zweites Lied aus dem Zyklus 'Wilde Erdbeeren') 1990 0 2 9 5 8 11 3 1 6 10 7 4
Lackner, Peter KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008 2008 0 8 10 4 2 6 9 1 11 5 7 3
Lackner, Peter Kanon 'kgV(3,5,7)' 1986/5/5 0 3 10 9 6 5 2 11 4 8 1 7
Lackner, Peter Kanon T2 à 6 1992 0 5 2 7 4 9 6 11 8 1 10 3
Lackner, Peter Kanon T3 à 4 1992 0 2 7 3 5 10 6 8 1 9 11 4
Lackner, Peter Kanon T4 á 3 1992 0 5 7 2 4 9 11 6 8 1 3 10
Lackner, Peter Kanon T6 á 2 1992 0 10 8 3 1 5 6 4 2 9 7 11
Lackner, Peter Kanon for 836017 2010/9/24 0 2 10 7 5 1 3 9 11 4 6 8
Lackner, Peter Kanon für B. L., 7. Oktober 2017 2017/10/7 0 9 10 5 3 7 11 2 1 6 8 4
Lackner, Peter Kanon für Blockflötenquartett. April 2005 2005/4/27 0 10 11 3 1 2 8 7 9 5 4 6
Lackner, Peter Kanon für Bläsersextett. Mai 1995,1996 1996/1995/5 0 9 7 3 10 1 6 8 2 11 5 4
Lackner, Peter Kanon für Cello und Klavier 1989 0 2 9 10 6 5 1 11 4 3 7 8
Lackner, Peter Kanon für Flöte solo und N. N. 2011/6/19 0 3 7 10 2 5 11 8 4 1 9 6
Lackner, Peter Kanon für Flöte und Elektronik. Februar 1999 1999/2 0 10 2 7 9 5 11 3 1 8 4 6
Lackner, Peter Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier 2002/11/17 0 5 3 7 11 1 9 4 6 2 10 8
Lackner, Peter Kanon für Hammerklavier. März 2016 2016/3/23-24 0 2 1 5 7 3 11 9 10 6 4 8
Lackner, Peter Kanon für Kammerorchester 1989 0 9 11 6 2 4 7 10 8 1 5 3
Lackner, Peter Kanon für Klavier 1989/27/6 0 6 8 10 1 3 5 11 9 7 4 2
Lackner, Peter Kanon für Klavier zu vier Händen 1988 0 10 5 3 7 8 6 4 11 9 1 2
Lackner, Peter Kanon für Klavier zu vier Händen. 12. Juni 1996 1996/6/12 0 4 2 8 11 10 5 1 3 9 6 7
Lackner, Peter Kanon für Klavier zu vier Händen. Frühling 1984 1984 0 1 10 7 9 4 5 11 8 6 2 3
Lackner, Peter Kanon für Klavier. 15. Juni 1992 1992/6/15 0 10 3 8 6 5 2 1 11 4 9 7
Lackner, Peter Kanon für Klavier. 21. Juni 1998 1998/6/21 0 7 6 5 1 4 3 8 9 10 2 11
Lackner, Peter Kanon für Klavier. 26. Juni 1983 1983/6/26 0 7 5 9 4 8 6 1 11 3 10 2
Lackner, Peter Kanon für Klavier. 27. Juni, 26. September 2002 2002/9/6 0 9 4 1 2 8 7 10 3 6 5 11
Lackner, Peter Kanon für Klavier. 5. April 1989 1989/4/5 0 2 9 10 6 5 1 11 4 3 7 8
Lackner, Peter Kanon für Klavier. April 2000 2000/4 0 5 3 7 11 1 9 4 6 2 10 8
Lackner, Peter Kanon für Klavierquartett 1991/3/21 0 8 6 11 3 9 1 5 7 2 10 4
Lackner, Peter Kanon für Klavierquartett. 27. April 1991 1991/4/27 0 6 3 5 9 11 7 1 4 2 10 8
Lackner, Peter Kanon für Klavierquartett. 27. Juni 1991 1991/6/27 0 2 6 9 11 3 7 5 1 10 8 4
Lackner, Peter Kanon für Klaviertrio 0 2 4 9 5 7 3 1 11 6 10 8
Lackner, Peter Kanon für Orgel, zweimanualiges Cembalo oder Klavier 1982/10/30 0 7 2 11 4 9 6 8 1 5 3 10
Lackner, Peter Kanon für Orgel. 21. November 1994, 4. Februar 1995 95/1994 0 8 5 1 4 9 2 11 7 3 10 6
Lackner, Peter Kanon für Schrammel-Quartett. November 2002 2002/11 0 4 6 3 11 9 1 5 8 2 10 7
Lackner, Peter Kanon für Schwegel und zwei Geigen 1989/6/2 0 6 4 2 10 8 9 3 5 7 11 1
Lackner, Peter Kanon für Schwegel, diatonisches Hackbrett und Violine 0 8 4 10 6 2 5 1 9 3 11 7
Lackner, Peter Kanon für Schwegelpfeife in A und Geige 1991/1 0 9 7 2 10 4 3 6 8 1 5 11
Lackner, Peter Kanon für Streichquartett 1989 0 9 3 5 1 11 7 10 4 2 6 8
Lackner, Peter Kanon für Streichquartett und Orgel. 21. November 1993 1993/11/21 0 10 2 5 4 7 1 11 3 9 8 6
Lackner, Peter Kanon für Streichquartett. 18. Mai 1993 1993/5/18 0 11 4 7 1 10 5 6 2 3 9 8
Lackner, Peter Kanon für Streichquartett. 22.September 2003 2003/9/22 0 8 10 4 2 6 9 1 11 5 7 3
Lackner, Peter Kanon für Streichquartett. 3. Jänner 1990 1990/1/3 0 6 4 8 11 3 1 7 9 5 2 10
Lackner, Peter Kanon für Streichquartett. 5. Dezember 1992 1992/12/5 0 5 9 4 11 8 2 7 1 10 3 6
Lackner, Peter Kanon für Tenor-Hackbrett. 19. März 2014 2014/3/19 0 8 4 6 9 1 11 3 7 5 2 10
Lackner, Peter Kanon für Violine solo 1988/11/16 0 11 2 7 10 9 3 4 1 8 5 6
Lackner, Peter Kanon für Violine und Violoncello 1989/4/12 0 2 9 10 6 5 1 11 4 3 7 8
Lackner, Peter Kanon für Violine, Bratsche und Klavier 1989/7 0 4 2 8 11 7 10 5 9 1 3 6
Lackner, Peter Kanon für Violine, Viola und Akkordeon. 11. Juni 2007 2007/6/11 0 11 1 2 3 10 4 9 8 7 5 6
Lackner, Peter Kanon für Violine, Violoncello und Akkordeon (Harmonium). 25. Oktober 1995 1995/10/25 0 2 1 7 6 5 3 4 10 9 11 8
Lackner, Peter Kanon für acht Instrumente. Dezember 1991, März 2007 2007/1991 0 11 3 10 6 2 7 8 4 9 1 5
Lackner, Peter Kanon für drei Bratschen 1991/12/31 0 11 3 10 6 2 7 8 4 9 1 5
Lackner, Peter Kanon für drei Klaviere. 28. 6. 2016 2016/6/28 0 1 2 3 4 5 6 7 8 9 10 11
Lackner, Peter Kanon für drei Violinen I, II August 1998 1998/8 0 2 10 4 8 6 1 9 11 5 3 7
Lackner, Peter Kanon für sechs Instrumente. 16. März 2009 2009/3/16 0 7 6 3 2 10 1 8 11 5 4 9
Lackner, Peter Kanon für sechs Posaunen. Herbst 1996 1996 0 9 1 6 4 8 11 2 10 7 5 3
Lackner, Peter Kanon für zwei Gitarren. September 2001 2001/9/9 0 5 3 9 11 6 7 2 4 10 8 1
Lackner, Peter Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004 2004/9 0 2 9 10 5 7 1 11 4 3 8 6
Lackner, Peter Kanon für zwei Singstimmen zu vier Texten für Kanons von Hannes Waltl 2006/9 0 11 2 1 8 6 10 7 3 4 5 9
Lackner, Peter Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993 1993/5/1 0 1 2 10 3 5 11 9 4 8 7 6
Lackner, Peter Kanon für zwei Violinen 1988/4/23 0 7 4 5 9 2 3 8 11 10 6 1
Lackner, Peter Kanon für zwei Violinen und Klavier. 1. Dezember 2004 2004/12/1 0 10 2 6 8 4 1 9 11 3 7 5
Lackner, Peter Kanon für zwei Violinen und Klavier. Frühjahr 1984 1984 0 1 10 7 9 4 5 11 8 6 2 3
Lackner, Peter Kanon für zwei Violinen. Frühjahr 1992 1992/3 0 2 4 7 9 11 5 3 1 10 8 6
Lackner, Peter Kanon à 3 1992/9/9 0 11 6 10 2 7 3 4 9 5 1 8
Lackner, Peter Kanon à 4 - 'Für Harald Fripertinger zum 50. Geburtstag' 2015/8/22 0 10 3 6 5 8 1 11 9 4 7 2
Lackner, Peter Kanon á 4 2012/1989 0 4 2 8 11 7 10 5 9 1 3 6
Lackner, Peter Kanon á 5 für Klaus Chudoba 1993/1/28 0 2 10 8 6 11 3 1 5 7 9 4
Lackner, Peter Kanon-Polska für zwei Bratschen. 6. Juni 1993 1993/6/6 0 6 3 1 10 8 5 11 2 4 7 9
Lackner, Peter Krebs-Kanon à 4 1993/3/2 0 8 5 7 3 9 1 11 2 6 4 10
Lackner, Peter Moebius-Band für Flöte, Violine, Violoncello und Klavier 1989 0 3 6 2 9 11 7 4 1 5 10 8
Lackner, Peter Moebius-Band für sechs Violinen 1989 0 3 6 2 9 11 7 4 1 5 10 8
Lackner, Peter Moebiusband I für zwei Melodieinstrumente 1988/7/20 0 6 8 2 7 1 11 5 3 9 4 10
Lackner, Peter Moebiusband für Violine und Klavier (Chinesenfolter I) 1989/3/3 0 2 4 6 10 5 1 11 9 7 3 8
Lackner, Peter Reihenspiel für Orgel 1982/8-9 0 9 6 11 5 4 10 7 2 1 8 3
Lackner, Peter Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008 2008/2/12 0 6 9 2 8 10 4 7 1 11 3 5
Lackner, Peter Sponsions-Kanon 2007/1/5 0 4 1 10 3 7 9 5 8 11 6 2
Lackner, Peter TACET (drittes Lied aus dem Zyklus 'Wilde Erdbeeren') 1990 0 2 9 5 8 11 4 7 10 6 1 3
Lackner, Peter Trauermusik für Fagott, Kontrafagott und Pauke 1989/2 0 6 2 8 10 4 11 5 9 3 1 7
Lackner, Peter Vier Klavierstücke 1988 1988 0 1 10 11 8 7 9 5 6 4 2 3
Lackner, Peter kgV (3,4) [zweistimmiger Kanon für Klavier] 1987 0 10 2 3 5 7 1 11 9 8 4 6
Lang, Bernhard 'Der Golem' nach Gustav Meyrinck 2014 0 4 7 8 11 3 5 2 9 1 10 6
Lang, Bernhard 'Küstenlinien'; für zwei Klaviere und doppeltes Schlagwerk 1992 0 9 7 4 5 11 2 1 8 10 3 6
Lang, Bernhard Der Reigen 2012 0 5 1 4 2 3 9 8 10 7 11 6
Lang, Bernhard HIOB Musiktheater für Orchester, Chor und Solisten 2017-2022 0 9 11 10 5 8 6 7 2 3 1 4
Lang, Bernhard Hemma (Music Theatre Hemma Klagenfurt 2015) 2014/6/24 0 5 10 2 3 1 7 9 8 4 11 6
Lang, Bernhard Monadologie XIII a; 'The Saucy Maid' 2011-2012 0 1 5 2 4 9 3 10 8 11 7 6
Lang, Klaus 'Von der Ligurischen Küste zum Trasimenischen See'; Trauermusik für Violine und Klavier 1993 0 5 9 8 10 7 1 4 2 3 11 6
Leibowitz, René String Quartet, No.3, Op.26 1951 0 8 9 7 6 1 2 5 4 10 11 3
Leibowitz, René Trois pièces pour piano, Op.19 1949 0 4 3 1 2 5 6 9 10 8 7 11
Lewin, David Just a Minute, Roger 1978 0 11 4 5 7 3 2 6 8 1 10 9
Li, Bao-Shu Träumerei of Jiuzhai Gou 0 5 7 2 4 11 9 6 3 1 8 10
Ligeti, György Le Grand Macabre 1975-77,96 0 6 5 11 10 4 9 3 2 8 7 1
Liszt, Franz Eine Faust Symphonie 1854/1853 0 4 8 11 3 7 10 2 6 9 1 5
Lu, Shi-Lin A Family of Red-Crowned Cranes 0 2 9 7 4 6 11 8 1 3 10 5
Lu, Yen A Bird Flying By 1988 0 6 3 4 8 7 11 5 10 2 9 1
Luo, Zhong-Rong Chang'e 0 7 5 2 10 9 3 4 8 11 1 6
Luo, Zhong-Rong Dusk, row 1 0 2 7 5 10 8 6 3 1 11 9 4
Luo, Zhong-Rong Dusk, row 2 0 3 7 5 8 10 1 11 6 2 4 9
Luo, Zhong-Rong Evening 0 2 7 5 10 8 6 3 1 11 9 4
Luo, Zhong-Rong Morning Glory 0 2 5 9 7 10 3 11 1 4 6 8
Luo, Zhong-Rong Picking lotus flowers at the riverside 1979 0 2 5 7 10 3 1 4 6 9 11 8
Luo, Zhong-Rong Sonatina, mvt 2 0 2 5 7 4 11 6 8 1 3 9 10
Luo, Zhong-Rong Sonatina, mvt 3 0 2 7 4 11 8 5 9 10 1 3 6
Luo, Zhong-Rong String Quartet, No.2 1985 0 3 5 10 6 8 11 1 9 2 4 7
Luo, Zhong-Rong String Quartet, No.3, row 1 1996 0 2 4 7 5 10 8 1 6 3 9 11
Luo, Zhong-Rong String Quartet, No.3, row 2 1996 0 2 5 7 4 11 6 8 1 3 9 10
Luo, Zhong-Rong String Quartet, No.3, row 3 1996 0 2 7 9 11 1 3 6 10 4 5 8
Luo, Zhong-Rong String Quartet, No.3, row 4 1996 0 3 7 10 1 8 5 9 11 2 4 6
Luo, Zhong-Rong Three Piano Pieces, "Arabeque", row 1 0 2 5 10 6 1 3 8 11 9 7 4
Luo, Zhong-Rong Three Piano Pieces, "Arabeque", row 2 0 2 7 9 11 4 6 8 1 3 10 5
Luo, Zhong-Rong Three Piano Pieces, "Reverie" 0 5 10 8 3 11 1 6 9 2 4 7
Lutosławski, Witold Musique Funébre (Funeral Music) 1954-58 0 6 5 11 10 4 3 9 8 2 1 7
Lutyens, Elisabeth Essence Of Our Happinesses, Op.69, mvt II, Part I 1968 0 11 1 10 2 3 8 9 5 6 4 7
Lutyens, Elisabeth Five Little Pieces for Clarinet and Piano 1945 0 8 4 1 10 2 9 3 5 6 11 7
Lutyens, Elisabeth Islands, Op.80 1970 0 11 7 3 8 10 9 6 4 5 1 2
Lutyens, Elisabeth Motet (Excerota Tractati Logico-Philosophici), Op.27 1951 0 11 3 7 8 4 2 6 5 1 9 10
Lutyens, Elisabeth O Saisons, O Châteaux! 1946 0 11 10 4 8 9 3 7 6 5 2 1
Lutyens, Elisabeth Présages, Op.53 1965 0 1 11 2 10 8 5 3 4 7 9 6
Lutyens, Elisabeth Quincunx, Op.44 1960 0 6 11 1 5 2 7 3 4 9 10 8
Lutyens, Elisabeth Six Tempi for 10 Instruments, Op.42 1957 0 6 7 8 5 3 4 11 10 9 1 2
Lutyens, Elisabeth The Numbered, Altered Primary Row (swap pitches 2 and 3) 1967 0 11 10 1 2 9 3 4 8 5 7 6
Lutyens, Elisabeth The Numbered, Primary Row 1967 0 10 11 1 2 9 3 4 8 5 7 6
Lutyens, Elisabeth The Valley of Hatsu'se 1965 0 6 11 10 8 7 9 1 3 2 4 5
Lutyens, Elisabeth Three Improvisations for Piano Solo 1948 0 6 9 7 8 3 4 1 10 5 11 2
Lutyens, Elisabeth Time Off? Not a Ghost of a Chance!, Op.68 1967-68 0 11 1 5 2 4 9 8 3 7 6 10
Maderna, Bruno Improvvisazione N. 1 1951-1952 0 11 4 8 3 2 7 6 1 5 10 9
Maderna, Bruno Musica su due dimensioni 1952 0 2 9 4 6 11 8 10 1 3 5 7
Maderna, Bruno Quartetto 1955 0 7 2 3 6 9 10 1 4 5 8 11
Maderna, Bruno Streichquartett (Basisreihe 1) 1955 0 7 2 3 6 9 10 1 4 5 8 11
Maderna, Bruno Streichquartett (Basisreihe 2) 1955 0 7 10 1 6 3 11 4 9 2 5 8
Mamlok, Ursula Five Intermezzi for guitar solo 1984-90 0 3 6 11 2 5 1 10 7 4 8 9
Mamlok, Ursula Haiku Settings, No.5 1967 0 11 8 7 4 3 5 6 9 10 1 2
Mamlok, Ursula Panta Rhei 1981 0 7 4 11 8 3 10 9 6 2 5 1
Mamlok, Ursula Panta Rhei, secondary row (mvt 4, Piano) 1981 0 11 8 3 4 7 2 1 6 9 10 5
Mamlok, Ursula Variations for Solo Flute, theme 1961 0 2 1 11 7 3 5 6 4 10 8 9
Martin, Frank Petite complainte 1941 0 11 10 6 2 4 5 9 8 7 3 1
Martino, Donald Fantasy Variations 1962 0 3 1 10 2 8 11 5 6 9 7 4
Martino, Donald Notturno (Row A) 1973 0 11 10 2 6 1 5 9 4 8 3 7
Martino, Donald Notturno (Row B) 1973 0 7 11 10 9 8 2 1 6 3 4 5
Matthias, Hauer Josef Zwölftonspiel für Holzbläser, Streicher und Klavier. April 1951 1951/4/27 0 4 9 11 7 2 3 6 8 10 5 1
Matthias, Josef Salambo, Op.60 1929 0 6 9 2 8 10 4 7 1 11 3 5
Messiaen, Olivier Le Merle noir 1951 0 5 11 6 1 9 7 3 4 2 8 10
Messiaen, Olivier Livre d'orgue 1951 0 1 11 2 10 3 9 4 8 5 7 6
Messiaen, Olivier Mode de valeurs et d'intensités, Series 1 1949 0 11 6 5 4 3 1 10 9 7 2 8
Messiaen, Olivier Mode de valeurs et d'intensités, Series 3 1949 0 11 6 4 3 9 5 2 8 1 7 10
Messiaen, Olivier Mode de valeurs et d’intensités, Series 2 1949 0 5 3 1 10 9 8 7 6 4 11 2
Mittendorfer, Josef aleatoric row 2012/12/28 0 2 7 1 8 6 10 5 4 11 3 9
Moevs, Robert Ludi Praeteriti: Games of the Past for two pianos 1976 0 11 8 7 6 3 2 1 9 10 4 5
Moevs, Robert Musica da Camera 1965 0 1 11 3 4 2 9 10 8 7 5 6
Moevs, Robert Three Pieces for violin and piano, mvt II 1982 0 4 8 9 3 2 10 11 7 6 5 1
Morris, Robert 14 Little Piano Pieces 2002 0 5 1 9 10 11 2 7 3 4 6 8
Morris, Robert Along a Rocky Path 1993 0 9 10 3 4 2 8 1 6 7 11 5
Morris, Robert Arabesque 1979 0 6 7 1 3 10 8 9 4 5 11 2
Morris, Robert Arc 1988 0 1 8 2 4 3 11 10 6 7 5 9
Morris, Robert Badlands 1991 0 5 6 9 4 7 1 8 3 11 2 10
Morris, Robert Beautiful Beast 2007 0 1 3 6 5 10 7 4 9 8 11 2
Morris, Robert Broken Consort in Three Parts, Row 1 1994 0 1 3 7 11 10 2 8 6 5 9 4
Morris, Robert Broken Consort in Three Parts, Row 2 1994 0 11 3 10 6 7 9 1 5 4 8 2
Morris, Robert Broken Consort in Three Parts, Row 3 1994 0 11 3 9 7 6 10 5 1 2 4 8
Morris, Robert Brush 2011 0 11 6 10 7 8 3 2 5 4 9 1
Morris, Robert By Far 1995 0 1 4 11 3 2 6 7 5 10 8 9
Morris, Robert Canonic Variations 1992 0 3 11 1 4 8 5 6 9 10 2 7
Morris, Robert Clash 1987 0 3 11 10 8 1 7 9 2 6 4 5
Morris, Robert Cold Mountain Songs 1993 0 1 2 5 6 3 7 8 10 9 11 4
Morris, Robert Concerto for Piano and Strings 1994 0 1 6 11 7 5 10 8 4 3 2 9
Morris, Robert Concerto for Piano and Winds 1988 0 1 4 7 8 10 11 2 5 6 9 3
Morris, Robert Cuts 1984 0 10 11 7 3 8 6 9 4 5 1 2
Morris, Robert Entanglements 1998 0 3 10 5 11 6 1 7 9 2 8 4
Morris, Robert Exchanges 1982 0 4 3 1 9 5 8 6 2 10 11 7
Morris, Robert Four Fold Heart Sutra 1984 0 6 7 2 11 1 10 4 9 5 8 3
Morris, Robert Four Play Nine 2012 0 3 2 1 8 7 10 5 4 11 6 9
Morris, Robert Four Tangled Groves 2008 0 8 11 2 7 9 10 5 4 1 3 6
Morris, Robert Four or Five Mirrors 1990 0 11 2 3 7 1 6 5 9 8 10 4
Morris, Robert In Variations 1981 0 2 9 11 5 3 4 6 10 8 7 1
Morris, Robert Inscape 1996 0 1 10 7 11 5 9 4 2 3 8 6
Morris, Robert Inter Alia 1980 0 1 11 5 3 4 9 10 8 2 7 6
Morris, Robert Knot Lilacs 2006 0 1 4 2 9 5 11 3 8 10 7 6
Morris, Robert MA 1992 0 1 5 6 4 11 8 7 9 2 10 3
Morris, Robert Night Sky Scroll 1985 0 11 4 3 9 5 8 2 1 7 6 10
Morris, Robert Not Lilacs 1974 0 1 4 2 9 5 11 3 8 10 7 6
Morris, Robert On the Go 1999 0 9 2 3 5 8 10 11 1 4 7 6
Morris, Robert Out and Out 1989 0 11 6 3 7 9 5 8 1 2 10 4
Morris, Robert Pari Passu, row 1 1988 0 6 10 11 2 3 9 1 7 8 4 5
Morris, Robert Refrains 1995 0 3 4 2 6 10 1 8 11 7 5 9
Morris, Robert Roundelay, row 1 2007 0 7 4 11 9 2 6 3 10 5 8 1
Morris, Robert Roundelay, row 2 2007 0 5 9 7 8 10 4 11 1 6 2 3
Morris, Robert Roundelay, row 3 2007 0 10 9 3 4 6 8 11 2 7 1 5
Morris, Robert Roundelay, row 4 2007 0 3 11 10 7 2 6 9 5 4 1 8
Morris, Robert Roundelay, row 5 2007 0 3 11 4 1 2 8 10 5 9 7 6
Morris, Robert Roundelay, row 6 2007 0 10 5 11 4 6 8 7 2 3 9 1
Morris, Robert Something New 1998 0 9 4 8 11 7 3 6 10 5 2 1
Morris, Robert Strange Flowers, Occasional Storms 2008 0 1 8 3 5 4 10 6 9 7 11 2
Morris, Robert Sung Song 2002 0 3 7 6 9 2 10 5 1 8 4 11
Morris, Robert Terrane 1989 0 11 1 3 2 5 6 4 9 7 8 10
Morris, Robert Three Musicians 1989 0 9 7 6 8 1 11 2 4 5 3 10
Morris, Robert Tigers and Lilies 1979 0 1 7 2 8 10 5 3 4 9 6 11
Morris, Robert Tournament for 12 trombones 1981 0 7 6 4 11 8 5 9 1 3 2 10
Morris, Robert Traces 1990 0 11 10 4 9 6 3 8 5 7 2 1
Morris, Robert Twelve Bell Canons 2004 0 11 2 10 3 5 9 1 4 7 8 6
Morris, Robert Tête‐à‐Tête 1999 0 3 11 10 1 8 2 6 9 5 4 7
Morris, Robert Vignette 1999 0 3 11 10 7 6 5 2 1 8 9 4
Morris, Robert Zoe 1996 0 8 6 3 1 9 7 10 4 2 5 11
Morris, Robert …gradually… 2010 0 1 8 3 5 4 6 7 9 11 2 10
Musgrave, Thea Triptych, Song 1 1959 0 11 9 6 5 2 10 1 8 7 3 4
Nichols, Jeff ...its darkening opposite, or Set Portrait in a Convex Mirror 2008 0 4 8 7 11 2 3 6 1 9 10 5
Nierhaus, Gerhard 'Achat' für Streichorchester (bzw. Streichsextett und Orgel) 1993/12/5 0 4 3 11 2 6 5 9 8 7 10 1
Nierhaus, Gerhard 'Polg' - für Orchester 1991 0 3 1 7 11 2 10 4 8 5 9 6
Nono, Luigi Canti per tredeci 1955 0 1 11 2 10 3 9 4 8 5 7 6
Nono, Luigi Composizione per orchestra, No.1 1951 0 1 7 6 2 8 4 3 5 10 11 9
Nono, Luigi Cori di Didone 1958 0 1 11 2 10 3 9 4 8 5 7 6
Nono, Luigi Ha venido 1960 0 6 1 7 2 8 3 9 4 10 5 11
Nono, Luigi Il canto sospeso 1955-56 0 1 11 2 10 3 9 4 8 5 7 6
Nono, Luigi Incontri 1955 0 2 3 8 9 6 4 5 7 11 1 10
Nono, Luigi Intolleranza, Alto 1960 0 6 7 1 2 8 9 3 4 10 11 5
Nono, Luigi Intolleranza, Baritone 1960 0 2 7 9 4 6 11 1 8 10 3 5
Nono, Luigi Intolleranza, Soprano 1 1960 0 3 4 7 8 5 6 9 10 1 2 11
Nono, Luigi Intolleranza, Soprano 2 1960 0 1 2 7 6 11 10 5 4 9 8 3
Nono, Luigi Intolleranza, Tenor 1 1960 0 6 11 5 10 4 9 3 8 2 7 1
Nono, Luigi Intolleranza, Tenor 2 1960 0 1 3 2 4 5 7 6 8 9 11 10
Nono, Luigi La terra e la compagna (sketch), Series 1 1957 0 1 11 2 10 3 9 4 8 5 7 6
Nono, Luigi La terra e la compagna (sketch), Series 2 1957 0 6 1 7 11 5 2 8 10 4 3 9
Nono, Luigi La terra e la compagna (sketch), Series 3 1957 0 9 6 3 1 4 7 10 11 8 5 2
Nono, Luigi La terra e la compagna (sketch), Series 4 1957 0 2 9 5 6 8 3 11 1 10 4 7
Nono, Luigi La terra e la compagna (sketch), Series 5 1957 0 7 2 4 9 10 5 1 6 11 8 3
Nono, Luigi La terra e la compagna (sketch), Series 6 1957 0 3 7 8 2 11 4 6 9 1 10 5
Nono, Luigi La terra e la compagna (sketch), Series 7 1957 0 5 3 10 7 1 8 9 2 6 11 4
Nono, Luigi La terra e la compagna (sketch), Series 8 1957 0 4 5 11 3 6 10 2 7 9 1 8
Nono, Luigi Sarà dolce tacere 1960 0 10 5 3 8 6 1 11 4 2 9 7
Nono, Luigi Variazioni canoniche sulla serie dell'Op.41 di Arnold Schönberg 1950 0 1 9 8 4 5 7 6 10 11 3 2
Panufnik, Andrzej Sinfonia di Sfere (Symphony, No.5), Chord 1 1975 0 4 8 11 3 7 10 2 6 9 1 5
Panufnik, Andrzej Sinfonia di Sfere (Symphony, No.5), Chord 2 1975 0 3 6 9 11 2 5 8 10 1 4 7
Papageorgiou, Dimitri 'Jarra Jarra' for six block flutes 1988 0 5 3 2 6 8 7 11 1 10 9 4
Papaioannou, Yannis 12 Inventions and Toccatta 1958 0 2 5 6 1 3 8 9 11 7 4 10
Papaioannou, Yannis Pygmalion 1952 0 2 7 5 8 11 9 6 10 3 1 4
Papaioannou, Yannis Sonata 1958 0 2 9 8 1 6 4 3 11 10 7 5
Papaioannou, Yannis Songs of the Lake, No.1 1950 0 8 5 7 6 11 2 10 1 3 9 4
Papaioannou, Yannis Songs of the Lake, No.2 1950 0 7 4 6 5 1 9 2 8 10 3 11
Papaioannou, Yannis Songs of the Lake, No.3 1950 0 11 8 1 6 7 2 10 3 4 9 5
Papaioannou, Yannis Songs of the Lake, No.4 1950 0 5 11 9 6 10 7 2 3 1 4 8
Papaioannou, Yannis Songs of the Lake, basic series 1950 0 4 5 9 8 3 11 10 2 1 6 7
Papaioannou, Yannis Suite, "XP" 1958 0 4 2 1 6 8 3 9 7 10 5 11
Papaioannou, Yannis Suite, "YP" 1958 0 10 9 8 1 4 5 7 3 6 2 11
Papaioannou, Yannis Suite, Basic row 1958 0 1 3 10 4 6 9 5 2 8 7 11
Papaioannou, Yannis Symphony, No.3 1953 0 1 5 6 9 11 8 7 3 10 2 4
Payne, Antony Miniature Variations on a Theme of E.L. 1984 0 6 11 10 8 7 9 1 3 2 4 5
Pentland, Barbara String Quartet, No.3 1969 0 11 3 6 5 9 10 8 1 2 7 4
Perle, George First string quartet 0 1 3 6 10 9 8 7 4 5 11 2
Piston, Walter Symphony, No.8 1965 0 1 4 5 8 7 6 3 2 9 11 10
Pousseur, Henri Trois Chants Sacrés 1951 0 10 11 4 1 5 9 6 3 7 2 8
Preßl, Hermann Markus 'A 5' für Bassklarinette, Vibraphon und drei Bratschen 1985/10/11 0 6 5 8 10 7 3 2 4 9 1 11
Preßl, Hermann Markus 'Arsis' für 84 Singstimmen und 48 Instrumente 1988 0 1 4 7 8 11 2 9 10 6 5 3
Preßl, Hermann Markus 'N.N.,8' für Klavier und Orgel 1986/8 0 1 8 11 3 9 6 5 7 2 4 10
Preßl, Hermann Markus 'Sonnenuntergänge nach meinem Tode'; Fünf Haikus nach Günther Klinge für Sprechgesang, Alt-Saxophon und Crotales 1994/7 0 4 7 9 8 2 6 10 5 11 1 3
Preßl, Hermann Markus 'Zisterne' für Alt-Blockflöte allein 1994/7/17 0 10 6 3 11 8 2 1 7 9 5 4
Preßl, Hermann Markus 6. Symphonie aus Es 1990 0 6 1 7 5 8 9 11 3 2 4 10
Preßl, Hermann Markus Fier Fafeln für Fier Fiolen 1994/6/13 0 10 5 4 7 3 9 2 11 6 8 1
Preßl, Hermann Markus Finstersonnen 1994/7 0 3 9 6 11 5 1 2 7 8 10 4
Preßl, Hermann Markus Ithaka 1994/8/1 0 9 7 10 6 4 2 5 8 3 1 11
Preßl, Hermann Markus N. N. 50; 'Die Zeremonie des Abschieds' 1992/6/17 0 9 4 2 7 5 8 1 6 3 11 10
Preßl, Hermann Markus N. N. 59 oder 'Der Ortsverlasser' für Cembalo und Orgelpositiv 1992/8/31 0 10 3 7 8 9 4 5 6 2 11 1
Preßl, Herrmann Markus Fier Fafeln für Fier Fiolen 1994/6/13 0 7 8 11 9 4 6 10 1 5 3 2
Pärt, Arvo Diagrams 1964 0 11 2 1 3 4 9 10 7 8 6 5
Pärt, Arvo Perpetuum Mobile 1963 0 11 10 5 6 9 7 1 2 8 3 4
Pärt, Arvo Symphony, No.1 1963 0 1 2 7 6 3 5 11 10 4 9 8
Pärt, Arvo Symphony, No.2 1966 0 3 1 2 4 7 5 6 8 11 9 10
Reynolds, Roger Ambages 1965 0 1 4 5 7 6 8 9 10 11 2 3
Riegebauer, Sigrid Toccata 1987 0 3 1 2 11 10 4 5 8 7 9 6
Rinner, Ernst Christian Missa DO-SI-MI-LA 1989 0 11 4 9 3 2 10 1 8 7 5 6
Rochberg, George Sonata-Fantasia 1956 0 11 10 4 5 6 9 8 7 1 2 3
Rochberg, George String Quartet, No.2 with soprano solo 1961 0 11 6 5 1 2 8 7 3 4 9 10
Rochberg, George Symphony, No.2 1955-56 0 8 1 4 9 5 6 2 3 10 11 7
Rochberg, George Twelve Bagatelles, i 1952 0 1 7 11 5 4 10 2 6 3 8 9
Ross, Eric Sotto Passaggio, Op.53 2002 0 11 4 6 9 8 10 1 5 2 3 7
Ruggles, Carl Evocations II (Series X) 1941 0 1 7 2 8 9 11 10 5 6 4 3
Sande, Henrik 'Volkslied' für zwei Singstimmen und Klavier. 24. 12. 2015 2015/12/24 0 2 4 5 7 9 10 8 6 3 1 11
Sande, Henrik 4032 Töne für Klavier sechshändig 1999/11/24 0 7 2 9 4 11 6 1 8 3 10 5
Santoro, Claudio A Menina Boba, "A Menina Exausta" 1945,71 0 5 10 7 3 11 1 8 2 9 6 4
Santoro, Claudio A Menina Boba, "Asa Ferida" 1945 0 9 10 11 3 5 4 6 2 7 8 1
Santoro, Claudio Invenções a duas vozes (Two-Part inventions) 1942 0 2 3 6 7 11 1 9 4 8 5 10
Santoro, Claudio Peças para Piano 1943 0 11 4 5 1 9 2 3 7 8 6 10
Santoro, Claudio Preludes 18-20 1963 0 9 1 3 2 8 10 4 6 5 7 11
Santoro, Claudio Six Piano Pieces 1946 0 10 4 1 11 2 5 6 3 9 7 8
Santoro, Claudio Sonata 1942 1942 0 2 3 6 7 11 1 9 4 8 5 10
Santoro, Claudio Sonata, No.1 1945 0 10 3 8 11 1 2 9 7 4 5 6
Santoro, Claudio Sonatina, No.2 1963 0 11 1 5 6 3 7 8 9 2 4 10
Schiske, Karl Symphony, No.4 1955 0 8 11 3 2 6 1 9 4 5 7 10
Schlerath, Ute 2012/1/1 0 5 3 9 10 2 8 4 1 7 11 6
Schmid, Erich Bagatellen for Piano, Op.14 1943 0 1 5 2 6 7 4 8 10 3 9 11
Schmid, Erich Canon ("Herrn Dr. Anton Webern in Ehrfurcht als Willkommensgruss gewidmet") 1943 0 10 4 5 8 11 1 7 9 3 6 2
Schmid, Erich Notturno, Op.10, mvt 1 1935 0 4 6 3 9 8 5 11 1 2 10 7
Schnittke, Alfred Concerto Grosso, No.1, mvt 2 1977 0 11 2 1 8 7 10 9 6 5 4 3
Schnittke, Alfred Concerto Grosso, No.3 1985 0 5 1 4 10 8 11 9 3 6 2 7
Schnittke, Alfred Concerto Grosso, No.3, (mvt 3, 4), row 10 1985 0 3 4 11 10 1 2 9 7 8 5 6
Schnittke, Alfred Concerto Grosso, No.3, (mvt 3, 4), row 6 1985 0 11 2 1 9 10 7 8 4 3 6 5
Schnittke, Alfred Concerto Grosso, No.3, (mvt 3, 4), row 7 1985 0 3 11 9 10 1 4 2 7 8 5 6
Schnittke, Alfred Concerto Grosso, No.3, (mvt 3, 4), row 8 1985 0 11 7 9 10 8 6 5 3 4 1 2
Schnittke, Alfred Concerto Grosso, No.3, (mvt 3, 4), row 9 1985 0 11 2 1 9 6 7 8 10 3 5 4
Schnittke, Alfred Concerto Grosso, No.3, monogram 1 1985 0 5 1 4 10 8 11 9 3 6 2 7
Schnittke, Alfred Concerto Grosso, No.3, monogram 2 1985 0 8 9 7 5 2 3 4 6 11 10 1
Schnittke, Alfred Concerto Grosso, No.3, monogram 3 1985 0 11 2 1 3 4 10 9 7 8 5 6
Schnittke, Alfred Concerto Grosso, No.3, monogram 4 1985 0 9 10 7 5 4 2 3 1 11 8 6
Schnittke, Alfred Concerto Grosso, No.3, monogram 5 1985 0 1 7 10 4 11 5 6 9 8 2 3
Schnittke, Alfred Concerto, No.2 for Violin and Chamber Orchestra 1966 0 11 1 2 10 3 4 9 5 6 8 7
Schnittke, Alfred Improvisation and Fugue for piano 1965 0 8 11 3 9 2 5 7 6 10 1 4
Schnittke, Alfred Piano Sonata, No.1, mvt 2, mm. 72-76 1987 0 6 5 11 10 4 3 9 8 2 1 7
Schnittke, Alfred Serenade 1968 0 1 7 3 10 9 8 6 5 11 4 2
Schnittke, Alfred Sonata, No.1 for Violin and Piano, mvt 1 1963 0 3 6 10 2 11 8 5 9 1 4 7
Schnittke, Alfred Sonata, No.1 for Violin and Piano, mvt 2 1963 0 3 7 10 2 11 6 9 1 4 8 5
Schnittke, Alfred Sonata, No.1 for Violin and Piano, mvt 3 1963 0 4 7 11 2 6 9 10 1 5 8 3
Schnittke, Alfred Sonata, No.1 for Violin and Piano, mvt 4 1963 0 4 7 3 6 10 9 5 1 2 8 11
Schnittke, Alfred Sonata, No.2 for Cello and Piano, mvt 2 1994 0 2 3 1 4 5 11 10 7 9 8 6
Schnittke, Alfred Sonata, No.2 for Cello and Piano, mvt 2, new row 1994 0 3 6 9 10 1 4 7 8 11 2 5
Schnittke, Alfred Sonata, No.3 for Violin and Piano, mvt 4 1994 0 3 5 4 6 7 8 2 1 9 10 11
Schnittke, Alfred String Quartet, No.1 1966 0 2 1 10 3 11 5 9 4 7 8 6
Schnittke, Alfred String Quartet, No.4 1989 0 11 10 1 3 2 4 9 8 6 5 7
Schnittke, Alfred String Quartet, No.4, mvt 2, m.190 1989 0 1 6 5 3 4 11 10 8 9 2 7
Schnittke, Alfred String Quartet, No.4, mvt 2, m.40 1989 0 5 10 3 2 7 8 1 6 11 4 9
Schnittke, Alfred String Quartet, No.4, mvt 4, m.122 1989 0 1 11 2 10 3 4 9 8 7 6 5
Schnittke, Alfred String Quartet, No.4, mvt 4, m.31 1989 0 11 9 10 8 7 6 5 3 4 2 1
Schnittke, Alfred Symphony, No.7, mvt 3, row X 1993 0 1 10 11 2 3 9 4 5 8 7 6
Schnittke, Alfred Symphony, No.7, mvt 3, row y 1993 0 1 11 10 8 9 7 6 5 4 3 2
Schnittke, Alfred Viola Concerto 1985 0 11 5 2 1 6 3 8 7 4 10 9
Schnittke, Alfred Violin Sonata 2 1968 0 10 11 9 6 8 7 5 4 1 2 3
Schoenberg, Arnold A Survivor From Warsaw, Op.46 1947 0 1 6 2 10 9 5 4 11 3 7 8
Schoenberg, Arnold A Survivor From Warsaw, Op.46 (alternative) 1947 0 1 6 2 10 9 4 7 3 8 11 5
Schoenberg, Arnold Accompaniment to a Film Scene, Op.34 1930 0 3 11 1 10 9 6 8 7 5 2 4
Schoenberg, Arnold Die Jakobsleiter 1917,22 0 1 4 3 7 6 11 2 10 9 5 8
Schoenberg, Arnold Fantasy for Piano Four Hands, I Year unknown 0 4 2 5 3 7 11 10 1 8 9 6
Schoenberg, Arnold Fantasy for Piano Four Hands, II (fragment) Year unknown 0 3 6 1 7 8 2 5 11 4 10 9
Schoenberg, Arnold Fantasy for Violin and Piano, Op.47 1949 0 11 3 1 7 9 5 6 2 4 10 8
Schoenberg, Arnold Five Piano Pieces, Op.23, No.5 1920,23 0 8 10 6 7 5 9 1 3 2 11 4
Schoenberg, Arnold Four Pieces for Mixed Chorus, No.1, Op.27, No.1 1925 0 11 8 2 1 7 9 10 4 3 5 6
Schoenberg, Arnold Four Pieces for Mixed Chorus, No.2, Op.27, No.2 1925 0 11 4 10 2 8 3 7 6 5 9 1
Schoenberg, Arnold Four Pieces for Mixed Chorus, No.3, Op.27, No.3 1925 0 11 7 9 10 8 4 5 1 3 2 6
Schoenberg, Arnold Four Pieces for Mixed Chorus, No.4, Op.27, No.4 1925 0 2 9 5 7 3 10 11 1 8 4 6
Schoenberg, Arnold Israel Exists Again 1949 0 3 4 9 11 5 2 1 10 8 6 7
Schoenberg, Arnold Modern Psalms, The First Psalm, Op.50c 1950 0 11 8 4 7 3 1 5 2 6 9 10
Schoenberg, Arnold Moses und Aron 1930-32 0 1 7 5 6 4 10 8 9 11 2 3
Schoenberg, Arnold Ode To Napoleon Buonaparte, Op.41 (view 1) 1942 0 11 3 4 8 7 2 1 5 6 10 9
Schoenberg, Arnold Ode To Napoleon Buonaparte, Op.41 (view 2) 1942 0 1 9 8 4 5 7 6 10 11 3 2
Schoenberg, Arnold Piano Concerto, Op.42 1942 0 7 11 2 1 9 3 5 10 6 8 4
Schoenberg, Arnold Prelude To A Suite From "Genesis", Op.44 1945 0 8 4 7 6 2 1 10 3 5 11 9
Schoenberg, Arnold Psalm 130, De Profundis (unfinished), Op.50B 1950 0 6 5 1 11 7 4 8 9 3 2 10
Schoenberg, Arnold Serenade, mvt 4, "Sonett", Op.24 1922-23 0 10 11 7 8 9 4 2 5 1 3 6
Schoenberg, Arnold Serenade, mvt 5, "Tanzscene", Op.24 1920-23 0 1 3 6 7 9 8 10 11 2 4 5
Schoenberg, Arnold Six Pieces for Male Chorus, No.1, Op.35 1930 0 9 1 3 2 11 6 8 7 4 10 5
Schoenberg, Arnold Six Pieces for Male Chorus, No.2, Op.35 1930 0 3 1 7 6 8 11 5 4 9 10 2
Schoenberg, Arnold Six Pieces for Male Chorus, No.3, Op.35 1930 0 3 4 5 2 9 6 7 1 8 11 10
Schoenberg, Arnold Six Pieces for Male Chorus, No.5, Op.35 1930 0 6 9 1 2 10 7 3 11 5 4 8
Schoenberg, Arnold Sonata For Organ 1941 0 6 10 2 8 1 7 5 9 4 11 3
Schoenberg, Arnold String Quartet, No.3, Op.30 1927 0 9 8 2 5 10 11 4 3 6 1 7
Schoenberg, Arnold String Quartet, No.4, Op.37 1936 0 11 7 8 3 1 2 10 6 5 4 9
Schoenberg, Arnold String Trio, Op.45 1946 0 8 1 7 2 11 9 6 4 5 3 10
Schoenberg, Arnold Suite for Piano, Op.25 1921-23 0 1 3 9 2 11 4 10 7 8 5 6
Schoenberg, Arnold Suite, Op.29 1925 0 4 3 7 11 8 9 6 5 1 2 10
Schoenberg, Arnold Three Satires for Mixed Chorus, No.1, Op.28, No.1 1925 0 4 7 1 9 11 5 3 2 6 8 10
Schoenberg, Arnold Three Satires for Mixed Chorus, No.3, Op.28, No.3 1925,26 0 1 11 3 9 5 2 4 10 6 8 7
Schoenberg, Arnold Three Songs, No.1, "Sommermud", Op.48 1933 0 1 11 5 2 4 3 9 10 6 8 7
Schoenberg, Arnold Three Songs, No.2, "Tot", Op.48 1933 0 1 7 11 8 2 6 5 10 9 3 4
Schoenberg, Arnold Three Songs, No.3, "Madchenlied", Op.48 1933 0 6 8 10 2 4 9 5 3 11 7 1
Schoenberg, Arnold Three Times a Thousand Years, Op.50a 1949 0 2 11 9 10 4 3 7 5 6 8 1
Schoenberg, Arnold Two Piano Pieces, No.1, Op.33a 1928 0 7 2 1 11 8 3 5 9 10 4 6
Schoenberg, Arnold Two Piano Pieces, No.2, Op.33b 1931 0 2 6 4 10 9 7 11 8 5 1 3
Schoenberg, Arnold Variations for Orchestra, Op.31 1926-28 0 6 8 5 7 11 4 3 9 10 1 2
Schoenberg, Arnold Violin Concerto, Op.36 1934,36 0 1 6 2 7 9 3 4 10 11 5 8
Schoenberg, Arnold Violin Phantasy, Op.47 1949 0 11 3 1 7 9 6 2 10 5 8 4
Schoenberg, Arnold Von Heute Auf Morgen, Op.32 1929 0 1 7 11 9 3 6 5 2 10 8 4
Schoenberg, Arnold Wind Quintet, Op.26 1923-24 0 4 6 8 10 9 7 11 1 3 5 2
Schollum, Robert Oktett in acht skizzen, Op.63 1959 0 9 2 3 10 11 8 7 4 6 5 1
Schreiner, Thomas Stück für drei Violinen 1992/6/7 0 2 1 7 4 10 9 6 8 5 3 11
Schuller, Gunther Transformation 1957 0 2 4 3 8 11 9 6 5 10 7 1
Schwantner, Joseph "New Morning for the World" 1982 0 11 7 3 6 10 2 1 9 5 4 8
Schwantner, Joseph ...and the mountains rising nowhere 1977 0 11 8 7 4 3 2 1 10 9 6 5
Schwantner, Joseph Elixir (Consortium VIII) 1975 0 8 4 3 7 11 10 6 9 5 1 2
Schwantner, Joseph Elixir (Consortium VIII), m.22 1975 0 1 4 5 8 9 6 7 10 11 2 3
Schwantner, Joseph In Aeternum (Derived Row) 1973 0 3 11 2 10 1 7 4 8 5 9 6
Schwantner, Joseph In Aeternum (Principal Row) 1973 0 4 11 6 10 5 1 9 2 7 3 8
Schwantner, Joseph Modus Caelestis (A) 1972 0 6 7 1 11 5 4 10 8 2 3 9
Schwantner, Joseph Modus Caelestis (R) 1972 0 6 7 2 4 1 9 11 3 5 8 10
Schwantner, Joseph Modus Caelestis (m. 39) 1972 0 6 11 10 5 9 4 8 3 2 7 1
Schwantner, Joseph Wild Angels of the Open Hills, 2, "Angels of the Shadowed Ancient Land," m. 11 1977 0 11 3 2 10 9 5 4 1 7 8 6
Schwantner, Joseph Wild Angels of the Open Hills, 2, "Angels of the Shadowed Ancient Land," m. 21 1977 0 8 9 11 3 7 6 5 2 4 10 1
Searle, Humphrey Toccata alla Passacaglia, Op.31 1957 0 5 6 1 10 7 9 8 3 2 4 11
Seiber, Mátyás Concert Piece for Violin and Piano 1953-54 0 1 7 6 11 10 4 5 9 8 2 3
Seiber, Mátyás Sonata for Violin and Piano 1960 0 1 11 10 7 6 8 9 4 3 5 2
Seiber, Mátyás String Quartet, No.2 1934-35 0 2 3 1 4 11 5 10 7 9 8 6
Seiber, Mátyás String Quartet, No.2, mvt 3 1934-35 0 2 3 1 4 9 5 11 10 7 6 8
Seiber, Mátyás Ulysses 1950 0 3 4 7 8 11 1 10 9 6 5 2
Sengstschmid, Johann Meditation für Orgel, Op.43a 1980 0 6 3 1 10 8 5 2 11 9 7 4
Sengstschmid, Johann Scherzo für Blockflötenquartett, Op.28 1967 0 7 9 4 6 1 8 2 11 5 3 10
Sessions, Roger Piano Sonata, No.3, mvt 2 1965 0 1 5 4 8 2 11 10 6 7 3 9
Sessions, Roger Piano Sonata, No.3, mvt.1 1965 0 9 1 10 4 11 8 5 3 6 2 7
Sessions, Roger When Lilacs Last in the Dooryard Bloom'd 1970 0 2 4 10 5 8 9 1 11 7 6 3
Shapey, Ralph String Quartet, No.9 1995 0 8 9 3 5 1 2 6 4 10 11 7
Shostakovich, Dmitri String Quartet, No.12, Opening 1968 0 5 11 10 2 7 6 3 4 9 8 1
Shostakovich, Dmitri String Quartet, No.13 B-flat minor (Op.138) 1970/8/10 0 3 8 7 11 2 6 5 4 10 9 1
Shostakovich, Dmitri Symphony, No.14, mov. I 1969 0 11 9 4 3 10 8 7 5 6 1 2
Shostakovich, Dmitri Symphony, No.14, mov. III 1969 0 5 2 7 10 1 11 4 6 8 9 3
Slonimsky, Nicholas No. 1214a Thirds (Twelve-Tone Patterns) 1947 0 4 8 11 3 7 6 10 2 5 9 1
Slonimsky, Nicholas No. 1215a Fourths (Twelve-Tone Patterns) 1947 0 5 10 3 8 1 7 2 9 4 11 6
Slonimsky, Nicholas No. 1216a Foutths (Twelve-Tone Patterns) 1947 0 5 10 3 7 2 9 4 8 1 6 11
Slonimsky, Nicholas No. 1217a Fourths (Twelve-Tone Patterns) 1947 0 5 10 3 11 6 1 8 4 9 2 7
Slonimsky, Nicholas No. 1218a Fourths (Twelve-Tone Patterns) 1947 0 5 10 3 8 1 6 11 4 9 2 7
Slonimsky, Nicholas No. 1219a Fourths (Twelve-Tone Patterns) 1947 0 5 2 7 4 9 6 11 8 1 10 3
Slonimsky, Nicholas No. 1220a Fifths (Twelve-Tone Patterns) 1947 0 7 2 9 4 11 6 1 8 3 10 5
Slonimsky, Nicholas No. 1221a Fifths (Twelve-Tone Patterns) 1947 0 7 2 9 4 11 6 1 8 3 10 5
Slonimsky, Nicholas No. 1222aFifths (Twelve-Tone Patterns) 1947 0 7 2 9 4 11 6 1 8 3 10 5
Slonimsky, Nicholas No. 1223a Sixths (Twelve-Tone Patterns) 1947 0 8 4 1 5 9 6 2 10 7 11 3
Slonimsky, Nicholas No. 1224a Sixths (Twelve-Tone Patterns) 1947 0 9 6 3 7 10 1 4 8 5 2 11
Slonimsky, Nicholas No. 1225a Sixths (Twelve-Tone Patterns) 1947 0 8 4 7 11 3 6 2 10 1 5 9
Slonimsky, Nicholas No. 1226a Minor Sevenths (Twelve-Tone Patterns) 1947 0 10 8 2 4 6 1 11 9 3 5 7
Slonimsky, Nicholas No. 1227a Minor Sevenths (Twelve-Tone Patterns) 1947 0 10 4 2 8 6 1 11 9 7 5 3
Slonimsky, Nicholas No. 1228a Minor Sevenths (Twelve-Tone Patterns) 1947 0 10 2 4 8 6 11 1 5 3 7 9
Slonimsky, Nicholas No. 1229a Major Sevenths (Twelve-Tone Patterns) 1947 0 11 10 9 8 7 1 2 3 4 5 6
Slonimsky, Nicholas No. 1230a Major Sevenths (Twelve-Tone Patterns) 1947 0 11 3 4 8 7 1 2 6 5 9 10
Slonimsky, Nicholas No. 1231a Major Sevenths (Twelve-Tone Patterns) 1947 0 11 4 3 8 7 1 2 9 10 5 6
Slonimsky, Nicholas No. 1232a (Twelve-Tone Spirals) 1947 0 11 1 10 2 9 3 8 4 7 5 6
Slonimsky, Nicholas No. 1233a (Twelve-Tone Spirals) 1947 0 11 1 10 2 9 3 8 4 7 5 6
Slonimsky, Nicholas No. 1234a (Twelve-Tone Spirals) 1947 0 11 1 10 2 9 3 8 4 7 5 6
Slonimsky, Nicholas No. 1235a (Twelve-Tone Spirals) 1947 0 11 1 10 2 9 3 8 4 7 5 6
Slonimsky, Nicholas No. 1236a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) 1947 0 11 9 2 4 7 5 6 8 3 1 10
Slonimsky, Nicholas No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) 1947 0 11 9 7 2 4 6 5 3 1 8 10
Slonimsky, Nicholas No. 1238a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) 1947 0 9 7 5 3 2 4 6 8 1 10 11
Slonimsky, Nicholas No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) 1947 0 11 2 9 4 7 6 5 8 3 10 1
Slonimsky, Nicholas No. 1240a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) 1947 0 11 9 2 4 7 5 3 6 8 1 10
Slonimsky, Nicholas No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals) 1947 0 9 6 3 11 5 2 8 7 10 1 4
Slonimsky, Nicholas No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals) 1947 0 8 4 11 3 7 1 9 5 10 2 6
Slonimsky, Nicholas No. 1243a Crossing Sixths (Crossing Intervals) 1947 0 1 9 4 6 7 3 10 11 2 8 5
Slonimsky, Nicholas No. 1244a Crossing Sixths (Crossing Intervals) 1947 0 3 8 7 4 11 1 2 10 5 6 9
Slonimsky, Nicholas No. 1245a Crossing Fifths (Crossing Intervals) 1947 0 5 7 10 2 3 9 8 4 1 11 6
Slonimsky, Nicholas No. 1246a Crossing Fourths (Crossing Intervals) 1947 0 7 5 2 10 9 3 4 8 11 1 6
Slonimsky, Nicholas No. 1247a Crossing Thirds (Crossing Intervals) 1947 0 3 4 11 7 8 10 5 2 1 6 9
Slonimsky, Nicholas No. 1248a Crossing Thirds (Crossing Intervals) 1947 0 5 4 1 8 9 11 6 3 2 7 10
Slonimsky, Nicholas No. 1249a Crossing Thirds (Crossing Intervals) 1947 0 11 3 8 6 5 9 2 1 10 4 7
Slonimsky, Nicholas No. 1250a Crossing Seconds (Crossing Intervals) 1947 0 11 2 9 4 7 6 5 8 3 10 1
Slonimsky, Nicholas No. 1251a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 1 6 9 2 5 8 11 4
Slonimsky, Nicholas No. 1251b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 5 3 11 6 2 10 7 4 1 9
Slonimsky, Nicholas No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 1 5 9 2 6 8 11 4
Slonimsky, Nicholas No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 5 3 10 6 2 11 7 4 1 9
Slonimsky, Nicholas No. 1253a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 1 5 8 11 3 6 9 2
Slonimsky, Nicholas No. 1253b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 3 1 9 6 4 11 7 5 2 10
Slonimsky, Nicholas No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 2 5 8 11 3 6 9 1
Slonimsky, Nicholas No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 3 1 10 6 4 11 7 5 2 9
Slonimsky, Nicholas No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 1 6 9 2 5 8 11 3
Slonimsky, Nicholas No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 3 2 9 6 5 1 10 7 4 11
Slonimsky, Nicholas No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 2 5 8 11 4 6 9 1
Slonimsky, Nicholas No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 9 4 2 11 7 5 1 8 6 3 10
Slonimsky, Nicholas No. 1257a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 3 7 10 1 6 9 2 5
Slonimsky, Nicholas No. 1257b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 4 3 11 7 5 2 10 6 1 9
Slonimsky, Nicholas No. 1258a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 2 6 9 1 5 8 11 4
Slonimsky, Nicholas No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 5 3 11 7 2 10 6 4 1 9
Slonimsky, Nicholas No. 1259a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 2 6 9 1 5 7 10 3
Slonimsky, Nicholas No. 1259b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 4 2 10 7 5 1 9 6 3 11
Slonimsky, Nicholas No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 2 6 9 1 5 8 11 3
Slonimsky, Nicholas No. 1260b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 3 2 10 6 5 1 9 7 4 11
Slonimsky, Nicholas No. 1261a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 2 5 9 1 6 7 10 3
Slonimsky, Nicholas No. 1261b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 4 1 10 7 5 2 9 6 3 11
Slonimsky, Nicholas No. 1262a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 3 6 11 2 8 9 1 5
Slonimsky, Nicholas No. 1262b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 9 5 3 11 8 4 1 7 6 2 10
Slonimsky, Nicholas No. 1263a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 2 6 9 1 4 8 11 5
Slonimsky, Nicholas No. 1263b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 5 3 11 7 6 2 9 4 1 10
Slonimsky, Nicholas No. 1264a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 1 5 8 11 4 7 10 2
Slonimsky, Nicholas No. 1264b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 9 3 2 10 6 5 1 8 7 4 11
Slonimsky, Nicholas No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 1 4 7 10 2 5 8 11
Slonimsky, Nicholas No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 1 4 7 10 2 5 8 11
Slonimsky, Nicholas No. 1265b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 9 3 1 10 6 4 11 7 5 2 8
Slonimsky, Nicholas No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 2 5 8 11 4 7 10 1
Slonimsky, Nicholas No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 9 3 2 11 6 5 1 8 7 4 10
Slonimsky, Nicholas No. 1267a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 1 4 8 11 5 6 9 2
Slonimsky, Nicholas No. 1267b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 9 4 1 10 7 5 2 8 6 3 11
Slonimsky, Nicholas No. 1268a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 1 5 8 11 2 6 9 3
Slonimsky, Nicholas No. 1268b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 3 1 9 6 4 10 7 5 2 11
Slonimsky, Nicholas No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 9 1 5 6 10 2 3 7 11
Slonimsky, Nicholas No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 4 3 11 7 6 2 10 9 5 1
Slonimsky, Nicholas No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 10 2 6 7 11 3 5 9 1
Slonimsky, Nicholas No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 4 2 10 6 3 11 7 5 1 9
Slonimsky, Nicholas No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 3 7 10 2 6 9 1 5
Slonimsky, Nicholas No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 8 4 1 9 5 2 10 6 3 11 7
Slonimsky, Nicholas No. 1272a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 1 6 9 5 2 11 8 4
Slonimsky, Nicholas No. 1272b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 6 1 2 5 9 8 4 11
Slonimsky, Nicholas No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 1 5 9 6 2 11 8 4
Slonimsky, Nicholas No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 5 1 2 6 9 8 4 11
Slonimsky, Nicholas No. 1274a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 1 5 9 6 2 11 8 3
Slonimsky, Nicholas No. 1274b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 5 1 2 6 9 8 3 11
Slonimsky, Nicholas No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 2 5 9 6 1 11 8 3
Slonimsky, Nicholas No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 5 2 1 6 9 8 3 11
Slonimsky, Nicholas No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 1 6 9 5 2 11 8 3
Slonimsky, Nicholas No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 6 1 2 5 9 8 3 11
Slonimsky, Nicholas No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 2 5 8 4 11 9 6 1
Slonimsky, Nicholas No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 5 2 4 8 11 9 6 1
Slonimsky, Nicholas No. 1278a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 3 7 10 6 1 9 5 2
Slonimsky, Nicholas No. 1278b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 7 3 6 10 1 9 5 2
Slonimsky, Nicholas No. 1279a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 2 6 9 5 1 11 8 4
Slonimsky, Nicholas No. 1279b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 6 2 1 5 9 8 4 11
Slonimsky, Nicholas No. 1280a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 2 6 9 5 1 10 7 3
Slonimsky, Nicholas No. 1280b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 6 2 5 9 1 10 7 3
Slonimsky, Nicholas No. 1281a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 2 6 9 5 1 11 8 3
Slonimsky, Nicholas No. 1281b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 6 2 1 5 9 8 3 11
Slonimsky, Nicholas No. 1282a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 2 5 9 6 1 10 7 3
Slonimsky, Nicholas No. 1282b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 5 2 6 9 1 10 7 3
Slonimsky, Nicholas No. 1283a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 3 6 8 2 11 9 5 1
Slonimsky, Nicholas No. 1283b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 6 3 11 2 8 5 1 9
Slonimsky, Nicholas No. 1284a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 2 6 9 4 1 11 8 5
Slonimsky, Nicholas No. 1284b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 6 2 1 4 9 8 5 11
Slonimsky, Nicholas No. 1285a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 1 5 8 4 11 10 7 2
Slonimsky, Nicholas No. 1285b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 5 1 11 4 8 7 2 10
Slonimsky, Nicholas No. 1286a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 1 4 7 2 10 8 5 11
Slonimsky, Nicholas No. 1286b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 4 1 10 2 7 8 5 11
Slonimsky, Nicholas No. 1287a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 2 5 8 4 11 10 7 1
Slonimsky, Nicholas No. 1287b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 6 9 5 2 11 4 8 7 1 10
Slonimsky, Nicholas No. 1288a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 1 4 8 5 11 9 6 2
Slonimsky, Nicholas No. 1288b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 3 7 10 4 1 11 5 8 6 2 9
Slonimsky, Nicholas No. 1289a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 1 5 8 2 11 9 6 3
Slonimsky, Nicholas No. 1289b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 7 10 5 1 11 2 8 9 6 3
Slonimsky, Nicholas No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 9 1 5 6 2 10 7 3 11
Slonimsky, Nicholas No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 9 5 1 10 2 6 7 3 11
Slonimsky, Nicholas No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 10 2 6 7 3 11 9 5 1
Slonimsky, Nicholas No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 10 6 2 11 3 7 9 5 1
Slonimsky, Nicholas No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 3 7 10 6 2 1 9 5
Slonimsky, Nicholas No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) 1947 0 4 8 11 7 3 2 6 10 9 5 1
Slonimsky, Nicholas No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 2 4 5 7 9 6 8 10 11 1 3
Slonimsky, Nicholas No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 3 1 11 10 8 6 9 7 5 4 2
Slonimsky, Nicholas No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 9 4 7 5 2 6 3 10 1 11 8
Slonimsky, Nicholas No. 1294b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 8 11 1 10 3 6 2 5 7 4 9
Slonimsky, Nicholas No. 1295a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 2 5 4 3 1 6 8 11 10 9 7
Slonimsky, Nicholas No. 1295b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 7 9 10 11 8 6 1 3 4 5 2
Slonimsky, Nicholas No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 7 8 3 4 11 6 1 2 9 10 5
Slonimsky, Nicholas No. 1296b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 5 10 9 2 1 6 11 4 3 8 7
Slonimsky, Nicholas No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 11 9 7 2 4 6 5 3 1 8 10
Slonimsky, Nicholas No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 10 8 1 3 5 6 4 2 7 9 11
Slonimsky, Nicholas No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 11 1 10 2 9 6 5 7 4 8 3
Slonimsky, Nicholas No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 3 8 4 7 5 6 9 2 10 1 11
Slonimsky, Nicholas No. 1299a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 9 2 7 4 5 6 3 8 1 10 11
Slonimsky, Nicholas No. 1299b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 11 10 1 8 3 6 5 4 7 2 9
Slonimsky, Nicholas No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 11 1 10 2 9 6 5 7 4 8 3
Slonimsky, Nicholas No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) 1947 0 3 8 4 7 5 6 9 2 10 1 11
Slonimsky, Nicholas No. 1301 Invertible Dodecaphonic Progressions - With all Different Intervals 1947 0 1 4 8 3 5 11 9 2 10 7 6
Slonimsky, Nicholas No. 1302 Invertible Dodecaphonic Progressions - With all Different Intervals 1947 0 1 4 2 9 5 11 3 8 10 7 6
Slonimsky, Nicholas No. 1303 Invertible Dodecaphonic Progressions - With all Different Intervals 1947 0 2 3 7 10 5 11 4 1 9 8 6
Slonimsky, Nicholas No. 1304 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Triad) 1947 0 3 7 8 10 5 11 4 2 1 9 6
Slonimsky, Nicholas No. 1305 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Sixth-Chord) 1947 0 3 8 10 11 7 1 5 4 2 9 6
Slonimsky, Nicholas No. 1306 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Triad) 1947 0 4 7 8 3 5 11 9 2 1 10 6
Slonimsky, Nicholas No. 1307 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Sixth-Chord) 1947 0 4 9 8 11 1 7 5 2 3 10 6
Slonimsky, Nicholas No. 1308 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Six-Four Chord) 1947 0 5 8 10 9 1 7 3 4 2 11 6
Slonimsky, Nicholas No. 1309 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Six-Four Chord) 1947 0 5 9 8 10 1 7 4 2 3 11 6
Slonimsky, Nicholas No. 1310 Invertible Dodecaphonic Progressions - With all Different Intervals 1947 0 5 1 4 2 3 9 8 10 7 11 6
Slonimsky, Nicholas No. 1311 Invertible Dodecaphonic Progressions - With all Different Intervals 1947 0 7 9 10 2 5 11 8 4 3 1 6
Slonimsky, Nicholas No. 1312 Invertible Dodecaphonic Progressions - With all Different Intervals 1947 0 7 10 2 3 5 11 9 8 4 1 6
Slonimsky, Nicholas No. 1313 Invertible Dodecaphonic Progressions - With all Different Intervals 1947 0 7 11 2 4 3 9 10 8 5 1 6
Slonimsky, Nicholas No. 1314 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes) 1947 0 2 7 4 5 9 3 11 10 1 8 6
Slonimsky, Nicholas No. 1315 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes) 1947 0 4 5 2 7 9 3 1 8 11 10 6
Slonimsky, Nicholas No. 1316 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes) 1947 0 7 4 5 9 2 8 3 11 10 1 6
Slonimsky, Nicholas No. 1317 Invertible Dodecaphonic Progressions - With all Different Intervals. (Mother Chord) 1947 0 11 7 4 2 9 3 8 10 1 5 6
Slonimsky, Nicholas No. 1318 Invertible Dodecaphonic Progressions - With all Different Intervals. (Grandmother Chord) 1947 0 11 1 10 2 9 3 8 4 7 5 6
Slonimsky, Nicholas No. 216 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 5 10 7 4 9 2 11 8 1 6 3
Slonimsky, Nicholas No. 221 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 6 11 9 4 10 3 1 8 2 7 5
Slonimsky, Nicholas No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 6 5 11 4 10 9 3 8 2 1 7
Slonimsky, Nicholas No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 11 10 9 4 3 2 1 8 7 6 5
Slonimsky, Nicholas No. 262 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 11 10 5 4 3 2 9 8 7 6 1
Slonimsky, Nicholas No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 10 9 7 4 2 1 11 8 6 5 3
Slonimsky, Nicholas No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 10 7 5 4 2 11 9 8 6 3 1
Slonimsky, Nicholas No. 340 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 11 2 9 4 3 6 1 8 7 10 5
Slonimsky, Nicholas No. 348 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 10 1 7 4 2 5 11 8 6 9 3
Slonimsky, Nicholas No. 359 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 10 3 9 4 2 7 1 8 6 11 5
Slonimsky, Nicholas No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 7 1 6 4 11 5 10 8 3 9 2
Slonimsky, Nicholas No. 371 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 7 2 5 4 11 6 9 8 3 10 1
Slonimsky, Nicholas No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 3 9 6 4 7 1 10 8 11 5 2
Slonimsky, Nicholas No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 9 3 6 4 1 7 10 8 5 11 2
Slonimsky, Nicholas No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 3 9 6 4 7 1 10 8 11 5 2
Slonimsky, Nicholas No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) 1947 0 9 3 6 4 1 7 10 8 5 11 2
Slonimsky, Nicholas No. 405 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 7 5 3 10 8 6 1 11 9 4 2
Slonimsky, Nicholas No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 8 4 3 11 7 6 2 10 9 5 1
Slonimsky, Nicholas No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 8 7 3 11 10 6 2 1 9 5 4
Slonimsky, Nicholas No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 10 5 3 1 8 6 4 11 9 7 2
Slonimsky, Nicholas No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 11 4 3 2 7 6 5 10 9 8 1
Slonimsky, Nicholas No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 11 7 3 2 10 6 5 1 9 8 4
Slonimsky, Nicholas No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 11 10 3 2 1 6 5 4 9 8 7
Slonimsky, Nicholas No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 11 7 3 2 10 6 5 1 9 8 4
Slonimsky, Nicholas No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 10 8 3 1 11 6 4 2 9 7 5
Slonimsky, Nicholas No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 8 7 3 11 10 6 2 1 9 5 4
Slonimsky, Nicholas No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 8 4 3 11 7 6 2 10 9 5 1
Slonimsky, Nicholas No. 482 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 11 1 3 2 4 6 5 7 9 8 10
Slonimsky, Nicholas No. 485 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 10 2 3 1 5 6 4 8 9 7 11
Slonimsky, Nicholas No. 493 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 1 5 3 4 8 6 7 11 9 10 2
Slonimsky, Nicholas No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 2 4 3 5 7 6 8 10 9 11 1
Slonimsky, Nicholas No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 2 7 3 5 10 6 8 1 9 11 4
Slonimsky, Nicholas No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 11 4 3 2 7 6 5 10 9 8 1
Slonimsky, Nicholas No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 11 7 3 2 10 6 5 1 9 8 4
Slonimsky, Nicholas No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 10 5 3 1 8 6 4 11 9 7 2
Slonimsky, Nicholas No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 10 8 3 1 11 6 4 2 9 7 5
Slonimsky, Nicholas No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) 1947 0 8 4 3 11 7 6 2 10 9 5 1
Slonimsky, Nicholas No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) 1947 0 3 2 5 4 7 6 9 8 11 10 1
Slonimsky, Nicholas No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) 1947 0 5 2 7 4 9 6 11 8 1 10 3
Slonimsky, Nicholas No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) 1947 0 7 2 9 4 11 6 1 8 3 10 5
Slonimsky, Nicholas No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) 1947 0 9 2 11 4 1 6 3 8 5 10 7
Slonimsky, Nicholas No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) 1947 0 11 2 1 4 3 6 5 8 7 10 9
Slonimsky, Nicholas No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) 1947 0 11 2 1 4 3 6 5 8 7 10 9
Slonimsky, Nicholas No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 1 3 2 4 5 7 6 8 9 11 10
Slonimsky, Nicholas No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 11 9 10 4 3 1 2 8 7 5 6
Slonimsky, Nicholas No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 1 2 5 4 3 6 7 8 11 10 9
Slonimsky, Nicholas No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 11 10 7 8 9 6 5 4 1 2 3
Slonimsky, Nicholas No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 1 2 3 7 6 5 4 8 9 10 11
Slonimsky, Nicholas No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 1 2 3 4 5 11 10 9 8 7 6
Slonimsky, Nicholas No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 6 7 8 9 10 11 5 4 3 2 1
Slonimsky, Nicholas No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 6 7 8 9 10 11 5 4 3 2 1
Slonimsky, Nicholas No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 1 11 10 8 9 7 6 4 5 3 2
Slonimsky, Nicholas No. 646 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 1 11 6 8 9 7 2 4 5 3 10
Slonimsky, Nicholas No. 647 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 2 11 5 8 10 7 1 4 6 3 9
Slonimsky, Nicholas No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 1 2 3 4 5 6 7 8 9 10 11
Slonimsky, Nicholas No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) 1947 0 11 10 9 8 7 6 5 4 3 2 1
Slonimsky, Nicholas No. 685 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts) 1947 0 1 3 6 8 9 11 2 4 5 7 10
Slonimsky, Nicholas No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts) 1947 0 2 3 5 8 10 11 1 4 6 7 9
Slonimsky, Nicholas No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts) 1947 0 2 5 7 8 10 1 3 4 6 9 11
Slonimsky, Nicholas No. 734 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts) 1947 0 5 11 10 8 1 7 6 4 9 3 2
Slonimsky, Nicholas No. 735 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts) 1947 0 6 9 11 8 2 5 7 4 10 1 3
Slonimsky, Nicholas No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts) 1947 0 2 7 9 8 10 3 5 4 6 11 1
Slonimsky, Nicholas No. 746 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 1 5 9 10 2 6 7 11 3 4 8
Slonimsky, Nicholas No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 2 7 9 11 4 6 8 1 3 5 10
Slonimsky, Nicholas No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 4 8 9 1 5 6 10 2 3 7 11
Slonimsky, Nicholas No. 754 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 5 7 9 2 4 6 11 1 3 8 10
Slonimsky, Nicholas No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 11 10 9 8 7 6 5 4 3 2 1
Slonimsky, Nicholas No. 794 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 10 11 9 7 8 6 4 5 3 1 2
Slonimsky, Nicholas No. 795 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 8 1 9 5 10 6 2 7 3 11 4
Slonimsky, Nicholas No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) 1947 0 2 7 9 11 4 6 8 1 3 5 10
Slonimsky, Nicholas No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) 1947 0 3 6 9 10 1 4 7 8 11 2 5
Slonimsky, Nicholas No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) 1947 0 11 10 9 8 7 6 5 4 3 2 1
Slonimsky, Nicholas No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) 1947 0 1 10 11 8 9 6 7 4 5 2 3
Slonimsky, Nicholas No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) 1947 0 11 10 9 8 7 6 5 4 3 2 1
Slonimsky, Nicholas No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) 1947 0 6 5 11 10 4 3 9 8 2 1 7
Slonimsky, Nicholas No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) 1947 0 4 8 5 9 1 10 2 6 3 7 11
Slonimsky, Nicholas No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) 1947 0 9 3 6 5 2 8 11 10 7 1 4
Slonimsky, Nicholas No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts) 1947 0 10 2 8 4 6 5 3 7 1 9 11
Slonimsky, Nicholas No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts) 1947 0 8 4 7 3 11 2 10 6 9 5 1
Smith, Hale Contours for Orchestra 1961 0 5 6 4 10 11 7 2 1 3 9 8
Smith, Hale Evocation 1965 0 1 7 2 9 5 8 3 10 11 4 6
Spinner, Leopold Cantata, Op.11 1955-57 0 9 1 10 2 3 11 5 6 7 4 8
Spinner, Leopold Chamber Symphony, Op.28 1975-79 0 11 10 6 4 5 2 1 3 7 8 9
Spinner, Leopold Concert for Piano and Orchestra, Op.4 1947 0 2 1 9 11 3 4 7 5 6 10 8
Spinner, Leopold Concerto for Orchestra, Op.12 1956-57 0 1 10 7 9 8 11 2 4 3 6 5
Spinner, Leopold Die Nacht, Op.29 1978-79 0 4 1 2 5 6 7 10 8 9 11 3
Spinner, Leopold Drei Lieder, Op.15 1959 0 2 3 9 6 10 8 4 7 5 1 11
Spinner, Leopold Drei Lieder, Op.16 1960 0 9 8 5 4 3 6 7 10 1 2 11
Spinner, Leopold Fantasy for Piano, Op.9 1953-54 0 1 4 5 2 3 8 9 6 7 10 11
Spinner, Leopold Fünf Lieder, Op.25 1973 0 9 11 2 1 5 7 6 10 8 4 3
Spinner, Leopold Fünf Lieder, Op.8 1953 0 3 4 7 8 5 11 9 10 2 6 1
Spinner, Leopold Ich lieb' eine Blume for Four-part mixed Choir 1936 0 11 2 4 9 7 1 3 10 8 5 6
Spinner, Leopold Inventions for Piano, Op.13 1958 0 11 2 1 3 6 5 8 10 9 7 4
Spinner, Leopold Lieder for Voice, Clarinet, Violin, and Cello 1936 0 7 6 3 11 9 2 1 4 8 10 5
Spinner, Leopold Ouverture for Orchestra 1944 0 4 3 5 1 7 11 6 10 8 2 9
Spinner, Leopold Ouverture for Orchestra, Op.5 1948-49 0 11 2 10 8 1 7 5 6 9 3 4
Spinner, Leopold Prelude and Variations for Orchestra, Op.18 1960-62 0 9 10 7 8 4 5 6 2 3 1 11
Spinner, Leopold Quintet, Op.14 1959-63 0 6 4 2 8 5 1 9 10 11 7 3
Spinner, Leopold Ricercata, Op.21 1964-65 0 11 8 10 2 1 4 3 7 9 6 5
Spinner, Leopold Schilflieder, Op.27 1974-75 0 3 1 10 11 7 5 6 2 4 8 9
Spinner, Leopold Sonata for Clarinet and Piano, Op.17 1961 0 3 4 1 2 5 11 8 7 10 9 6
Spinner, Leopold Sonata for Piano, Op.3 1942-45 0 9 8 6 7 10 1 4 5 3 2 11
Spinner, Leopold Sonata for Violin and Piano, Op.1 1936 0 7 6 1 3 8 5 10 2 9 4 11
Spinner, Leopold Sonatina for Cello and Piano, Op.26 1972-73 0 1 11 2 4 3 9 10 8 5 7 6
Spinner, Leopold Sonatina for Piano, Op.22 1966-69 0 3 2 1 9 10 11 8 5 4 7 6
Spinner, Leopold Sonatina for Wind Instruments, Op.23 1971 0 9 1 5 4 2 8 10 11 7 3 6
Spinner, Leopold String Quartet, No.2, Op.7 1952 0 3 4 7 8 11 1 10 9 6 5 2
Spinner, Leopold String Quartet, Op.2 1941 0 1 7 6 11 10 4 5 8 9 3 2
Spinner, Leopold Suite for Clarinet and Piano, Op.10 1955-56 0 4 1 6 5 2 8 10 7 9 11 3
Spinner, Leopold Trio for Clarinet, Cello and Piano 1935 0 1 7 6 5 11 10 3 4 2 9 8
Spinner, Leopold Trio for Violin, Cello, and Piano, Op.6 1950 0 1 7 4 10 9 6 5 11 8 2 3
Spinner, Leopold Variations for Violin and Piano, Op.19 1962 0 8 9 1 2 4 3 5 6 10 11 7
Spinner, Leopold Zwei Lieder 1935-36 0 1 3 6 5 2 4 8 9 7 11 10
Spinner, Leopold Zwei Lieder, Op.24 1970-71 0 11 1 4 3 7 5 6 9 8 10 2
Spinner, Leopold Zwei kleine Stücke for Violin and Piano 1934 0 9 2 1 8 5 4 10 7 11 3 6
Steinbauer, Othmar Violinsonate, No.1, Op.15 0 5 2 10 7 3 11 8 4 1 6 9
Stockhausen, Karlheinz 'Mantra' 1970 0 2 11 7 8 5 10 6 4 3 1 9
Stockhausen, Karlheinz Choral 1950 0 1 10 6 8 3 5 2 4 11 9 7
Stockhausen, Karlheinz Gruppen 1955-57 0 8 1 10 9 11 5 3 4 7 2 6
Stockhausen, Karlheinz Klavierstück "V.5 or Pre-VI" (row of original 1954 version) 1954-55 0 8 1 11 10 7 5 9 4 6 3 2
Stockhausen, Karlheinz Klavierstück IV row 3 1952 0 7 1 10 11 9 5 8 4 3 2 6
Stockhausen, Karlheinz Klavierstück IV, row 1 1952 0 11 4 10 9 5 8 6 2 1 7 3
Stockhausen, Karlheinz Klavierstück IV, row 2 1952 0 3 5 1 2 6 4 10 7 8 11 9
Stockhausen, Karlheinz Klavierstück IX 1954-55 0 8 1 10 9 11 5 3 4 7 2 6
Stockhausen, Karlheinz Klavierstück VII 1954-55 0 8 1 10 9 11 5 3 4 7 2 6
Stockhausen, Karlheinz Klavierstück VIII 1954-55 0 8 1 11 10 7 5 9 4 6 3 2
Stockhausen, Karlheinz Klavierstück X 1954-55 0 8 1 10 9 11 5 3 4 7 2 6
Stockhausen, Karlheinz Kreuzspiel 1951 0 10 9 11 7 2 8 1 4 6 5 3
Stockhausen, Karlheinz Licht, Eve formula 1977-2003 0 4 3 2 5 6 10 11 9 1 7 8
Stockhausen, Karlheinz Plus-Minus 1963,74 0 1 7 9 8 6 3 10 2 5 11 4
Stockhausen, Karlheinz Tierkreis, Aquarius 1974-75 0 3 5 4 11 10 9 8 7 6 2 1
Stockhausen, Karlheinz Tierkreis, Aries 1974-75 0 3 2 9 7 8 11 6 1 5 4 10
Stockhausen, Karlheinz Tierkreis, Cancer 1974-75 0 7 11 10 9 8 3 6 4 1 5 2
Stockhausen, Karlheinz Tierkreis, Capricorn 1974-75 0 9 2 8 7 5 6 1 3 4 10 11
Stockhausen, Karlheinz Tierkreis, Gemini 1974-75 0 4 5 10 7 6 1 8 11 2 9 3
Stockhausen, Karlheinz Tierkreis, Leo 1974-75 0 5 11 6 3 2 8 7 9 10 4 1
Stockhausen, Karlheinz Tierkreis, Sagittarius 1974-75 0 6 5 2 3 4 7 8 9 10 11 1
Stockhausen, Karlheinz Tierkreis, Scorpio 1974-75 0 4 3 11 7 8 10 9 2 5 1 6
Strauss, Richard 'Also sprach Zarathustra', Op.30 1896/8/24 0 11 6 2 3 7 10 9 4 1 5 8
Stravinsky, Igor A Sermon, a Narrative and a Prayer 1961 0 1 9 11 10 7 8 3 4 6 5 2
Stravinsky, Igor Abraham & Isaac 1963 0 1 3 5 6 2 4 8 7 9 11 10
Stravinsky, Igor Agon, "Double Pas-de-Deux" 1953-57 0 11 1 2 9 8 10 7 5 6 4 3
Stravinsky, Igor Agon, "Pas de deux", "Four trios" 1953-57 0 1 4 3 2 5 6 9 8 11 10 7
Stravinsky, Igor Anthem "The dove descending breaks the air" 1962 0 4 2 5 7 8 10 9 11 1 6 3
Stravinsky, Igor Canticum Sacrum, II 1955 0 11 9 6 10 8 7 5 2 4 3 1
Stravinsky, Igor Canticum Sacrum, II & IV 1955 0 11 1 3 4 2 7 6 9 5 8 10
Stravinsky, Igor Double Canon "Raoul Dufy in Memoriam" 1959 0 11 3 2 1 8 6 9 10 7 5 4
Stravinsky, Igor Elegy for J.F.K. 1964 0 6 4 2 8 9 3 1 11 10 7 5
Stravinsky, Igor Epitaphium "für das Grabmal des Prinzen Max Egon zu Fürstenberg" 1959 0 9 2 3 11 10 5 4 1 6 7 8
Stravinsky, Igor Fanfare for a New Theater 1964 0 11 1 3 4 2 5 7 6 8 10 9
Stravinsky, Igor Introitus "T. S. Eliot in Memoriam" 1965 0 5 6 4 8 9 3 2 1 10 11 7
Stravinsky, Igor Movements 1958-59 0 1 7 5 6 11 9 8 10 3 4 2
Stravinsky, Igor Requiem Canticles, 1st series 1966 0 2 10 11 1 8 6 7 9 4 3 5
Stravinsky, Igor Requiem Canticles, 2nd series 1966 0 7 6 4 5 9 8 10 3 1 11 2
Stravinsky, Igor The Flood 1962 0 10 11 5 2 4 3 1 9 8 6 7
Stravinsky, Igor The Owl and the Pussy Cat 1966 0 2 9 11 8 6 5 7 10 1 4 3
Stravinsky, Igor Threni: id est lamentationes Jeremiae prophetae 1958 0 5 4 7 10 6 11 8 1 9 2 3
Stravinsky, Igor Variations "Aldous Huxley in Memoriam" 1963-64 0 10 7 9 2 8 6 11 1 5 4 3
Talma, Louise Passacaglia and Fugue 1955 0 4 2 9 11 7 8 3 1 6 5 10
Talma, Louise Piano Sonata 2, mvt 1 1955 0 11 2 4 1 5 7 3 8 10 6 9
Talma, Louise Piano Sonata 2, mvt 4, first row 1955 0 4 8 2 5 10 1 11 6 9 7 3
Talma, Louise Piano Sonata 2, mvt 4, second row 1955 0 9 4 1 3 8 5 7 2 11 10 6
Talma, Louise Seven Episodes for flute, viola and piano 1986-87 0 9 11 4 6 3 8 1 10 2 5 7
Talma, Louise Six Etudes, Etude 1 1953-54 0 3 6 8 10 2 5 7 9 1 11 4
Talma, Louise Six Etudes, Etude 2 1953-54 0 3 9 5 11 2 8 4 10 6 1 7
Talma, Louise Six Etudes, Etude 3 1954 0 8 11 9 4 6 3 5 2 1 7 10
Talma, Louise Six Etudes, Etude 4 1953-54 0 1 5 9 4 8 7 6 11 2 10 3
Talma, Louise Six Etudes, Etude 5 1953-54 0 4 6 11 8 3 9 1 5 7 2 10
Talma, Louise Six Etudes, Etude 6 1953-54 0 8 6 9 4 5 2 1 3 10 7 11
Talma, Louise Soundshots, "Whirring Pin Wheels" 1974 0 2 5 1 10 11 7 8 9 6 3 4
Talma, Louise Three Bagatelles, Bagatelle 1 1955 0 1 3 5 10 4 9 7 2 6 11 8
Talma, Louise Three Bagatelles, Bagatelle 2 1955 0 8 1 2 7 4 10 11 3 6 9 5
Talma, Louise Three Bagatelles, Bagatelle 3 1955 0 3 4 1 5 8 10 7 2 11 6 9
Toufektsis, Orestis MIKRO-ALLAXI (EpiEnteka II), für 15 Musiker 2006 0 8 3 7 2 4 10 11 1 6 9 5
Tranchell, Peter Dodecafonia [no.6 for piano] 1950 0 1 3 4 5 7 8 10 11 2 6 9
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 1A 1950s? 0 10 9 1 4 8 7 2 5 11 3 6
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 2A 1950s? 0 11 9 5 6 7 10 8 3 2 1 4
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 3 1950s? 0 10 8 4 3 6 5 11 9 1 2 7
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 4 1950s? 0 7 6 1 3 4 2 11 9 5 10 8
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 5 1950s? 0 4 3 10 6 9 1 5 2 8 11 7
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 6 1950s? 0 8 3 6 4 9 10 5 7 1 11 2
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 7 1950s? 0 2 11 8 5 3 10 9 1 7 6 4
Tranchell, Peter Piano piece for Carl Dawson (unfinished), 8 1950s? 0 4 3 11 6 8 2 9 10 7 1 5
Tranchell, Peter Septet : [for] 2 violins, oboe, clarinet, horn, bassoon, cello : fifth dodecafonia 1940s? 0 2 1 10 3 4 11 6 5 9 8 7
Tranchell, Peter Twice a Kiss sketch 1 1950/03/18 0 9 1 2 4 8 5 7 10 6 3 11
Tranchell, Peter Twice a Kiss sketch 2 1950/03/18 0 9 1 2 4 8 3 11 5 6 7 10
Tranchell, Peter Twice a Kiss sketch 3 1950/03/18 0 1 2 4 8 9 7 5 3 6 10 11
Urbanner, Erich Adagio 1966 0 3 1 11 10 9 8 7 6 4 2 5
Volkonsky, Andrei Musica Stricta, mvt 2, row A 1956-57 0 6 8 9 11 10 1 7 2 3 5 4
Volkonsky, Andrei Musica Stricta, mvt 2, row B 1956-57 0 3 1 4 11 6 5 10 7 2 8 9
Volkonsky, Andrei Musica Stricta, mvt 2, row C 1956-57 0 10 11 9 4 5 7 2 1 3 6 8
Volkonsky, Andrei Musica Stricta, mvt 2, row D 1956-57 0 4 9 2 8 10 11 1 3 7 5 6
Volkonsky, Andrei Musica Stricta, mvt 3, row E 1956-57 0 4 9 5 10 1 2 6 7 8 11 3
Volkonsky, Andrei Musica Stricta, mvt 3, row F 1956-57 0 1 9 3 5 6 7 11 10 8 4 2
Volkonsky, Andrei Musica Stricta, mvt 4, row G 1956-57 0 6 5 4 3 2 1 11 9 10 8 7
Volkonsky, Andrei Musica Stricta, mvt 4, row H 1956-57 0 6 4 9 8 2 7 1 11 5 10 3
Walker, George Spatials 1961 0 3 9 11 2 8 7 5 4 1 10 6
Walton, William Symphony, No.2 1957-60 0 3 7 8 2 11 6 5 9 10 4 1
Wang, Jian-Zhong Five Pieces for Piano no. 1, "Pastorale" 0 3 5 6 1 8 9 7 10 11 2 4
Wang, Jian-Zhong Five Pieces for Piano no. 1, "Pastorale" (variant) 0 3 5 7 4 2 11 9 6 8 10 1
Wang, Xi-Lin A Dilapidated Tombstone 0 4 6 3 2 10 11 5 8 9 7 1
Weber, Ben Fantasia (Variations), Op.25 1946 0 1 5 9 10 2 6 11 7 4 3 8
Weber, Ben Five Bagatelles for Piano, Op.2, mvt ii 1939 0 1 2 9 6 7 4 8 5 11 10 3
Weber, Ben Five Bagatelles for Piano, Op.2, mvt iii 1939 0 4 10 1 5 9 6 11 3 8 2 7
Weber, Ben Five Bagatelles for Piano, Op.2, mvt iv 1939 0 6 8 3 4 5 2 7 9 1 10 11
Weber, Ben Five Bagatelles for Piano, Op.2, mvt v 1939 0 9 1 8 2 7 3 5 6 4 11 10
Weber, Ben Humoreske, Op.49 1958 0 2 4 5 7 10 1 11 9 8 6 3
Weber, Ben Intermezzo 1972 0 4 11 9 8 3 6 1 2 5 10 7
Weber, Ben Lyric Piece, Op.40a 1953-54 0 1 5 4 10 2 8 6 3 9 7 11
Webern, Anton 2 Lieder, "Weiss Wie Lilien", Op.19, No.1 1925-26 0 3 11 10 8 2 1 6 7 4 9 5
Webern, Anton 2 Lieder, "Ziehn Die Schafe", Op.19, No.2 1925-26 0 8 1 10 11 4 3 9 7 6 2 5
Webern, Anton 3 Lieder, "Ave, Regina Coelorum", Op.18, No.3 1925 0 11 3 2 1 7 6 10 9 8 5 4
Webern, Anton 3 Lieder, "Erlösung", Op.18, No.2 1925 0 3 11 2 10 1 9 5 8 4 7 6
Webern, Anton 3 Lieder, "Schatzerl Klein", Op.18, No.1 1925 0 11 5 8 10 9 3 4 1 7 2 6
Webern, Anton 3 Volkstexte, "Armer Sunder, Du", Op.17, No.1 1924-25 0 11 6 7 4 5 8 9 10 1 2 3
Webern, Anton 3 Volkstexte, "Heiland, Unsere Missetaten...", Op.17, No.3 1925 0 9 8 7 11 10 4 5 6 3 2 1
Webern, Anton 3 Volkstexte, "Liebste Jungfrau", Op.17, No.2 1924-25 0 11 10 6 7 1 2 5 4 3 8 9
Webern, Anton Cantata I, Op.29 1938-39 0 8 11 10 2 1 4 3 7 6 9 5
Webern, Anton Cantata II, Op.31 1941-43 0 3 11 10 2 9 1 5 4 8 7 6
Webern, Anton Concerto for Nine Instruments (Konzert), Op.24 1931-34 0 11 3 4 8 7 9 5 6 1 2 10
Webern, Anton Das Augenlicht, Op.26 1935 0 2 1 4 3 7 8 5 9 6 10 11
Webern, Anton Kinderstück 1924 0 1 9 8 7 10 11 6 5 4 3 2
Webern, Anton Klavierstück 1925 0 1 2 11 10 4 5 6 9 8 7 3
Webern, Anton Op.32 (un-finished), initial sketch 1945 0 1 9 11 3 2 7 6 10 8 4 5
Webern, Anton Op.32 (un-finished), later sketch 1945 0 1 2 11 10 9 5 4 3 6 7 8
Webern, Anton Quartet for Violin, Clarinet, Tenor Sax, And Piano, Op.22 1928-30 0 9 8 11 10 2 3 4 5 7 1 6
Webern, Anton String Quartet, Op.28 1937-38 0 11 2 1 5 6 3 4 8 7 10 9
Webern, Anton String Trio, Op.20 1926-27 0 11 6 5 10 9 1 2 7 8 4 3
Webern, Anton Symphony, Op.21 1927-28 0 3 2 1 5 4 10 11 7 8 9 6
Webern, Anton Three Songs on Texts by Hildegard Jone, Op.25 1934 0 9 8 11 6 10 7 4 3 5 2 1
Webern, Anton Three Songs, Op.23 1933-34 0 7 11 8 2 10 6 9 5 4 1 3
Webern, Anton Variations for Orchestra, Op.30 1940 0 1 4 3 2 5 6 9 8 7 10 11
Webern, Anton Variations for Piano, Op.27 1936 0 8 7 11 10 9 3 1 4 2 6 5
Weiss, Adolph Prelude for Piano, No.11 1927 0 6 4 11 1 3 10 8 9 7 5 2
Westergaard, Peter Mr. and Mrs. Discobbolos 1966 0 2 1 4 3 5 8 6 10 7 11 9
Wilson, Olly Piece for Four' 1966 0 8 9 4 2 6 7 11 10 3 5 1
Wolpe, Stefan Form for Piano 1959 0 9 2 1 11 8 10 6 5 7 3 4
Wolpe, Stefan Four Studies on Basic Rows, No.1 - Study on Tritones 1935-36 0 6 7 1 2 8 11 5 10 4 9 3
Wolpe, Stefan Four Studies on Basic Rows, No.2 - Study on Thirds 1935-36 0 11 9 8 10 7 6 5 3 2 4 1
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 1 1935-36 0 1 2 3 4 5 6 7 8 9 10 11
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 10 1935-36 0 10 1 11 4 2 5 3 8 6 9 7
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 11 1935-36 0 11 2 1 4 3 6 5 8 7 10 9
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 2 1935-36 0 2 4 6 8 10 11 1 3 5 7 9
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 3 1935-36 0 3 1 4 2 5 6 9 7 10 8 11
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 4 1935-36 0 4 8 2 6 10 3 7 11 5 9 1
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 5 1935-36 0 5 2 7 4 9 6 11 8 1 10 3
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 6 1935-36 0 6 1 7 2 8 3 9 4 10 5 11
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 7 1935-36 0 7 2 9 4 11 6 1 8 3 10 5
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 8 1935-36 0 8 4 1 9 5 2 10 6 3 11 7
Wolpe, Stefan Four Studies on Basic Rows, No.4, "Basic Row" 9 1935-36 0 9 1 10 2 11 6 3 7 4 8 5
Wuorinen, Charles Flute Variations II 1968 0 1 3 2 5 4 9 10 6 8 7 11
Wuorinen, Charles Piano Concerto, No.3 1983 0 5 2 1 11 3 10 9 4 6 8 7
Wuorinen, Charles Reliquary for Igor Stravinsky 1975 0 11 7 5 6 8 2 4 9 3 1 10
Wuorinen, Charles Second Sonata, Source set 1976 0 2 10 3 5 7 6 4 1 11 9 8
Wuorinen, Charles Second Sonata, Voice 2 1976 0 2 10 9 11 1 6 4 7 5 3 8
Wuorinen, Charles Second Sonata, Voice 3 1976 0 2 4 3 5 1 9 7 11 10 8 6
Wuorinen, Charles Sonata for Piano 1969 0 3 2 4 5 1 11 8 9 7 6 10
Wuorinen, Charles Third Piano Sonata 1986 0 7 5 2 10 9 3 4 8 11 1 6
Yi, Chen Near Distance 1988 0 1 10 3 4 6 8 9 11 5 7 2
Yi, Chen Symphony, No.2 1993 0 6 2 3 7 9 10 4 5 11 8 1
Yi, Chen Woodwind Quintet 1987 0 11 1 7 9 8 10 4 6 5 2 3
Yun, Isang Funf Stücke für Klavier, Stück 1, Row 1 1958 0 4 2 6 5 8 7 9 3 1 10 11
Yun, Isang Funf Stücke für Klavier, Stück 1, Row 2 1958 0 11 10 4 2 1 3 6 5 9 7 8
Yun, Isang Funf Stücke für Klavier, Stück 2 1958 0 9 8 4 6 7 10 1 3 5 2 11
Yun, Isang Funf Stücke für Klavier, Stück 3, Row 1 1958 0 11 1 9 10 7 5 6 8 2 3 4
Yun, Isang Funf Stücke für Klavier, Stück 3, Row 2 1958 0 4 2 8 5 6 7 9 3 11 10 1
Yun, Isang Funf Stücke für Klavier, Stück 4 1958 0 1 7 8 11 3 4 9 5 2 6 10
Yun, Isang Funf Stücke für Klavier, Stück 5 1958 0 11 6 3 2 10 9 1 5 4 8 7
Yun, Isang Garak 1963 0 3 6 1 4 5 7 10 9 11 8 2
Yun, Isang Gasa 1963 0 11 7 8 6 5 2 9 10 1 3 4
Yun, Isang Piri for solo oboe 1971 0 1 7 4 5 11 10 6 8 2 3 9
Yun, Isang Riul für Klarinette und Klavier 1968 0 5 6 9 8 4 3 7 1 2 11 10
Zappa, Frank Brown Shoes Don't Make It 1967 0 11 3 2 9 1 7 8 4 10 5 6
Zappa, Frank Waltz 1958/12/22 0 11 3 2 9 1 7 8 4 10 5 6
Zenk, Ludwig Abend in Lans, Op.3, No.2 1934 0 1 6 4 5 2 7 8 3 10 11 9
Zenk, Ludwig Adagio for Orchestra 1935 0 3 11 8 6 2 7 5 9 4 1 10
Zenk, Ludwig An einen Springbrunnnen, Op.6, No.1 1935 0 2 3 7 6 10 9 1 5 11 4 8
Zenk, Ludwig Piano Sonata, No.2, Op.4 1935-37 0 11 6 8 7 10 5 4 9 2 1 3
Zenk, Ludwig Piano Sonata, Op.1 1932-33 0 1 8 4 6 5 2 10 9 3 11 7
Zenk, Ludwig Tränen, Op.5, No.4 1935 0 8 7 4 5 11 10 2 3 6 1 9
Zhou, Jin-Min Piano Quintet, Scherzo 0 10 5 4 6 11 7 9 2 3 1 8
Zillig, Wilfried Das Opfer 1937 0 11 3 4 8 7 10 9 1 2 6 5
Zillig, Wilfried Die Windsbraut 1940 0 3 7 9 10 2 5 11 1 4 6 8
Zimmerman, Bernd Alois Perspektiven 1955-56 0 2 10 8 4 6 3 1 5 7 11 9
Zimmermann, Bernd Alois 'Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne' 1970 0 1 11 2 10 3 9 4 8 5 7 6
hauer, Josef Matthias Zwölftonspiel für Oechester. 28. 9. 1954 1954/9/28 0 5 7 4 6 1 9 3 8 11 10 2

Musical Notation


Rows in the Repertoire by FourScoreAndMore

Anthology

The full list of rows above presents examples of repertoire row usages.
The following sections interpret that list somewhat, looking for the presence of certain properties. For a longer introduction to what these properties mean, please see the Row Properties chapter.

Re-used Rows

We begin with rows used more than once in this collection. This takes account of transposition (by comparing P0 forms), but not inversion or retrograde equivalence. This list is short and largely limited to “famous” rows like the so-called “mother” chord (Berg, Ginastera, Klein) and cases of homage such as the Boulez-Messiaen and Payne-Lutyens pairs.

  1. [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]: Babbitt, Milton: Composition for Four Instruments; Schwantner, Joseph: In Aeternum (Derived Row)
  2. [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5]: Babbitt, Milton: Relata I; Babbitt, Milton: Relata II
  3. [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]: Babbitt, Milton: Semi-simple variations; Stockhausen, Karlheinz: Gruppen; Stockhausen, Karlheinz: Klavierstück IX; Stockhausen, Karlheinz: Klavierstück VII; Stockhausen, Karlheinz: Klavierstück X
  4. [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]: Babbitt, Milton: String Quartet, No.2; Morris, Robert: Roundelay, row 5
  5. [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]: Bach, Johann Sebastian: Chromatische Fantasie; Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2
  6. [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2]: Baker, David: “Status Symbol” from “The Black Experience”; Seiber, Mátyás: Ulysses; Spinner, Leopold: String Quartet, No.2, Op.7
  7. [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]: Barber, Samuel: Piano Sonata, Op.26; Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals)
  8. [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]: Berg, Alban: Lyric Suite, Primary Row / mvt I; Berg, Alban: Schliesse mir die Augen Beide; Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III; Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1; Klein, Fritz Heinrich: Variationen, Op.14; Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord)
  9. [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]: Berg, Alban: Lyric Suite, mvt I; Eisler, Hanns: Der Zweck der Musik; Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
  10. [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]: Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude; Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente; Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016; Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1
  11. [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8]: Boulez, Pierre: Structures Ia; Messiaen, Olivier: Mode de valeurs et d’intensités, Series 1
  12. [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]: Britten, Benjamin: The Turn of the Screw; Lackner, Peter: Kanon T2 à 6; Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5
  13. [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]: Carter, Elliott: String Quartet, No.2 (sketch) 2; Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
  14. [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6]: Dallapiccola, Luigi: Canti di Liberazione; Dallapiccola, Luigi: Quaderno musicale di Annalibera; Dallapiccola, Luigi: Variazioni per orchestra
  15. [0, 6, 11, 10, 1, 3, 5, 8, 7, 2, 4, 9]: Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.1; Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.1 (first row)
  16. [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]: Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46; Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11
  17. [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]: Fine, Vivian: Chaconne for piano; Ginastera, Alberto: Quintet, Op.29, Row Class VII S; Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord)
  18. [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5]: Florey, Hans: Griechisch-lateinisches Quadrat der Ordnung 4 mit Fuge in Klangnotation; Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen; Hauer, Josef Matthias: Zwölftonmusik [Zwölftonspiel] für Klavier zu vier Händen. Februar 1959 (Fragment)
  19. [0, 1, 4, 6, 5, 3, 11, 10, 9, 7, 8, 2]: Florey, Hans: Kanonvariationen; Hauer, Josef Matthias: 1. canonic Example from the theoretical work ‘Zwölftontechnik’
  20. [0, 4, 6, 3, 8, 9, 7, 2, 1, 5, 11, 10]: Florey, Hans: Kleiner Doppelkanon; Florey, Hans: Magisches Quadrat der Ordnung 3
  21. [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11]: Florey, Hans: Magischer Würfel mit 6 Spiegelpunkten; Florey, Hans: Sechs Kanonzyklen einunddesselben magischen Quadrates
  22. [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]: Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano; Lang, Bernhard: Der Reigen; Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals
  23. [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7]: Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2; Ginastera, Alberto: Violin Concerto, Op.30
  24. [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10]: Ginastera, Alberto: Quintet, Op.29, Row Class III 2; Ginastera, Alberto: Quintet, Op.29, Row Class VII 2
  25. [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1; Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts); Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts); Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
  26. [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2; Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
  27. [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 3; Slonimsky, Nicholas: No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
  28. [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5; Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts)
  29. [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6; Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns)
  30. [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7]: Gotham, Mark: Move On!; Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5
  31. [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5]: Hauer, Josef Matthias: ‘Salambo’, opera after Gustave Flaubert;, Op.60; Lackner, Peter: Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008; Matthias, Josef: Salambo, Op.60
  32. [0, 9, 6, 11, 4, 1, 10, 5, 2, 8, 3, 7]: Hauer, Josef Matthias: Hausmusik [Zwölftonspiel] für Klavier zu vier Händen. September 1958; Hauer, Josef Matthias: Schulmusik für zwei Klaviere. 3. Oktober 1958; Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für Violine, Bratsche und Klavier zu vier Händen. 6. September 1958; Hauer, Josef Matthias: Zwölftonspiel 22. Mai 1958; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen; Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen
  33. [0, 5, 7, 3, 9, 6, 11, 2, 8, 4, 1, 10]: Hauer, Josef Matthias: Nomos; Hauer, Josef Matthias: Nomos, Op.19 (bb.1-36)
  34. [0, 9, 8, 5, 10, 2, 11, 6, 3, 7, 4, 1]: Hauer, Josef Matthias: Zwölftonspiel 26. August 1948; für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel für Violine allein mit einer Zwölftonreihe von Dr. Ernst Weidinger
  35. [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1]: Hauer, Josef Matthias: Zwölftonspiel 28. August 1948; für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine (Flöte) und Klavier; Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine und Klavier; 2. Fassung; Hauer, Josef Matthias: Zwölftonspiel für Violine und Cembalo [Klavier]. 27. August 1948
  36. [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5]: Hauer, Josef Matthias: Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier; Hauer, Josef Matthias: Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier
  37. [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5]: Hauer, Josef Matthias: Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier; Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello (‘Ins Räumliche übertragen’). 3. September 1953; Hauer, Josef Matthias: Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953
  38. [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8]: Hauer, Josef Matthias: Zwölftonspiel für Klavier. 11. Juni 1955; Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. Mai 1955
  39. [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2]: Hauer, Josef Matthias: Zwölftonspiel für Orchester. 28. 9. 1954; hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954
  40. [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]: Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1; Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
  41. [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5]: Krenek, Ernst: Studies in Counterpoint; Krenek, Ernst: Studies in Counterpoint (i); Krenek, Ernst: Suite, Op.84 for solo cello
  42. [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]: Krenek, Ernst: Studies in Counterpoint (ii); Krenek, Ernst: Symeon, der Stylit
  43. [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8]: Lackner, Peter: ‘Der Winter’; Lackner, Peter: Kanon für Klavierquartett. 27. April 1991
  44. [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]: Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott.; Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004
  45. [0, 3, 5, 11, 7, 10, 1, 8, 4, 9, 6, 2]: Lackner, Peter: ‘Lied des Harfenmädchens’ für Frauenstimme und Klavier; Lackner, Peter: ‘Lied des Harfenmädchens II’ für Flöte, Klarinette, Posaune, Violine, Cello und Klavier
  46. [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6]: Lackner, Peter: ‘Ständchen’ für zwei Violinen und zwei Bratschen. 1913,2013; Lackner, Peter: Kanon für Violine, Bratsche und Klavier; Lackner, Peter: Kanon á 4
  47. [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8]: Lackner, Peter: ‘Wo ist der Freund’ (erstes Lied aus dem Zyklus ‘Wilde Erdbeeren’ für Singstimme und Klavier); Lackner, Peter: Moebius-Band für Flöte, Violine, Violoncello und Klavier; Lackner, Peter: Moebius-Band für sechs Violinen
  48. [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]: Lackner, Peter: 2. Kanonzyklus; Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999
  49. [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2]: Lackner, Peter: 3. Kanonzyklus; Lackner, Peter: Kanon für Klavier
  50. [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8]: Lackner, Peter: 4. Kanonzyklus; Lackner, Peter: Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier; Lackner, Peter: Kanon für Klavier. April 2000
  51. [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]: Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008; Lackner, Peter: Kanon für Streichquartett. 22.September 2003
  52. [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4]: Lackner, Peter: Kanon T3 à 4; Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
  53. [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8]: Lackner, Peter: Kanon für Cello und Klavier; Lackner, Peter: Kanon für Klavier. 5. April 1989; Lackner, Peter: Kanon für Violine und Violoncello
  54. [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3]: Lackner, Peter: Kanon für Klavier zu vier Händen. Frühling 1984; Lackner, Peter: Kanon für zwei Violinen und Klavier. Frühjahr 1984
  55. [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5]: Lackner, Peter: Kanon für acht Instrumente. Dezember 1991, März 2007; Lackner, Peter: Kanon für drei Bratschen
  56. [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]: Liszt, Franz: Eine Faust Symphonie; Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1; Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
  57. [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]: Luo, Zhong-Rong: Chang’e; Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals); Wuorinen, Charles: Third Piano Sonata
  58. [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4]: Luo, Zhong-Rong: Dusk, row 1; Luo, Zhong-Rong: Evening
  59. [0, 2, 5, 7, 4, 11, 6, 8, 1, 3, 9, 10]: Luo, Zhong-Rong: Sonatina, mvt 2; Luo, Zhong-Rong: String Quartet, No.3, row 2
  60. [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]: Lutosławski, Witold: Musique Funébre (Funeral Music); Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76; Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
  61. [0, 6, 11, 10, 8, 7, 9, 1, 3, 2, 4, 5]: Lutyens, Elisabeth: The Valley of Hatsu’se; Payne, Antony: Miniature Variations on a Theme of E.L.
  62. [0, 7, 2, 3, 6, 9, 10, 1, 4, 5, 8, 11]: Maderna, Bruno: Quartetto; Maderna, Bruno: Streichquartett (Basisreihe 1)
  63. [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]: Messiaen, Olivier: Livre d’orgue; Nono, Luigi: Canti per tredeci; Nono, Luigi: Cori di Didone; Nono, Luigi: Il canto sospeso; Nono, Luigi: La terra e la compagna (sketch), Series 1; Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’
  64. [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]: Morris, Robert: Knot Lilacs; Morris, Robert: Not Lilacs; Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals
  65. [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]: Nono, Luigi: Ha venido; Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6
  66. [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10]: Nono, Luigi: Intolleranza, Tenor 2; Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
  67. [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2]: Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg; Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2)
  68. [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]: Sande, Henrik: 4032 Töne für Klavier sechshändig; Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7
  69. [0, 2, 3, 6, 7, 11, 1, 9, 4, 8, 5, 10]: Santoro, Claudio: Invenções a duas vozes (Two-Part inventions); Santoro, Claudio: Sonata 1942
  70. [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]: Schnittke, Alfred: Concerto Grosso, No.3, monogram 1; Schnittke, Alfred: Concerto Grosso, No.3
  71. [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]: Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row; Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
  72. [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10]: Slonimsky, Nicholas: No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
  73. [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1]: Slonimsky, Nicholas: No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1250a Crossing Seconds (Crossing Intervals)
  74. [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]: Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
  75. [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]: Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts)
  76. [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]: Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8
  77. [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3]: Slonimsky, Nicholas: No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns); Slonimsky, Nicholas: No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
  78. [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11]: Slonimsky, Nicholas: No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns); Slonimsky, Nicholas: No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
  79. [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2]: Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts); Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts)
  80. [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2]: Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts); Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts)
  81. [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4]: Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts)
  82. [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2]: Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
  83. [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1]: Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
  84. [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4]: Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
  85. [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]: Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
  86. [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1]: Slonimsky, Nicholas: No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Slonimsky, Nicholas: No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
  87. [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10]: Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts); Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts)
  88. [0, 8, 1, 11, 10, 7, 5, 9, 4, 6, 3, 2]: Stockhausen, Karlheinz: Klavierstück “V.5 or Pre-VI” (row of original 1954 version); Stockhausen, Karlheinz: Klavierstück VIII
  89. [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6]: Zappa, Frank: Brown Shoes Don’t Make It; Zappa, Frank: Waltz

All-Interval

All-interval rows go through all 11 different intervals (1, 2, 3, … 11) between neighbouring pitches in the row.

  1. Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6]
  2. Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6]
  3. Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6]
  4. Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  5. Babbitt, Milton: Sounds and Words, [0, 9, 2, 4, 8, 3, 11, 10, 1, 7, 5, 6]
  6. Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]
  7. Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6]
  8. Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6]
  9. Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  10. Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  11. Carter, Elliott: A Symphony of Three Orchestras, [0, 8, 7, 10, 4, 5, 2, 9, 11, 3, 1, 6]
  12. Carter, Elliott: Caténaires, [0, 8, 5, 3, 7, 9, 10, 4, 11, 2, 1, 6]
  13. Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6]
  14. Carter, Elliott: String Quartet, No.3, [0, 11, 2, 9, 5, 3, 4, 8, 10, 7, 1, 6]
  15. Dallapiccola, Luigi: Piccola musica notturna, [0, 9, 1, 3, 4, 11, 2, 8, 7, 5, 10, 6]
  16. Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  17. Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
  18. Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  19. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  20. Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  21. Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  22. Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6]
  23. Krenek, Ernst: Studies in Counterpoint (ii), [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]
  24. Krenek, Ernst: Symeon, der Stylit, [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]
  25. Krenek, Ernst: Symphonic Piece for string Orchestra, Op.86, [0, 3, 4, 10, 2, 9, 11, 8, 7, 5, 1, 6]
  26. Krenek, Ernst: Zwölf Variationen in Drei Sätzen, Op.79, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 8, 6]
  27. Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6]
  28. Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
  29. Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6]
  30. Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6]
  31. Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
  32. Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  33. Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
  34. Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
  35. Morris, Robert: Roundelay, row 5, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]
  36. Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  37. Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  38. Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  39. Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  40. Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6]
  41. Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  42. Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  43. Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  44. Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  45. Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6]
  46. Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
  47. Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6]
  48. Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
  49. Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6]
  50. Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6]
  51. Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6]
  52. Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6]
  53. Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6]
  54. Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6]
  55. Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6]
  56. Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
  57. Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6]
  58. Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6]
  59. Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6]
  60. Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6]
  61. Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6]
  62. Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  63. Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  64. Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  65. Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  66. Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  67. Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  68. Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
  69. Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]

Self Retrograde

We turn now to classes of row symmetry, beginning with self retrograde rows for which the prime form is transposition-equivalent to its retrograde. The section after this one deals with retrograde inversion symmetry, and rotational symmetry is included as part of the following sections on derived rows (starting with “6x Same Dyad”).

  1. Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]
  2. Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6]
  3. Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6]
  4. Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6]
  5. Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6]
  6. Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6]
  7. Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6]
  8. Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6]
  9. Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  10. Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6]
  11. Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]
  12. Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  13. Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  14. Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6]
  15. Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  16. Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
  17. Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  18. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  19. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]
  20. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]
  21. Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6]
  22. Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  23. Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  24. Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6]
  25. Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6]
  26. Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]
  27. Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6]
  28. Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6]
  29. Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]
  30. Lackner, Peter: Kanon für Violine, Viola und Akkordeon. 11. Juni 2007, [0, 11, 1, 2, 3, 10, 4, 9, 8, 7, 5, 6]
  31. Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6]
  32. Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6]
  33. Lackner, Peter: Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993, [0, 1, 2, 10, 3, 5, 11, 9, 4, 8, 7, 6]
  34. Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6]
  35. Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6]
  36. Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
  37. Lang, Bernhard: Hemma (Music Theatre Hemma Klagenfurt 2015), [0, 5, 10, 2, 3, 1, 7, 9, 8, 4, 11, 6]
  38. Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6]
  39. Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6]
  40. Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
  41. Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  42. Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
  43. Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
  44. Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  45. Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  46. Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  47. Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
  48. Riegebauer, Sigrid: Toccata, [0, 3, 1, 2, 11, 10, 4, 5, 8, 7, 9, 6]
  49. Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6]
  50. Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, [0, 2, 3, 1, 4, 5, 11, 10, 7, 9, 8, 6]
  51. Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6]
  52. Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]
  53. Seiber, Mátyás: String Quartet, No.2, [0, 2, 3, 1, 4, 11, 5, 10, 7, 9, 8, 6]
  54. Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6]
  55. Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6]
  56. Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]
  57. Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  58. Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  59. Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  60. Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  61. Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]
  62. Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6]
  63. Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
  64. Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6]
  65. Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
  66. Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6]
  67. Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6]
  68. Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6]
  69. Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6]
  70. Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6]
  71. Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6]
  72. Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6]
  73. Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
  74. Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6]
  75. Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6]
  76. Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6]
  77. Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6]
  78. Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6]
  79. Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6]
  80. Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
  81. Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
  82. Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]
  83. Spinner, Leopold: Ich lieb’ eine Blume for Four-part mixed Choir, [0, 11, 2, 4, 9, 7, 1, 3, 10, 8, 5, 6]
  84. Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6]
  85. Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6]
  86. Spinner, Leopold: Sonatina for Wind Instruments, Op.23, [0, 9, 1, 5, 4, 2, 8, 10, 11, 7, 3, 6]
  87. Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  88. Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  89. Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  90. Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
  91. Webern, Anton: Symphony, Op.21, [0, 3, 2, 1, 5, 4, 10, 11, 7, 8, 9, 6]
  92. Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
  93. Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]

Self Retrograde Inversion

These rows have a palindromic interval succession meaning that the prime is transposition-equivalent to its retrograde-inversion.

  1. Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]
  2. Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7]
  3. Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1]
  4. Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
  5. Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5]
  6. Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3]
  7. Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
  8. Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
  9. Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5]
  10. Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
  11. Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11]
  12. Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9]
  13. Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9]
  14. Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5]
  15. Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7]
  16. Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5]
  17. Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7]
  18. Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
  19. Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
  20. Fano, Michel: Sonata for Two Pianos, [0, 6, 10, 7, 9, 8, 3, 2, 4, 1, 5, 11]
  21. Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11]
  22. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1]
  23. Ginastera, Alberto: Quintet, Op.29, Row Class III 1, [0, 11, 1, 8, 2, 7, 10, 3, 9, 4, 6, 5]
  24. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9]
  25. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
  26. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]
  27. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11]
  28. Hartmann, Karl Amadeus: Symphony, No.4, [0, 1, 3, 2, 11, 4, 5, 10, 7, 6, 8, 9]
  29. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 3, [0, 1, 4, 6, 8, 10, 5, 7, 9, 11, 2, 3]
  30. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 6, [0, 2, 4, 6, 7, 10, 5, 8, 9, 11, 1, 3]
  31. Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5]
  32. Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]
  33. Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
  34. Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]
  35. Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
  36. Lackner, Peter: Kanon für Klavier. 15. Juni 1992, [0, 10, 3, 8, 6, 5, 2, 1, 11, 4, 9, 7]
  37. Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7]
  38. Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]
  39. Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
  40. Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1]
  41. Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]
  42. Lackner, Peter: TACET (drittes Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 4, 7, 10, 6, 1, 3]
  43. Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11]
  44. Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1]
  45. Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
  46. Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7]
  47. Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
  48. Maderna, Bruno: Improvvisazione N. 1, [0, 11, 4, 8, 3, 2, 7, 6, 1, 5, 10, 9]
  49. Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]
  50. Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5]
  51. Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5]
  52. Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1]
  53. Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7]
  54. Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
  55. Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]
  56. Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
  57. Schnittke, Alfred: Concerto, No.2 for Violin and Chamber Orchestra, [0, 11, 1, 2, 10, 3, 4, 9, 5, 6, 8, 7]
  58. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5]
  59. Schnittke, Alfred: Concerto Grosso, No.3, monogram 1, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]
  60. Schnittke, Alfred: Concerto Grosso, No.3, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]
  61. Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
  62. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 1, [0, 3, 6, 10, 2, 11, 8, 5, 9, 1, 4, 7]
  63. Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]
  64. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1]
  65. Schnittke, Alfred: Viola Concerto, [0, 11, 5, 2, 1, 6, 3, 8, 7, 4, 10, 9]
  66. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9]
  67. Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5]
  68. Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5]
  69. Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3]
  70. Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9]
  71. Schwantner, Joseph: Modus Caelestis (m. 39), [0, 6, 11, 10, 5, 9, 4, 8, 3, 2, 7, 1]
  72. Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1]
  73. Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11]
  74. Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7]
  75. Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7]
  76. Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
  77. Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
  78. Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
  79. Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
  80. Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11]
  81. Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1]
  82. Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3]
  83. Slonimsky, Nicholas: No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 2, 10, 6, 4, 1, 9]
  84. Slonimsky, Nicholas: No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 1, 5, 8, 11, 3]
  85. Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]
  86. Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]
  87. Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]
  88. Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]
  89. Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
  90. Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1]
  91. Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9]
  92. Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
  93. Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]
  94. Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
  95. Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5]
  96. Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7]
  97. Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5]
  98. Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3]
  99. Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1]
  100. Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
  101. Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7]
  102. Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]
  103. Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
  104. Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1]
  105. Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]
  106. Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
  107. Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1]
  108. Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
  109. Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
  110. Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7]
  111. Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
  112. Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
  113. Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11]
  114. Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
  115. Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
  116. Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9]
  117. Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11]
  118. Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1]
  119. Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]
  120. Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
  121. Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]
  122. Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
  123. Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3]
  124. Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
  125. Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
  126. Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11]
  127. Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1]
  128. Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11]
  129. Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5]
  130. Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11]
  131. Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3]
  132. Spinner, Leopold: Variations for Violin and Piano, Op.19, [0, 8, 9, 1, 2, 4, 3, 5, 6, 10, 11, 7]
  133. Urbanner, Erich: Adagio, [0, 3, 1, 11, 10, 9, 8, 7, 6, 4, 2, 5]
  134. Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1]
  135. Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5]
  136. Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9]
  137. Webern, Anton: Variations for Orchestra, Op.30, [0, 1, 4, 3, 2, 5, 6, 9, 8, 7, 10, 11]
  138. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
  139. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7]
  140. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
  141. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9]
  142. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11]
  143. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1]
  144. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
  145. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]
  146. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
  147. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]
  148. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5]
  149. Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5]

6x Same Dyad (interval)

These next four sections set out cases where the discrete sub-segments of a row all form the same pitch class set. The pitch class set in question is given after the row in prime form and rows which are also self-rotational are identified (with the self-rotational interval pattern). This first section presents cases of 6x the same dyad (pitches 1-2, 3-4, 5-6, 7-8, 9-10, and 11-12).

  1. Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 3)
  2. Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 3)
  3. Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3)
  4. Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
  5. Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], pc set (0, 5)
  6. Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
  7. Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
  8. Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2)
  9. Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 6)
  10. Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 6)
  11. Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
  12. Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1)
  13. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], pc set (0, 1)
  14. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], pc set (0, 6)
  15. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
  16. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3)
  17. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 5)
  18. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1)
  19. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.14, [0, 2, 5, 7, 8, 10, 11, 9, 6, 4, 3, 1], pc set (0, 2)
  20. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1)
  21. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.29, [0, 1, 6, 7, 8, 9, 11, 10, 5, 4, 3, 2], pc set (0, 1)
  22. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.31, [0, 1, 2, 3, 6, 7, 11, 10, 9, 8, 5, 4], pc set (0, 1)
  23. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2)
  24. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1)
  25. Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1)
  26. Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 5)
  27. Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
  28. Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
  29. Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], pc set (0, 5)
  30. Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 3)
  31. Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
  32. Lackner, Peter: Moebiusband I für zwei Melodieinstrumente, [0, 6, 8, 2, 7, 1, 11, 5, 3, 9, 4, 10], pc set (0, 6)
  33. Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 6)
  34. Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 6)
  35. Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
  36. Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1)
  37. Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], pc set (0, 6), self-rotational interval pattern 6-7-
  38. Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5], pc set (0, 6), self-rotational interval pattern 6-1-
  39. Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], pc set (0, 2)
  40. Nono, Luigi: Intolleranza, Soprano 1, [0, 3, 4, 7, 8, 5, 6, 9, 10, 1, 2, 11], pc set (0, 3)
  41. Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1], pc set (0, 6), self-rotational interval pattern 6-5-
  42. Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1)
  43. Nono, Luigi: La terra e la compagna (sketch), Series 2, [0, 6, 1, 7, 11, 5, 2, 8, 10, 4, 3, 9], pc set (0, 6)
  44. Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 3)
  45. Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], pc set (0, 2)
  46. Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1)
  47. Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3)
  48. Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1)
  49. Reynolds, Roger: Ambages, [0, 1, 4, 5, 7, 6, 8, 9, 10, 11, 2, 3], pc set (0, 1)
  50. Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1)
  51. Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
  52. Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1)
  53. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1)
  54. Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1)
  55. Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
  56. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 2, [0, 3, 7, 10, 2, 11, 6, 9, 1, 4, 8, 5], pc set (0, 3)
  57. Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3)
  58. Schnittke, Alfred: String Quartet, No.4, mvt 2, m.40, [0, 5, 10, 3, 2, 7, 8, 1, 6, 11, 4, 9], pc set (0, 5)
  59. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1)
  60. Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1)
  61. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1)
  62. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1)
  63. Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1)
  64. Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1)
  65. Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 3)
  66. Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 6)
  67. Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1)
  68. Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
  69. Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 5)
  70. Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 5)
  71. Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 5)
  72. Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7], pc set (0, 5), self-rotational interval pattern 5-5-
  73. Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
  74. Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
  75. Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
  76. Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
  77. Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 3)
  78. Slonimsky, Nicholas: No. 1227a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 4, 2, 8, 6, 1, 11, 9, 7, 5, 3], pc set (0, 2)
  79. Slonimsky, Nicholas: No. 1228a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 2, 4, 8, 6, 11, 1, 5, 3, 7, 9], pc set (0, 2)
  80. Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1)
  81. Slonimsky, Nicholas: No. 1230a Major Sevenths (Twelve-Tone Patterns), [0, 11, 3, 4, 8, 7, 1, 2, 6, 5, 9, 10], pc set (0, 1)
  82. Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1)
  83. Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3)
  84. Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3)
  85. Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3)
  86. Slonimsky, Nicholas: No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 4, 7, 5, 2, 6, 3, 10, 1, 11, 8], pc set (0, 3)
  87. Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 5)
  88. Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 6)
  89. Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], pc set (0, 1)
  90. Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], pc set (0, 2)
  91. Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], pc set (0, 2)
  92. Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 5)
  93. Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3)
  94. Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3)
  95. Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3)
  96. Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3)
  97. Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1], pc set (0, 3), self-rotational interval pattern 3-11-
  98. Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
  99. Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
  100. Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7], pc set (0, 3), self-rotational interval pattern 9-5-
  101. Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
  102. Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
  103. Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1)
  104. Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], pc set (0, 1)
  105. Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1)
  106. Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1)
  107. Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], pc set (0, 1)
  108. Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
  109. Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
  110. Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], pc set (0, 2)
  111. Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], pc set (0, 2)
  112. Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], pc set (0, 2)
  113. Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
  114. Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3)
  115. Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
  116. Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3], pc set (0, 1), self-rotational interval pattern 1-9-
  117. Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
  118. Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
  119. Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], pc set (0, 3)
  120. Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11], pc set (0, 1)
  121. Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 3)
  122. Spinner, Leopold: Sonata for Violin and Piano, Op.1, [0, 7, 6, 1, 3, 8, 5, 10, 2, 9, 4, 11], pc set (0, 5)
  123. Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
  124. Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1)
  125. Talma, Louise: Three Bagatelles, Bagatelle 3, [0, 3, 4, 1, 5, 8, 10, 7, 2, 11, 6, 9], pc set (0, 3)
  126. Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1)
  127. Webern, Anton: String Trio, Op.20, [0, 11, 6, 5, 10, 9, 1, 2, 7, 8, 4, 3], pc set (0, 1)
  128. Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 6)
  129. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
  130. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], pc set (0, 2)
  131. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
  132. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2)
  133. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 3)
  134. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
  135. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], pc set (0, 6), self-rotational interval pattern 6-7-
  136. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
  137. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 3)
  138. Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1)
  139. Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2)

4x Same Trichord

Now for cases of 4x the same trichord (pitches 1-3, 4-6, 7-9 and 10-12).

  1. Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], pc set (0, 4, 8)
  2. Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 4)
  3. Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], pc set (0, 1, 3)
  4. Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 1, 3)
  5. Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], pc set (0, 1, 4)
  6. Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], pc set (0, 1, 4)
  7. Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
  8. Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 4, 8)
  9. Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], pc set (0, 2, 5)
  10. Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], pc set (0, 2, 4)
  11. Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
  12. Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], pc set (0, 2, 4)
  13. Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], pc set (0, 2, 4)
  14. Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], pc set (0, 1, 2)
  15. Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-7-
  16. Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
  17. Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2, 4)
  18. Cordero, Roque: Sonata breve, [0, 1, 4, 11, 10, 7, 5, 8, 9, 6, 3, 2], pc set (0, 1, 4)
  19. Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], pc set (0, 1, 4)
  20. Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 2, 6)
  21. Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
  22. Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
  23. Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 6)
  24. Denisov, Edison: Five Etudes for Solo Bassoon, row G, [0, 11, 5, 10, 4, 3, 9, 8, 2, 1, 6, 7], pc set (0, 1, 6)
  25. Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
  26. Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 6)
  27. Dessau, Paul: Les Voix, [0, 11, 6, 8, 9, 3, 4, 10, 5, 7, 2, 1], pc set (0, 1, 6)
  28. Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
  29. Eisler, Hanns: Gegen den Krieg, Op.55, [0, 3, 2, 5, 4, 7, 6, 8, 9, 10, 1, 11], pc set (0, 1, 3)
  30. Finney, Ross Lee: Fantasy in Two Movements for solo violin, [0, 1, 3, 5, 4, 2, 11, 10, 8, 6, 7, 9], pc set (0, 1, 3)
  31. Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 3)
  32. Ginastera, Alberto: Cantata para América Mágica, Op.27, [0, 7, 6, 5, 10, 11, 8, 1, 2, 9, 4, 3], pc set (0, 1, 6)
  33. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 1, [0, 1, 6, 7, 8, 2, 10, 11, 5, 4, 9, 3], pc set (0, 1, 6)
  34. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 3)
  35. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 5, [0, 1, 7, 6, 5, 11, 2, 8, 9, 10, 4, 3], pc set (0, 1, 6)
  36. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11], pc set (0, 1, 2)
  37. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 5)
  38. Ginastera, Alberto: Violin Concerto, Op.30, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 3)
  39. Gotham, Mark: Move On!, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 4)
  40. Harrison, Lou: Untitled Piano Piece, [0, 10, 4, 3, 9, 7, 2, 8, 6, 1, 11, 5], pc set (0, 2, 6)
  41. Hauer, Josef Matthias: Nomos, Op.19 (bb.362-365), [0, 7, 5, 3, 10, 8, 4, 2, 9, 6, 11, 1], pc set (0, 2, 7)
  42. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.15, [0, 1, 3, 6, 7, 9, 11, 10, 8, 5, 4, 2], pc set (0, 1, 3)
  43. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.18, [0, 3, 4, 6, 9, 10, 11, 8, 7, 5, 2, 1], pc set (0, 1, 4)
  44. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1, 4)
  45. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.30, [0, 1, 2, 6, 7, 8, 11, 10, 9, 5, 4, 3], pc set (0, 1, 2)
  46. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2, 4)
  47. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2)
  48. Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 1, 3)
  49. Ives, Charles: On the Antipodes, [0, 3, 11, 8, 4, 7, 10, 9, 6, 2, 5, 1], pc set (0, 1, 4)
  50. Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6], pc set (0, 1, 4)
  51. Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5], pc set (0, 1, 4)
  52. Lackner, Peter: ‘An alle Außerirdischen’. Kanon für drei Singstimmen, Kontrabaß und Klavier, [0, 4, 9, 7, 11, 2, 5, 1, 8, 10, 6, 3], pc set (0, 3, 7)
  53. Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4)
  54. Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4)
  55. Lackner, Peter: Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier, [0, 8, 3, 5, 1, 10, 7, 11, 4, 2, 6, 9], pc set (0, 3, 7)
  56. Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4)
  57. Lackner, Peter: Kanon T3 à 4, [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], pc set (0, 2, 7), self-rotational interval pattern 2-5-8-
  58. Lackner, Peter: Kanon T6 á 2, [0, 10, 8, 3, 1, 5, 6, 4, 2, 9, 7, 11], pc set (0, 2, 4)
  59. Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6], pc set (0, 1, 2)
  60. Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 3, 7)
  61. Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4)
  62. Lackner, Peter: Kanon für Klavierquartett, [0, 8, 6, 11, 3, 9, 1, 5, 7, 2, 10, 4], pc set (0, 2, 6)
  63. Lackner, Peter: Kanon für Klavierquartett. 27. Juni 1991, [0, 2, 6, 9, 11, 3, 7, 5, 1, 10, 8, 4], pc set (0, 2, 6)
  64. Lackner, Peter: Kanon für Klaviertrio, [0, 2, 4, 9, 5, 7, 3, 1, 11, 6, 10, 8], pc set (0, 2, 4)
  65. Lackner, Peter: Kanon für Orgel, zweimanualiges Cembalo oder Klavier, [0, 7, 2, 11, 4, 9, 6, 8, 1, 5, 3, 10], pc set (0, 2, 7)
  66. Lackner, Peter: Kanon für Orgel. 21. November 1994, 4. Februar 1995, [0, 8, 5, 1, 4, 9, 2, 11, 7, 3, 10, 6], pc set (0, 3, 7)
  67. Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7], pc set (0, 4, 8)
  68. Lackner, Peter: Kanon für Schwegel und zwei Geigen, [0, 6, 4, 2, 10, 8, 9, 3, 5, 7, 11, 1], pc set (0, 2, 6)
  69. Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4)
  70. Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6], pc set (0, 1, 3)
  71. Lackner, Peter: Kanon für drei Violinen I, II August 1998, [0, 2, 10, 4, 8, 6, 1, 9, 11, 5, 3, 7], pc set (0, 2, 4)
  72. Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1], pc set (0, 2, 5)
  73. Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6], pc set (0, 2, 5)
  74. Lackner, Peter: Kanon für zwei Violinen, [0, 7, 4, 5, 9, 2, 3, 8, 11, 10, 6, 1], pc set (0, 3, 7)
  75. Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6], pc set (0, 2, 4)
  76. Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4)
  77. Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 2, 6)
  78. Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6], pc set (0, 2, 4)
  79. Lang, Bernhard: ‘Der Golem’ nach Gustav Meyrinck, [0, 4, 7, 8, 11, 3, 5, 2, 9, 1, 10, 6], pc set (0, 3, 7)
  80. Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11], pc set (0, 1, 4)
  81. Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 6)
  82. Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
  83. Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 2, [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 10, 5], pc set (0, 2, 7)
  84. Lutyens, Elisabeth: Motet (Excerota Tractati Logico-Philosophici), Op.27, [0, 11, 3, 7, 8, 4, 2, 6, 5, 1, 9, 10], pc set (0, 1, 4)
  85. Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1, 4)
  86. Moevs, Robert: Musica da Camera, [0, 1, 11, 3, 4, 2, 9, 10, 8, 7, 5, 6], pc set (0, 1, 2)
  87. Morris, Robert: Sung Song, [0, 3, 7, 6, 9, 2, 10, 5, 1, 8, 4, 11], pc set (0, 3, 7)
  88. Nono, Luigi: Incontri, [0, 2, 3, 8, 9, 6, 4, 5, 7, 11, 1, 10], pc set (0, 1, 3)
  89. Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4)
  90. Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
  91. Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1, 3)
  92. Rochberg, George: Sonata-Fantasia, [0, 11, 10, 4, 5, 6, 9, 8, 7, 1, 2, 3], pc set (0, 1, 2)
  93. Sande, Henrik: ‘Volkslied’ für zwei Singstimmen und Klavier. 24. 12. 2015, [0, 2, 4, 5, 7, 9, 10, 8, 6, 3, 1, 11], pc set (0, 2, 4)
  94. Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1, 3)
  95. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 3)
  96. Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2)
  97. Schoenberg, Arnold: Die Jakobsleiter, [0, 1, 4, 3, 7, 6, 11, 2, 10, 9, 5, 8], pc set (0, 1, 4)
  98. Schoenberg, Arnold: Modern Psalms, The First Psalm, Op.50c, [0, 11, 8, 4, 7, 3, 1, 5, 2, 6, 9, 10], pc set (0, 1, 4)
  99. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1, 4)
  100. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4)
  101. Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5], pc set (0, 1, 3)
  102. Schoenberg, Arnold: Suite, Op.29, [0, 4, 3, 7, 11, 8, 9, 6, 5, 1, 2, 10], pc set (0, 1, 4)
  103. Schoenberg, Arnold: Three Songs, No.3, “Madchenlied”, Op.48, [0, 6, 8, 10, 2, 4, 9, 5, 3, 11, 7, 1], pc set (0, 2, 6)
  104. Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1, 4)
  105. Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1, 4)
  106. Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 4)
  107. Schwantner, Joseph: In Aeternum (Principal Row), [0, 4, 11, 6, 10, 5, 1, 9, 2, 7, 3, 8], pc set (0, 1, 5)
  108. Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
  109. Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1], pc set (0, 4, 8)
  110. Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 2, 7)
  111. Slonimsky, Nicholas: No. 1223a Sixths (Twelve-Tone Patterns), [0, 8, 4, 1, 5, 9, 6, 2, 10, 7, 11, 3], pc set (0, 4, 8)
  112. Slonimsky, Nicholas: No. 1225a Sixths (Twelve-Tone Patterns), [0, 8, 4, 7, 11, 3, 6, 2, 10, 1, 5, 9], pc set (0, 4, 8)
  113. Slonimsky, Nicholas: No. 1226a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 8, 2, 4, 6, 1, 11, 9, 3, 5, 7], pc set (0, 2, 4)
  114. Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1, 2)
  115. Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 5)
  116. Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 4, 8)
  117. Slonimsky, Nicholas: No. 1251a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 2, 5, 8, 11, 4], pc set (0, 3, 7)
  118. Slonimsky, Nicholas: No. 1251b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 6, 2, 10, 7, 4, 1, 9], pc set (0, 3, 7)
  119. Slonimsky, Nicholas: No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 2, 6, 8, 11, 4], pc set (0, 3, 7)
  120. Slonimsky, Nicholas: No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 10, 6, 2, 11, 7, 4, 1, 9], pc set (0, 3, 7)
  121. Slonimsky, Nicholas: No. 1253a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 11, 3, 6, 9, 2], pc set (0, 3, 7)
  122. Slonimsky, Nicholas: No. 1253b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 9, 6, 4, 11, 7, 5, 2, 10], pc set (0, 3, 7)
  123. Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1], pc set (0, 3, 7)
  124. Slonimsky, Nicholas: No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 10, 6, 4, 11, 7, 5, 2, 9], pc set (0, 3, 7)
  125. Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3], pc set (0, 3, 7)
  126. Slonimsky, Nicholas: No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 9, 6, 5, 1, 10, 7, 4, 11], pc set (0, 3, 7)
  127. Slonimsky, Nicholas: No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 11, 4, 6, 9, 1], pc set (0, 3, 7)
  128. Slonimsky, Nicholas: No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 2, 11, 7, 5, 1, 8, 6, 3, 10], pc set (0, 3, 7)
  129. Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-1-
  130. Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
  131. Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1], pc set (0, 4, 8)
  132. Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9], pc set (0, 4, 8)
  133. Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
  134. Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], pc set (0, 4, 8), self-rotational interval pattern 8-8-9-
  135. Slonimsky, Nicholas: No. 1272a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 5, 2, 11, 8, 4], pc set (0, 3, 7)
  136. Slonimsky, Nicholas: No. 1272b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 1, 2, 5, 9, 8, 4, 11], pc set (0, 3, 7)
  137. Slonimsky, Nicholas: No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 6, 2, 11, 8, 4], pc set (0, 3, 7)
  138. Slonimsky, Nicholas: No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 1, 2, 6, 9, 8, 4, 11], pc set (0, 3, 7)
  139. Slonimsky, Nicholas: No. 1274a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 9, 6, 2, 11, 8, 3], pc set (0, 3, 7)
  140. Slonimsky, Nicholas: No. 1274b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 1, 2, 6, 9, 8, 3, 11], pc set (0, 3, 7)
  141. Slonimsky, Nicholas: No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 9, 6, 1, 11, 8, 3], pc set (0, 3, 7)
  142. Slonimsky, Nicholas: No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 2, 1, 6, 9, 8, 3, 11], pc set (0, 3, 7)
  143. Slonimsky, Nicholas: No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 5, 2, 11, 8, 3], pc set (0, 3, 7)
  144. Slonimsky, Nicholas: No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 1, 2, 5, 9, 8, 3, 11], pc set (0, 3, 7)
  145. Slonimsky, Nicholas: No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 4, 11, 9, 6, 1], pc set (0, 3, 7)
  146. Slonimsky, Nicholas: No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 2, 4, 8, 11, 9, 6, 1], pc set (0, 3, 7)
  147. Slonimsky, Nicholas: No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 2, 10, 7, 3, 11], pc set (0, 4, 8)
  148. Slonimsky, Nicholas: No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 5, 1, 10, 2, 6, 7, 3, 11], pc set (0, 4, 8)
  149. Slonimsky, Nicholas: No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 3, 11, 9, 5, 1], pc set (0, 4, 8)
  150. Slonimsky, Nicholas: No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 6, 2, 11, 3, 7, 9, 5, 1], pc set (0, 4, 8)
  151. Slonimsky, Nicholas: No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 2, 1, 9, 5], pc set (0, 4, 8)
  152. Slonimsky, Nicholas: No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 2, 6, 10, 9, 5, 1], pc set (0, 4, 8)
  153. Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
  154. Slonimsky, Nicholas: No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 1, 11, 10, 8, 6, 9, 7, 5, 4, 2], pc set (0, 1, 3)
  155. Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 1, 5)
  156. Slonimsky, Nicholas: No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 10, 8, 1, 3, 5, 6, 4, 2, 7, 9, 11], pc set (0, 2, 4)
  157. Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6], pc set (0, 3, 7)
  158. Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 1, 6)
  159. Slonimsky, Nicholas: No. 405 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 7, 5, 3, 10, 8, 6, 1, 11, 9, 4, 2], pc set (0, 2, 7), self-rotational interval pattern 7-10-10-
  160. Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
  161. Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], pc set (0, 1, 5), self-rotational interval pattern 8-11-8-
  162. Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], pc set (0, 2, 7), self-rotational interval pattern 10-7-10-
  163. Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], pc set (0, 1, 5), self-rotational interval pattern 11-5-11-
  164. Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
  165. Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7], pc set (0, 1, 2), self-rotational interval pattern 11-11-5-
  166. Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
  167. Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], pc set (0, 2, 4), self-rotational interval pattern 10-10-7-
  168. Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], pc set (0, 1, 5), self-rotational interval pattern 8-11-8-
  169. Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
  170. Slonimsky, Nicholas: No. 482 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 1, 3, 2, 4, 6, 5, 7, 9, 8, 10], pc set (0, 1, 2), self-rotational interval pattern 11-2-2-
  171. Slonimsky, Nicholas: No. 485 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 2, 3, 1, 5, 6, 4, 8, 9, 7, 11], pc set (0, 2, 4), self-rotational interval pattern 10-4-1-
  172. Slonimsky, Nicholas: No. 493 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 1, 5, 3, 4, 8, 6, 7, 11, 9, 10, 2], pc set (0, 1, 5), self-rotational interval pattern 1-4-10-
  173. Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1], pc set (0, 2, 4), self-rotational interval pattern 2-2-11-
  174. Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], pc set (0, 2, 7), self-rotational interval pattern 2-5-8-
  175. Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], pc set (0, 1, 5), self-rotational interval pattern 11-5-11-
  176. Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
  177. Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], pc set (0, 2, 7), self-rotational interval pattern 10-7-10-
  178. Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], pc set (0, 2, 4), self-rotational interval pattern 10-10-7-
  179. Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
  180. Slonimsky, Nicholas: No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 5, 4, 3, 6, 7, 8, 11, 10, 9], pc set (0, 1, 2)
  181. Slonimsky, Nicholas: No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 7, 8, 9, 6, 5, 4, 1, 2, 3], pc set (0, 1, 2)
  182. Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2)
  183. Slonimsky, Nicholas: No. 746 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 1, 5, 9, 10, 2, 6, 7, 11, 3, 4, 8], pc set (0, 1, 5), self-rotational interval pattern 1-4-4-
  184. Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], pc set (0, 2, 7), self-rotational interval pattern 2-5-2-
  185. Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-1-
  186. Slonimsky, Nicholas: No. 754 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 5, 7, 9, 2, 4, 6, 11, 1, 3, 8, 10], pc set (0, 2, 7), self-rotational interval pattern 5-2-2-
  187. Slonimsky, Nicholas: No. 794 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 10, 11, 9, 7, 8, 6, 4, 5, 3, 1, 2], pc set (0, 1, 2), self-rotational interval pattern 10-1-10-
  188. Slonimsky, Nicholas: No. 795 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 8, 1, 9, 5, 10, 6, 2, 7, 3, 11, 4], pc set (0, 1, 5), self-rotational interval pattern 8-5-8-
  189. Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], pc set (0, 2, 7), self-rotational interval pattern 2-5-2-
  190. Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-9-
  191. Slonimsky, Nicholas: No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts), [0, 10, 2, 8, 4, 6, 5, 3, 7, 1, 9, 11], pc set (0, 2, 4)
  192. Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-3-
  193. Smith, Hale: Contours for Orchestra, [0, 5, 6, 4, 10, 11, 7, 2, 1, 3, 9, 8], pc set (0, 1, 6)
  194. Spinner, Leopold: Chamber Symphony, Op.28, [0, 11, 10, 6, 4, 5, 2, 1, 3, 7, 8, 9], pc set (0, 1, 2)
  195. Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5], pc set (0, 1, 4)
  196. Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 1, 4)
  197. Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11], pc set (0, 1, 4)
  198. Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6], pc set (0, 1, 2)
  199. Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
  200. Spinner, Leopold: Trio for Clarinet, Cello and Piano, [0, 1, 7, 6, 5, 11, 10, 3, 4, 2, 9, 8], pc set (0, 1, 6)
  201. Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3], pc set (0, 1, 6)
  202. Stravinsky, Igor: Fanfare for a New Theater, [0, 11, 1, 3, 4, 2, 5, 7, 6, 8, 10, 9], pc set (0, 1, 2)
  203. Talma, Louise: Six Etudes, Etude 4, [0, 1, 5, 9, 4, 8, 7, 6, 11, 2, 10, 3], pc set (0, 1, 5)
  204. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 4)
  205. Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1], pc set (0, 2, 5)
  206. Weber, Ben: Fantasia (Variations), Op.25, [0, 1, 5, 9, 10, 2, 6, 11, 7, 4, 3, 8], pc set (0, 1, 5)
  207. Webern, Anton: Op.32 (un-finished), initial sketch, [0, 1, 9, 11, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 4)
  208. Webern, Anton: Op.32 (un-finished), later sketch, [0, 1, 2, 11, 10, 9, 5, 4, 3, 6, 7, 8], pc set (0, 1, 2)
  209. Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5], pc set (0, 1, 4)
  210. Webern, Anton: Concerto for Nine Instruments (Konzert), Op.24, [0, 11, 3, 4, 8, 7, 9, 5, 6, 1, 2, 10], pc set (0, 1, 4)
  211. Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 1, 6)
  212. Wolpe, Stefan: Four Studies on Basic Rows, No.2 – Study on Thirds, [0, 11, 9, 8, 10, 7, 6, 5, 3, 2, 4, 1], pc set (0, 1, 3)
  213. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2, 4)
  214. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 1, 3)
  215. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1], pc set (0, 4, 8)
  216. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], pc set (0, 4, 8), self-rotational interval pattern 8-8-9-
  217. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 1, 4)
  218. Wuorinen, Charles: Second Sonata, Voice 3, [0, 2, 4, 3, 5, 1, 9, 7, 11, 10, 8, 6], pc set (0, 2, 4)
  219. Zhou, Jin-Min: Piano Quintet, Scherzo, [0, 10, 5, 4, 6, 11, 7, 9, 2, 3, 1, 8], pc set (0, 2, 7)
  220. Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1, 4)
  221. Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2, 4)

3x Same Tetrachord

Next up we have cases of 3x the same tetrachord (pitches 1-4, 5-8, and 8-12).

  1. Argento, Dominick: A Water Bird Talk, Bird Row, [0, 7, 2, 1, 10, 9, 3, 8, 5, 4, 11, 6], pc set (0, 1, 2, 7)
  2. Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], pc set (0, 1, 2, 3)
  3. Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-2-
  4. Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], pc set (0, 1, 6, 7), self-rotational interval pattern 5-1-5-5-
  5. Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], pc set (0, 1, 2, 3)
  6. Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], pc set (0, 1, 2, 3)
  7. David, Johann Nepomuk: Sonata for violin, Op.58, No.1, [0, 2, 3, 9, 11, 10, 5, 8, 1, 6, 4, 7], pc set (0, 1, 3, 6)
  8. Denisov, Edison: Five Etudes for Solo Bassoon, row A, [0, 6, 1, 7, 8, 3, 2, 9, 10, 5, 11, 4], pc set (0, 1, 6, 7)
  9. Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
  10. Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
  11. Denisov, Edison: Five Etudes for Solo Bassoon, row D, [0, 6, 1, 7, 8, 3, 2, 9, 10, 11, 5, 4], pc set (0, 1, 6, 7)
  12. Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 6, 7)
  13. Denisov, Edison: Five Etudes for Solo Bassoon, row F, [0, 6, 1, 7, 3, 2, 8, 9, 10, 5, 11, 4], pc set (0, 1, 6, 7)
  14. Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
  15. Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 6, 7)
  16. Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 2, 3)
  17. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 3, [0, 5, 6, 11, 2, 1, 8, 7, 10, 4, 9, 3], pc set (0, 1, 6, 7)
  18. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1], pc set (0, 1, 2, 3)
  19. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], pc set (0, 1, 6, 7), self-rotational interval pattern 1-6-11-2-
  20. Ginastera, Alberto: Sonata for Cello and Piano, Op.49, [0, 3, 2, 1, 10, 11, 8, 9, 5, 4, 7, 6], pc set (0, 1, 2, 3)
  21. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], pc set (0, 1, 6, 7), self-rotational interval pattern 6-5-6-3-
  22. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-5-
  23. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 1, 6, 7), self-rotational interval pattern 7-6-5-10-
  24. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen; mit einer Zwölftonreihe von Dr. Fritz Racek, [0, 2, 9, 11, 4, 3, 6, 1, 10, 8, 5, 7], pc set (0, 2, 3, 5)
  25. Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1, 2, 3)
  26. Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 2, 3, 5)
  27. Jelinek, Hanns: Zwölftonwerk, Op.15, [0, 10, 5, 7, 3, 6, 1, 8, 11, 9, 2, 4], pc set (0, 2, 5, 7)
  28. Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 1, 6, 7)
  29. Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], pc set (0, 2, 5, 7), self-rotational interval pattern 5-2-7-2-
  30. Lang, Bernhard: HIOB Musiktheater für Orchester, Chor und Solisten, [0, 9, 11, 10, 5, 8, 6, 7, 2, 3, 1, 4], pc set (0, 1, 2, 3)
  31. Li, Bao-Shu: Träumerei of Jiuzhai Gou, [0, 5, 7, 2, 4, 11, 9, 6, 3, 1, 8, 10], pc set (0, 2, 5, 7)
  32. Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 6, 7)
  33. Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7], pc set (0, 2, 5, 7)
  34. Morris, Robert: Beautiful Beast, [0, 1, 3, 6, 5, 10, 7, 4, 9, 8, 11, 2], pc set (0, 1, 3, 6)
  35. Morris, Robert: On the Go, [0, 9, 2, 3, 5, 8, 10, 11, 1, 4, 7, 6], pc set (0, 1, 3, 6)
  36. Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], pc set (0, 2, 5, 7), self-rotational interval pattern 2-5-2-7-
  37. Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 1-2-11-2-
  38. Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 3, 6, 9)
  39. Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], pc set (0, 2, 5, 7), self-rotational interval pattern 10-7-10-5-
  40. Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-2-
  41. Pärt, Arvo: Symphony, No.2, [0, 3, 1, 2, 4, 7, 5, 6, 8, 11, 9, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 3-10-1-2-
  42. Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1, 6, 7)
  43. Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1, 2, 3)
  44. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1, 2, 3)
  45. Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-1-
  46. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 2, 3)
  47. Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2, 3)
  48. Schnittke, Alfred: Violin Sonata 2, [0, 10, 11, 9, 6, 8, 7, 5, 4, 1, 2, 3], pc set (0, 1, 2, 3)
  49. Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 1, 6, 7)
  50. Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1, 6, 7)
  51. Seiber, Mátyás: Sonata for Violin and Piano, [0, 1, 11, 10, 7, 6, 8, 9, 4, 3, 5, 2], pc set (0, 1, 2, 3)
  52. Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 2, 5, 7)
  53. Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 2, 5, 7)
  54. Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 3, 6, 9)
  55. Slonimsky, Nicholas: No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 9, 6, 3, 11, 5, 2, 8, 7, 10, 1, 4], pc set (0, 3, 6, 9)
  56. Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-4-
  57. Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-4-
  58. Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-5-
  59. Slonimsky, Nicholas: No. 216 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 5, 10, 7, 4, 9, 2, 11, 8, 1, 6, 3], pc set (0, 2, 5, 7), self-rotational interval pattern 5-5-9-9-
  60. Slonimsky, Nicholas: No. 221 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 11, 9, 4, 10, 3, 1, 8, 2, 7, 5], pc set (0, 1, 3, 6), self-rotational interval pattern 6-5-10-7-
  61. Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 1, 6, 7), self-rotational interval pattern 6-11-6-5-
  62. Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], pc set (0, 1, 2, 3), self-rotational interval pattern 11-11-11-7-
  63. Slonimsky, Nicholas: No. 262 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 5, 4, 3, 2, 9, 8, 7, 6, 1], pc set (0, 1, 2, 7), self-rotational interval pattern 11-11-7-11-
  64. Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], pc set (0, 2, 3, 5), self-rotational interval pattern 10-11-10-9-
  65. Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 10-9-10-11-
  66. Slonimsky, Nicholas: No. 340 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 2, 9, 4, 3, 6, 1, 8, 7, 10, 5], pc set (0, 2, 3, 5), self-rotational interval pattern 11-3-7-7-
  67. Slonimsky, Nicholas: No. 348 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 1, 7, 4, 2, 5, 11, 8, 6, 9, 3], pc set (0, 1, 3, 6), self-rotational interval pattern 10-3-6-9-
  68. Slonimsky, Nicholas: No. 359 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 3, 9, 4, 2, 7, 1, 8, 6, 11, 5], pc set (0, 1, 3, 6), self-rotational interval pattern 10-5-6-7-
  69. Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 1, 6, 7), self-rotational interval pattern 7-6-5-10-
  70. Slonimsky, Nicholas: No. 371 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 2, 5, 4, 11, 6, 9, 8, 3, 10, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 7-7-3-11-
  71. Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 3-6-9-10-
  72. Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-10-
  73. Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 3-6-9-10-
  74. Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-10-
  75. Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 1-2-11-2-
  76. Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], pc set (0, 1, 2, 3), self-rotational interval pattern 11-10-1-6-
  77. Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1, 2, 3)
  78. Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], pc set (0, 1, 2, 3), self-rotational interval pattern 1-10-11-10-
  79. Slonimsky, Nicholas: No. 646 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 6, 8, 9, 7, 2, 4, 5, 3, 10], pc set (0, 1, 2, 7), self-rotational interval pattern 1-10-7-2-
  80. Slonimsky, Nicholas: No. 647 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 2, 11, 5, 8, 10, 7, 1, 4, 6, 3, 9], pc set (0, 1, 3, 6), self-rotational interval pattern 2-9-6-3-
  81. Slonimsky, Nicholas: No. 685 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 1, 3, 6, 8, 9, 11, 2, 4, 5, 7, 10], pc set (0, 1, 3, 6), self-rotational interval pattern 1-2-3-2-
  82. Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], pc set (0, 2, 3, 5), self-rotational interval pattern 2-1-2-3-
  83. Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], pc set (0, 2, 5, 7), self-rotational interval pattern 2-3-2-1-
  84. Slonimsky, Nicholas: No. 734 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 5, 11, 10, 8, 1, 7, 6, 4, 9, 3, 2], pc set (0, 1, 2, 7), self-rotational interval pattern 5-6-11-10-
  85. Slonimsky, Nicholas: No. 735 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 6, 9, 11, 8, 2, 5, 7, 4, 10, 1, 3], pc set (0, 1, 3, 6), self-rotational interval pattern 6-3-2-9-
  86. Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 2-5-2-11-
  87. Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-1-
  88. Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-11-
  89. Spinner, Leopold: Sonatina for Piano, Op.22, [0, 3, 2, 1, 9, 10, 11, 8, 5, 4, 7, 6], pc set (0, 1, 2, 3)
  90. Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1, 6, 7)
  91. Stravinsky, Igor: Agon, “Double Pas-de-Deux”, [0, 11, 1, 2, 9, 8, 10, 7, 5, 6, 4, 3], pc set (0, 1, 2, 3)
  92. Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1, 2, 3)
  93. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], pc set (0, 1, 2, 3), self-rotational interval pattern 10-3-10-5-
  94. Yun, Isang: Garak, [0, 3, 6, 1, 4, 5, 7, 10, 9, 11, 8, 2], pc set (0, 1, 3, 6)

2x Same Hexachord

Finally, we have the relatively common condition of 2x the same hexachord (pitches 1-6 and 7-12).

  1. Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], pc set (0, 1, 4, 5, 8, 9)
  2. Argento, Dominick: A Water Bird Talk, Lecturer Row, [0, 9, 5, 10, 2, 6, 3, 11, 8, 4, 1, 7], pc set (0, 1, 3, 5, 8, 9)
  3. Argento, Dominick: From the Diary of Virginia Woolf, [0, 7, 6, 2, 11, 5, 3, 1, 8, 9, 4, 10], pc set (0, 1, 2, 5, 7, 8)
  4. Atterberg, Kurt: Symphony 9 [Bbm], Op.54, ‘Sinfonia visionaria’, [0, 1, 5, 6, 7, 4, 8, 11, 10, 9, 2, 3], pc set (0, 1, 2, 3, 6, 7)
  5. Babbitt, Milton: All Set, [0, 4, 5, 11, 6, 10, 7, 3, 1, 2, 9, 8], pc set (0, 1, 2, 6, 7, 8)
  6. Babbitt, Milton: Arie da Capo, [0, 7, 8, 6, 2, 1, 10, 5, 11, 9, 4, 3], pc set (0, 1, 2, 6, 7, 8)
  7. Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 2, 3, 4, 5)
  8. Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], pc set (0, 2, 3, 4, 5, 7)
  9. Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 2, 3, 4, 5, 7)
  10. Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], pc set (0, 1, 4, 5, 8, 9)
  11. Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], pc set (0, 1, 4, 5, 8, 9)
  12. Babbitt, Milton: Composition for Synthesizer, [0, 9, 1, 8, 4, 5, 7, 2, 3, 6, 10, 11], pc set (0, 1, 4, 5, 8, 9)
  13. Babbitt, Milton: Composition for Tenor and Six Instruments, [0, 11, 7, 5, 6, 1, 4, 3, 10, 8, 2, 9], pc set (0, 1, 2, 6, 7, 8)
  14. Babbitt, Milton: Composition for Twelve Instruments, [0, 1, 4, 9, 5, 8, 3, 10, 2, 11, 6, 7], pc set (0, 1, 4, 5, 8, 9)
  15. Babbitt, Milton: Composition for Viola and Piano, [0, 3, 4, 8, 11, 7, 9, 2, 1, 5, 10, 6], pc set (0, 1, 4, 5, 8, 9)
  16. Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6], pc set (0, 1, 2, 3, 4, 5)
  17. Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6], pc set (0, 2, 4, 5, 7, 9)
  18. Babbitt, Milton: Groupwise, [0, 5, 4, 6, 10, 11, 2, 9, 3, 1, 8, 7], pc set (0, 1, 2, 6, 7, 8)
  19. Babbitt, Milton: My Complements to Roger, [0, 3, 7, 8, 11, 4, 2, 6, 1, 9, 10, 5], pc set (0, 1, 4, 5, 8, 9)
  20. Babbitt, Milton: My Ends Are My Beginnings, [0, 11, 4, 8, 7, 3, 5, 6, 9, 2, 10, 1], pc set (0, 1, 4, 5, 8, 9)
  21. Babbitt, Milton: Paraphrases, [0, 11, 3, 10, 8, 1, 7, 5, 4, 6, 2, 9], pc set (0, 2, 3, 4, 5, 7)
  22. Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6], pc set (0, 2, 3, 4, 5, 7)
  23. Babbitt, Milton: Relata I, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], pc set (0, 1, 2, 3, 4, 5)
  24. Babbitt, Milton: Relata II, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], pc set (0, 1, 2, 3, 4, 5)
  25. Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
  26. Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  27. Babbitt, Milton: String Quartet, No.3, [0, 11, 6, 7, 5, 1, 10, 2, 9, 3, 4, 8], pc set (0, 1, 2, 6, 7, 8)
  28. Babbitt, Milton: String Quartet, No.4, [0, 2, 9, 7, 11, 10, 1, 8, 4, 3, 5, 6], pc set (0, 2, 3, 4, 5, 7)
  29. Babbitt, Milton: Tableaux, [0, 11, 4, 6, 10, 5, 2, 1, 7, 9, 8, 3], pc set (0, 1, 2, 6, 7, 8)
  30. Babbitt, Milton: The Crowded Air, [0, 8, 5, 7, 10, 6, 11, 1, 9, 3, 2, 4], pc set (0, 1, 2, 3, 5, 7)
  31. Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6], pc set (0, 2, 3, 4, 5, 7)
  32. Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6], pc set (0, 2, 3, 4, 5, 7)
  33. Babbitt, Milton: Two Sonnets of Gerard Manley Hopkins, [0, 2, 3, 4, 7, 5, 11, 6, 10, 9, 8, 1], pc set (0, 2, 3, 4, 5, 7)
  34. Babbitt, Milton: Vision and Prayer, [0, 11, 8, 3, 7, 4, 10, 9, 2, 6, 1, 5], pc set (0, 1, 4, 5, 8, 9)
  35. Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], pc set (0, 1, 2, 3, 4, 5)
  36. Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4, 5, 8, 9)
  37. Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 1, 4, 5, 8, 9)
  38. Bartók, Béla: Violin Concerto, No.2, mvt 1, [0, 2, 8, 1, 9, 4, 10, 6, 3, 7, 11, 5], pc set (0, 1, 4, 5, 6, 8)
  39. Bartók, Béla: Violin Concerto, No.2, mvt 3, [0, 8, 2, 9, 1, 4, 10, 7, 6, 3, 11, 5], pc set (0, 1, 4, 5, 6, 8)
  40. Beecroft, Norma: Improvvisazioni Concertanti, No.1, [0, 1, 11, 9, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 2, 3, 4, 6)
  41. Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], pc set (0, 1, 3, 6, 7, 9)
  42. Berg, Alban: Altenberg Lieder, [0, 1, 11, 10, 2, 9, 3, 8, 7, 6, 5, 4], pc set (0, 1, 2, 3, 4, 5)
  43. Berg, Alban: Lulu, Lulu (title character) row, [0, 2, 3, 5, 7, 9, 1, 10, 11, 4, 6, 8], pc set (0, 2, 3, 5, 7, 9)
  44. Berg, Alban: Lulu, Primary / Main / Basic Row, [0, 4, 5, 2, 7, 9, 6, 8, 11, 10, 3, 1], pc set (0, 2, 4, 5, 7, 9)
  45. Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], pc set (0, 1, 2, 3, 4, 5)
  46. Berg, Alban: Lulu, Schoolboy row, [0, 2, 6, 10, 4, 7, 8, 3, 5, 9, 11, 1], pc set (0, 1, 3, 5, 7, 9)
  47. Berg, Alban: Lulu, permutation of main row, [0, 4, 2, 7, 9, 6, 8, 11, 3, 1, 5, 10], pc set (0, 2, 3, 5, 7, 9)
  48. Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], pc set (0, 2, 4, 6, 8, 10)
  49. Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
  50. Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-1-2-2-9-
  51. Berg, Alban: Lyric Suite, mvt III, [0, 11, 7, 1, 2, 9, 3, 8, 10, 4, 5, 6], pc set (0, 1, 2, 3, 5, 7)
  52. Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-3-2-2-7-
  53. Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
  54. Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3], pc set (0, 1, 2, 3, 4, 6)
  55. Berio, Luciano: Chamber Music, [0, 9, 3, 5, 7, 10, 2, 11, 4, 6, 8, 1], pc set (0, 2, 3, 5, 7, 9)
  56. Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], pc set (0, 1, 2, 3, 4, 5)
  57. Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], pc set (0, 1, 2, 3, 4, 5)
  58. Bischof, Rainer: ‘Und so sink ich leise in mich selbst hinein’. Österreichischer Liederzyklus für Mezzosopran und Violine, Op.17, [0, 6, 5, 11, 4, 9, 3, 2, 8, 7, 1, 10], pc set (0, 1, 2, 5, 7, 8)
  59. Boulez, Pierre: 2nd Piano Sonata, mvt II, Section 1, [0, 2, 1, 11, 3, 9, 8, 10, 7, 6, 5, 4], pc set (0, 1, 2, 3, 4, 6)
  60. Boulez, Pierre: Le Soleil des eaux, series I, [0, 6, 10, 2, 5, 1, 7, 11, 3, 4, 8, 9], pc set (0, 1, 4, 5, 6, 8)
  61. Boulez, Pierre: Le Soleil des eaux, series II, [0, 6, 10, 2, 5, 1, 4, 7, 11, 8, 3, 9], pc set (0, 1, 4, 5, 6, 8)
  62. Boulez, Pierre: Le Soleil des eaux, series III, [0, 11, 7, 2, 6, 5, 4, 8, 10, 1, 3, 9], pc set (0, 1, 2, 5, 7, 8)
  63. Boulez, Pierre: Notations, [0, 2, 7, 6, 1, 8, 4, 9, 5, 11, 10, 3], pc set (0, 1, 2, 6, 7, 8)
  64. Boulez, Pierre: Pli selon pli, [0, 1, 8, 6, 7, 9, 4, 5, 11, 3, 2, 10], pc set (0, 1, 2, 3, 6, 7)
  65. Boulez, Pierre: Structures Ia, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], pc set (0, 1, 2, 3, 6, 7)
  66. Cage, John: Sonata for Clarinet, [0, 1, 10, 11, 9, 7, 6, 5, 4, 8, 3, 2], pc set (0, 1, 2, 3, 4, 6)
  67. Cage, John: Sonata for Clarinet, mvt 2, [0, 11, 9, 10, 8, 6, 5, 4, 3, 7, 2, 1], pc set (0, 1, 2, 3, 4, 6)
  68. Cage, John: Two pieces for Piano, [0, 11, 8, 3, 4, 2, 9, 7, 1, 5, 10, 6], pc set (0, 1, 2, 4, 5, 8)
  69. Carlos, Juan: Canciones y Baladas, Balada II, [0, 4, 10, 6, 3, 8, 7, 2, 5, 9, 1, 11], pc set (0, 1, 3, 5, 7, 9)
  70. Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6], pc set (0, 1, 3, 4, 5, 8)
  71. Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 2-2-2-2-2-3-
  72. Coltrane, John: Miles Mode, [0, 3, 5, 2, 7, 9, 10, 8, 1, 11, 6, 4], pc set (0, 2, 3, 5, 7, 9)
  73. Copland, Aaron: Inscape, (“Y form” or “Row 1”), [0, 4, 3, 11, 2, 7, 6, 8, 10, 9, 5, 1], pc set (0, 1, 3, 4, 5, 8)
  74. Cordero, Roque: Concerto for Violin, mvt 2A, [0, 11, 6, 4, 7, 8, 5, 9, 3, 10, 1, 2], pc set (0, 1, 4, 5, 6, 8)
  75. Cordero, Roque: Soliloquios, [0, 1, 5, 11, 3, 2, 9, 8, 4, 10, 6, 7], pc set (0, 1, 2, 3, 4, 6)
  76. Cordero, Roque: Violin Concerto mvt 1-3, [0, 11, 6, 4, 8, 7, 5, 1, 3, 2, 10, 9], pc set (0, 1, 4, 5, 6, 8)
  77. Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], pc set (0, 1, 2, 3, 4, 6)
  78. Dallapiccola, Luigi: ‘Intermezzo’ from the ‘Ciaccona’ (of ‘Ciaccona, intermezzo e adagio’), [0, 5, 6, 3, 8, 9, 7, 11, 10, 2, 1, 4], pc set (0, 1, 3, 4, 6, 9)
  79. Dallapiccola, Luigi: Canti di Liberationi, No.2, [0, 5, 8, 3, 1, 9, 10, 4, 2, 11, 7, 6], pc set (0, 1, 3, 5, 8, 9)
  80. Dallapiccola, Luigi: Canti di Liberazione, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
  81. Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9], pc set (0, 1, 3, 6, 7, 9)
  82. Dallapiccola, Luigi: Commiato, [0, 6, 5, 3, 9, 11, 10, 8, 7, 1, 2, 4], pc set (0, 1, 3, 6, 7, 9)
  83. Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9], pc set (0, 2, 3, 4, 6, 8)
  84. Dallapiccola, Luigi: Il Prigioniero, “Hope”, [0, 1, 2, 3, 11, 5, 4, 10, 6, 7, 9, 8], pc set (0, 1, 2, 3, 4, 6)
  85. Dallapiccola, Luigi: Il prigioniero, “Prayer”, [0, 3, 6, 11, 9, 2, 1, 7, 8, 4, 5, 10], pc set (0, 1, 3, 4, 6, 9)
  86. Dallapiccola, Luigi: Liriche greche c: Sex Carmina Alcaei, [0, 3, 5, 6, 2, 9, 8, 7, 4, 1, 10, 11], pc set (0, 1, 3, 4, 6, 9)
  87. Dallapiccola, Luigi: Quaderno musicale di Annalibera, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
  88. Dallapiccola, Luigi: Quattro liriche di Antonio Machado, i, iv, [0, 3, 5, 6, 8, 9, 11, 10, 7, 4, 2, 1], pc set (0, 1, 3, 4, 6, 9)
  89. Dallapiccola, Luigi: Requiescant, [0, 2, 1, 3, 4, 6, 7, 9, 8, 10, 5, 11], pc set (0, 1, 2, 3, 4, 6)
  90. Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5], pc set (0, 1, 2, 3, 6, 7)
  91. Dallapiccola, Luigi: Tempus, ‘Exhortatio’, [0, 11, 9, 3, 5, 6, 4, 7, 8, 2, 1, 10], pc set (0, 1, 3, 6, 7, 9)
  92. Dallapiccola, Luigi: Tempus, ‘Ploratus’, [0, 1, 7, 6, 10, 4, 3, 2, 5, 11, 9, 8], pc set (0, 1, 3, 6, 7, 9)
  93. Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], pc set (0, 1, 2, 3, 6, 7)
  94. Dallapiccola, Luigi: Variazioni per orchestra, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
  95. Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.2, [0, 7, 11, 1, 3, 5, 8, 6, 4, 9, 10, 2], pc set (0, 1, 2, 4, 6, 8)
  96. Davies, Peter Maxwell: Sonata for Trumpet and Piano, Op.1, [0, 7, 6, 2, 11, 10, 8, 9, 1, 5, 3, 4], pc set (0, 1, 4, 5, 6, 8)
  97. Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 6-4-6-4-6-1-
  98. Denisov, Edison: Five Etudes for Solo Bassoon, row A, [0, 6, 1, 7, 8, 3, 2, 9, 10, 5, 11, 4], pc set (0, 1, 2, 5, 7, 8)
  99. Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 2, 6, 7, 8)
  100. Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 2, 6, 7, 8)
  101. Denisov, Edison: Five Etudes for Solo Bassoon, row D, [0, 6, 1, 7, 8, 3, 2, 9, 10, 11, 5, 4], pc set (0, 1, 2, 5, 7, 8)
  102. Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 2, 6, 7, 8)
  103. Denisov, Edison: Five Etudes for Solo Bassoon, row F, [0, 6, 1, 7, 3, 2, 8, 9, 10, 5, 11, 4], pc set (0, 1, 2, 3, 6, 7)
  104. Denisov, Edison: Five Etudes for Solo Bassoon, row I, [0, 6, 1, 7, 2, 8, 3, 10, 5, 11, 9, 4], pc set (0, 1, 2, 6, 7, 8)
  105. Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 2, 6, 7, 8)
  106. Denisov, Edison: Octet for Winds, mvt 2, row A, [0, 1, 3, 2, 4, 5, 8, 7, 6, 11, 9, 10], pc set (0, 1, 2, 3, 4, 5)
  107. Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 2, 6, 7, 8)
  108. Dessau, Paul: >Guernica< for piano, [0, 7, 6, 2, 10, 11, 5, 9, 1, 3, 4, 8], pc set (0, 1, 4, 5, 6, 8)
  109. Dessau, Paul: Les Voix, [0, 11, 6, 8, 9, 3, 4, 10, 5, 7, 2, 1], pc set (0, 1, 3, 4, 6, 9)
  110. Eder, Helmut: Concerto for violin and orchestra, Op.32, [0, 9, 6, 2, 11, 3, 8, 1, 7, 5, 10, 4], pc set (0, 1, 3, 4, 6, 9)
  111. Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-1-2-2-9-
  112. Eisler, Hanns: Deutsche Symphonie, mvt 5, [0, 1, 3, 5, 8, 9, 6, 11, 10, 4, 2, 7], pc set (0, 1, 3, 5, 8, 9)
  113. Eisler, Hanns: Deutsche Symphonie, mvt 8, [0, 3, 1, 11, 2, 10, 8, 9, 6, 7, 5, 4], pc set (0, 1, 2, 3, 4, 5)
  114. Eisler, Hanns: Deutsche Symphonie, mvt 9, [0, 4, 1, 10, 8, 6, 3, 11, 9, 2, 5, 7], pc set (0, 1, 3, 5, 7, 9)
  115. Eisler, Hanns: Deutsche Symphonie, mvts 1, 10, [0, 10, 6, 1, 11, 7, 5, 8, 9, 3, 4, 2], pc set (0, 1, 2, 3, 6, 7)
  116. Eisler, Hanns: Five Pieces for Orchestra, mvt 3, [0, 3, 2, 1, 5, 4, 6, 9, 8, 11, 10, 7], pc set (0, 1, 2, 3, 4, 5)
  117. Eisler, Hanns: Five Pieces for Orchestra, mvt 4, [0, 10, 9, 8, 6, 7, 3, 4, 5, 11, 1, 2], pc set (0, 1, 2, 3, 4, 6)
  118. Eisler, Hanns: Five Pieces for Orchestra, mvt 5, [0, 2, 6, 4, 10, 9, 11, 1, 7, 5, 8, 3], pc set (0, 1, 3, 5, 7, 9)
  119. Eisler, Hanns: Gegen den Krieg, Op.55, [0, 3, 2, 5, 4, 7, 6, 8, 9, 10, 1, 11], pc set (0, 2, 3, 4, 5, 7)
  120. Eisler, Hanns: Man lebt von einem Tage zu dem andern (“Kantate im Exil”), [0, 10, 11, 3, 1, 8, 7, 4, 2, 6, 9, 5], pc set (0, 2, 3, 4, 5, 7)
  121. Eisler, Hanns: Palmström, Op.5, No.5, [0, 10, 11, 9, 8, 1, 7, 6, 5, 3, 4, 2], pc set (0, 1, 2, 3, 4, 5)
  122. Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 1, [0, 4, 6, 3, 2, 1, 9, 10, 7, 8, 5, 11], pc set (0, 1, 2, 3, 4, 6)
  123. Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 2, [0, 4, 3, 2, 6, 1, 9, 10, 7, 8, 5, 11], pc set (0, 1, 2, 3, 4, 6)
  124. Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 5, [0, 3, 2, 4, 6, 1, 9, 10, 7, 8, 5, 11], pc set (0, 1, 2, 3, 4, 6)
  125. Eisler, Hanns: String Quartet, [0, 9, 3, 2, 11, 1, 4, 5, 10, 7, 8, 6], pc set (0, 1, 2, 3, 4, 6)
  126. Eisler, Hanns: Suite for Orchestra, No.1, mvt 4, [0, 4, 2, 3, 1, 11, 7, 10, 9, 8, 6, 5], pc set (0, 1, 2, 3, 4, 5)
  127. Eisler, Hanns: Variations for Piano, [0, 3, 10, 6, 5, 8, 1, 11, 2, 4, 7, 9], pc set (0, 2, 3, 5, 7, 9)
  128. Eisler, Hanns: Zwei Elegien, No.2 (An die Überlebenden), [0, 1, 4, 3, 2, 6, 8, 11, 10, 9, 5, 7], pc set (0, 1, 2, 3, 4, 6)
  129. Evans, Bill: Twelve Tone Tune, [0, 10, 2, 3, 1, 11, 4, 6, 9, 8, 5, 7], pc set (0, 1, 2, 3, 4, 5)
  130. Evans, Bill: Twelve Tone Tune Two, [0, 9, 11, 1, 10, 3, 2, 6, 4, 5, 8, 7], pc set (0, 1, 2, 3, 4, 6)
  131. Fano, Michel: Sonata for Two Pianos, [0, 6, 10, 7, 9, 8, 3, 2, 4, 1, 5, 11], pc set (0, 1, 2, 3, 4, 6)
  132. Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  133. Fine, Vivian: Four Songs, No.2, “Comfort To A Youth That Had Lost His Love”, [0, 1, 2, 6, 9, 10, 11, 3, 5, 4, 7, 8], pc set (0, 1, 2, 4, 5, 8)
  134. Finney, Ross Lee: Concerto for Alto Sax, [0, 1, 3, 4, 6, 9, 11, 10, 8, 7, 5, 2], pc set (0, 1, 3, 4, 6, 9)
  135. Finney, Ross Lee: Fantasy in Two Movements for solo violin, [0, 1, 3, 5, 4, 2, 11, 10, 8, 6, 7, 9], pc set (0, 1, 2, 3, 4, 5)
  136. Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 1-2-11-2-1-1-
  137. Florey, Hans: Die Aussicht, [0, 9, 11, 8, 2, 10, 5, 6, 7, 4, 3, 1], pc set (0, 1, 2, 3, 4, 6)
  138. Florey, Hans: Hexaeder für Klavier, [0, 9, 4, 8, 5, 10, 11, 3, 2, 6, 1, 7], pc set (0, 1, 4, 5, 6, 8)
  139. Florey, Hans: Hälfte des Lebens, [0, 3, 4, 1, 7, 11, 6, 9, 10, 8, 2, 5], pc set (0, 1, 2, 4, 5, 8)
  140. Florey, Hans: I Ging, [0, 7, 2, 10, 11, 6, 5, 1, 9, 8, 4, 3], pc set (0, 1, 4, 5, 6, 8)
  141. Florey, Hans: Magischer Würfel mit 6 Spiegelpunkten, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], pc set (0, 1, 3, 6, 7, 9)
  142. Florey, Hans: Sechs Kanonzyklen einunddesselben magischen Quadrates, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], pc set (0, 1, 3, 6, 7, 9)
  143. Florey, Hans: Triptychon, [0, 8, 9, 3, 7, 2, 1, 10, 5, 6, 11, 4], pc set (0, 1, 2, 5, 7, 8)
  144. Florey, Hans: Zwölftonspiel für Streichquartett. 3. Dezember 1965, [0, 10, 2, 5, 3, 4, 1, 8, 9, 6, 7, 11], pc set (0, 1, 2, 3, 5, 7)
  145. Gerhard, Roberto: Capriccio for Solo Flute, [0, 11, 9, 3, 1, 10, 8, 6, 4, 7, 2, 5], pc set (0, 1, 2, 3, 4, 6)
  146. Gerhard, Roberto: Chaconne for Unaccompanied Violin, [0, 11, 4, 2, 1, 3, 9, 10, 8, 6, 5, 7], pc set (0, 1, 2, 3, 4, 5)
  147. Gerhard, Roberto: Hymnody, [0, 10, 11, 8, 2, 9, 4, 5, 1, 6, 7, 3], pc set (0, 1, 2, 3, 4, 6)
  148. Gerhard, Roberto: Libra, [0, 6, 1, 7, 2, 8, 4, 9, 5, 10, 11, 3], pc set (0, 1, 2, 6, 7, 8)
  149. Gerhard, Roberto: String Quartet, [0, 7, 8, 2, 6, 10, 9, 11, 4, 5, 1, 3], pc set (0, 1, 2, 4, 6, 8)
  150. Gerhard, Roberto: String Quartet, No.2, [0, 1, 5, 2, 8, 7, 10, 9, 6, 11, 4, 3], pc set (0, 1, 2, 5, 7, 8)
  151. Gerhard, Roberto: The Plague, [0, 1, 9, 11, 8, 10, 4, 5, 6, 2, 3, 7], pc set (0, 1, 2, 3, 4, 5)
  152. Gerhard, Roberto: Three Impromptus, [0, 8, 1, 10, 4, 6, 7, 5, 3, 2, 9, 11], pc set (0, 1, 3, 5, 7, 9)
  153. Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], pc set (0, 1, 2, 3, 4, 5)
  154. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 1, [0, 1, 6, 7, 8, 2, 10, 11, 5, 4, 9, 3], pc set (0, 1, 2, 6, 7, 8)
  155. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-3-1-1-9-5-
  156. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 3, [0, 5, 6, 11, 2, 1, 8, 7, 10, 4, 9, 3], pc set (0, 1, 2, 3, 6, 7)
  157. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1], pc set (0, 1, 2, 3, 6, 7)
  158. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 5, [0, 1, 7, 6, 5, 11, 2, 8, 9, 10, 4, 3], pc set (0, 1, 2, 6, 7, 8)
  159. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 7, [0, 1, 8, 2, 7, 6, 5, 11, 9, 10, 4, 3], pc set (0, 1, 2, 6, 7, 8)
  160. Ginastera, Alberto: Quintet, Op.29, Row Class III 1, [0, 11, 1, 8, 2, 7, 10, 3, 9, 4, 6, 5], pc set (0, 1, 2, 3, 6, 7)
  161. Ginastera, Alberto: Quintet, Op.29, Row Class III 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], pc set (0, 1, 2, 3, 6, 7)
  162. Ginastera, Alberto: Quintet, Op.29, Row Class V, [0, 5, 4, 7, 3, 2, 6, 9, 8, 1, 10, 11], pc set (0, 2, 3, 4, 5, 7)
  163. Ginastera, Alberto: Quintet, Op.29, Row Class VII 1, [0, 9, 10, 11, 4, 3, 6, 2, 1, 5, 8, 7], pc set (0, 1, 2, 3, 6, 7)
  164. Ginastera, Alberto: Quintet, Op.29, Row Class VII 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], pc set (0, 1, 2, 3, 6, 7)
  165. Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  166. Ginastera, Alberto: Quintet, Op.29, mvt.III, [0, 7, 3, 10, 2, 6, 9, 1, 4, 8, 11, 5], pc set (0, 1, 3, 5, 8, 9)
  167. Ginastera, Alberto: Sonata for Cello and Piano, Op.49, [0, 3, 2, 1, 10, 11, 8, 9, 5, 4, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  168. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
  169. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 3, [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], pc set (0, 1, 3, 4, 6, 9)
  170. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11], pc set (0, 1, 2, 3, 4, 5)
  171. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 4, 5, 8, 9)
  172. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 7, [0, 9, 10, 11, 8, 7, 6, 3, 4, 5, 2, 1], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 9-1-1-9-11-11-
  173. Ginastera, Alberto: Turbae ad Passionem Gregorianam, Op.43, mvt II, [0, 5, 1, 7, 6, 11, 8, 2, 3, 4, 9, 10], pc set (0, 1, 2, 6, 7, 8)
  174. Ginastera, Alberto: Violin Concerto, Op.30, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-3-1-1-9-5-
  175. Goehr, Alexander: Piano Trio, Op.20, [0, 6, 7, 4, 3, 8, 5, 9, 11, 2, 10, 1], pc set (0, 1, 2, 4, 5, 8)
  176. Goeyvaerts, Karel: Violin concerto, No.2, [0, 11, 7, 1, 2, 9, 10, 8, 5, 6, 3, 4], pc set (0, 1, 2, 3, 5, 7)
  177. Gotham, Mark: 4x4x4x4, row 3, [0, 2, 6, 10, 7, 4, 11, 9, 8, 3, 5, 1], pc set (0, 1, 3, 5, 7, 9)
  178. Gotham, Mark: 4x4x4x4, row 4, [0, 2, 6, 10, 1, 4, 5, 3, 8, 9, 11, 7], pc set (0, 2, 3, 4, 6, 8)
  179. Gotham, Mark: Move On!, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 3, 6, 7, 9)
  180. Hamel, Peter Michael: ‘Klangspirale’ für 13 Spieler oder drei Orchestergruppen, [0, 10, 5, 9, 3, 4, 1, 6, 8, 11, 2, 7], pc set (0, 1, 2, 5, 7, 8)
  181. Hartmann, Karl Amadeus: Symphony, No.4, [0, 1, 3, 2, 11, 4, 5, 10, 7, 6, 8, 9], pc set (0, 1, 2, 3, 4, 5)
  182. Hauer, Jose Matthias: XXXII. Zwölftonspiel; für Violine, Bratsche und Cello, [0, 2, 6, 1, 10, 9, 5, 8, 11, 7, 4, 3], pc set (0, 1, 2, 4, 5, 8)
  183. Hauer, Josef Matthias: ‘Atonale Musik’. Klavierstücke 1922., Op.20, [0, 7, 4, 9, 5, 8, 3, 11, 2, 6, 1, 10], pc set (0, 1, 3, 4, 5, 8)
  184. Hauer, Josef Matthias: ‘Der Menschen Weg’, Op.67, [0, 8, 5, 4, 10, 2, 7, 9, 1, 3, 11, 6], pc set (0, 1, 3, 5, 7, 9)
  185. Hauer, Josef Matthias: ‘Die schwarze Spinne’, Op.62, [0, 4, 10, 1, 5, 8, 11, 2, 7, 9, 6, 3], pc set (0, 1, 3, 5, 8, 9)
  186. Hauer, Josef Matthias: ‘Emilie vor ihrem Brauttag’ (Friedrich Hölderlin) für Altsolo und Orchester, Op.58, [0, 8, 3, 4, 11, 6, 9, 10, 2, 1, 5, 7], pc set (0, 1, 3, 5, 8, 9)
  187. Hauer, Josef Matthias: ‘Salambo’, opera after Gustave Flaubert;, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], pc set (0, 2, 3, 4, 6, 8)
  188. Hauer, Josef Matthias: ‘Tanz tibetanischer Mönche’ im langsamen 3/4 Takt) [Zwölftonspiel]. 8. September 1956, [0, 7, 8, 6, 3, 1, 11, 2, 10, 5, 9, 4], pc set (0, 1, 2, 5, 7, 8)
  189. Hauer, Josef Matthias: ‘Wandlungen’ (chamber-oratorio for stage or concert, for six solo-voices, choir and orchestra; after words of Friedrich Hölderlin), Op.53, [0, 5, 11, 4, 10, 1, 6, 8, 9, 3, 7, 2], pc set (0, 1, 2, 3, 6, 7)
  190. Hauer, Josef Matthias: Baustein, [0, 8, 11, 1, 6, 10, 4, 2, 3, 5, 9, 7], pc set (0, 1, 2, 3, 5, 7)
  191. Hauer, Josef Matthias: Fünfte Tanzfantasie für kleines Orchester, Opus 66, [0, 10, 4, 7, 8, 11, 6, 2, 5, 9, 3, 1], pc set (0, 1, 2, 4, 5, 8)
  192. Hauer, Josef Matthias: Harmonie – Melodie – Rhythmus – in kristallischer Bindung – im vierfachen Kontrapunkt [Zwölftonspiel] für Zwölftonorchester, [0, 2, 10, 9, 6, 5, 1, 4, 7, 11, 8, 3], pc set (0, 1, 3, 5, 8, 9)
  193. Hauer, Josef Matthias: Hausmusik [Zwölftonspiel] für zwei Violinen und Klavier, [0, 1, 5, 3, 7, 10, 9, 6, 11, 4, 2, 8], pc set (0, 2, 3, 5, 7, 9)
  194. Hauer, Josef Matthias: Kammermusik [Zwölftonspiel] für Flöte, Oboe, Baßklarinette, Fagott, zwei Violinen, Bratsche, Cello und Klavier zu vier Händen. 24. Jänner 1957, [0, 9, 3, 7, 5, 10, 1, 6, 11, 4, 2, 8], pc set (0, 2, 3, 5, 7, 9)
  195. Hauer, Josef Matthias: Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op.25 ;, No.10, [0, 6, 11, 10, 9, 5, 2, 3, 7, 1, 4, 8], pc set (0, 1, 2, 3, 6, 7)
  196. Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für Orchester. 10. Jänner 1957, [0, 8, 10, 2, 3, 6, 1, 9, 7, 4, 11, 5], pc set (0, 1, 3, 5, 7, 9)
  197. Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen, [0, 6, 2, 11, 10, 7, 3, 4, 5, 9, 1, 8], pc set (0, 1, 4, 5, 6, 8)
  198. Hauer, Josef Matthias: Nomos, Op.19 (bb.106-108), [0, 10, 6, 1, 7, 4, 9, 5, 3, 8, 11, 2], pc set (0, 1, 3, 6, 7, 9)
  199. Hauer, Josef Matthias: Nomos, Op.19 (bb.117-118), [0, 4, 5, 11, 7, 10, 3, 9, 6, 2, 1, 8], pc set (0, 1, 2, 5, 7, 8)
  200. Hauer, Josef Matthias: Nomos, Op.19 (bb.119-120), [0, 10, 8, 6, 5, 7, 9, 2, 3, 1, 11, 4], pc set (0, 1, 2, 3, 5, 7)
  201. Hauer, Josef Matthias: Nomos, Op.19 (bb.123-124), [0, 8, 11, 5, 3, 7, 4, 9, 1, 6, 10, 2], pc set (0, 1, 3, 5, 8, 9)
  202. Hauer, Josef Matthias: Nomos, Op.19 (bb.125-126), [0, 11, 1, 10, 6, 8, 9, 5, 7, 3, 2, 4], pc set (0, 1, 2, 3, 5, 7)
  203. Hauer, Josef Matthias: Nomos, Op.19 (bb.134-137), [0, 2, 1, 4, 5, 9, 6, 8, 10, 7, 11, 3], pc set (0, 1, 3, 4, 5, 8)
  204. Hauer, Josef Matthias: Nomos, Op.19 (bb.138-140), [0, 3, 4, 2, 5, 6, 8, 7, 10, 11, 1, 9], pc set (0, 1, 2, 3, 4, 6)
  205. Hauer, Josef Matthias: Nomos, Op.19 (bb.139-141), [0, 2, 10, 1, 11, 9, 8, 5, 6, 4, 7, 3], pc set (0, 1, 2, 3, 4, 5)
  206. Hauer, Josef Matthias: Nomos, Op.19 (bb.141-143), [0, 10, 11, 3, 5, 6, 7, 2, 1, 4, 8, 9], pc set (0, 1, 2, 5, 7, 8)
  207. Hauer, Josef Matthias: Nomos, Op.19 (bb.142-143), [0, 11, 10, 1, 5, 3, 8, 6, 9, 4, 7, 2], pc set (0, 1, 2, 3, 5, 7)
  208. Hauer, Josef Matthias: Nomos, Op.19 (bb.143-145), [0, 9, 10, 2, 1, 11, 4, 6, 7, 5, 8, 3], pc set (0, 1, 2, 3, 4, 5)
  209. Hauer, Josef Matthias: Nomos, Op.19 (bb.159-161), [0, 5, 1, 8, 10, 4, 6, 7, 3, 9, 11, 2], pc set (0, 1, 3, 5, 8, 9)
  210. Hauer, Josef Matthias: Nomos, Op.19 (bb.171-174), [0, 7, 1, 3, 9, 6, 8, 11, 10, 5, 4, 2], pc set (0, 1, 3, 6, 7, 9)
  211. Hauer, Josef Matthias: Nomos, Op.19 (bb.175-178), [0, 10, 1, 2, 6, 5, 3, 4, 8, 9, 7, 11], pc set (0, 1, 4, 5, 6, 8)
  212. Hauer, Josef Matthias: Nomos, Op.19 (bb.192-193), [0, 9, 6, 2, 8, 4, 7, 10, 1, 3, 5, 11], pc set (0, 1, 3, 5, 7, 9)
  213. Hauer, Josef Matthias: Nomos, Op.19 (bb.196-197), [0, 2, 8, 6, 11, 5, 4, 10, 7, 3, 1, 9], pc set (0, 1, 3, 6, 7, 9)
  214. Hauer, Josef Matthias: Nomos, Op.19 (bb.213-216), [0, 2, 6, 1, 10, 4, 5, 8, 11, 7, 3, 9], pc set (0, 2, 3, 4, 6, 8)
  215. Hauer, Josef Matthias: Nomos, Op.19 (bb.224-228), [0, 1, 9, 3, 4, 5, 10, 11, 6, 2, 8, 7], pc set (0, 1, 2, 4, 5, 8)
  216. Hauer, Josef Matthias: Nomos, Op.19 (bb.228-230), [0, 2, 9, 6, 5, 10, 7, 3, 8, 1, 4, 11], pc set (0, 1, 3, 5, 8, 9)
  217. Hauer, Josef Matthias: Nomos, Op.19 (bb.231-233), [0, 6, 10, 3, 2, 8, 9, 5, 4, 1, 11, 7], pc set (0, 1, 3, 5, 7, 9)
  218. Hauer, Josef Matthias: Nomos, Op.19 (bb.234-237), [0, 11, 3, 1, 7, 4, 9, 6, 5, 10, 2, 8], pc set (0, 1, 2, 4, 5, 8)
  219. Hauer, Josef Matthias: Nomos, Op.19 (bb.241-243), [0, 2, 8, 1, 4, 9, 5, 6, 3, 11, 10, 7], pc set (0, 1, 4, 5, 6, 8)
  220. Hauer, Josef Matthias: Nomos, Op.19 (bb.257-262), [0, 7, 3, 8, 4, 2, 9, 1, 11, 6, 10, 5], pc set (0, 1, 4, 5, 6, 8)
  221. Hauer, Josef Matthias: Nomos, Op.19 (bb.262-263), [0, 11, 2, 5, 1, 6, 9, 7, 10, 3, 4, 8], pc set (0, 1, 2, 3, 6, 7)
  222. Hauer, Josef Matthias: Nomos, Op.19 (bb.272-276), [0, 1, 5, 3, 7, 2, 8, 10, 4, 6, 11, 9], pc set (0, 1, 2, 3, 5, 7)
  223. Hauer, Josef Matthias: Nomos, Op.19 (bb.284-287), [0, 1, 11, 7, 6, 4, 10, 5, 2, 8, 3, 9], pc set (0, 1, 2, 5, 7, 8)
  224. Hauer, Josef Matthias: Nomos, Op.19 (bb.288-291), [0, 2, 10, 7, 4, 6, 11, 3, 5, 1, 8, 9], pc set (0, 1, 3, 5, 7, 9)
  225. Hauer, Josef Matthias: Nomos, Op.19 (bb.292-294), [0, 9, 2, 6, 3, 5, 10, 1, 11, 7, 4, 8], pc set (0, 1, 3, 4, 6, 9)
  226. Hauer, Josef Matthias: Nomos, Op.19 (bb.325-328), [0, 5, 4, 2, 7, 6, 3, 11, 1, 8, 10, 9], pc set (0, 1, 2, 3, 5, 7)
  227. Hauer, Josef Matthias: Nomos, Op.19 (bb.328-332), [0, 3, 2, 7, 6, 10, 9, 11, 8, 5, 1, 4], pc set (0, 1, 3, 5, 8, 9)
  228. Hauer, Josef Matthias: Nomos, Op.19 (bb.331-334), [0, 4, 3, 2, 1, 11, 7, 10, 5, 6, 8, 9], pc set (0, 1, 2, 3, 4, 5)
  229. Hauer, Josef Matthias: Nomos, Op.19 (bb.362-365), [0, 7, 5, 3, 10, 8, 4, 2, 9, 6, 11, 1], pc set (0, 2, 4, 5, 7, 9)
  230. Hauer, Josef Matthias: Nomos, Op.19 (bb.366-371), [0, 5, 1, 7, 3, 2, 4, 8, 11, 6, 10, 9], pc set (0, 1, 2, 3, 5, 7)
  231. Hauer, Josef Matthias: Nomos, Op.19 (bb.372-375), [0, 8, 6, 1, 10, 11, 5, 9, 7, 4, 3, 2], pc set (0, 1, 2, 3, 5, 7)
  232. Hauer, Josef Matthias: Nomos, Op.19 (bb.387-390), [0, 3, 7, 4, 10, 1, 11, 9, 6, 8, 2, 5], pc set (0, 1, 3, 4, 6, 9)
  233. Hauer, Josef Matthias: Nomos, Op.19 (bb.403-409), [0, 11, 2, 10, 8, 1, 5, 3, 4, 6, 7, 9], pc set (0, 1, 2, 3, 4, 6)
  234. Hauer, Josef Matthias: Nomos, Op.19 (bb.422-425), [0, 6, 4, 2, 10, 9, 8, 5, 11, 7, 1, 3], pc set (0, 1, 3, 5, 7, 9)
  235. Hauer, Josef Matthias: Nomos, Op.19 (bb.425-427), [0, 8, 10, 7, 4, 2, 3, 5, 6, 11, 1, 9], pc set (0, 1, 3, 5, 7, 9)
  236. Hauer, Josef Matthias: Nomos, Op.19 (bb.430-432), [0, 6, 8, 10, 9, 2, 7, 1, 3, 4, 5, 11], pc set (0, 2, 3, 4, 6, 8)
  237. Hauer, Josef Matthias: Nomos, Op.19 (bb.438-441), [0, 1, 10, 8, 9, 4, 3, 5, 7, 11, 6, 2], pc set (0, 1, 2, 4, 5, 8)
  238. Hauer, Josef Matthias: Nomos, Op.19 (bb.441-445), [0, 1, 9, 8, 10, 4, 6, 5, 7, 2, 3, 11], pc set (0, 1, 2, 4, 5, 8)
  239. Hauer, Josef Matthias: Nomos, Op.19 (bb.451-453), [0, 2, 4, 1, 6, 11, 3, 8, 9, 7, 5, 10], pc set (0, 1, 2, 3, 5, 7)
  240. Hauer, Josef Matthias: Nomos, Op.19 (bb.452-455), [0, 5, 7, 8, 1, 2, 3, 4, 6, 11, 10, 9], pc set (0, 1, 2, 5, 7, 8)
  241. Hauer, Josef Matthias: Nomos, Op.19 (bb.457-458), [0, 3, 4, 5, 8, 1, 6, 11, 9, 10, 2, 7], pc set (0, 1, 3, 4, 5, 8)
  242. Hauer, Josef Matthias: Nomos, Op.19 (bb.463-464), [0, 4, 6, 7, 3, 9, 1, 10, 8, 11, 5, 2], pc set (0, 1, 3, 4, 6, 9)
  243. Hauer, Josef Matthias: Nomos, Op.19 (bb.479-483), [0, 6, 10, 9, 7, 8, 11, 4, 5, 3, 2, 1], pc set (0, 1, 2, 3, 4, 6)
  244. Hauer, Josef Matthias: Nomos, Op.19 (bb.494-496), [0, 7, 8, 5, 6, 11, 2, 3, 9, 4, 1, 10], pc set (0, 1, 2, 3, 6, 7)
  245. Hauer, Josef Matthias: Nomos, Op.19 (bb.50-53), [0, 2, 10, 4, 5, 3, 6, 7, 1, 8, 9, 11], pc set (0, 1, 2, 3, 5, 7)
  246. Hauer, Josef Matthias: Nomos, Op.19 (bb.501-503), [0, 5, 7, 1, 3, 2, 6, 10, 11, 8, 9, 4], pc set (0, 1, 2, 3, 5, 7)
  247. Hauer, Josef Matthias: Nomos, Op.19 (bb.503-507), [0, 10, 1, 2, 3, 5, 7, 11, 4, 8, 9, 6], pc set (0, 2, 3, 4, 5, 7)
  248. Hauer, Josef Matthias: Nomos, Op.19 (bb.511-514), [0, 10, 1, 4, 6, 2, 9, 7, 11, 8, 5, 3], pc set (0, 2, 3, 4, 6, 8)
  249. Hauer, Josef Matthias: Nomos, Op.19 (bb.517-521), [0, 2, 10, 11, 6, 4, 5, 1, 3, 9, 8, 7], pc set (0, 1, 2, 4, 6, 8)
  250. Hauer, Josef Matthias: Nomos, Op.19 (bb.528-531), [0, 6, 7, 5, 8, 10, 9, 11, 4, 2, 1, 3], pc set (0, 1, 2, 3, 5, 7)
  251. Hauer, Josef Matthias: Nomos, Op.19 (bb.60-63), [0, 4, 1, 2, 9, 8, 10, 5, 11, 3, 6, 7], pc set (0, 1, 4, 5, 6, 8)
  252. Hauer, Josef Matthias: Nomos, Op.19 (bb.72-73), [0, 1, 7, 11, 4, 3, 9, 6, 5, 2, 10, 8], pc set (0, 1, 2, 4, 5, 8)
  253. Hauer, Josef Matthias: Nomos, Op.19 (bb.73-78), [0, 8, 7, 2, 4, 11, 1, 3, 6, 5, 10, 9], pc set (0, 1, 3, 5, 8, 9)
  254. Hauer, Josef Matthias: Nomos, Op.19 (bb.84-87), [0, 10, 1, 11, 5, 3, 2, 6, 7, 8, 9, 4], pc set (0, 1, 2, 3, 5, 7)
  255. Hauer, Josef Matthias: Nomos, Op.19 (bb.93-94), [0, 1, 10, 8, 6, 2, 9, 4, 11, 7, 5, 3], pc set (0, 1, 2, 4, 6, 8)
  256. Hauer, Josef Matthias: Nomos, Op.19 (row 1), [0, 8, 9, 5, 4, 6, 10, 11, 7, 1, 2, 3], pc set (0, 1, 2, 4, 5, 8)
  257. Hauer, Josef Matthias: Nomos, Op.19 (row 2), [0, 6, 10, 4, 3, 2, 8, 7, 11, 9, 5, 1], pc set (0, 2, 3, 4, 6, 8)
  258. Hauer, Josef Matthias: Paraphonie [Zwölftonspiel] für Bratsche und Klavier, [0, 4, 10, 5, 8, 1, 11, 7, 2, 9, 6, 3], pc set (0, 1, 3, 5, 8, 9)
  259. Hauer, Josef Matthias: Romantische Phantasie für Orchester, [0, 10, 8, 5, 1, 9, 4, 11, 3, 7, 6, 2], pc set (0, 1, 3, 4, 5, 8)
  260. Hauer, Josef Matthias: Sakraler Tanz [Zwölftonspiel] für Orchester, [0, 3, 10, 8, 5, 2, 9, 1, 11, 6, 4, 7], pc set (0, 2, 3, 5, 7, 9)
  261. Hauer, Josef Matthias: Sechste Suite für Orchester, Op.47, [0, 9, 6, 2, 8, 3, 10, 11, 7, 4, 5, 1], pc set (0, 1, 3, 6, 7, 9)
  262. Hauer, Josef Matthias: Symphonische Stücke für Streichorchester, Klavier und Harmonium, Op.49, [0, 4, 6, 3, 2, 8, 1, 11, 10, 7, 9, 5], pc set (0, 2, 3, 4, 6, 8)
  263. Hauer, Josef Matthias: Tanz im langsamen 3/4 Takt [Zwölftonspiel] für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen, [0, 3, 10, 2, 11, 6, 8, 7, 4, 9, 1, 5], pc set (0, 1, 2, 4, 5, 8)
  264. Hauer, Josef Matthias: VIII. Zwölftonspiel für Orchester. Juni 1943, [0, 5, 10, 8, 4, 2, 11, 9, 3, 1, 7, 6], pc set (0, 1, 3, 5, 7, 9)
  265. Hauer, Josef Matthias: Violinkonzert, Op.54 (9. März – 6. April 1928), [0, 7, 6, 8, 4, 11, 1, 10, 5, 9, 2, 3], pc set (0, 1, 4, 5, 6, 8)
  266. Hauer, Josef Matthias: XXI. Zwölftonspiel für Orchester; mit einer Zwöfftonreihe, die in sechs Tropen steht, und vom Kulturreferenten der Stadt Wien Dr. Viktor Matejka gewählt wurde. Erster Teil 2,4-Takt (Halbe = 50) mit achttaktigen Perioden; zweiter Teil im 3/4 Takt (punktierte Halbe = 40) mit sechstaktigen Perioden, [0, 3, 4, 9, 11, 10, 1, 7, 6, 2, 5, 8], pc set (0, 1, 2, 3, 6, 7)
  267. Hauer, Josef Matthias: XXII. Zwölftonspiel für Klavier, [0, 2, 11, 6, 7, 10, 1, 3, 8, 4, 9, 5], pc set (0, 1, 4, 5, 6, 8)
  268. Hauer, Josef Matthias: XXIII. Zwölftonspiel für Klavierquintett, [0, 4, 11, 9, 10, 2, 6, 3, 7, 5, 8, 1], pc set (0, 1, 2, 3, 5, 7)
  269. Hauer, Josef Matthias: XXIV. Zwölftonspiel für Klavier, [0, 2, 9, 3, 8, 1, 4, 7, 11, 5, 6, 10], pc set (0, 1, 2, 3, 6, 7)
  270. Hauer, Josef Matthias: XXIX. Zwölftonspiel für Cembalo; mit der Sokolowski-Reihe zu Bachs Geburtstag, [0, 11, 2, 1, 4, 3, 10, 5, 8, 9, 6, 7], pc set (0, 1, 2, 3, 4, 5)
  271. Hauer, Josef Matthias: XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (2/2), [0, 7, 4, 3, 11, 2, 5, 1, 10, 9, 6, 8], pc set (0, 1, 3, 4, 5, 8)
  272. Hauer, Josef Matthias: Zwölftonspiel (Weihnachten 1947) für Klarinette, Violine, Bratsche, Cello und Klavier, [0, 6, 2, 10, 8, 3, 11, 4, 9, 7, 5, 1], pc set (0, 1, 3, 5, 7, 9)
  273. Hauer, Josef Matthias: Zwölftonspiel 10. Juli 1957; für Klavier zu vier Händen, [0, 8, 10, 6, 2, 11, 1, 3, 9, 4, 7, 5], pc set (0, 2, 3, 4, 6, 8)
  274. Hauer, Josef Matthias: Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, zwei Violinen, Viola, Violoncello & Klavier vierhändig, [0, 6, 4, 8, 3, 11, 9, 2, 7, 1, 10, 5], pc set (0, 1, 3, 5, 8, 9)
  275. Hauer, Josef Matthias: Zwölftonspiel 2. Juni 1948 für Streichquartett und Klavier, [0, 3, 10, 6, 2, 11, 1, 4, 7, 9, 5, 8], pc set (0, 1, 2, 4, 5, 8)
  276. Hauer, Josef Matthias: Zwölftonspiel 26. Juli 1957, für Flöte, Oboe, Bassklarinette, Fagott und Streichquartett, [0, 4, 1, 6, 8, 2, 10, 7, 3, 9, 11, 5], pc set (0, 1, 2, 4, 6, 8)
  277. Hauer, Josef Matthias: Zwölftonspiel 3. Mai 1958; für Streichsextett, [0, 4, 10, 3, 7, 1, 8, 2, 11, 6, 9, 5], pc set (0, 1, 3, 4, 6, 9)
  278. Hauer, Josef Matthias: Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], pc set (0, 1, 3, 5, 7, 9)
  279. Hauer, Josef Matthias: Zwölftonspiel 7. April 1957; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen, [0, 6, 2, 9, 10, 4, 11, 3, 7, 1, 5, 8], pc set (0, 1, 3, 5, 7, 9)
  280. Hauer, Josef Matthias: Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], pc set (0, 1, 3, 5, 7, 9)
  281. Hauer, Josef Matthias: Zwölftonspiel Jänner 1957; für zwei Violinen, Bratsche und Cello, [0, 10, 6, 2, 8, 3, 5, 7, 9, 4, 1, 11], pc set (0, 1, 3, 5, 7, 9)
  282. Hauer, Josef Matthias: Zwölftonspiel Oktober 1956; für Klavier zu vier Händen, [0, 9, 6, 2, 8, 3, 10, 5, 1, 11, 7, 4], pc set (0, 1, 3, 6, 7, 9)
  283. Hauer, Josef Matthias: Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
  284. Hauer, Josef Matthias: Zwölftonspiel für Gitarre. 24. 7. 1949, [0, 6, 10, 2, 5, 9, 1, 4, 7, 3, 11, 8], pc set (0, 1, 3, 5, 8, 9)
  285. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 11. Juni 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], pc set (0, 2, 3, 5, 7, 9)
  286. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 17. Juli 1952, [0, 6, 4, 9, 2, 10, 7, 11, 1, 8, 5, 3], pc set (0, 1, 3, 5, 7, 9)
  287. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 2. Juni 1955, [0, 10, 2, 7, 3, 6, 4, 8, 1, 9, 11, 5], pc set (0, 1, 3, 5, 8, 9)
  288. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 24. Dezember 1946, [0, 1, 2, 6, 10, 5, 11, 4, 3, 9, 7, 8], pc set (0, 1, 4, 5, 6, 8)
  289. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 7. Juni 1955, [0, 4, 10, 7, 11, 8, 3, 1, 5, 6, 2, 9], pc set (0, 1, 2, 4, 5, 8)
  290. Hauer, Josef Matthias: Zwölftonspiel für Klavier. März 1953, [0, 6, 8, 7, 5, 10, 2, 3, 11, 4, 9, 1], pc set (0, 1, 2, 3, 5, 7)
  291. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, Violine, Bratsche, Cello und Kontrabaß (melischer Entwurf vom 29.8.1954), [0, 4, 2, 7, 9, 6, 8, 3, 11, 5, 10, 1], pc set (0, 2, 3, 5, 7, 9)
  292. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 10. Juli 1952, [0, 10, 6, 8, 9, 7, 11, 3, 1, 5, 2, 4], pc set (0, 1, 2, 3, 4, 6)
  293. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 8. Juli 1952, [0, 2, 10, 6, 8, 7, 5, 9, 11, 3, 1, 4], pc set (0, 1, 2, 4, 6, 8)
  294. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello. 19. Oktober 1954, [0, 6, 11, 2, 1, 5, 3, 8, 10, 7, 9, 4], pc set (0, 1, 2, 3, 6, 7)
  295. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 13. März 1952, [0, 5, 9, 10, 8, 1, 4, 3, 6, 7, 11, 2], pc set (0, 1, 3, 4, 5, 8)
  296. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 24. Juni 1952, [0, 6, 10, 7, 9, 3, 4, 1, 8, 5, 11, 2], pc set (0, 1, 3, 4, 6, 9)
  297. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 26. Juni 1952, [0, 6, 2, 10, 9, 5, 3, 4, 8, 7, 11, 1], pc set (0, 1, 3, 5, 8, 9)
  298. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 30. Juni 1952, I, [0, 2, 10, 4, 11, 8, 1, 7, 5, 3, 6, 9], pc set (0, 2, 3, 4, 6, 8)
  299. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. Mai 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], pc set (0, 2, 3, 5, 7, 9)
  300. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Akkordeon (Hausorchester), [0, 7, 2, 9, 6, 4, 11, 3, 10, 8, 1, 5], pc set (0, 2, 3, 5, 7, 9)
  301. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Streichquartett, [0, 7, 2, 10, 6, 8, 3, 11, 9, 4, 1, 5], pc set (0, 1, 2, 4, 6, 8)
  302. Hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 8, 9, 6, 10, 4, 11, 1, 2, 5, 3, 7], pc set (0, 2, 3, 4, 6, 8)
  303. Hauer, Josef Matthias: Zwölftonspiel für Orchester. September 1957, [0, 8, 6, 10, 5, 7, 2, 4, 1, 9, 11, 3], pc set (0, 1, 2, 3, 5, 7)
  304. Hauer, Josef Matthias: Zwölftonspiel für Violine, Cello und Klavier zu vier Händen, [0, 10, 6, 1, 8, 3, 11, 7, 2, 5, 9, 4], pc set (0, 2, 3, 5, 7, 9)
  305. Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
  306. Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier. 3. April 1955, [0, 2, 6, 4, 9, 10, 5, 3, 7, 8, 11, 1], pc set (0, 1, 3, 5, 7, 9)
  307. Hauer, Josef Matthias: Zwölftonspiel für Orchester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], pc set (0, 1, 2, 3, 6, 7)
  308. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, [0, 2, 3, 11, 1, 10, 8, 6, 4, 9, 7, 5], pc set (0, 1, 2, 3, 4, 5)
  309. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier. 16. April 1958, [0, 3, 8, 2, 9, 1, 11, 5, 7, 4, 6, 10], pc set (0, 1, 2, 3, 6, 7)
  310. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello (‘Ins Räumliche übertragen’). 3. September 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
  311. Hauer, Josef Matthias: Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
  312. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.10, [0, 4, 6, 7, 8, 10, 9, 5, 3, 2, 1, 11], pc set (0, 2, 3, 4, 6, 8)
  313. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.11, [0, 4, 5, 6, 8, 9, 7, 3, 2, 1, 11, 10], pc set (0, 1, 2, 4, 5, 8)
  314. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.12, [0, 3, 6, 7, 9, 10, 11, 8, 5, 4, 2, 1], pc set (0, 1, 3, 4, 6, 9)
  315. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.13, [0, 3, 5, 7, 8, 10, 9, 6, 4, 2, 1, 11], pc set (0, 2, 4, 5, 7, 9)
  316. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.14, [0, 2, 5, 7, 8, 10, 11, 9, 6, 4, 3, 1], pc set (0, 2, 3, 5, 7, 9)
  317. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.15, [0, 1, 3, 6, 7, 9, 11, 10, 8, 5, 4, 2], pc set (0, 1, 3, 6, 7, 9)
  318. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.16, [0, 1, 3, 5, 7, 10, 9, 8, 6, 4, 2, 11], pc set (0, 2, 3, 5, 7, 9)
  319. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.17, [0, 1, 3, 5, 8, 9, 7, 6, 4, 2, 11, 10], pc set (0, 1, 3, 5, 8, 9)
  320. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.18, [0, 3, 4, 6, 9, 10, 11, 8, 7, 5, 2, 1], pc set (0, 1, 3, 6, 7, 9)
  321. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1, 4, 5, 8, 9)
  322. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.2, [0, 1, 2, 3, 4, 10, 9, 8, 7, 6, 5, 11], pc set (0, 1, 2, 3, 4, 6)
  323. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.20, [0, 1, 2, 5, 7, 8, 11, 10, 9, 6, 4, 3], pc set (0, 1, 2, 5, 7, 8)
  324. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.21, [0, 1, 2, 5, 6, 10, 9, 8, 7, 4, 3, 11], pc set (0, 1, 4, 5, 6, 8)
  325. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.22, [0, 1, 2, 4, 8, 9, 7, 6, 5, 3, 11, 10], pc set (0, 1, 4, 5, 6, 8)
  326. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.23, [0, 3, 4, 5, 9, 10, 11, 8, 7, 6, 2, 1], pc set (0, 1, 2, 5, 7, 8)
  327. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.24, [0, 3, 4, 7, 8, 10, 9, 6, 5, 2, 1, 11], pc set (0, 1, 3, 5, 8, 9)
  328. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.25, [0, 3, 5, 6, 8, 9, 7, 4, 2, 1, 11, 10], pc set (0, 1, 3, 4, 6, 9)
  329. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.26, [0, 3, 4, 6, 7, 8, 5, 2, 1, 11, 10, 9], pc set (0, 1, 2, 4, 5, 8)
  330. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.27, [0, 2, 4, 5, 6, 7, 3, 1, 11, 10, 9, 8], pc set (0, 1, 2, 3, 5, 7)
  331. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.28, [0, 5, 7, 8, 9, 10, 11, 6, 4, 3, 2, 1], pc set (0, 2, 3, 4, 5, 7)
  332. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.29, [0, 1, 6, 7, 8, 9, 11, 10, 5, 4, 3, 2], pc set (0, 1, 2, 3, 6, 7)
  333. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.3, [0, 2, 3, 4, 5, 10, 11, 9, 8, 7, 6, 1], pc set (0, 1, 2, 3, 5, 7)
  334. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.30, [0, 1, 2, 6, 7, 8, 11, 10, 9, 5, 4, 3], pc set (0, 1, 2, 6, 7, 8)
  335. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.31, [0, 1, 2, 3, 6, 7, 11, 10, 9, 8, 5, 4], pc set (0, 1, 2, 3, 6, 7)
  336. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.32, [0, 1, 2, 3, 4, 6, 11, 10, 9, 8, 7, 5], pc set (0, 1, 2, 3, 4, 6)
  337. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.4, [0, 2, 3, 4, 8, 10, 9, 7, 6, 5, 1, 11], pc set (0, 1, 2, 4, 6, 8)
  338. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.5, [0, 2, 4, 5, 8, 10, 11, 9, 7, 6, 3, 1], pc set (0, 1, 3, 5, 7, 9)
  339. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2, 4, 6, 8, 10)
  340. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.7, [0, 2, 4, 6, 8, 9, 7, 5, 3, 1, 11, 10], pc set (0, 1, 3, 5, 7, 9)
  341. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.8, [0, 2, 4, 6, 7, 8, 5, 3, 1, 11, 10, 9], pc set (0, 1, 2, 4, 6, 8)
  342. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.9, [0, 4, 6, 8, 9, 10, 11, 7, 5, 3, 2, 1], pc set (0, 2, 3, 4, 6, 8)
  343. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  344. Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1, 2, 3, 6, 7)
  345. Hendler, Maximilian: aus den fünf Liedern nach Texten von Karl Hans Haysen für Singstimme und Klavier : ‘Erkenntnis’, Op.45-2, [0, 9, 2, 4, 7, 11, 8, 10, 5, 1, 6, 3], pc set (0, 2, 4, 5, 7, 9)
  346. Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 2, 3, 4, 5, 7)
  347. Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 1, [0, 6, 5, 7, 8, 11, 9, 10, 3, 4, 2, 1], pc set (0, 1, 2, 3, 6, 7)
  348. Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 3, [0, 3, 1, 2, 4, 10, 9, 11, 7, 8, 6, 5], pc set (0, 1, 2, 3, 4, 6)
  349. Ives, Charles: On the Antipodes, [0, 3, 11, 8, 4, 7, 10, 9, 6, 2, 5, 1], pc set (0, 1, 4, 5, 8, 9)
  350. Ives, Charles: Tone Roads, No.3, [0, 11, 1, 3, 2, 10, 5, 8, 4, 7, 6, 9], pc set (0, 1, 2, 3, 4, 5)
  351. Johnston, Ben: String Quartet, No.6, [0, 5, 10, 9, 3, 7, 11, 6, 1, 2, 8, 4], pc set (0, 2, 3, 5, 7, 9)
  352. Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  353. Kahn, Erich Itor: Bagatelle für Rene Leibowitz, [0, 1, 2, 4, 6, 3, 10, 11, 5, 7, 9, 8], pc set (0, 1, 2, 3, 4, 6)
  354. Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 1, 2, 5, 7, 8)
  355. Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
  356. Klein, Fritz Heinrich: Die Maschine. Eine extonale Selbstsatire von Heautontimorumenus., Op.1 (Das Maschinen-Thema), [0, 5, 7, 9, 3, 2, 11, 6, 8, 10, 4, 1], pc set (0, 2, 3, 5, 7, 9)
  357. Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
  358. Klenau, Paul von: Elisabeth von England, [0, 2, 8, 11, 7, 1, 4, 10, 3, 6, 5, 9], pc set (0, 1, 2, 3, 6, 7)
  359. Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/A”, [0, 2, 7, 4, 3, 5, 6, 1, 11, 8, 10, 9], pc set (0, 2, 3, 4, 5, 7)
  360. Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/B”, [0, 2, 3, 1, 4, 5, 7, 8, 6, 9, 10, 11], pc set (0, 1, 2, 3, 4, 5)
  361. Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/C”, [0, 9, 11, 10, 7, 2, 6, 3, 5, 4, 1, 8], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 9-2-11-9-7-4-
  362. Kokkonen, Joonas: Woodwind Quintet, mov. 1, rows “I/A” and “I/B”, [0, 2, 11, 9, 10, 1, 3, 6, 4, 5, 7, 8], pc set (0, 1, 2, 3, 4, 5)
  363. Krenek, Ernst: Eight Piano Pieces, [0, 10, 1, 7, 6, 11, 5, 8, 3, 9, 2, 4], pc set (0, 1, 2, 3, 6, 7)
  364. Krenek, Ernst: Karl V, King Francis Row, [0, 10, 5, 6, 11, 3, 9, 4, 2, 7, 1, 8], pc set (0, 1, 2, 5, 7, 8)
  365. Krenek, Ernst: Kette, Kreis, und Spiegel (Circle, Chain and Mirror), Op.160, [0, 5, 6, 9, 8, 4, 10, 7, 11, 3, 1, 2], pc set (0, 1, 2, 4, 5, 8)
  366. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 1, [0, 2, 4, 5, 8, 10, 6, 7, 9, 11, 1, 3], pc set (0, 1, 3, 5, 7, 9)
  367. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 2, [0, 2, 3, 6, 8, 10, 5, 7, 9, 11, 1, 4], pc set (0, 1, 3, 5, 7, 9)
  368. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 3, [0, 1, 4, 6, 8, 10, 5, 7, 9, 11, 2, 3], pc set (0, 1, 3, 5, 7, 9)
  369. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 4, [0, 3, 5, 7, 9, 11, 6, 8, 10, 1, 2, 4], pc set (0, 1, 3, 5, 7, 9)
  370. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 5, [0, 2, 4, 6, 8, 9, 5, 7, 10, 11, 1, 3], pc set (0, 1, 3, 5, 7, 9)
  371. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 6, [0, 2, 4, 6, 7, 10, 5, 8, 9, 11, 1, 3], pc set (0, 1, 3, 5, 7, 9)
  372. Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6], pc set (0, 1, 2, 3, 4, 5)
  373. Krenek, Ernst: Sechs Vermessene, Op.168, [0, 3, 1, 6, 2, 4, 10, 5, 9, 7, 8, 11], pc set (0, 1, 2, 3, 4, 6)
  374. Krenek, Ernst: Sestina, Op.161, [0, 8, 11, 10, 4, 6, 7, 1, 5, 3, 9, 2], pc set (0, 1, 2, 4, 6, 8)
  375. Krenek, Ernst: Sonata, No.3, Op.92, No.4, [0, 10, 5, 8, 3, 2, 6, 7, 1, 9, 11, 4], pc set (0, 2, 3, 5, 7, 9)
  376. Krenek, Ernst: String Quartet, No.6, Op.78, [0, 10, 11, 8, 1, 9, 3, 7, 2, 4, 6, 5], pc set (0, 1, 2, 3, 4, 5)
  377. Krenek, Ernst: Studies in Counterpoint, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], pc set (0, 1, 2, 3, 6, 7)
  378. Krenek, Ernst: Studies in Counterpoint (i), [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], pc set (0, 1, 2, 3, 6, 7)
  379. Krenek, Ernst: Studies in Counterpoint (ii), [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], pc set (0, 1, 2, 3, 6, 7)
  380. Krenek, Ernst: Suite, Op.84 for solo cello, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], pc set (0, 1, 2, 3, 6, 7)
  381. Krenek, Ernst: Symeon, der Stylit, [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], pc set (0, 1, 2, 3, 6, 7)
  382. Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5], pc set (0, 1, 2, 3, 4, 5)
  383. Krenek, Ernst: Zwölf Variationen in Drei Satzen, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 6, 8], pc set (0, 2, 3, 4, 5, 7)
  384. Krenek, Ernst: Zwölf Variationen in Drei Sätzen, Op.79, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 8, 6], pc set (0, 2, 3, 4, 5, 7)
  385. Krenek, Ernst: concert for organ and string-orchestra, Op.230, [0, 11, 8, 4, 3, 6, 7, 5, 2, 9, 10, 1], pc set (0, 1, 3, 5, 8, 9)
  386. Kukuck, Felicitas: ‘Der Gottesknecht’: 6. Kantate, [0, 11, 10, 1, 2, 3, 8, 9, 6, 5, 7, 4], pc set (0, 1, 2, 3, 4, 5)
  387. Kukuck, Felicitas: ‘Wo bist Du Trost’; motet, [0, 11, 10, 7, 6, 1, 2, 5, 4, 3, 9, 8], pc set (0, 1, 2, 3, 6, 7)
  388. Lackner, Peter: ‘An alle Außerirdischen’. Kanon für drei Singstimmen, Kontrabaß und Klavier, [0, 4, 9, 7, 11, 2, 5, 1, 8, 10, 6, 3], pc set (0, 2, 4, 5, 7, 9)
  389. Lackner, Peter: ‘Davongeflogene Seelen’ für Singstimme, Violoncello und Klavier, [0, 10, 4, 7, 6, 1, 9, 11, 5, 2, 3, 8], pc set (0, 1, 3, 6, 7, 9)
  390. Lackner, Peter: ‘Der Winter’, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], pc set (0, 1, 3, 6, 7, 9)
  391. Lackner, Peter: ‘Es fiel ein Reif in der Frühlingsnacht’ für Singstimme und ein Melodie-Instrument, [0, 9, 4, 7, 2, 5, 1, 8, 10, 11, 3, 6], pc set (0, 2, 4, 5, 7, 9)
  392. Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4, 6, 8, 10)
  393. Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6], pc set (0, 2, 3, 4, 5, 7)
  394. Lackner, Peter: ‘Hexentanz’ für Violine und Klavier, [0, 3, 5, 7, 8, 4, 1, 10, 11, 2, 6, 9], pc set (0, 1, 3, 4, 5, 8)
  395. Lackner, Peter: ‘INKE TAN MAGROV’ für Singstimme und Klavier, [0, 6, 5, 10, 8, 3, 7, 1, 2, 9, 11, 4], pc set (0, 2, 3, 5, 7, 9)
  396. Lackner, Peter: ‘Ständchen’ für zwei Violinen und zwei Bratschen. 1913,2013, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
  397. Lackner, Peter: ‘Venus-Quadrat’ für Violine und Klavier, [0, 7, 2, 5, 9, 10, 11, 6, 8, 4, 3, 1], pc set (0, 2, 4, 5, 7, 9)
  398. Lackner, Peter: ‘Wo ist der Freund’ (erstes Lied aus dem Zyklus ‘Wilde Erdbeeren’ für Singstimme und Klavier), [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], pc set (0, 1, 3, 4, 6, 9)
  399. Lackner, Peter: 1. Kanonzyklus, [0, 7, 5, 9, 1, 3, 11, 8, 4, 6, 10, 2], pc set (0, 1, 3, 5, 7, 9)
  400. Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4, 5, 7, 9)
  401. Lackner, Peter: 3. Kanonzyklus, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], pc set (0, 2, 3, 5, 7, 9)
  402. Lackner, Peter: 4. Kanonzyklus, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], pc set (0, 1, 2, 4, 6, 8)
  403. Lackner, Peter: 5. Kanonzyklus, [0, 7, 11, 9, 1, 3, 5, 8, 10, 6, 2, 4], pc set (0, 2, 3, 4, 6, 8)
  404. Lackner, Peter: AGNI MEI (Kanon für Klavier. 5. Juni 2015), [0, 4, 10, 11, 1, 2, 8, 7, 3, 6, 9, 5], pc set (0, 1, 2, 3, 4, 6)
  405. Lackner, Peter: Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier, [0, 8, 3, 5, 1, 10, 7, 11, 4, 2, 6, 9], pc set (0, 2, 4, 5, 7, 9)
  406. Lackner, Peter: Florianische Reihe, [0, 3, 9, 7, 4, 11, 5, 2, 8, 6, 1, 10], pc set (0, 1, 3, 5, 8, 9)
  407. Lackner, Peter: INKE TAN MAGROV für Singstimme und Klavier (zweites Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 3, 1, 6, 10, 7, 4], pc set (0, 1, 3, 4, 6, 9)
  408. Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4, 6, 8, 10)
  409. Lackner, Peter: Kanon-Polska für zwei Bratschen. 6. Juni 1993, [0, 6, 3, 1, 10, 8, 5, 11, 2, 4, 7, 9], pc set (0, 2, 3, 5, 7, 9)
  410. Lackner, Peter: Kanon T6 á 2, [0, 10, 8, 3, 1, 5, 6, 4, 2, 9, 7, 11], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 10-10-7-10-4-1-
  411. Lackner, Peter: Kanon für B. L., 7. Oktober 2017, [0, 9, 10, 5, 3, 7, 11, 2, 1, 6, 8, 4], pc set (0, 2, 3, 5, 7, 9)
  412. Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6], pc set (0, 1, 2, 3, 4, 5)
  413. Lackner, Peter: Kanon für Cello und Klavier, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], pc set (0, 1, 3, 5, 8, 9)
  414. Lackner, Peter: Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], pc set (0, 1, 2, 4, 6, 8)
  415. Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 2, 4, 5, 7, 9)
  416. Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4, 5, 7, 9)
  417. Lackner, Peter: Kanon für Hammerklavier. März 2016, [0, 2, 1, 5, 7, 3, 11, 9, 10, 6, 4, 8], pc set (0, 1, 2, 3, 5, 7)
  418. Lackner, Peter: Kanon für Kammerorchester, [0, 9, 11, 6, 2, 4, 7, 10, 8, 1, 5, 3], pc set (0, 2, 3, 5, 7, 9)
  419. Lackner, Peter: Kanon für Klavier, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], pc set (0, 2, 3, 5, 7, 9)
  420. Lackner, Peter: Kanon für Klavier. 15. Juni 1992, [0, 10, 3, 8, 6, 5, 2, 1, 11, 4, 9, 7], pc set (0, 2, 3, 5, 7, 9)
  421. Lackner, Peter: Kanon für Klavier. 21. Juni 1998, [0, 7, 6, 5, 1, 4, 3, 8, 9, 10, 2, 11], pc set (0, 1, 2, 3, 6, 7)
  422. Lackner, Peter: Kanon für Klavier. 26. Juni 1983, [0, 7, 5, 9, 4, 8, 6, 1, 11, 3, 10, 2], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 7-10-4-7-4-10-
  423. Lackner, Peter: Kanon für Klavier. 27. Juni, 26. September 2002, [0, 9, 4, 1, 2, 8, 7, 10, 3, 6, 5, 11], pc set (0, 1, 4, 5, 6, 8)
  424. Lackner, Peter: Kanon für Klavier. 5. April 1989, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], pc set (0, 1, 3, 5, 8, 9)
  425. Lackner, Peter: Kanon für Klavier. April 2000, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], pc set (0, 1, 2, 4, 6, 8)
  426. Lackner, Peter: Kanon für Klavier zu vier Händen, [0, 10, 5, 3, 7, 8, 6, 4, 11, 9, 1, 2], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 10-7-10-4-1-10-
  427. Lackner, Peter: Kanon für Klavier zu vier Händen. 12. Juni 1996, [0, 4, 2, 8, 11, 10, 5, 1, 3, 9, 6, 7], pc set (0, 2, 3, 4, 6, 8)
  428. Lackner, Peter: Kanon für Klavier zu vier Händen. Frühling 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], pc set (0, 1, 3, 4, 6, 9)
  429. Lackner, Peter: Kanon für Klavierquartett, [0, 8, 6, 11, 3, 9, 1, 5, 7, 2, 10, 4], pc set (0, 1, 3, 4, 6, 9)
  430. Lackner, Peter: Kanon für Klavierquartett. 27. April 1991, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], pc set (0, 1, 3, 6, 7, 9)
  431. Lackner, Peter: Kanon für Klavierquartett. 27. Juni 1991, [0, 2, 6, 9, 11, 3, 7, 5, 1, 10, 8, 4], pc set (0, 1, 3, 4, 6, 9)
  432. Lackner, Peter: Kanon für Klaviertrio, [0, 2, 4, 9, 5, 7, 3, 1, 11, 6, 10, 8], pc set (0, 2, 4, 5, 7, 9)
  433. Lackner, Peter: Kanon für Orgel, zweimanualiges Cembalo oder Klavier, [0, 7, 2, 11, 4, 9, 6, 8, 1, 5, 3, 10], pc set (0, 2, 4, 5, 7, 9)
  434. Lackner, Peter: Kanon für Orgel. 21. November 1994, 4. Februar 1995, [0, 8, 5, 1, 4, 9, 2, 11, 7, 3, 10, 6], pc set (0, 1, 4, 5, 8, 9)
  435. Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 8-8-6-8-8-3-
  436. Lackner, Peter: Kanon für Schwegel und zwei Geigen, [0, 6, 4, 2, 10, 8, 9, 3, 5, 7, 11, 1], pc set (0, 2, 4, 6, 8, 10)
  437. Lackner, Peter: Kanon für Schwegelpfeife in A und Geige, [0, 9, 7, 2, 10, 4, 3, 6, 8, 1, 5, 11], pc set (0, 2, 3, 5, 7, 9)
  438. Lackner, Peter: Kanon für Streichquartett, [0, 9, 3, 5, 1, 11, 7, 10, 4, 2, 6, 8], pc set (0, 2, 3, 4, 6, 8)
  439. Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4, 6, 8, 10)
  440. Lackner, Peter: Kanon für Streichquartett. 3. Jänner 1990, [0, 6, 4, 8, 11, 3, 1, 7, 9, 5, 2, 10], pc set (0, 1, 3, 5, 8, 9)
  441. Lackner, Peter: Kanon für Streichquartett und Orgel. 21. November 1993, [0, 10, 2, 5, 4, 7, 1, 11, 3, 9, 8, 6], pc set (0, 2, 3, 5, 7, 9)
  442. Lackner, Peter: Kanon für Tenor-Hackbrett. 19. März 2014, [0, 8, 4, 6, 9, 1, 11, 3, 7, 5, 2, 10], pc set (0, 1, 3, 5, 8, 9)
  443. Lackner, Peter: Kanon für Violine, Bratsche und Klavier, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
  444. Lackner, Peter: Kanon für Violine, Viola und Akkordeon. 11. Juni 2007, [0, 11, 1, 2, 3, 10, 4, 9, 8, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  445. Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6], pc set (0, 2, 3, 4, 5, 7)
  446. Lackner, Peter: Kanon für Violine und Violoncello, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], pc set (0, 1, 3, 5, 8, 9)
  447. Lackner, Peter: Kanon für acht Instrumente. Dezember 1991, März 2007, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], pc set (0, 1, 2, 4, 5, 8)
  448. Lackner, Peter: Kanon für drei Bratschen, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], pc set (0, 1, 2, 4, 5, 8)
  449. Lackner, Peter: Kanon für drei Violinen I, II August 1998, [0, 2, 10, 4, 8, 6, 1, 9, 11, 5, 3, 7], pc set (0, 2, 4, 6, 8, 10)
  450. Lackner, Peter: Kanon für sechs Instrumente. 16. März 2009, [0, 7, 6, 3, 2, 10, 1, 8, 11, 5, 4, 9], pc set (0, 1, 3, 5, 8, 9)
  451. Lackner, Peter: Kanon für sechs Posaunen. Herbst 1996, [0, 9, 1, 6, 4, 8, 11, 2, 10, 7, 5, 3], pc set (0, 1, 3, 5, 8, 9)
  452. Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1], pc set (0, 1, 3, 6, 7, 9)
  453. Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6], pc set (0, 2, 4, 5, 7, 9)
  454. Lackner, Peter: Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993, [0, 1, 2, 10, 3, 5, 11, 9, 4, 8, 7, 6], pc set (0, 2, 3, 4, 5, 7)
  455. Lackner, Peter: Kanon für zwei Violinen, [0, 7, 4, 5, 9, 2, 3, 8, 11, 10, 6, 1], pc set (0, 2, 4, 5, 7, 9)
  456. Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6], pc set (0, 2, 4, 5, 7, 9)
  457. Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4, 6, 8, 10)
  458. Lackner, Peter: Kanon für zwei Violinen und Klavier. Frühjahr 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], pc set (0, 1, 3, 4, 6, 9)
  459. Lackner, Peter: Kanon à 3, [0, 11, 6, 10, 2, 7, 3, 4, 9, 5, 1, 8], pc set (0, 1, 4, 5, 6, 8)
  460. Lackner, Peter: Kanon à 4 – ‘Für Harald Fripertinger zum 50. Geburtstag’, [0, 10, 3, 6, 5, 8, 1, 11, 9, 4, 7, 2], pc set (0, 2, 3, 5, 7, 9)
  461. Lackner, Peter: Kanon á 4, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
  462. Lackner, Peter: Kanon á 5 für Klaus Chudoba, [0, 2, 10, 8, 6, 11, 3, 1, 5, 7, 9, 4], pc set (0, 2, 3, 4, 6, 8)
  463. Lackner, Peter: Moebius-Band für Flöte, Violine, Violoncello und Klavier, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], pc set (0, 1, 3, 4, 6, 9)
  464. Lackner, Peter: Moebius-Band für sechs Violinen, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], pc set (0, 1, 3, 4, 6, 9)
  465. Lackner, Peter: Moebiusband I für zwei Melodieinstrumente, [0, 6, 8, 2, 7, 1, 11, 5, 3, 9, 4, 10], pc set (0, 1, 2, 6, 7, 8)
  466. Lackner, Peter: Moebiusband für Violine und Klavier (Chinesenfolter I), [0, 2, 4, 6, 10, 5, 1, 11, 9, 7, 3, 8], pc set (0, 1, 2, 4, 6, 8)
  467. Lackner, Peter: Reihenspiel für Orgel, [0, 9, 6, 11, 5, 4, 10, 7, 2, 1, 8, 3], pc set (0, 1, 2, 5, 7, 8)
  468. Lackner, Peter: Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], pc set (0, 2, 3, 4, 6, 8)
  469. Lackner, Peter: Sponsions-Kanon, [0, 4, 1, 10, 3, 7, 9, 5, 8, 11, 6, 2], pc set (0, 1, 3, 4, 6, 9)
  470. Lackner, Peter: TACET (drittes Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 4, 7, 10, 6, 1, 3], pc set (0, 1, 3, 4, 6, 9)
  471. Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 2, 4, 6, 8, 10)
  472. Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6], pc set (0, 2, 4, 5, 7, 9)
  473. Lang, Bernhard: ‘Der Golem’ nach Gustav Meyrinck, [0, 4, 7, 8, 11, 3, 5, 2, 9, 1, 10, 6], pc set (0, 1, 4, 5, 8, 9)
  474. Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], pc set (0, 1, 2, 3, 4, 5)
  475. Lang, Bernhard: Hemma (Music Theatre Hemma Klagenfurt 2015), [0, 5, 10, 2, 3, 1, 7, 9, 8, 4, 11, 6], pc set (0, 2, 3, 4, 5, 7)
  476. Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6], pc set (0, 1, 3, 4, 5, 8)
  477. Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6], pc set (0, 2, 3, 4, 5, 7)
  478. Leibowitz, René: String Quartet, No.3, Op.26, [0, 8, 9, 7, 6, 1, 2, 5, 4, 10, 11, 3], pc set (0, 1, 2, 3, 6, 7)
  479. Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11], pc set (0, 1, 2, 3, 4, 5)
  480. Lewin, David: Just a Minute, Roger, [0, 11, 4, 5, 7, 3, 2, 6, 8, 1, 10, 9], pc set (0, 1, 4, 5, 6, 8)
  481. Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 2, 6, 7, 8), self-rotational interval pattern 6-11-6-11-6-5-
  482. Lu, Shi-Lin: A Family of Red-Crowned Cranes, [0, 2, 9, 7, 4, 6, 11, 8, 1, 3, 10, 5], pc set (0, 2, 3, 5, 7, 9)
  483. Lu, Yen: A Bird Flying By, [0, 6, 3, 4, 8, 7, 11, 5, 10, 2, 9, 1], pc set (0, 1, 2, 4, 5, 8)
  484. Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], pc set (0, 2, 4, 5, 7, 9)
  485. Luo, Zhong-Rong: Dusk, row 1, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], pc set (0, 2, 3, 5, 7, 9)
  486. Luo, Zhong-Rong: Dusk, row 2, [0, 3, 7, 5, 8, 10, 1, 11, 6, 2, 4, 9], pc set (0, 2, 4, 5, 7, 9)
  487. Luo, Zhong-Rong: Evening, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], pc set (0, 2, 3, 5, 7, 9)
  488. Luo, Zhong-Rong: Morning Glory, [0, 2, 5, 9, 7, 10, 3, 11, 1, 4, 6, 8], pc set (0, 2, 4, 5, 7, 9)
  489. Luo, Zhong-Rong: Picking lotus flowers at the riverside, [0, 2, 5, 7, 10, 3, 1, 4, 6, 9, 11, 8], pc set (0, 2, 4, 5, 7, 9)
  490. Luo, Zhong-Rong: Sonatina, mvt 3, [0, 2, 7, 4, 11, 8, 5, 9, 10, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
  491. Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7], pc set (0, 2, 3, 5, 7, 9)
  492. Luo, Zhong-Rong: String Quartet, No.3, row 1, [0, 2, 4, 7, 5, 10, 8, 1, 6, 3, 9, 11], pc set (0, 2, 3, 5, 7, 9)
  493. Luo, Zhong-Rong: String Quartet, No.3, row 3, [0, 2, 7, 9, 11, 1, 3, 6, 10, 4, 5, 8], pc set (0, 1, 2, 3, 5, 7)
  494. Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 1, [0, 2, 5, 10, 6, 1, 3, 8, 11, 9, 7, 4], pc set (0, 1, 4, 5, 6, 8)
  495. Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 2, [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 10, 5], pc set (0, 2, 4, 5, 7, 9)
  496. Lutyens, Elisabeth: Essence Of Our Happinesses, Op.69, mvt II, Part I, [0, 11, 1, 10, 2, 3, 8, 9, 5, 6, 4, 7], pc set (0, 1, 2, 3, 4, 5)
  497. Lutyens, Elisabeth: Five Little Pieces for Clarinet and Piano, [0, 8, 4, 1, 10, 2, 9, 3, 5, 6, 11, 7], pc set (0, 2, 3, 4, 6, 8)
  498. Lutyens, Elisabeth: Islands, Op.80, [0, 11, 7, 3, 8, 10, 9, 6, 4, 5, 1, 2], pc set (0, 1, 3, 4, 5, 8)
  499. Lutyens, Elisabeth: Motet (Excerota Tractati Logico-Philosophici), Op.27, [0, 11, 3, 7, 8, 4, 2, 6, 5, 1, 9, 10], pc set (0, 1, 4, 5, 8, 9)
  500. Lutyens, Elisabeth: Présages, Op.53, [0, 1, 11, 2, 10, 8, 5, 3, 4, 7, 9, 6], pc set (0, 1, 2, 3, 4, 6)
  501. Lutyens, Elisabeth: Quincunx, Op.44, [0, 6, 11, 1, 5, 2, 7, 3, 4, 9, 10, 8], pc set (0, 1, 2, 3, 6, 7)
  502. Lutyens, Elisabeth: The Numbered, Altered Primary Row (swap pitches 2 and 3), [0, 11, 10, 1, 2, 9, 3, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  503. Lutyens, Elisabeth: The Numbered, Primary Row, [0, 10, 11, 1, 2, 9, 3, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  504. Maderna, Bruno: Improvvisazione N. 1, [0, 11, 4, 8, 3, 2, 7, 6, 1, 5, 10, 9], pc set (0, 1, 2, 4, 5, 8)
  505. Maderna, Bruno: Musica su due dimensioni, [0, 2, 9, 4, 6, 11, 8, 10, 1, 3, 5, 7], pc set (0, 2, 3, 5, 7, 9)
  506. Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1, 4, 5, 8, 9)
  507. Mamlok, Ursula: Panta Rhei, [0, 7, 4, 11, 8, 3, 10, 9, 6, 2, 5, 1], pc set (0, 1, 4, 5, 8, 9)
  508. Mamlok, Ursula: Panta Rhei, secondary row (mvt 4, Piano), [0, 11, 8, 3, 4, 7, 2, 1, 6, 9, 10, 5], pc set (0, 1, 4, 5, 8, 9)
  509. Martin, Frank: Petite complainte, [0, 11, 10, 6, 2, 4, 5, 9, 8, 7, 3, 1], pc set (0, 1, 2, 4, 6, 8)
  510. Martino, Donald: Fantasy Variations, [0, 3, 1, 10, 2, 8, 11, 5, 6, 9, 7, 4], pc set (0, 1, 2, 3, 5, 7)
  511. Martino, Donald: Notturno (Row B), [0, 7, 11, 10, 9, 8, 2, 1, 6, 3, 4, 5], pc set (0, 1, 2, 3, 4, 5)
  512. Matthias, Hauer Josef: Zwölftonspiel für Holzbläser, Streicher und Klavier. April 1951, [0, 4, 9, 11, 7, 2, 3, 6, 8, 10, 5, 1], pc set (0, 2, 4, 5, 7, 9)
  513. Matthias, Josef: Salambo, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], pc set (0, 2, 3, 4, 6, 8)
  514. Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  515. Messiaen, Olivier: Mode de valeurs et d’intensités, Series 1, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], pc set (0, 1, 2, 3, 6, 7)
  516. Mittendorfer, Josef: aleatoric row, [0, 2, 7, 1, 8, 6, 10, 5, 4, 11, 3, 9], pc set (0, 1, 2, 6, 7, 8)
  517. Moevs, Robert: Musica da Camera, [0, 1, 11, 3, 4, 2, 9, 10, 8, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  518. Morris, Robert: By Far, [0, 1, 4, 11, 3, 2, 6, 7, 5, 10, 8, 9], pc set (0, 1, 2, 3, 4, 5)
  519. Morris, Robert: Canonic Variations, [0, 3, 11, 1, 4, 8, 5, 6, 9, 10, 2, 7], pc set (0, 1, 3, 4, 5, 8)
  520. Morris, Robert: Clash, [0, 3, 11, 10, 8, 1, 7, 9, 2, 6, 4, 5], pc set (0, 2, 3, 4, 5, 7)
  521. Morris, Robert: Concerto for Piano and Strings, [0, 1, 6, 11, 7, 5, 10, 8, 4, 3, 2, 9], pc set (0, 1, 2, 6, 7, 8)
  522. Morris, Robert: Cuts, [0, 10, 11, 7, 3, 8, 6, 9, 4, 5, 1, 2], pc set (0, 1, 3, 4, 5, 8)
  523. Morris, Robert: Entanglements, [0, 3, 10, 5, 11, 6, 1, 7, 9, 2, 8, 4], pc set (0, 1, 2, 5, 7, 8)
  524. Morris, Robert: Exchanges, [0, 4, 3, 1, 9, 5, 8, 6, 2, 10, 11, 7], pc set (0, 1, 2, 4, 5, 8)
  525. Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
  526. Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
  527. Morris, Robert: Pari Passu, row 1, [0, 6, 10, 11, 2, 3, 9, 1, 7, 8, 4, 5], pc set (0, 1, 2, 4, 5, 8)
  528. Morris, Robert: Refrains, [0, 3, 4, 2, 6, 10, 1, 8, 11, 7, 5, 9], pc set (0, 2, 3, 4, 6, 8)
  529. Morris, Robert: Roundelay, row 1, [0, 7, 4, 11, 9, 2, 6, 3, 10, 5, 8, 1], pc set (0, 2, 4, 5, 7, 9)
  530. Morris, Robert: Roundelay, row 2, [0, 5, 9, 7, 8, 10, 4, 11, 1, 6, 2, 3], pc set (0, 2, 3, 4, 5, 7)
  531. Morris, Robert: Roundelay, row 3, [0, 10, 9, 3, 4, 6, 8, 11, 2, 7, 1, 5], pc set (0, 1, 3, 6, 7, 9)
  532. Morris, Robert: Roundelay, row 4, [0, 3, 11, 10, 7, 2, 6, 9, 5, 4, 1, 8], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-8-11-9-7-4-
  533. Morris, Robert: Roundelay, row 5, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  534. Morris, Robert: Roundelay, row 6, [0, 10, 5, 11, 4, 6, 8, 7, 2, 3, 9, 1], pc set (0, 1, 2, 6, 7, 8)
  535. Morris, Robert: Something New, [0, 9, 4, 8, 11, 7, 3, 6, 10, 5, 2, 1], pc set (0, 1, 3, 4, 5, 8)
  536. Morris, Robert: Strange Flowers, Occasional Storms, [0, 1, 8, 3, 5, 4, 10, 6, 9, 7, 11, 2], pc set (0, 1, 3, 4, 5, 8)
  537. Morris, Robert: Terrane, [0, 11, 1, 3, 2, 5, 6, 4, 9, 7, 8, 10], pc set (0, 1, 2, 3, 4, 6)
  538. Morris, Robert: Three Musicians, [0, 9, 7, 6, 8, 1, 11, 2, 4, 5, 3, 10], pc set (0, 1, 2, 3, 6, 7)
  539. Morris, Robert: Tournament for 12 trombones, [0, 7, 6, 4, 11, 8, 5, 9, 1, 3, 2, 10], pc set (0, 1, 4, 5, 6, 8)
  540. Morris, Robert: Tête‐à‐Tête, [0, 3, 11, 10, 1, 8, 2, 6, 9, 5, 4, 7], pc set (0, 2, 3, 4, 5, 7)
  541. Morris, Robert: …gradually…, [0, 1, 8, 3, 5, 4, 6, 7, 9, 11, 2, 10], pc set (0, 1, 3, 4, 5, 8)
  542. Nichols, Jeff: …its darkening opposite, or Set Portrait in a Convex Mirror, [0, 4, 8, 7, 11, 2, 3, 6, 1, 9, 10, 5], pc set (0, 1, 3, 5, 8, 9)
  543. Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  544. Nono, Luigi: Composizione per orchestra, No.1, [0, 1, 7, 6, 2, 8, 4, 3, 5, 10, 11, 9], pc set (0, 1, 2, 6, 7, 8)
  545. Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  546. Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  547. Nono, Luigi: Incontri, [0, 2, 3, 8, 9, 6, 4, 5, 7, 11, 1, 10], pc set (0, 1, 3, 6, 7, 9)
  548. Nono, Luigi: Intolleranza, Soprano 1, [0, 3, 4, 7, 8, 5, 6, 9, 10, 1, 2, 11], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-1-3-1-9-1-
  549. Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  550. Nono, Luigi: La terra e la compagna (sketch), Series 2, [0, 6, 1, 7, 11, 5, 2, 8, 10, 4, 3, 9], pc set (0, 1, 2, 6, 7, 8)
  551. Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 1, 3, 4, 6, 9)
  552. Nono, Luigi: La terra e la compagna (sketch), Series 5, [0, 7, 2, 4, 9, 10, 5, 1, 6, 11, 8, 3], pc set (0, 2, 3, 5, 7, 9)
  553. Nono, Luigi: La terra e la compagna (sketch), Series 7, [0, 5, 3, 10, 7, 1, 8, 9, 2, 6, 11, 4], pc set (0, 2, 3, 5, 7, 9)
  554. Nono, Luigi: La terra e la compagna (sketch), Series 8, [0, 4, 5, 11, 3, 6, 10, 2, 7, 9, 1, 8], pc set (0, 1, 2, 3, 6, 7)
  555. Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4, 5, 8, 9)
  556. Papaioannou, Yannis: Songs of the Lake, No.1, [0, 8, 5, 7, 6, 11, 2, 10, 1, 3, 9, 4], pc set (0, 1, 2, 3, 6, 7)
  557. Papaioannou, Yannis: Songs of the Lake, No.2, [0, 7, 4, 6, 5, 1, 9, 2, 8, 10, 3, 11], pc set (0, 1, 2, 3, 6, 7)
  558. Papaioannou, Yannis: Songs of the Lake, No.4, [0, 5, 11, 9, 6, 10, 7, 2, 3, 1, 4, 8], pc set (0, 1, 2, 3, 6, 7)
  559. Papaioannou, Yannis: Suite, “XP”, [0, 4, 2, 1, 6, 8, 3, 9, 7, 10, 5, 11], pc set (0, 1, 2, 4, 6, 8)
  560. Papaioannou, Yannis: Suite, “YP”, [0, 10, 9, 8, 1, 4, 5, 7, 3, 6, 2, 11], pc set (0, 1, 2, 4, 5, 8)
  561. Pentland, Barbara: String Quartet, No.3, [0, 11, 3, 6, 5, 9, 10, 8, 1, 2, 7, 4], pc set (0, 1, 3, 6, 7, 9)
  562. Perle, George: First string quartet, [0, 1, 3, 6, 10, 9, 8, 7, 4, 5, 11, 2], pc set (0, 1, 3, 4, 6, 9)
  563. Pousseur, Henri: Trois Chants Sacrés, [0, 10, 11, 4, 1, 5, 9, 6, 3, 7, 2, 8], pc set (0, 1, 2, 3, 6, 7)
  564. Preßl, Hermann Markus: ‘A 5’ für Bassklarinette, Vibraphon und drei Bratschen, [0, 6, 5, 8, 10, 7, 3, 2, 4, 9, 1, 11], pc set (0, 1, 2, 3, 5, 7)
  565. Preßl, Hermann Markus: Finstersonnen, [0, 3, 9, 6, 11, 5, 1, 2, 7, 8, 10, 4], pc set (0, 1, 3, 6, 7, 9)
  566. Preßl, Hermann Markus: N. N. 50; ‘Die Zeremonie des Abschieds’, [0, 9, 4, 2, 7, 5, 8, 1, 6, 3, 11, 10], pc set (0, 2, 4, 5, 7, 9)
  567. Preßl, Herrmann Markus: Fier Fafeln für Fier Fiolen, [0, 7, 8, 11, 9, 4, 6, 10, 1, 5, 3, 2], pc set (0, 1, 3, 4, 5, 8)
  568. Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1, 2, 3, 4, 5)
  569. Pärt, Arvo: Perpetuum Mobile, [0, 11, 10, 5, 6, 9, 7, 1, 2, 8, 3, 4], pc set (0, 1, 2, 3, 6, 7)
  570. Pärt, Arvo: Symphony, No.1, [0, 1, 2, 7, 6, 3, 5, 11, 10, 4, 9, 8], pc set (0, 1, 2, 3, 6, 7)
  571. Reynolds, Roger: Ambages, [0, 1, 4, 5, 7, 6, 8, 9, 10, 11, 2, 3], pc set (0, 1, 2, 3, 6, 7)
  572. Riegebauer, Sigrid: Toccata, [0, 3, 1, 2, 11, 10, 4, 5, 8, 7, 9, 6], pc set (0, 1, 2, 3, 4, 5)
  573. Rochberg, George: Sonata-Fantasia, [0, 11, 10, 4, 5, 6, 9, 8, 7, 1, 2, 3], pc set (0, 1, 2, 6, 7, 8), self-rotational interval pattern 11-11-6-1-1-3-
  574. Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1, 2, 3, 6, 7)
  575. Rochberg, George: Symphony, No.2, [0, 8, 1, 4, 9, 5, 6, 2, 3, 10, 11, 7], pc set (0, 1, 4, 5, 8, 9)
  576. Sande, Henrik: ‘Volkslied’ für zwei Singstimmen und Klavier. 24. 12. 2015, [0, 2, 4, 5, 7, 9, 10, 8, 6, 3, 1, 11], pc set (0, 2, 4, 5, 7, 9)
  577. Santoro, Claudio: Peças para Piano, [0, 11, 4, 5, 1, 9, 2, 3, 7, 8, 6, 10], pc set (0, 1, 4, 5, 6, 8)
  578. Santoro, Claudio: Preludes 18-20, [0, 9, 1, 3, 2, 8, 10, 4, 6, 5, 7, 11], pc set (0, 1, 2, 3, 6, 7)
  579. Santoro, Claudio: Six Piano Pieces, [0, 10, 4, 1, 11, 2, 5, 6, 3, 9, 7, 8], pc set (0, 1, 2, 3, 4, 6)
  580. Santoro, Claudio: Sonata, No.1, [0, 10, 3, 8, 11, 1, 2, 9, 7, 4, 5, 6], pc set (0, 2, 3, 4, 5, 7)
  581. Schnittke, Alfred: Concerto, No.2 for Violin and Chamber Orchestra, [0, 11, 1, 2, 10, 3, 4, 9, 5, 6, 8, 7], pc set (0, 1, 2, 3, 4, 5)
  582. Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1, 2, 3, 6, 7)
  583. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1, 2, 3, 4, 5)
  584. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 7, [0, 3, 11, 9, 10, 1, 4, 2, 7, 8, 5, 6], pc set (0, 1, 2, 3, 4, 6)
  585. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 8, [0, 11, 7, 9, 10, 8, 6, 5, 3, 4, 1, 2], pc set (0, 1, 2, 3, 4, 5)
  586. Schnittke, Alfred: Concerto Grosso, No.3, monogram 1, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], pc set (0, 1, 3, 5, 8, 9)
  587. Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  588. Schnittke, Alfred: Concerto Grosso, No.3, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], pc set (0, 1, 3, 5, 8, 9)
  589. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 1, [0, 3, 6, 10, 2, 11, 8, 5, 9, 1, 4, 7], pc set (0, 1, 2, 4, 5, 8)
  590. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 2, [0, 3, 7, 10, 2, 11, 6, 9, 1, 4, 8, 5], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-4-3-4-9-7-
  591. Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, [0, 2, 3, 1, 4, 5, 11, 10, 7, 9, 8, 6], pc set (0, 1, 2, 3, 4, 5)
  592. Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6], pc set (0, 1, 2, 3, 4, 5)
  593. Schnittke, Alfred: String Quartet, No.4, [0, 11, 10, 1, 3, 2, 4, 9, 8, 6, 5, 7], pc set (0, 1, 2, 3, 4, 5)
  594. Schnittke, Alfred: String Quartet, No.4, mvt 2, m.40, [0, 5, 10, 3, 2, 7, 8, 1, 6, 11, 4, 9], pc set (0, 2, 4, 5, 7, 9)
  595. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.122, [0, 1, 11, 2, 10, 3, 4, 9, 8, 7, 6, 5], pc set (0, 1, 2, 3, 4, 5)
  596. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-10-1-10-11-11-
  597. Schnittke, Alfred: Symphony, No.7, mvt 3, row X, [0, 1, 10, 11, 2, 3, 9, 4, 5, 8, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  598. Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2, 3, 4, 5)
  599. Schnittke, Alfred: Viola Concerto, [0, 11, 5, 2, 1, 6, 3, 8, 7, 4, 10, 9], pc set (0, 1, 2, 3, 6, 7)
  600. Schnittke, Alfred: Violin Sonata 2, [0, 10, 11, 9, 6, 8, 7, 5, 4, 1, 2, 3], pc set (0, 1, 2, 3, 4, 6)
  601. Schoenberg, Arnold: A Survivor From Warsaw, Op.46, [0, 1, 6, 2, 10, 9, 5, 4, 11, 3, 7, 8], pc set (0, 1, 2, 4, 5, 8)
  602. Schoenberg, Arnold: A Survivor From Warsaw, Op.46 (alternative), [0, 1, 6, 2, 10, 9, 4, 7, 3, 8, 11, 5], pc set (0, 1, 2, 4, 5, 8)
  603. Schoenberg, Arnold: Accompaniment to a Film Scene, Op.34, [0, 3, 11, 1, 10, 9, 6, 8, 7, 5, 2, 4], pc set (0, 1, 2, 3, 4, 6)
  604. Schoenberg, Arnold: Fantasy for Piano Four Hands, II (fragment), [0, 3, 6, 1, 7, 8, 2, 5, 11, 4, 10, 9], pc set (0, 1, 2, 5, 7, 8)
  605. Schoenberg, Arnold: Fantasy for Piano Four Hands, I, [0, 4, 2, 5, 3, 7, 11, 10, 1, 8, 9, 6], pc set (0, 2, 3, 4, 5, 7)
  606. Schoenberg, Arnold: Fantasy for Violin and Piano, Op.47, [0, 11, 3, 1, 7, 9, 5, 6, 2, 4, 10, 8], pc set (0, 2, 3, 4, 6, 8)
  607. Schoenberg, Arnold: Five Piano Pieces, Op.23, No.5, [0, 8, 10, 6, 7, 5, 9, 1, 3, 2, 11, 4], pc set (0, 1, 2, 3, 5, 7)
  608. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.1, Op.27, No.1, [0, 11, 8, 2, 1, 7, 9, 10, 4, 3, 5, 6], pc set (0, 1, 2, 3, 6, 7)
  609. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.2, Op.27, No.2, [0, 11, 4, 10, 2, 8, 3, 7, 6, 5, 9, 1], pc set (0, 2, 3, 4, 6, 8)
  610. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.3, Op.27, No.3, [0, 11, 7, 9, 10, 8, 4, 5, 1, 3, 2, 6], pc set (0, 1, 2, 3, 4, 5)
  611. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.4, Op.27, No.4, [0, 2, 9, 5, 7, 3, 10, 11, 1, 8, 4, 6], pc set (0, 2, 3, 5, 7, 9)
  612. Schoenberg, Arnold: Modern Psalms, The First Psalm, Op.50c, [0, 11, 8, 4, 7, 3, 1, 5, 2, 6, 9, 10], pc set (0, 1, 4, 5, 8, 9)
  613. Schoenberg, Arnold: Moses und Aron, [0, 1, 7, 5, 6, 4, 10, 8, 9, 11, 2, 3], pc set (0, 1, 2, 3, 6, 7)
  614. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 11-4-1-4-11-7-
  615. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4, 5, 8, 9)
  616. Schoenberg, Arnold: Piano Concerto, Op.42, [0, 7, 11, 2, 1, 9, 3, 5, 10, 6, 8, 4], pc set (0, 1, 2, 3, 5, 7)
  617. Schoenberg, Arnold: Prelude To A Suite From “Genesis”, Op.44, [0, 8, 4, 7, 6, 2, 1, 10, 3, 5, 11, 9], pc set (0, 1, 2, 4, 6, 8)
  618. Schoenberg, Arnold: Psalm 130, De Profundis (unfinished), Op.50B, [0, 6, 5, 1, 11, 7, 4, 8, 9, 3, 2, 10], pc set (0, 1, 2, 6, 7, 8)
  619. Schoenberg, Arnold: Serenade, mvt 4, “Sonett”, Op.24, [0, 10, 11, 7, 8, 9, 4, 2, 5, 1, 3, 6], pc set (0, 1, 2, 3, 4, 5)
  620. Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5], pc set (0, 1, 3, 6, 7, 9)
  621. Schoenberg, Arnold: Six Pieces for Male Chorus, No.1, Op.35, [0, 9, 1, 3, 2, 11, 6, 8, 7, 4, 10, 5], pc set (0, 1, 2, 3, 4, 6)
  622. Schoenberg, Arnold: Six Pieces for Male Chorus, No.2, Op.35, [0, 3, 1, 7, 6, 8, 11, 5, 4, 9, 10, 2], pc set (0, 1, 2, 5, 7, 8)
  623. Schoenberg, Arnold: Six Pieces for Male Chorus, No.5, Op.35, [0, 6, 9, 1, 2, 10, 7, 3, 11, 5, 4, 8], pc set (0, 1, 2, 4, 5, 8)
  624. Schoenberg, Arnold: Sonata For Organ, [0, 6, 10, 2, 8, 1, 7, 5, 9, 4, 11, 3], pc set (0, 1, 2, 4, 6, 8)
  625. Schoenberg, Arnold: String Quartet, No.4, Op.37, [0, 11, 7, 8, 3, 1, 2, 10, 6, 5, 4, 9], pc set (0, 1, 4, 5, 6, 8)
  626. Schoenberg, Arnold: String Trio, Op.45, [0, 8, 1, 7, 2, 11, 9, 6, 4, 5, 3, 10], pc set (0, 1, 2, 3, 6, 7)
  627. Schoenberg, Arnold: Suite, Op.29, [0, 4, 3, 7, 11, 8, 9, 6, 5, 1, 2, 10], pc set (0, 1, 4, 5, 8, 9)
  628. Schoenberg, Arnold: Suite for Piano, Op.25, [0, 1, 3, 9, 2, 11, 4, 10, 7, 8, 5, 6], pc set (0, 1, 2, 3, 4, 6)
  629. Schoenberg, Arnold: Three Satires for Mixed Chorus, No.3, Op.28, No.3, [0, 1, 11, 3, 9, 5, 2, 4, 10, 6, 8, 7], pc set (0, 2, 3, 4, 6, 8)
  630. Schoenberg, Arnold: Three Songs, No.2, “Tot”, Op.48, [0, 1, 7, 11, 8, 2, 6, 5, 10, 9, 3, 4], pc set (0, 1, 2, 3, 6, 7)
  631. Schoenberg, Arnold: Three Songs, No.3, “Madchenlied”, Op.48, [0, 6, 8, 10, 2, 4, 9, 5, 3, 11, 7, 1], pc set (0, 2, 4, 6, 8, 10)
  632. Schoenberg, Arnold: Three Times a Thousand Years, Op.50a, [0, 2, 11, 9, 10, 4, 3, 7, 5, 6, 8, 1], pc set (0, 1, 2, 3, 5, 7)
  633. Schoenberg, Arnold: Two Piano Pieces, No.1, Op.33a, [0, 7, 2, 1, 11, 8, 3, 5, 9, 10, 4, 6], pc set (0, 1, 2, 3, 6, 7)
  634. Schoenberg, Arnold: Two Piano Pieces, No.2, Op.33b, [0, 2, 6, 4, 10, 9, 7, 11, 8, 5, 1, 3], pc set (0, 1, 3, 5, 7, 9)
  635. Schoenberg, Arnold: Variations for Orchestra, Op.31, [0, 6, 8, 5, 7, 11, 4, 3, 9, 10, 1, 2], pc set (0, 1, 2, 3, 6, 7)
  636. Schoenberg, Arnold: Violin Concerto, Op.36, [0, 1, 6, 2, 7, 9, 3, 4, 10, 11, 5, 8], pc set (0, 1, 2, 5, 7, 8)
  637. Schoenberg, Arnold: Violin Phantasy, Op.47, [0, 11, 3, 1, 7, 9, 6, 2, 10, 5, 8, 4], pc set (0, 2, 3, 4, 6, 8)
  638. Schoenberg, Arnold: Von Heute Auf Morgen, Op.32, [0, 1, 7, 11, 9, 3, 6, 5, 2, 10, 8, 4], pc set (0, 2, 3, 4, 6, 8)
  639. Schoenberg, Arnold: Wind Quintet, Op.26, [0, 4, 6, 8, 10, 9, 7, 11, 1, 3, 5, 2], pc set (0, 2, 3, 4, 6, 8)
  640. Schuller, Gunther: Transformation, [0, 2, 4, 3, 8, 11, 9, 6, 5, 10, 7, 1], pc set (0, 1, 2, 4, 5, 8)
  641. Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 11-9-11-9-11-11-
  642. Schwantner, Joseph: Elixir (Consortium VIII), [0, 8, 4, 3, 7, 11, 10, 6, 9, 5, 1, 2], pc set (0, 1, 4, 5, 8, 9)
  643. Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 1-3-1-3-1-9-
  644. Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 2, 3, 4, 5)
  645. Schwantner, Joseph: In Aeternum (Principal Row), [0, 4, 11, 6, 10, 5, 1, 9, 2, 7, 3, 8], pc set (0, 1, 2, 6, 7, 8)
  646. Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 1, 2, 6, 7, 8)
  647. Schwantner, Joseph: Modus Caelestis (m. 39), [0, 6, 11, 10, 5, 9, 4, 8, 3, 2, 7, 1], pc set (0, 1, 2, 3, 6, 7)
  648. Schwantner, Joseph: Wild Angels of the Open Hills, 2, “Angels of the Shadowed Ancient Land,” m. 21, [0, 8, 9, 11, 3, 7, 6, 5, 2, 4, 10, 1], pc set (0, 1, 2, 4, 5, 8)
  649. Searle, Humphrey: Toccata alla Passacaglia, Op.31, [0, 5, 6, 1, 10, 7, 9, 8, 3, 2, 4, 11], pc set (0, 1, 2, 5, 7, 8)
  650. Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1, 2, 3, 6, 7)
  651. Seiber, Mátyás: Sonata for Violin and Piano, [0, 1, 11, 10, 7, 6, 8, 9, 4, 3, 5, 2], pc set (0, 1, 2, 3, 6, 7)
  652. Seiber, Mátyás: String Quartet, No.2, [0, 2, 3, 1, 4, 11, 5, 10, 7, 9, 8, 6], pc set (0, 1, 2, 3, 4, 5)
  653. Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4, 5, 8, 9)
  654. Sengstschmid, Johann: Meditation für Orgel, Op.43a, [0, 6, 3, 1, 10, 8, 5, 2, 11, 9, 7, 4], pc set (0, 2, 3, 5, 7, 9)
  655. Sessions, Roger: Piano Sonata, No.3, mvt 2, [0, 1, 5, 4, 8, 2, 11, 10, 6, 7, 3, 9], pc set (0, 1, 2, 4, 5, 8)
  656. Sessions, Roger: When Lilacs Last in the Dooryard Bloom’d, [0, 2, 4, 10, 5, 8, 9, 1, 11, 7, 6, 3], pc set (0, 1, 3, 5, 7, 9)
  657. Shapey, Ralph: String Quartet, No.9, [0, 8, 9, 3, 5, 1, 2, 6, 4, 10, 11, 7], pc set (0, 1, 3, 5, 8, 9)
  658. Shostakovich, Dmitri: Symphony, No.14, mov. I, [0, 11, 9, 4, 3, 10, 8, 7, 5, 6, 1, 2], pc set (0, 1, 2, 3, 6, 7)
  659. Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 4-4-3-4-4-11-
  660. Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 2, 4, 5, 7, 9)
  661. Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 2, 4, 5, 7, 9)
  662. Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 1, 2, 5, 7, 8)
  663. Slonimsky, Nicholas: No. 1223a Sixths (Twelve-Tone Patterns), [0, 8, 4, 1, 5, 9, 6, 2, 10, 7, 11, 3], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 8-8-9-4-4-9-
  664. Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 1, 3, 4, 6, 9)
  665. Slonimsky, Nicholas: No. 1225a Sixths (Twelve-Tone Patterns), [0, 8, 4, 7, 11, 3, 6, 2, 10, 1, 5, 9], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 8-8-3-4-4-3-
  666. Slonimsky, Nicholas: No. 1226a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 8, 2, 4, 6, 1, 11, 9, 3, 5, 7], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 10-10-6-2-2-7-
  667. Slonimsky, Nicholas: No. 1227a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 4, 2, 8, 6, 1, 11, 9, 7, 5, 3], pc set (0, 2, 4, 6, 8, 10)
  668. Slonimsky, Nicholas: No. 1228a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 2, 4, 8, 6, 11, 1, 5, 3, 7, 9], pc set (0, 2, 4, 6, 8, 10)
  669. Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  670. Slonimsky, Nicholas: No. 1230a Major Sevenths (Twelve-Tone Patterns), [0, 11, 3, 4, 8, 7, 1, 2, 6, 5, 9, 10], pc set (0, 1, 4, 5, 8, 9)
  671. Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 4, 5, 8, 9)
  672. Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  673. Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  674. Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  675. Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  676. Slonimsky, Nicholas: No. 1236a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 6, 8, 3, 1, 10], pc set (0, 2, 4, 5, 7, 9)
  677. Slonimsky, Nicholas: No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-10-10-7-2-2-
  678. Slonimsky, Nicholas: No. 1238a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 9, 7, 5, 3, 2, 4, 6, 8, 1, 10, 11], pc set (0, 2, 3, 5, 7, 9)
  679. Slonimsky, Nicholas: No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-3-7-7-3-11-
  680. Slonimsky, Nicholas: No. 1240a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 3, 6, 8, 1, 10], pc set (0, 2, 4, 5, 7, 9)
  681. Slonimsky, Nicholas: No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 9, 6, 3, 11, 5, 2, 8, 7, 10, 1, 4], pc set (0, 1, 3, 6, 7, 9)
  682. Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 1, 4, 5, 8, 9)
  683. Slonimsky, Nicholas: No. 1244a Crossing Sixths (Crossing Intervals), [0, 3, 8, 7, 4, 11, 1, 2, 10, 5, 6, 9], pc set (0, 1, 4, 5, 8, 9)
  684. Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6], pc set (0, 2, 4, 5, 7, 9)
  685. Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], pc set (0, 2, 4, 5, 7, 9)
  686. Slonimsky, Nicholas: No. 1247a Crossing Thirds (Crossing Intervals), [0, 3, 4, 11, 7, 8, 10, 5, 2, 1, 6, 9], pc set (0, 1, 4, 5, 8, 9)
  687. Slonimsky, Nicholas: No. 1248a Crossing Thirds (Crossing Intervals), [0, 5, 4, 1, 8, 9, 11, 6, 3, 2, 7, 10], pc set (0, 1, 4, 5, 8, 9)
  688. Slonimsky, Nicholas: No. 1250a Crossing Seconds (Crossing Intervals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-3-7-7-3-11-
  689. Slonimsky, Nicholas: No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 2, 6, 8, 11, 4], pc set (0, 2, 3, 5, 7, 9)
  690. Slonimsky, Nicholas: No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 10, 6, 2, 11, 7, 4, 1, 9], pc set (0, 2, 3, 5, 7, 9)
  691. Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1], pc set (0, 2, 3, 5, 7, 9)
  692. Slonimsky, Nicholas: No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 10, 6, 4, 11, 7, 5, 2, 9], pc set (0, 2, 3, 5, 7, 9)
  693. Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3], pc set (0, 1, 3, 6, 7, 9)
  694. Slonimsky, Nicholas: No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 9, 6, 5, 1, 10, 7, 4, 11], pc set (0, 1, 3, 6, 7, 9)
  695. Slonimsky, Nicholas: No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 11, 4, 6, 9, 1], pc set (0, 2, 4, 5, 7, 9)
  696. Slonimsky, Nicholas: No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 2, 11, 7, 5, 1, 8, 6, 3, 10], pc set (0, 2, 4, 5, 7, 9)
  697. Slonimsky, Nicholas: No. 1257a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 1, 6, 9, 2, 5], pc set (0, 1, 4, 5, 8, 9)
  698. Slonimsky, Nicholas: No. 1257b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 5, 2, 10, 6, 1, 9], pc set (0, 1, 4, 5, 8, 9)
  699. Slonimsky, Nicholas: No. 1258a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 5, 8, 11, 4], pc set (0, 1, 3, 5, 8, 9)
  700. Slonimsky, Nicholas: No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 2, 10, 6, 4, 1, 9], pc set (0, 1, 3, 5, 8, 9)
  701. Slonimsky, Nicholas: No. 1259a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 1, 5, 7, 10, 3], pc set (0, 1, 3, 5, 7, 9)
  702. Slonimsky, Nicholas: No. 1259b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 7, 5, 1, 9, 6, 3, 11], pc set (0, 1, 3, 5, 7, 9)
  703. Slonimsky, Nicholas: No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 1, 5, 8, 11, 3], pc set (0, 1, 3, 5, 7, 9)
  704. Slonimsky, Nicholas: No. 1260b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 10, 6, 5, 1, 9, 7, 4, 11], pc set (0, 1, 3, 5, 7, 9)
  705. Slonimsky, Nicholas: No. 1263a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 4, 8, 11, 5], pc set (0, 1, 3, 5, 8, 9)
  706. Slonimsky, Nicholas: No. 1263b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 6, 2, 9, 4, 1, 10], pc set (0, 1, 3, 5, 8, 9)
  707. Slonimsky, Nicholas: No. 1265b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 1, 10, 6, 4, 11, 7, 5, 2, 8], pc set (0, 1, 3, 4, 6, 9)
  708. Slonimsky, Nicholas: No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], pc set (0, 1, 3, 4, 6, 9)
  709. Slonimsky, Nicholas: No. 1267a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 11, 5, 6, 9, 2], pc set (0, 1, 3, 4, 6, 9)
  710. Slonimsky, Nicholas: No. 1267b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 1, 10, 7, 5, 2, 8, 6, 3, 11], pc set (0, 1, 3, 4, 6, 9)
  711. Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 4-4-2-4-4-1-
  712. Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 8-8-10-8-8-9-
  713. Slonimsky, Nicholas: No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 6, 2, 11, 8, 4], pc set (0, 2, 3, 5, 7, 9)
  714. Slonimsky, Nicholas: No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 1, 2, 6, 9, 8, 4, 11], pc set (0, 2, 3, 5, 7, 9)
  715. Slonimsky, Nicholas: No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 9, 6, 1, 11, 8, 3], pc set (0, 2, 3, 5, 7, 9)
  716. Slonimsky, Nicholas: No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 2, 1, 6, 9, 8, 3, 11], pc set (0, 2, 3, 5, 7, 9)
  717. Slonimsky, Nicholas: No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 5, 2, 11, 8, 3], pc set (0, 1, 3, 6, 7, 9)
  718. Slonimsky, Nicholas: No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 1, 2, 5, 9, 8, 3, 11], pc set (0, 1, 3, 6, 7, 9)
  719. Slonimsky, Nicholas: No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 4, 11, 9, 6, 1], pc set (0, 2, 4, 5, 7, 9)
  720. Slonimsky, Nicholas: No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 2, 4, 8, 11, 9, 6, 1], pc set (0, 2, 4, 5, 7, 9)
  721. Slonimsky, Nicholas: No. 1278a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 1, 9, 5, 2], pc set (0, 1, 4, 5, 8, 9)
  722. Slonimsky, Nicholas: No. 1278b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 6, 10, 1, 9, 5, 2], pc set (0, 1, 4, 5, 8, 9)
  723. Slonimsky, Nicholas: No. 1279a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 5, 1, 11, 8, 4], pc set (0, 1, 3, 5, 8, 9)
  724. Slonimsky, Nicholas: No. 1279b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 5, 9, 8, 4, 11], pc set (0, 1, 3, 5, 8, 9)
  725. Slonimsky, Nicholas: No. 1280a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 5, 1, 10, 7, 3], pc set (0, 1, 3, 5, 7, 9)
  726. Slonimsky, Nicholas: No. 1280b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 6, 2, 5, 9, 1, 10, 7, 3], pc set (0, 1, 3, 5, 7, 9)
  727. Slonimsky, Nicholas: No. 1281a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 5, 1, 11, 8, 3], pc set (0, 1, 3, 5, 7, 9)
  728. Slonimsky, Nicholas: No. 1281b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 2, 1, 5, 9, 8, 3, 11], pc set (0, 1, 3, 5, 7, 9)
  729. Slonimsky, Nicholas: No. 1284a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 4, 1, 11, 8, 5], pc set (0, 1, 3, 5, 8, 9)
  730. Slonimsky, Nicholas: No. 1284b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 4, 9, 8, 5, 11], pc set (0, 1, 3, 5, 8, 9)
  731. Slonimsky, Nicholas: No. 1286a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 2, 10, 8, 5, 11], pc set (0, 1, 3, 4, 6, 9)
  732. Slonimsky, Nicholas: No. 1286b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 4, 1, 10, 2, 7, 8, 5, 11], pc set (0, 1, 3, 4, 6, 9)
  733. Slonimsky, Nicholas: No. 1287a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 4, 11, 10, 7, 1], pc set (0, 1, 3, 4, 6, 9)
  734. Slonimsky, Nicholas: No. 1287b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 5, 2, 11, 4, 8, 7, 1, 10], pc set (0, 1, 3, 4, 6, 9)
  735. Slonimsky, Nicholas: No. 1288a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 5, 11, 9, 6, 2], pc set (0, 1, 3, 4, 6, 9)
  736. Slonimsky, Nicholas: No. 1288b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 4, 1, 11, 5, 8, 6, 2, 9], pc set (0, 1, 3, 4, 6, 9)
  737. Slonimsky, Nicholas: No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 2, 10, 7, 3, 11], pc set (0, 1, 4, 5, 8, 9)
  738. Slonimsky, Nicholas: No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 5, 1, 10, 2, 6, 7, 3, 11], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 4-4-1-8-8-9-
  739. Slonimsky, Nicholas: No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 3, 11, 9, 5, 1], pc set (0, 2, 4, 6, 8, 10)
  740. Slonimsky, Nicholas: No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 6, 2, 11, 3, 7, 9, 5, 1], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 4-4-2-8-8-9-
  741. Slonimsky, Nicholas: No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 2, 1, 9, 5], pc set (0, 1, 4, 5, 8, 9)
  742. Slonimsky, Nicholas: No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 2, 6, 10, 9, 5, 1], pc set (0, 1, 4, 5, 8, 9)
  743. Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-1-2-2-9-
  744. Slonimsky, Nicholas: No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 1, 11, 10, 8, 6, 9, 7, 5, 4, 2], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 3-10-10-11-10-10-
  745. Slonimsky, Nicholas: No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 4, 7, 5, 2, 6, 3, 10, 1, 11, 8], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 9-7-3-10-9-4-
  746. Slonimsky, Nicholas: No. 1294b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 8, 11, 1, 10, 3, 6, 2, 5, 7, 4, 9], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 8-3-2-9-5-3-
  747. Slonimsky, Nicholas: No. 1295a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 5, 4, 3, 1, 6, 8, 11, 10, 9, 7], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 2-3-11-11-10-5-
  748. Slonimsky, Nicholas: No. 1295b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 9, 10, 11, 8, 6, 1, 3, 4, 5, 2], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 7-2-1-1-9-10-
  749. Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 7-1-7-1-7-7-
  750. Slonimsky, Nicholas: No. 1296b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 5, 10, 9, 2, 1, 6, 11, 4, 3, 8, 7], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 5-5-11-5-11-5-
  751. Slonimsky, Nicholas: No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-10-10-7-2-2-
  752. Slonimsky, Nicholas: No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 10, 8, 1, 3, 5, 6, 4, 2, 7, 9, 11], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 10-10-5-2-2-1-
  753. Slonimsky, Nicholas: No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-2-9-4-7-9-
  754. Slonimsky, Nicholas: No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-5-8-3-10-1-
  755. Slonimsky, Nicholas: No. 1299a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 2, 7, 4, 5, 6, 3, 8, 1, 10, 11], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 9-5-5-9-1-1-
  756. Slonimsky, Nicholas: No. 1299b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 10, 1, 8, 3, 6, 5, 4, 7, 2, 9], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 11-11-3-7-7-3-
  757. Slonimsky, Nicholas: No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-2-9-4-7-9-
  758. Slonimsky, Nicholas: No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-5-8-3-10-1-
  759. Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
  760. Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
  761. Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6], pc set (0, 2, 4, 5, 7, 9)
  762. Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6], pc set (0, 2, 4, 5, 7, 9)
  763. Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6], pc set (0, 1, 3, 4, 5, 8)
  764. Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6], pc set (0, 1, 3, 4, 5, 8)
  765. Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6], pc set (0, 1, 3, 4, 5, 8)
  766. Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6], pc set (0, 1, 3, 4, 5, 8)
  767. Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6], pc set (0, 1, 3, 4, 5, 8)
  768. Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], pc set (0, 1, 2, 3, 4, 5)
  769. Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6], pc set (0, 2, 4, 5, 7, 9)
  770. Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6], pc set (0, 2, 4, 5, 7, 9)
  771. Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6], pc set (0, 1, 3, 4, 5, 8)
  772. Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6], pc set (0, 2, 4, 5, 7, 9)
  773. Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6], pc set (0, 2, 4, 5, 7, 9)
  774. Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6], pc set (0, 2, 4, 5, 7, 9)
  775. Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
  776. Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
  777. Slonimsky, Nicholas: No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 5, 4, 3, 6, 7, 8, 11, 10, 9], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 1-1-3-11-11-3-
  778. Slonimsky, Nicholas: No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 7, 8, 9, 6, 5, 4, 1, 2, 3], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-11-9-1-1-9-
  779. Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1, 2, 3, 6, 7)
  780. Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  781. Slonimsky, Nicholas: No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], pc set (0, 1, 2, 3, 4, 6)
  782. Slonimsky, Nicholas: No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], pc set (0, 1, 2, 3, 4, 6)
  783. Slonimsky, Nicholas: No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts), [0, 10, 2, 8, 4, 6, 5, 3, 7, 1, 9, 11], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 10-4-6-8-2-11-
  784. Smith, Hale: Contours for Orchestra, [0, 5, 6, 4, 10, 11, 7, 2, 1, 3, 9, 8], pc set (0, 1, 2, 6, 7, 8)
  785. Spinner, Leopold: Chamber Symphony, Op.28, [0, 11, 10, 6, 4, 5, 2, 1, 3, 7, 8, 9], pc set (0, 1, 2, 6, 7, 8)
  786. Spinner, Leopold: Concert for Piano and Orchestra, Op.4, [0, 2, 1, 9, 11, 3, 4, 7, 5, 6, 10, 8], pc set (0, 1, 2, 3, 4, 6)
  787. Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11], pc set (0, 1, 2, 3, 4, 5)
  788. Spinner, Leopold: Fünf Lieder, Op.8, [0, 3, 4, 7, 8, 5, 11, 9, 10, 2, 6, 1], pc set (0, 1, 3, 4, 5, 8)
  789. Spinner, Leopold: Ich lieb’ eine Blume for Four-part mixed Choir, [0, 11, 2, 4, 9, 7, 1, 3, 10, 8, 5, 6], pc set (0, 2, 4, 5, 7, 9)
  790. Spinner, Leopold: Ouverture for Orchestra, Op.5, [0, 11, 2, 10, 8, 1, 7, 5, 6, 9, 3, 4], pc set (0, 1, 2, 3, 4, 6)
  791. Spinner, Leopold: Quintet, Op.14, [0, 6, 4, 2, 8, 5, 1, 9, 10, 11, 7, 3], pc set (0, 2, 3, 4, 6, 8)
  792. Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5], pc set (0, 1, 2, 3, 4, 6)
  793. Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 1, 2, 3, 4, 5)
  794. Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11], pc set (0, 1, 2, 3, 4, 6)
  795. Spinner, Leopold: Sonata for Violin and Piano, Op.1, [0, 7, 6, 1, 3, 8, 5, 10, 2, 9, 4, 11], pc set (0, 1, 2, 5, 7, 8)
  796. Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  797. Spinner, Leopold: Sonatina for Wind Instruments, Op.23, [0, 9, 1, 5, 4, 2, 8, 10, 11, 7, 3, 6], pc set (0, 1, 3, 4, 5, 8)
  798. Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4, 5, 8, 9)
  799. Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1, 2, 3, 6, 7)
  800. Spinner, Leopold: Trio for Clarinet, Cello and Piano, [0, 1, 7, 6, 5, 11, 10, 3, 4, 2, 9, 8], pc set (0, 1, 2, 6, 7, 8)
  801. Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3], pc set (0, 1, 3, 4, 6, 9)
  802. Spinner, Leopold: Variations for Violin and Piano, Op.19, [0, 8, 9, 1, 2, 4, 3, 5, 6, 10, 11, 7], pc set (0, 1, 4, 5, 6, 8)
  803. Spinner, Leopold: Zwei Lieder, Op.24, [0, 11, 1, 4, 3, 7, 5, 6, 9, 8, 10, 2], pc set (0, 1, 2, 4, 5, 8)
  804. Steinbauer, Othmar: Violinsonate, No.1, Op.15, [0, 5, 2, 10, 7, 3, 11, 8, 4, 1, 6, 9], pc set (0, 2, 4, 5, 7, 9)
  805. Stockhausen, Karlheinz: Choral, [0, 1, 10, 6, 8, 3, 5, 2, 4, 11, 9, 7], pc set (0, 2, 3, 5, 7, 9)
  806. Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
  807. Stockhausen, Karlheinz: Klavierstück IV row 3, [0, 7, 1, 10, 11, 9, 5, 8, 4, 3, 2, 6], pc set (0, 1, 2, 3, 4, 6)
  808. Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
  809. Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
  810. Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
  811. Stockhausen, Karlheinz: Kreuzspiel, [0, 10, 9, 11, 7, 2, 8, 1, 4, 6, 5, 3], pc set (0, 2, 3, 4, 5, 7)
  812. Stockhausen, Karlheinz: Licht, Eve formula, [0, 4, 3, 2, 5, 6, 10, 11, 9, 1, 7, 8], pc set (0, 1, 2, 3, 4, 6)
  813. Stockhausen, Karlheinz: Plus-Minus, [0, 1, 7, 9, 8, 6, 3, 10, 2, 5, 11, 4], pc set (0, 1, 2, 3, 6, 7)
  814. Stockhausen, Karlheinz: Tierkreis, Aries, [0, 3, 2, 9, 7, 8, 11, 6, 1, 5, 4, 10], pc set (0, 1, 2, 5, 7, 8)
  815. Stockhausen, Karlheinz: Tierkreis, Cancer, [0, 7, 11, 10, 9, 8, 3, 6, 4, 1, 5, 2], pc set (0, 1, 2, 3, 4, 5)
  816. Stockhausen, Karlheinz: Tierkreis, Sagittarius, [0, 6, 5, 2, 3, 4, 7, 8, 9, 10, 11, 1], pc set (0, 1, 2, 3, 4, 6)
  817. Stockhausen, Karlheinz: Tierkreis, Scorpio, [0, 4, 3, 11, 7, 8, 10, 9, 2, 5, 1, 6], pc set (0, 1, 4, 5, 8, 9)
  818. Stravinsky, Igor: A Sermon, a Narrative and a Prayer, [0, 1, 9, 11, 10, 7, 8, 3, 4, 6, 5, 2], pc set (0, 1, 2, 3, 4, 6)
  819. Stravinsky, Igor: Agon, “Pas de deux”, “Four trios”, [0, 1, 4, 3, 2, 5, 6, 9, 8, 11, 10, 7], pc set (0, 1, 2, 3, 4, 5)
  820. Stravinsky, Igor: Canticum Sacrum, II, [0, 11, 9, 6, 10, 8, 7, 5, 2, 4, 3, 1], pc set (0, 1, 2, 3, 4, 6)
  821. Stravinsky, Igor: Canticum Sacrum, II & IV, [0, 11, 1, 3, 4, 2, 7, 6, 9, 5, 8, 10], pc set (0, 1, 2, 3, 4, 5)
  822. Stravinsky, Igor: Elegy for J.F.K., [0, 6, 4, 2, 8, 9, 3, 1, 11, 10, 7, 5], pc set (0, 1, 3, 5, 7, 9)
  823. Stravinsky, Igor: Fanfare for a New Theater, [0, 11, 1, 3, 4, 2, 5, 7, 6, 8, 10, 9], pc set (0, 1, 2, 3, 4, 5)
  824. Stravinsky, Igor: Introitus “T. S. Eliot in Memoriam”, [0, 5, 6, 4, 8, 9, 3, 2, 1, 10, 11, 7], pc set (0, 1, 2, 4, 5, 8)
  825. Stravinsky, Igor: Movements, [0, 1, 7, 5, 6, 11, 9, 8, 10, 3, 4, 2], pc set (0, 1, 2, 6, 7, 8)
  826. Stravinsky, Igor: Requiem Canticles, 1st series, [0, 2, 10, 11, 1, 8, 6, 7, 9, 4, 3, 5], pc set (0, 1, 2, 3, 4, 6)
  827. Stravinsky, Igor: Variations “Aldous Huxley in Memoriam”, [0, 10, 7, 9, 2, 8, 6, 11, 1, 5, 4, 3], pc set (0, 1, 2, 3, 5, 7)
  828. Talma, Louise: Passacaglia and Fugue, [0, 4, 2, 9, 11, 7, 8, 3, 1, 6, 5, 10], pc set (0, 2, 4, 5, 7, 9)
  829. Talma, Louise: Piano Sonata 2, mvt 4, first row, [0, 4, 8, 2, 5, 10, 1, 11, 6, 9, 7, 3], pc set (0, 1, 3, 5, 7, 9)
  830. Talma, Louise: Six Etudes, Etude 1, [0, 3, 6, 8, 10, 2, 5, 7, 9, 1, 11, 4], pc set (0, 1, 3, 5, 7, 9)
  831. Talma, Louise: Six Etudes, Etude 4, [0, 1, 5, 9, 4, 8, 7, 6, 11, 2, 10, 3], pc set (0, 1, 4, 5, 8, 9)
  832. Talma, Louise: Six Etudes, Etude 5, [0, 4, 6, 11, 8, 3, 9, 1, 5, 7, 2, 10], pc set (0, 1, 3, 5, 8, 9)
  833. Talma, Louise: Six Etudes, Etude 6, [0, 8, 6, 9, 4, 5, 2, 1, 3, 10, 7, 11], pc set (0, 1, 2, 4, 5, 8)
  834. Talma, Louise: Three Bagatelles, Bagatelle 3, [0, 3, 4, 1, 5, 8, 10, 7, 2, 11, 6, 9], pc set (0, 1, 3, 4, 5, 8)
  835. Toufektsis, Orestis: MIKRO-ALLAXI (EpiEnteka II), für 15 Musiker, [0, 8, 3, 7, 2, 4, 10, 11, 1, 6, 9, 5], pc set (0, 1, 4, 5, 6, 8)
  836. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 1A, [0, 10, 9, 1, 4, 8, 7, 2, 5, 11, 3, 6], pc set (0, 1, 2, 4, 5, 8)
  837. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 3, [0, 10, 8, 4, 3, 6, 5, 11, 9, 1, 2, 7], pc set (0, 1, 3, 5, 7, 9)
  838. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 3, 6, 7, 9)
  839. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 7, [0, 2, 11, 8, 5, 3, 10, 9, 1, 7, 6, 4], pc set (0, 1, 3, 4, 6, 9)
  840. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 8, [0, 4, 3, 11, 6, 8, 2, 9, 10, 7, 1, 5], pc set (0, 1, 3, 5, 8, 9)
  841. Tranchell, Peter: Septet : [for] 2 violins, oboe, clarinet, horn, bassoon, cello : fifth dodecafonia, [0, 2, 1, 10, 3, 4, 11, 6, 5, 9, 8, 7], pc set (0, 1, 2, 3, 4, 6)
  842. Tranchell, Peter: Twice a Kiss sketch 1, [0, 9, 1, 2, 4, 8, 5, 7, 10, 6, 3, 11], pc set (0, 1, 4, 5, 6, 8)
  843. Tranchell, Peter: Twice a Kiss sketch 2, [0, 9, 1, 2, 4, 8, 3, 11, 5, 6, 7, 10], pc set (0, 1, 4, 5, 6, 8)
  844. Tranchell, Peter: Twice a Kiss sketch 3, [0, 1, 2, 4, 8, 9, 7, 5, 3, 6, 10, 11], pc set (0, 1, 4, 5, 6, 8)
  845. Urbanner, Erich: Adagio, [0, 3, 1, 11, 10, 9, 8, 7, 6, 4, 2, 5], pc set (0, 1, 2, 3, 4, 6)
  846. Volkonsky, Andrei: Musica Stricta, mvt 2, row A, [0, 6, 8, 9, 11, 10, 1, 7, 2, 3, 5, 4], pc set (0, 1, 2, 3, 4, 6)
  847. Volkonsky, Andrei: Musica Stricta, mvt 2, row D, [0, 4, 9, 2, 8, 10, 11, 1, 3, 7, 5, 6], pc set (0, 1, 2, 4, 6, 8)
  848. Volkonsky, Andrei: Musica Stricta, mvt 4, row G, [0, 6, 5, 4, 3, 2, 1, 11, 9, 10, 8, 7], pc set (0, 1, 2, 3, 4, 6)
  849. Volkonsky, Andrei: Musica Stricta, mvt 4, row H, [0, 6, 4, 9, 8, 2, 7, 1, 11, 5, 10, 3], pc set (0, 1, 3, 5, 7, 9)
  850. Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1], pc set (0, 2, 3, 4, 5, 7)
  851. Wang, Xi-Lin: A Dilapidated Tombstone, [0, 4, 6, 3, 2, 10, 11, 5, 8, 9, 7, 1], pc set (0, 2, 3, 4, 6, 8)
  852. Weber, Ben: Fantasia (Variations), Op.25, [0, 1, 5, 9, 10, 2, 6, 11, 7, 4, 3, 8], pc set (0, 1, 3, 4, 5, 8)
  853. Weber, Ben: Five Bagatelles for Piano, Op.2, mvt ii, [0, 1, 2, 9, 6, 7, 4, 8, 5, 11, 10, 3], pc set (0, 1, 2, 5, 7, 8)
  854. Weber, Ben: Humoreske, Op.49, [0, 2, 4, 5, 7, 10, 1, 11, 9, 8, 6, 3], pc set (0, 2, 3, 5, 7, 9)
  855. Webern, Anton: Op.32 (un-finished), initial sketch, [0, 1, 9, 11, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 2, 3, 4, 6)
  856. Webern, Anton: Op.32 (un-finished), later sketch, [0, 1, 2, 11, 10, 9, 5, 4, 3, 6, 7, 8], pc set (0, 1, 2, 3, 4, 5)
  857. Webern, Anton: 3 Lieder, “Erlösung”, Op.18, No.2, [0, 3, 11, 2, 10, 1, 9, 5, 8, 4, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  858. Webern, Anton: 3 Volkstexte, “Heiland, Unsere Missetaten…”, Op.17, No.3, [0, 9, 8, 7, 11, 10, 4, 5, 6, 3, 2, 1], pc set (0, 1, 2, 3, 4, 5)
  859. Webern, Anton: 3 Volkstexte, “Liebste Jungfrau”, Op.17, No.2, [0, 11, 10, 6, 7, 1, 2, 5, 4, 3, 8, 9], pc set (0, 1, 2, 3, 6, 7)
  860. Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5], pc set (0, 1, 2, 3, 4, 6)
  861. Webern, Anton: Concerto for Nine Instruments (Konzert), Op.24, [0, 11, 3, 4, 8, 7, 9, 5, 6, 1, 2, 10], pc set (0, 1, 4, 5, 8, 9)
  862. Webern, Anton: Klavierstück, [0, 1, 2, 11, 10, 4, 5, 6, 9, 8, 7, 3], pc set (0, 1, 2, 3, 4, 6)
  863. Webern, Anton: Quartet for Violin, Clarinet, Tenor Sax, And Piano, Op.22, [0, 9, 8, 11, 10, 2, 3, 4, 5, 7, 1, 6], pc set (0, 1, 2, 3, 4, 6)
  864. Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1, 2, 3, 6, 7)
  865. Webern, Anton: String Trio, Op.20, [0, 11, 6, 5, 10, 9, 1, 2, 7, 8, 4, 3], pc set (0, 1, 2, 3, 6, 7)
  866. Webern, Anton: Symphony, Op.21, [0, 3, 2, 1, 5, 4, 10, 11, 7, 8, 9, 6], pc set (0, 1, 2, 3, 4, 5)
  867. Webern, Anton: Three Songs on Texts by Hildegard Jone, Op.25, [0, 9, 8, 11, 6, 10, 7, 4, 3, 5, 2, 1], pc set (0, 1, 2, 3, 4, 6)
  868. Webern, Anton: Variations for Orchestra, Op.30, [0, 1, 4, 3, 2, 5, 6, 9, 8, 7, 10, 11], pc set (0, 1, 2, 3, 4, 5)
  869. Webern, Anton: Variations for Piano, Op.27, [0, 8, 7, 11, 10, 9, 3, 1, 4, 2, 6, 5], pc set (0, 1, 2, 3, 4, 5)
  870. Westergaard, Peter: Mr. and Mrs. Discobbolos, [0, 2, 1, 4, 3, 5, 8, 6, 10, 7, 11, 9], pc set (0, 1, 2, 3, 4, 5)
  871. Wilson, Olly: Piece for Four’, [0, 8, 9, 4, 2, 6, 7, 11, 10, 3, 5, 1], pc set (0, 1, 3, 5, 7, 9)
  872. Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 1, 2, 6, 7, 8)
  873. Wolpe, Stefan: Four Studies on Basic Rows, No.2 – Study on Thirds, [0, 11, 9, 8, 10, 7, 6, 5, 3, 2, 4, 1], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-10-11-2-9-11-
  874. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 2-2-2-2-2-1-
  875. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 3-10-3-10-3-1-
  876. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 4-4-6-4-4-5-
  877. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 9-4-9-4-9-7-
  878. Wuorinen, Charles: Flute Variations II, [0, 1, 3, 2, 5, 4, 9, 10, 6, 8, 7, 11], pc set (0, 1, 2, 3, 4, 5)
  879. Wuorinen, Charles: Piano Concerto, No.3, [0, 5, 2, 1, 11, 3, 10, 9, 4, 6, 8, 7], pc set (0, 1, 2, 3, 4, 6)
  880. Wuorinen, Charles: Reliquary for Igor Stravinsky, [0, 11, 7, 5, 6, 8, 2, 4, 9, 3, 1, 10], pc set (0, 1, 2, 3, 6, 7)
  881. Wuorinen, Charles: Second Sonata, Source set, [0, 2, 10, 3, 5, 7, 6, 4, 1, 11, 9, 8], pc set (0, 2, 4, 5, 7, 9)
  882. Wuorinen, Charles: Second Sonata, Voice 2, [0, 2, 10, 9, 11, 1, 6, 4, 7, 5, 3, 8], pc set (0, 1, 2, 3, 4, 5)
  883. Wuorinen, Charles: Second Sonata, Voice 3, [0, 2, 4, 3, 5, 1, 9, 7, 11, 10, 8, 6], pc set (0, 1, 2, 3, 4, 5)
  884. Wuorinen, Charles: Sonata for Piano, [0, 3, 2, 4, 5, 1, 11, 8, 9, 7, 6, 10], pc set (0, 1, 2, 3, 4, 5)
  885. Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], pc set (0, 2, 4, 5, 7, 9)
  886. Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 1, [0, 4, 2, 6, 5, 8, 7, 9, 3, 1, 10, 11], pc set (0, 2, 3, 4, 6, 8)
  887. Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 2, [0, 11, 10, 4, 2, 1, 3, 6, 5, 9, 7, 8], pc set (0, 1, 2, 3, 4, 6)
  888. Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 1, [0, 11, 1, 9, 10, 7, 5, 6, 8, 2, 3, 4], pc set (0, 1, 2, 3, 4, 6)
  889. Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 2, [0, 4, 2, 8, 5, 6, 7, 9, 3, 11, 10, 1], pc set (0, 2, 3, 4, 6, 8)
  890. Yun, Isang: Funf Stücke für Klavier, Stück 4, [0, 1, 7, 8, 11, 3, 4, 9, 5, 2, 6, 10], pc set (0, 1, 4, 5, 6, 8)
  891. Yun, Isang: Funf Stücke für Klavier, Stück 5, [0, 11, 6, 3, 2, 10, 9, 1, 5, 4, 8, 7], pc set (0, 1, 2, 4, 5, 8)
  892. Yun, Isang: Gasa, [0, 11, 7, 8, 6, 5, 2, 9, 10, 1, 3, 4], pc set (0, 1, 2, 3, 6, 7)
  893. Yun, Isang: Riul für Klarinette und Klavier, [0, 5, 6, 9, 8, 4, 3, 7, 1, 2, 11, 10], pc set (0, 1, 2, 4, 5, 8)
  894. Zappa, Frank: Brown Shoes Don’t Make It, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], pc set (0, 1, 2, 3, 4, 6)
  895. Zappa, Frank: Waltz, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], pc set (0, 1, 2, 3, 4, 6)
  896. Zenk, Ludwig: An einen Springbrunnnen, Op.6, No.1, [0, 2, 3, 7, 6, 10, 9, 1, 5, 11, 4, 8], pc set (0, 1, 3, 5, 8, 9)
  897. Zenk, Ludwig: Piano Sonata, Op.1, [0, 1, 8, 4, 6, 5, 2, 10, 9, 3, 11, 7], pc set (0, 1, 4, 5, 6, 8)
  898. Zhou, Jin-Min: Piano Quintet, Scherzo, [0, 10, 5, 4, 6, 11, 7, 9, 2, 3, 1, 8], pc set (0, 1, 2, 6, 7, 8)
  899. Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 11-4-1-4-11-3-
  900. Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2, 4, 6, 8, 10)
  901. Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
  902. hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], pc set (0, 1, 2, 3, 6, 7)

Transposition Combinatorial

When two rows are combinatorial, the first hexachord of each complements the other meaning that they make up the total chromatic together. This list gives rows in this section that are combinatorial by transposition, i.e. combinatoriality holds between P0 and at least one transposition of P. The transposition(s) are given after the row. In this case, there is only one transposition-combinatorial hexachord, and only one interval, so they are all P0-P6

  1. Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6], P0-P6
  2. Copland, Aaron: Inscape, (“Y form” or “Row 1”), [0, 4, 3, 11, 2, 7, 6, 8, 10, 9, 5, 1], P0-P6
  3. Hauer, Josef Matthias: ‘Atonale Musik’. Klavierstücke 1922., Op.20, [0, 7, 4, 9, 5, 8, 3, 11, 2, 6, 1, 10], P0-P6
  4. Hauer, Josef Matthias: Nomos, Op.19 (bb.134-137), [0, 2, 1, 4, 5, 9, 6, 8, 10, 7, 11, 3], P0-P6
  5. Hauer, Josef Matthias: Nomos, Op.19 (bb.457-458), [0, 3, 4, 5, 8, 1, 6, 11, 9, 10, 2, 7], P0-P6
  6. Hauer, Josef Matthias: Romantische Phantasie für Orchester, [0, 10, 8, 5, 1, 9, 4, 11, 3, 7, 6, 2], P0-P6
  7. Hauer, Josef Matthias: XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (2/2), [0, 7, 4, 3, 11, 2, 5, 1, 10, 9, 6, 8], P0-P6
  8. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 13. März 1952, [0, 5, 9, 10, 8, 1, 4, 3, 6, 7, 11, 2], P0-P6
  9. Lackner, Peter: ‘Hexentanz’ für Violine und Klavier, [0, 3, 5, 7, 8, 4, 1, 10, 11, 2, 6, 9], P0-P6
  10. Lackner, Peter: Kanon für Klavier. 26. Juni 1983, [0, 7, 5, 9, 4, 8, 6, 1, 11, 3, 10, 2], P0-P6
  11. Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6], P0-P6
  12. Lutyens, Elisabeth: Islands, Op.80, [0, 11, 7, 3, 8, 10, 9, 6, 4, 5, 1, 2], P0-P6
  13. Morris, Robert: Canonic Variations, [0, 3, 11, 1, 4, 8, 5, 6, 9, 10, 2, 7], P0-P6
  14. Morris, Robert: Cuts, [0, 10, 11, 7, 3, 8, 6, 9, 4, 5, 1, 2], P0-P6
  15. Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], P0-P6
  16. Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], P0-P6
  17. Morris, Robert: Roundelay, row 4, [0, 3, 11, 10, 7, 2, 6, 9, 5, 4, 1, 8], P0-P6
  18. Morris, Robert: Something New, [0, 9, 4, 8, 11, 7, 3, 6, 10, 5, 2, 1], P0-P6
  19. Morris, Robert: Strange Flowers, Occasional Storms, [0, 1, 8, 3, 5, 4, 10, 6, 9, 7, 11, 2], P0-P6
  20. Morris, Robert: …gradually…, [0, 1, 8, 3, 5, 4, 6, 7, 9, 11, 2, 10], P0-P6
  21. Nono, Luigi: Intolleranza, Soprano 1, [0, 3, 4, 7, 8, 5, 6, 9, 10, 1, 2, 11], P0-P6
  22. Preßl, Herrmann Markus: Fier Fafeln für Fier Fiolen, [0, 7, 8, 11, 9, 4, 6, 10, 1, 5, 3, 2], P0-P6
  23. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 2, [0, 3, 7, 10, 2, 11, 6, 9, 1, 4, 8, 5], P0-P6
  24. Slonimsky, Nicholas: No. 1296b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 5, 10, 9, 2, 1, 6, 11, 4, 3, 8, 7], P0-P6
  25. Slonimsky, Nicholas: No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], P0-P6
  26. Slonimsky, Nicholas: No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], P0-P6
  27. Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6], P0-P6
  28. Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], P0-P6
  29. Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6], P0-P6
  30. Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6], P0-P6
  31. Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6], P0-P6
  32. Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6], P0-P6
  33. Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6], P0-P6
  34. Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6], P0-P6
  35. Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], P0-P6
  36. Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], P0-P6
  37. Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], P0-P6
  38. Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], P0-P6
  39. Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], P0-P6
  40. Slonimsky, Nicholas: No. 493 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 1, 5, 3, 4, 8, 6, 7, 11, 9, 10, 2], P0-P6
  41. Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], P0-P6
  42. Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], P0-P6
  43. Slonimsky, Nicholas: No. 746 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 1, 5, 9, 10, 2, 6, 7, 11, 3, 4, 8], P0-P6
  44. Slonimsky, Nicholas: No. 795 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 8, 1, 9, 5, 10, 6, 2, 7, 3, 11, 4], P0-P6
  45. Spinner, Leopold: Fünf Lieder, Op.8, [0, 3, 4, 7, 8, 5, 11, 9, 10, 2, 6, 1], P0-P6
  46. Spinner, Leopold: Sonatina for Wind Instruments, Op.23, [0, 9, 1, 5, 4, 2, 8, 10, 11, 7, 3, 6], P0-P6
  47. Talma, Louise: Three Bagatelles, Bagatelle 3, [0, 3, 4, 1, 5, 8, 10, 7, 2, 11, 6, 9], P0-P6
  48. Weber, Ben: Fantasia (Variations), Op.25, [0, 1, 5, 9, 10, 2, 6, 11, 7, 4, 3, 8], P0-P6

Inversion Combinatorial

These rows are combinatorial by inversion. There are 13 such hexachords and some are combinatorial in more that one transposition, so the specific forms are given in the form P0-IX, or P0-IX,Y in the case of more than one match.

  1. Argento, Dominick: A Water Bird Talk, Lecturer Row, [0, 9, 5, 10, 2, 6, 3, 11, 8, 4, 1, 7], P0-I1
  2. Argento, Dominick: From the Diary of Virginia Woolf, [0, 7, 6, 2, 11, 5, 3, 1, 8, 9, 4, 10], P0-I3
  3. Atterberg, Kurt: Symphony 9 [Bbm], Op.54, ‘Sinfonia visionaria’, [0, 1, 5, 6, 7, 4, 8, 11, 10, 9, 2, 3], P0-I3
  4. Babbitt, Milton: The Crowded Air, [0, 8, 5, 7, 10, 6, 11, 1, 9, 3, 2, 4], P0-I9
  5. Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], P0-I7
  6. Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], P0-I7
  7. Bartók, Béla: Violin Concerto, No.2, mvt 1, [0, 2, 8, 1, 9, 4, 10, 6, 3, 7, 11, 5], P0-I7
  8. Bartók, Béla: Violin Concerto, No.2, mvt 3, [0, 8, 2, 9, 1, 4, 10, 7, 6, 3, 11, 5], P0-I7
  9. Beecroft, Norma: Improvvisazioni Concertanti, No.1, [0, 1, 11, 9, 3, 2, 7, 6, 10, 8, 4, 5], P0-I7
  10. Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], P0-I1,7
  11. Berg, Alban: Lulu, Lulu (title character) row, [0, 2, 3, 5, 7, 9, 1, 10, 11, 4, 6, 8], P0-I1
  12. Berg, Alban: Lulu, Schoolboy row, [0, 2, 6, 10, 4, 7, 8, 3, 5, 9, 11, 1], P0-I3
  13. Berg, Alban: Lulu, permutation of main row, [0, 4, 2, 7, 9, 6, 8, 11, 3, 1, 5, 10], P0-I5
  14. Berg, Alban: Lyric Suite, mvt III, [0, 11, 7, 1, 2, 9, 3, 8, 10, 4, 5, 6], P0-I5
  15. Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3], P0-I3
  16. Berio, Luciano: Chamber Music, [0, 9, 3, 5, 7, 10, 2, 11, 4, 6, 8, 1], P0-I11
  17. Bischof, Rainer: ‘Und so sink ich leise in mich selbst hinein’. Österreichischer Liederzyklus für Mezzosopran und Violine, Op.17, [0, 6, 5, 11, 4, 9, 3, 2, 8, 7, 1, 10], P0-I7
  18. Boulez, Pierre: 2nd Piano Sonata, mvt II, Section 1, [0, 2, 1, 11, 3, 9, 8, 10, 7, 6, 5, 4], P0-I7
  19. Boulez, Pierre: Le Soleil des eaux, series I, [0, 6, 10, 2, 5, 1, 7, 11, 3, 4, 8, 9], P0-I9
  20. Boulez, Pierre: Le Soleil des eaux, series II, [0, 6, 10, 2, 5, 1, 4, 7, 11, 8, 3, 9], P0-I9
  21. Boulez, Pierre: Le Soleil des eaux, series III, [0, 11, 7, 2, 6, 5, 4, 8, 10, 1, 3, 9], P0-I3
  22. Boulez, Pierre: Pli selon pli, [0, 1, 8, 6, 7, 9, 4, 5, 11, 3, 2, 10], P0-I11
  23. Boulez, Pierre: Structures Ia, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], P0-I1
  24. Cage, John: Sonata for Clarinet, [0, 1, 10, 11, 9, 7, 6, 5, 4, 8, 3, 2], P0-I3
  25. Cage, John: Sonata for Clarinet, mvt 2, [0, 11, 9, 10, 8, 6, 5, 4, 3, 7, 2, 1], P0-I1
  26. Cage, John: Two pieces for Piano, [0, 11, 8, 3, 4, 2, 9, 7, 1, 5, 10, 6], P0-I9
  27. Carlos, Juan: Canciones y Baladas, Balada II, [0, 4, 10, 6, 3, 8, 7, 2, 5, 9, 1, 11], P0-I5
  28. Coltrane, John: Miles Mode, [0, 3, 5, 2, 7, 9, 10, 8, 1, 11, 6, 4], P0-I1
  29. Cordero, Roque: Concerto for Violin, mvt 2A, [0, 11, 6, 4, 7, 8, 5, 9, 3, 10, 1, 2], P0-I9
  30. Cordero, Roque: Soliloquios, [0, 1, 5, 11, 3, 2, 9, 8, 4, 10, 6, 7], P0-I9
  31. Cordero, Roque: Violin Concerto mvt 1-3, [0, 11, 6, 4, 8, 7, 5, 1, 3, 2, 10, 9], P0-I9
  32. Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], P0-I5
  33. Dallapiccola, Luigi: ‘Intermezzo’ from the ‘Ciaccona’ (of ‘Ciaccona, intermezzo e adagio’), [0, 5, 6, 3, 8, 9, 7, 11, 10, 2, 1, 4], P0-I7
  34. Dallapiccola, Luigi: Canti di Liberationi, No.2, [0, 5, 8, 3, 1, 9, 10, 4, 2, 11, 7, 6], P0-I7
  35. Dallapiccola, Luigi: Canti di Liberazione, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], P0-I7
  36. Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9], P0-I3,9
  37. Dallapiccola, Luigi: Commiato, [0, 6, 5, 3, 9, 11, 10, 8, 7, 1, 2, 4], P0-I1,7
  38. Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9], P0-I9
  39. Dallapiccola, Luigi: Il Prigioniero, “Hope”, [0, 1, 2, 3, 11, 5, 4, 10, 6, 7, 9, 8], P0-I9
  40. Dallapiccola, Luigi: Il prigioniero, “Prayer”, [0, 3, 6, 11, 9, 2, 1, 7, 8, 4, 5, 10], P0-I7
  41. Dallapiccola, Luigi: Liriche greche c: Sex Carmina Alcaei, [0, 3, 5, 6, 2, 9, 8, 7, 4, 1, 10, 11], P0-I1
  42. Dallapiccola, Luigi: Quaderno musicale di Annalibera, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], P0-I7
  43. Dallapiccola, Luigi: Quattro liriche di Antonio Machado, i, iv, [0, 3, 5, 6, 8, 9, 11, 10, 7, 4, 2, 1], P0-I7
  44. Dallapiccola, Luigi: Requiescant, [0, 2, 1, 3, 4, 6, 7, 9, 8, 10, 5, 11], P0-I11
  45. Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5], P0-I5
  46. Dallapiccola, Luigi: Tempus, ‘Exhortatio’, [0, 11, 9, 3, 5, 6, 4, 7, 8, 2, 1, 10], P0-I1,7
  47. Dallapiccola, Luigi: Tempus, ‘Ploratus’, [0, 1, 7, 6, 10, 4, 3, 2, 5, 11, 9, 8], P0-I3,9
  48. Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], P0-I7
  49. Dallapiccola, Luigi: Variazioni per orchestra, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], P0-I7
  50. Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.2, [0, 7, 11, 1, 3, 5, 8, 6, 4, 9, 10, 2], P0-I9
  51. Davies, Peter Maxwell: Sonata for Trumpet and Piano, Op.1, [0, 7, 6, 2, 11, 10, 8, 9, 1, 5, 3, 4], P0-I3
  52. Denisov, Edison: Five Etudes for Solo Bassoon, row A, [0, 6, 1, 7, 8, 3, 2, 9, 10, 5, 11, 4], P0-I5
  53. Denisov, Edison: Five Etudes for Solo Bassoon, row D, [0, 6, 1, 7, 8, 3, 2, 9, 10, 11, 5, 4], P0-I5
  54. Denisov, Edison: Five Etudes for Solo Bassoon, row F, [0, 6, 1, 7, 3, 2, 8, 9, 10, 5, 11, 4], P0-I11
  55. Dessau, Paul: >Guernica< for piano, [0, 7, 6, 2, 10, 11, 5, 9, 1, 3, 4, 8], P0-I3
  56. Dessau, Paul: Les Voix, [0, 11, 6, 8, 9, 3, 4, 10, 5, 7, 2, 1], P0-I1
  57. Eder, Helmut: Concerto for violin and orchestra, Op.32, [0, 9, 6, 2, 11, 3, 8, 1, 7, 5, 10, 4], P0-I7
  58. Eisler, Hanns: Deutsche Symphonie, mvt 5, [0, 1, 3, 5, 8, 9, 6, 11, 10, 4, 2, 7], P0-I7
  59. Eisler, Hanns: Deutsche Symphonie, mvt 9, [0, 4, 1, 10, 8, 6, 3, 11, 9, 2, 5, 7], P0-I3
  60. Eisler, Hanns: Deutsche Symphonie, mvts 1, 10, [0, 10, 6, 1, 11, 7, 5, 8, 9, 3, 4, 2], P0-I3
  61. Eisler, Hanns: Five Pieces for Orchestra, mvt 4, [0, 10, 9, 8, 6, 7, 3, 4, 5, 11, 1, 2], P0-I11
  62. Eisler, Hanns: Five Pieces for Orchestra, mvt 5, [0, 2, 6, 4, 10, 9, 11, 1, 7, 5, 8, 3], P0-I5
  63. Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 1, [0, 4, 6, 3, 2, 1, 9, 10, 7, 8, 5, 11], P0-I11
  64. Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 2, [0, 4, 3, 2, 6, 1, 9, 10, 7, 8, 5, 11], P0-I11
  65. Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 5, [0, 3, 2, 4, 6, 1, 9, 10, 7, 8, 5, 11], P0-I11
  66. Eisler, Hanns: String Quartet, [0, 9, 3, 2, 11, 1, 4, 5, 10, 7, 8, 6], P0-I7
  67. Eisler, Hanns: Variations for Piano, [0, 3, 10, 6, 5, 8, 1, 11, 2, 4, 7, 9], P0-I7
  68. Eisler, Hanns: Zwei Elegien, No.2 (An die Überlebenden), [0, 1, 4, 3, 2, 6, 8, 11, 10, 9, 5, 7], P0-I11
  69. Evans, Bill: Twelve Tone Tune Two, [0, 9, 11, 1, 10, 3, 2, 6, 4, 5, 8, 7], P0-I5
  70. Fano, Michel: Sonata for Two Pianos, [0, 6, 10, 7, 9, 8, 3, 2, 4, 1, 5, 11], P0-I11
  71. Fine, Vivian: Four Songs, No.2, “Comfort To A Youth That Had Lost His Love”, [0, 1, 2, 6, 9, 10, 11, 3, 5, 4, 7, 8], P0-I5
  72. Finney, Ross Lee: Concerto for Alto Sax, [0, 1, 3, 4, 6, 9, 11, 10, 8, 7, 5, 2], P0-I11
  73. Florey, Hans: Die Aussicht, [0, 9, 11, 8, 2, 10, 5, 6, 7, 4, 3, 1], P0-I3
  74. Florey, Hans: Hexaeder für Klavier, [0, 9, 4, 8, 5, 10, 11, 3, 2, 6, 1, 7], P0-I11
  75. Florey, Hans: Hälfte des Lebens, [0, 3, 4, 1, 7, 11, 6, 9, 10, 8, 2, 5], P0-I9
  76. Florey, Hans: I Ging, [0, 7, 2, 10, 11, 6, 5, 1, 9, 8, 4, 3], P0-I3
  77. Florey, Hans: Magischer Würfel mit 6 Spiegelpunkten, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], P0-I3,9
  78. Florey, Hans: Sechs Kanonzyklen einunddesselben magischen Quadrates, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], P0-I3,9
  79. Florey, Hans: Triptychon, [0, 8, 9, 3, 7, 2, 1, 10, 5, 6, 11, 4], P0-I1
  80. Florey, Hans: Zwölftonspiel für Streichquartett. 3. Dezember 1965, [0, 10, 2, 5, 3, 4, 1, 8, 9, 6, 7, 11], P0-I11
  81. Gerhard, Roberto: Capriccio for Solo Flute, [0, 11, 9, 3, 1, 10, 8, 6, 4, 7, 2, 5], P0-I5
  82. Gerhard, Roberto: Hymnody, [0, 10, 11, 8, 2, 9, 4, 5, 1, 6, 7, 3], P0-I3
  83. Gerhard, Roberto: String Quartet, [0, 7, 8, 2, 6, 10, 9, 11, 4, 5, 1, 3], P0-I11
  84. Gerhard, Roberto: String Quartet, No.2, [0, 1, 5, 2, 8, 7, 10, 9, 6, 11, 4, 3], P0-I11
  85. Gerhard, Roberto: Three Impromptus, [0, 8, 1, 10, 4, 6, 7, 5, 3, 2, 9, 11], P0-I3
  86. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 3, [0, 5, 6, 11, 2, 1, 8, 7, 10, 4, 9, 3], P0-I9
  87. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1], P0-I1
  88. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], P0-I11
  89. Ginastera, Alberto: Quintet, Op.29, Row Class III 1, [0, 11, 1, 8, 2, 7, 10, 3, 9, 4, 6, 5], P0-I5
  90. Ginastera, Alberto: Quintet, Op.29, Row Class III 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], P0-I5
  91. Ginastera, Alberto: Quintet, Op.29, Row Class VII 1, [0, 9, 10, 11, 4, 3, 6, 2, 1, 5, 8, 7], P0-I5
  92. Ginastera, Alberto: Quintet, Op.29, Row Class VII 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], P0-I5
  93. Ginastera, Alberto: Quintet, Op.29, mvt.III, [0, 7, 3, 10, 2, 6, 9, 1, 4, 8, 11, 5], P0-I11
  94. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], P0-I3,9
  95. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], P0-I1
  96. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 3, [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], P0-I7
  97. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], P0-I9
  98. Goehr, Alexander: Piano Trio, Op.20, [0, 6, 7, 4, 3, 8, 5, 9, 11, 2, 10, 1], P0-I5
  99. Goeyvaerts, Karel: Violin concerto, No.2, [0, 11, 7, 1, 2, 9, 10, 8, 5, 6, 3, 4], P0-I5
  100. Gotham, Mark: 4x4x4x4, row 3, [0, 2, 6, 10, 7, 4, 11, 9, 8, 3, 5, 1], P0-I3
  101. Gotham, Mark: 4x4x4x4, row 4, [0, 2, 6, 10, 1, 4, 5, 3, 8, 9, 11, 7], P0-I9
  102. Gotham, Mark: Move On!, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], P0-I5,11
  103. Hamel, Peter Michael: ‘Klangspirale’ für 13 Spieler oder drei Orchestergruppen, [0, 10, 5, 9, 3, 4, 1, 6, 8, 11, 2, 7], P0-I11
  104. Hauer, Jose Matthias: XXXII. Zwölftonspiel; für Violine, Bratsche und Cello, [0, 2, 6, 1, 10, 9, 5, 8, 11, 7, 4, 3], P0-I5
  105. Hauer, Josef Matthias: ‘Der Menschen Weg’, Op.67, [0, 8, 5, 4, 10, 2, 7, 9, 1, 3, 11, 6], P0-I11
  106. Hauer, Josef Matthias: ‘Die schwarze Spinne’, Op.62, [0, 4, 10, 1, 5, 8, 11, 2, 7, 9, 6, 3], P0-I7
  107. Hauer, Josef Matthias: ‘Emilie vor ihrem Brauttag’ (Friedrich Hölderlin) für Altsolo und Orchester, Op.58, [0, 8, 3, 4, 11, 6, 9, 10, 2, 1, 5, 7], P0-I1
  108. Hauer, Josef Matthias: ‘Salambo’, opera after Gustave Flaubert;, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], P0-I1
  109. Hauer, Josef Matthias: ‘Tanz tibetanischer Mönche’ im langsamen 3/4 Takt) [Zwölftonspiel]. 8. September 1956, [0, 7, 8, 6, 3, 1, 11, 2, 10, 5, 9, 4], P0-I5
  110. Hauer, Josef Matthias: ‘Wandlungen’ (chamber-oratorio for stage or concert, for six solo-voices, choir and orchestra; after words of Friedrich Hölderlin), Op.53, [0, 5, 11, 4, 10, 1, 6, 8, 9, 3, 7, 2], P0-I7
  111. Hauer, Josef Matthias: Baustein, [0, 8, 11, 1, 6, 10, 4, 2, 3, 5, 9, 7], P0-I3
  112. Hauer, Josef Matthias: Fünfte Tanzfantasie für kleines Orchester, Opus 66, [0, 10, 4, 7, 8, 11, 6, 2, 5, 9, 3, 1], P0-I1
  113. Hauer, Josef Matthias: Harmonie – Melodie – Rhythmus – in kristallischer Bindung – im vierfachen Kontrapunkt [Zwölftonspiel] für Zwölftonorchester, [0, 2, 10, 9, 6, 5, 1, 4, 7, 11, 8, 3], P0-I1
  114. Hauer, Josef Matthias: Hausmusik [Zwölftonspiel] für zwei Violinen und Klavier, [0, 1, 5, 3, 7, 10, 9, 6, 11, 4, 2, 8], P0-I9
  115. Hauer, Josef Matthias: Kammermusik [Zwölftonspiel] für Flöte, Oboe, Baßklarinette, Fagott, zwei Violinen, Bratsche, Cello und Klavier zu vier Händen. 24. Jänner 1957, [0, 9, 3, 7, 5, 10, 1, 6, 11, 4, 2, 8], P0-I11
  116. Hauer, Josef Matthias: Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op.25 ;, No.10, [0, 6, 11, 10, 9, 5, 2, 3, 7, 1, 4, 8], P0-I1
  117. Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für Orchester. 10. Jänner 1957, [0, 8, 10, 2, 3, 6, 1, 9, 7, 4, 11, 5], P0-I7
  118. Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen, [0, 6, 2, 11, 10, 7, 3, 4, 5, 9, 1, 8], P0-I3
  119. Hauer, Josef Matthias: Nomos, Op.19 (bb.106-108), [0, 10, 6, 1, 7, 4, 9, 5, 3, 8, 11, 2], P0-I3,9
  120. Hauer, Josef Matthias: Nomos, Op.19 (bb.117-118), [0, 4, 5, 11, 7, 10, 3, 9, 6, 2, 1, 8], P0-I1
  121. Hauer, Josef Matthias: Nomos, Op.19 (bb.119-120), [0, 10, 8, 6, 5, 7, 9, 2, 3, 1, 11, 4], P0-I9
  122. Hauer, Josef Matthias: Nomos, Op.19 (bb.123-124), [0, 8, 11, 5, 3, 7, 4, 9, 1, 6, 10, 2], P0-I9
  123. Hauer, Josef Matthias: Nomos, Op.19 (bb.125-126), [0, 11, 1, 10, 6, 8, 9, 5, 7, 3, 2, 4], P0-I3
  124. Hauer, Josef Matthias: Nomos, Op.19 (bb.138-140), [0, 3, 4, 2, 5, 6, 8, 7, 10, 11, 1, 9], P0-I1
  125. Hauer, Josef Matthias: Nomos, Op.19 (bb.141-143), [0, 10, 11, 3, 5, 6, 7, 2, 1, 4, 8, 9], P0-I7
  126. Hauer, Josef Matthias: Nomos, Op.19 (bb.142-143), [0, 11, 10, 1, 5, 3, 8, 6, 9, 4, 7, 2], P0-I7
  127. Hauer, Josef Matthias: Nomos, Op.19 (bb.159-161), [0, 5, 1, 8, 10, 4, 6, 7, 3, 9, 11, 2], P0-I7
  128. Hauer, Josef Matthias: Nomos, Op.19 (bb.171-174), [0, 7, 1, 3, 9, 6, 8, 11, 10, 5, 4, 2], P0-I5,11
  129. Hauer, Josef Matthias: Nomos, Op.19 (bb.175-178), [0, 10, 1, 2, 6, 5, 3, 4, 8, 9, 7, 11], P0-I9
  130. Hauer, Josef Matthias: Nomos, Op.19 (bb.192-193), [0, 9, 6, 2, 8, 4, 7, 10, 1, 3, 5, 11], P0-I7
  131. Hauer, Josef Matthias: Nomos, Op.19 (bb.196-197), [0, 2, 8, 6, 11, 5, 4, 10, 7, 3, 1, 9], P0-I3,9
  132. Hauer, Josef Matthias: Nomos, Op.19 (bb.213-216), [0, 2, 6, 1, 10, 4, 5, 8, 11, 7, 3, 9], P0-I9
  133. Hauer, Josef Matthias: Nomos, Op.19 (bb.224-228), [0, 1, 9, 3, 4, 5, 10, 11, 6, 2, 8, 7], P0-I11
  134. Hauer, Josef Matthias: Nomos, Op.19 (bb.228-230), [0, 2, 9, 6, 5, 10, 7, 3, 8, 1, 4, 11], P0-I1
  135. Hauer, Josef Matthias: Nomos, Op.19 (bb.231-233), [0, 6, 10, 3, 2, 8, 9, 5, 4, 1, 11, 7], P0-I7
  136. Hauer, Josef Matthias: Nomos, Op.19 (bb.234-237), [0, 11, 3, 1, 7, 4, 9, 6, 5, 10, 2, 8], P0-I9
  137. Hauer, Josef Matthias: Nomos, Op.19 (bb.241-243), [0, 2, 8, 1, 4, 9, 5, 6, 3, 11, 10, 7], P0-I7
  138. Hauer, Josef Matthias: Nomos, Op.19 (bb.257-262), [0, 7, 3, 8, 4, 2, 9, 1, 11, 6, 10, 5], P0-I1
  139. Hauer, Josef Matthias: Nomos, Op.19 (bb.262-263), [0, 11, 2, 5, 1, 6, 9, 7, 10, 3, 4, 8], P0-I9
  140. Hauer, Josef Matthias: Nomos, Op.19 (bb.272-276), [0, 1, 5, 3, 7, 2, 8, 10, 4, 6, 11, 9], P0-I11
  141. Hauer, Josef Matthias: Nomos, Op.19 (bb.284-287), [0, 1, 11, 7, 6, 4, 10, 5, 2, 8, 3, 9], P0-I9
  142. Hauer, Josef Matthias: Nomos, Op.19 (bb.288-291), [0, 2, 10, 7, 4, 6, 11, 3, 5, 1, 8, 9], P0-I3
  143. Hauer, Josef Matthias: Nomos, Op.19 (bb.292-294), [0, 9, 2, 6, 3, 5, 10, 1, 11, 7, 4, 8], P0-I1
  144. Hauer, Josef Matthias: Nomos, Op.19 (bb.325-328), [0, 5, 4, 2, 7, 6, 3, 11, 1, 8, 10, 9], P0-I3
  145. Hauer, Josef Matthias: Nomos, Op.19 (bb.328-332), [0, 3, 2, 7, 6, 10, 9, 11, 8, 5, 1, 4], P0-I11
  146. Hauer, Josef Matthias: Nomos, Op.19 (bb.366-371), [0, 5, 1, 7, 3, 2, 4, 8, 11, 6, 10, 9], P0-I11
  147. Hauer, Josef Matthias: Nomos, Op.19 (bb.372-375), [0, 8, 6, 1, 10, 11, 5, 9, 7, 4, 3, 2], P0-I3
  148. Hauer, Josef Matthias: Nomos, Op.19 (bb.387-390), [0, 3, 7, 4, 10, 1, 11, 9, 6, 8, 2, 5], P0-I9
  149. Hauer, Josef Matthias: Nomos, Op.19 (bb.403-409), [0, 11, 2, 10, 8, 1, 5, 3, 4, 6, 7, 9], P0-I5
  150. Hauer, Josef Matthias: Nomos, Op.19 (bb.422-425), [0, 6, 4, 2, 10, 9, 8, 5, 11, 7, 1, 3], P0-I5
  151. Hauer, Josef Matthias: Nomos, Op.19 (bb.425-427), [0, 8, 10, 7, 4, 2, 3, 5, 6, 11, 1, 9], P0-I1
  152. Hauer, Josef Matthias: Nomos, Op.19 (bb.430-432), [0, 6, 8, 10, 9, 2, 7, 1, 3, 4, 5, 11], P0-I1
  153. Hauer, Josef Matthias: Nomos, Op.19 (bb.438-441), [0, 1, 10, 8, 9, 4, 3, 5, 7, 11, 6, 2], P0-I3
  154. Hauer, Josef Matthias: Nomos, Op.19 (bb.441-445), [0, 1, 9, 8, 10, 4, 6, 5, 7, 2, 3, 11], P0-I3
  155. Hauer, Josef Matthias: Nomos, Op.19 (bb.451-453), [0, 2, 4, 1, 6, 11, 3, 8, 9, 7, 5, 10], P0-I9
  156. Hauer, Josef Matthias: Nomos, Op.19 (bb.452-455), [0, 5, 7, 8, 1, 2, 3, 4, 6, 11, 10, 9], P0-I11
  157. Hauer, Josef Matthias: Nomos, Op.19 (bb.463-464), [0, 4, 6, 7, 3, 9, 1, 10, 8, 11, 5, 2], P0-I5
  158. Hauer, Josef Matthias: Nomos, Op.19 (bb.479-483), [0, 6, 10, 9, 7, 8, 11, 4, 5, 3, 2, 1], P0-I11
  159. Hauer, Josef Matthias: Nomos, Op.19 (bb.494-496), [0, 7, 8, 5, 6, 11, 2, 3, 9, 4, 1, 10], P0-I9
  160. Hauer, Josef Matthias: Nomos, Op.19 (bb.50-53), [0, 2, 10, 4, 5, 3, 6, 7, 1, 8, 9, 11], P0-I11
  161. Hauer, Josef Matthias: Nomos, Op.19 (bb.501-503), [0, 5, 7, 1, 3, 2, 6, 10, 11, 8, 9, 4], P0-I11
  162. Hauer, Josef Matthias: Nomos, Op.19 (bb.511-514), [0, 10, 1, 4, 6, 2, 9, 7, 11, 8, 5, 3], P0-I9
  163. Hauer, Josef Matthias: Nomos, Op.19 (bb.517-521), [0, 2, 10, 11, 6, 4, 5, 1, 3, 9, 8, 7], P0-I7
  164. Hauer, Josef Matthias: Nomos, Op.19 (bb.528-531), [0, 6, 7, 5, 8, 10, 9, 11, 4, 2, 1, 3], P0-I9
  165. Hauer, Josef Matthias: Nomos, Op.19 (bb.60-63), [0, 4, 1, 2, 9, 8, 10, 5, 11, 3, 6, 7], P0-I7
  166. Hauer, Josef Matthias: Nomos, Op.19 (bb.72-73), [0, 1, 7, 11, 4, 3, 9, 6, 5, 2, 10, 8], P0-I9
  167. Hauer, Josef Matthias: Nomos, Op.19 (bb.73-78), [0, 8, 7, 2, 4, 11, 1, 3, 6, 5, 10, 9], P0-I5
  168. Hauer, Josef Matthias: Nomos, Op.19 (bb.84-87), [0, 10, 1, 11, 5, 3, 2, 6, 7, 8, 9, 4], P0-I7
  169. Hauer, Josef Matthias: Nomos, Op.19 (bb.93-94), [0, 1, 10, 8, 6, 2, 9, 4, 11, 7, 5, 3], P0-I5
  170. Hauer, Josef Matthias: Nomos, Op.19 (row 1), [0, 8, 9, 5, 4, 6, 10, 11, 7, 1, 2, 3], P0-I7
  171. Hauer, Josef Matthias: Nomos, Op.19 (row 2), [0, 6, 10, 4, 3, 2, 8, 7, 11, 9, 5, 1], P0-I11
  172. Hauer, Josef Matthias: Paraphonie [Zwölftonspiel] für Bratsche und Klavier, [0, 4, 10, 5, 8, 1, 11, 7, 2, 9, 6, 3], P0-I7
  173. Hauer, Josef Matthias: Sakraler Tanz [Zwölftonspiel] für Orchester, [0, 3, 10, 8, 5, 2, 9, 1, 11, 6, 4, 7], P0-I9
  174. Hauer, Josef Matthias: Sechste Suite für Orchester, Op.47, [0, 9, 6, 2, 8, 3, 10, 11, 7, 4, 5, 1], P0-I1,7
  175. Hauer, Josef Matthias: Symphonische Stücke für Streichorchester, Klavier und Harmonium, Op.49, [0, 4, 6, 3, 2, 8, 1, 11, 10, 7, 9, 5], P0-I1
  176. Hauer, Josef Matthias: Tanz im langsamen 3/4 Takt [Zwölftonspiel] für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen, [0, 3, 10, 2, 11, 6, 8, 7, 4, 9, 1, 5], P0-I7
  177. Hauer, Josef Matthias: VIII. Zwölftonspiel für Orchester. Juni 1943, [0, 5, 10, 8, 4, 2, 11, 9, 3, 1, 7, 6], P0-I11
  178. Hauer, Josef Matthias: Violinkonzert, Op.54 (9. März – 6. April 1928), [0, 7, 6, 8, 4, 11, 1, 10, 5, 9, 2, 3], P0-I9
  179. Hauer, Josef Matthias: XXI. Zwölftonspiel für Orchester; mit einer Zwöfftonreihe, die in sechs Tropen steht, und vom Kulturreferenten der Stadt Wien Dr. Viktor Matejka gewählt wurde. Erster Teil 2,4-Takt (Halbe = 50) mit achttaktigen Perioden; zweiter Teil im 3/4 Takt (punktierte Halbe = 40) mit sechstaktigen Perioden, [0, 3, 4, 9, 11, 10, 1, 7, 6, 2, 5, 8], P0-I5
  180. Hauer, Josef Matthias: XXII. Zwölftonspiel für Klavier, [0, 2, 11, 6, 7, 10, 1, 3, 8, 4, 9, 5], P0-I3
  181. Hauer, Josef Matthias: XXIII. Zwölftonspiel für Klavierquintett, [0, 4, 11, 9, 10, 2, 6, 3, 7, 5, 8, 1], P0-I5
  182. Hauer, Josef Matthias: XXIV. Zwölftonspiel für Klavier, [0, 2, 9, 3, 8, 1, 4, 7, 11, 5, 6, 10], P0-I7
  183. Hauer, Josef Matthias: Zwölftonspiel (Weihnachten 1947) für Klarinette, Violine, Bratsche, Cello und Klavier, [0, 6, 2, 10, 8, 3, 11, 4, 9, 7, 5, 1], P0-I7
  184. Hauer, Josef Matthias: Zwölftonspiel 10. Juli 1957; für Klavier zu vier Händen, [0, 8, 10, 6, 2, 11, 1, 3, 9, 4, 7, 5], P0-I3
  185. Hauer, Josef Matthias: Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, zwei Violinen, Viola, Violoncello & Klavier vierhändig, [0, 6, 4, 8, 3, 11, 9, 2, 7, 1, 10, 5], P0-I1
  186. Hauer, Josef Matthias: Zwölftonspiel 2. Juni 1948 für Streichquartett und Klavier, [0, 3, 10, 6, 2, 11, 1, 4, 7, 9, 5, 8], P0-I7
  187. Hauer, Josef Matthias: Zwölftonspiel 26. Juli 1957, für Flöte, Oboe, Bassklarinette, Fagott und Streichquartett, [0, 4, 1, 6, 8, 2, 10, 7, 3, 9, 11, 5], P0-I11
  188. Hauer, Josef Matthias: Zwölftonspiel 3. Mai 1958; für Streichsextett, [0, 4, 10, 3, 7, 1, 8, 2, 11, 6, 9, 5], P0-I9
  189. Hauer, Josef Matthias: Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], P0-I5
  190. Hauer, Josef Matthias: Zwölftonspiel 7. April 1957; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen, [0, 6, 2, 9, 10, 4, 11, 3, 7, 1, 5, 8], P0-I5
  191. Hauer, Josef Matthias: Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], P0-I5
  192. Hauer, Josef Matthias: Zwölftonspiel Jänner 1957; für zwei Violinen, Bratsche und Cello, [0, 10, 6, 2, 8, 3, 5, 7, 9, 4, 1, 11], P0-I7
  193. Hauer, Josef Matthias: Zwölftonspiel Oktober 1956; für Klavier zu vier Händen, [0, 9, 6, 2, 8, 3, 10, 5, 1, 11, 7, 4], P0-I1,7
  194. Hauer, Josef Matthias: Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
  195. Hauer, Josef Matthias: Zwölftonspiel für Gitarre. 24. 7. 1949, [0, 6, 10, 2, 5, 9, 1, 4, 7, 3, 11, 8], P0-I1
  196. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 11. Juni 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], P0-I7
  197. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 17. Juli 1952, [0, 6, 4, 9, 2, 10, 7, 11, 1, 8, 5, 3], P0-I5
  198. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 2. Juni 1955, [0, 10, 2, 7, 3, 6, 4, 8, 1, 9, 11, 5], P0-I11
  199. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 24. Dezember 1946, [0, 1, 2, 6, 10, 5, 11, 4, 3, 9, 7, 8], P0-I9
  200. Hauer, Josef Matthias: Zwölftonspiel für Klavier. 7. Juni 1955, [0, 4, 10, 7, 11, 8, 3, 1, 5, 6, 2, 9], P0-I1
  201. Hauer, Josef Matthias: Zwölftonspiel für Klavier. März 1953, [0, 6, 8, 7, 5, 10, 2, 3, 11, 4, 9, 1], P0-I9
  202. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, Violine, Bratsche, Cello und Kontrabaß (melischer Entwurf vom 29.8.1954), [0, 4, 2, 7, 9, 6, 8, 3, 11, 5, 10, 1], P0-I5
  203. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 10. Juli 1952, [0, 10, 6, 8, 9, 7, 11, 3, 1, 5, 2, 4], P0-I11
  204. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 8. Juli 1952, [0, 2, 10, 6, 8, 7, 5, 9, 11, 3, 1, 4], P0-I11
  205. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello. 19. Oktober 1954, [0, 6, 11, 2, 1, 5, 3, 8, 10, 7, 9, 4], P0-I9
  206. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 24. Juni 1952, [0, 6, 10, 7, 9, 3, 4, 1, 8, 5, 11, 2], P0-I11
  207. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 26. Juni 1952, [0, 6, 2, 10, 9, 5, 3, 4, 8, 7, 11, 1], P0-I1
  208. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 30. Juni 1952, I, [0, 2, 10, 4, 11, 8, 1, 7, 5, 3, 6, 9], P0-I5
  209. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. Mai 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], P0-I7
  210. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Akkordeon (Hausorchester), [0, 7, 2, 9, 6, 4, 11, 3, 10, 8, 1, 5], P0-I5
  211. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Streichquartett, [0, 7, 2, 10, 6, 8, 3, 11, 9, 4, 1, 5], P0-I11
  212. Hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 8, 9, 6, 10, 4, 11, 1, 2, 5, 3, 7], P0-I11
  213. Hauer, Josef Matthias: Zwölftonspiel für Orchester. September 1957, [0, 8, 6, 10, 5, 7, 2, 4, 1, 9, 11, 3], P0-I9
  214. Hauer, Josef Matthias: Zwölftonspiel für Violine, Cello und Klavier zu vier Händen, [0, 10, 6, 1, 8, 3, 11, 7, 2, 5, 9, 4], P0-I5
  215. Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
  216. Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier. 3. April 1955, [0, 2, 6, 4, 9, 10, 5, 3, 7, 8, 11, 1], P0-I5
  217. Hauer, Josef Matthias: Zwölftonspiel für Orchester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], P0-I3
  218. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier. 16. April 1958, [0, 3, 8, 2, 9, 1, 11, 5, 7, 4, 6, 10], P0-I7
  219. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello (‘Ins Räumliche übertragen’). 3. September 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
  220. Hauer, Josef Matthias: Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
  221. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.10, [0, 4, 6, 7, 8, 10, 9, 5, 3, 2, 1, 11], P0-I9
  222. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.11, [0, 4, 5, 6, 8, 9, 7, 3, 2, 1, 11, 10], P0-I7
  223. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.12, [0, 3, 6, 7, 9, 10, 11, 8, 5, 4, 2, 1], P0-I11
  224. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.14, [0, 2, 5, 7, 8, 10, 11, 9, 6, 4, 3, 1], P0-I11
  225. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.15, [0, 1, 3, 6, 7, 9, 11, 10, 8, 5, 4, 2], P0-I5,11
  226. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.16, [0, 1, 3, 5, 7, 10, 9, 8, 6, 4, 2, 11], P0-I9
  227. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.17, [0, 1, 3, 5, 8, 9, 7, 6, 4, 2, 11, 10], P0-I7
  228. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.18, [0, 3, 4, 6, 9, 10, 11, 8, 7, 5, 2, 1], P0-I5,11
  229. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.2, [0, 1, 2, 3, 4, 10, 9, 8, 7, 6, 5, 11], P0-I9
  230. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.20, [0, 1, 2, 5, 7, 8, 11, 10, 9, 6, 4, 3], P0-I11
  231. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.21, [0, 1, 2, 5, 6, 10, 9, 8, 7, 4, 3, 11], P0-I9
  232. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.22, [0, 1, 2, 4, 8, 9, 7, 6, 5, 3, 11, 10], P0-I7
  233. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.23, [0, 3, 4, 5, 9, 10, 11, 8, 7, 6, 2, 1], P0-I11
  234. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.24, [0, 3, 4, 7, 8, 10, 9, 6, 5, 2, 1, 11], P0-I9
  235. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.25, [0, 3, 5, 6, 8, 9, 7, 4, 2, 1, 11, 10], P0-I7
  236. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.26, [0, 3, 4, 6, 7, 8, 5, 2, 1, 11, 10, 9], P0-I5
  237. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.27, [0, 2, 4, 5, 6, 7, 3, 1, 11, 10, 9, 8], P0-I3
  238. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.29, [0, 1, 6, 7, 8, 9, 11, 10, 5, 4, 3, 2], P0-I11
  239. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.3, [0, 2, 3, 4, 5, 10, 11, 9, 8, 7, 6, 1], P0-I11
  240. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.31, [0, 1, 2, 3, 6, 7, 11, 10, 9, 8, 5, 4], P0-I11
  241. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.32, [0, 1, 2, 3, 4, 6, 11, 10, 9, 8, 7, 5], P0-I11
  242. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.4, [0, 2, 3, 4, 8, 10, 9, 7, 6, 5, 1, 11], P0-I9
  243. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.5, [0, 2, 4, 5, 8, 10, 11, 9, 7, 6, 3, 1], P0-I11
  244. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.7, [0, 2, 4, 6, 8, 9, 7, 5, 3, 1, 11, 10], P0-I7
  245. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.8, [0, 2, 4, 6, 7, 8, 5, 3, 1, 11, 10, 9], P0-I5
  246. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.9, [0, 4, 6, 8, 9, 10, 11, 7, 5, 3, 2, 1], P0-I11
  247. Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], P0-I9
  248. Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 1, [0, 6, 5, 7, 8, 11, 9, 10, 3, 4, 2, 1], P0-I9
  249. Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 3, [0, 3, 1, 2, 4, 10, 9, 11, 7, 8, 6, 5], P0-I9
  250. Johnston, Ben: String Quartet, No.6, [0, 5, 10, 9, 3, 7, 11, 6, 1, 2, 8, 4], P0-I11
  251. Kahn, Erich Itor: Bagatelle für Rene Leibowitz, [0, 1, 2, 4, 6, 3, 10, 11, 5, 7, 9, 8], P0-I11
  252. Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], P0-I5
  253. Klein, Fritz Heinrich: Die Maschine. Eine extonale Selbstsatire von Heautontimorumenus., Op.1 (Das Maschinen-Thema), [0, 5, 7, 9, 3, 2, 11, 6, 8, 10, 4, 1], P0-I1
  254. Klenau, Paul von: Elisabeth von England, [0, 2, 8, 11, 7, 1, 4, 10, 3, 6, 5, 9], P0-I5
  255. Krenek, Ernst: Eight Piano Pieces, [0, 10, 1, 7, 6, 11, 5, 8, 3, 9, 2, 4], P0-I3
  256. Krenek, Ernst: Karl V, King Francis Row, [0, 10, 5, 6, 11, 3, 9, 4, 2, 7, 1, 8], P0-I7
  257. Krenek, Ernst: Kette, Kreis, und Spiegel (Circle, Chain and Mirror), Op.160, [0, 5, 6, 9, 8, 4, 10, 7, 11, 3, 1, 2], P0-I7
  258. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 1, [0, 2, 4, 5, 8, 10, 6, 7, 9, 11, 1, 3], P0-I11
  259. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 2, [0, 2, 3, 6, 8, 10, 5, 7, 9, 11, 1, 4], P0-I7
  260. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 3, [0, 1, 4, 6, 8, 10, 5, 7, 9, 11, 2, 3], P0-I3
  261. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 4, [0, 3, 5, 7, 9, 11, 6, 8, 10, 1, 2, 4], P0-I1
  262. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 5, [0, 2, 4, 6, 8, 9, 5, 7, 10, 11, 1, 3], P0-I7
  263. Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 6, [0, 2, 4, 6, 7, 10, 5, 8, 9, 11, 1, 3], P0-I3
  264. Krenek, Ernst: Sechs Vermessene, Op.168, [0, 3, 1, 6, 2, 4, 10, 5, 9, 7, 8, 11], P0-I11
  265. Krenek, Ernst: Sestina, Op.161, [0, 8, 11, 10, 4, 6, 7, 1, 5, 3, 9, 2], P0-I1
  266. Krenek, Ernst: Sonata, No.3, Op.92, No.4, [0, 10, 5, 8, 3, 2, 6, 7, 1, 9, 11, 4], P0-I9
  267. Krenek, Ernst: Studies in Counterpoint, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], P0-I5
  268. Krenek, Ernst: Studies in Counterpoint (i), [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], P0-I5
  269. Krenek, Ernst: Studies in Counterpoint (ii), [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], P0-I5
  270. Krenek, Ernst: Suite, Op.84 for solo cello, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], P0-I5
  271. Krenek, Ernst: Symeon, der Stylit, [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], P0-I5
  272. Krenek, Ernst: concert for organ and string-orchestra, Op.230, [0, 11, 8, 4, 3, 6, 7, 5, 2, 9, 10, 1], P0-I1
  273. Kukuck, Felicitas: ‘Wo bist Du Trost’; motet, [0, 11, 10, 7, 6, 1, 2, 5, 4, 3, 9, 8], P0-I3
  274. Lackner, Peter: ‘Davongeflogene Seelen’ für Singstimme, Violoncello und Klavier, [0, 10, 4, 7, 6, 1, 9, 11, 5, 2, 3, 8], P0-I3,9
  275. Lackner, Peter: ‘Der Winter’, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], P0-I1,7
  276. Lackner, Peter: ‘INKE TAN MAGROV’ für Singstimme und Klavier, [0, 6, 5, 10, 8, 3, 7, 1, 2, 9, 11, 4], P0-I7
  277. Lackner, Peter: ‘Ständchen’ für zwei Violinen und zwei Bratschen. 1913,2013, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], P0-I5
  278. Lackner, Peter: ‘Wo ist der Freund’ (erstes Lied aus dem Zyklus ‘Wilde Erdbeeren’ für Singstimme und Klavier), [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], P0-I7
  279. Lackner, Peter: 1. Kanonzyklus, [0, 7, 5, 9, 1, 3, 11, 8, 4, 6, 10, 2], P0-I11
  280. Lackner, Peter: 3. Kanonzyklus, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], P0-I5
  281. Lackner, Peter: 4. Kanonzyklus, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], P0-I9
  282. Lackner, Peter: 5. Kanonzyklus, [0, 7, 11, 9, 1, 3, 5, 8, 10, 6, 2, 4], P0-I5
  283. Lackner, Peter: AGNI MEI (Kanon für Klavier. 5. Juni 2015), [0, 4, 10, 11, 1, 2, 8, 7, 3, 6, 9, 5], P0-I7
  284. Lackner, Peter: Florianische Reihe, [0, 3, 9, 7, 4, 11, 5, 2, 8, 6, 1, 10], P0-I5
  285. Lackner, Peter: INKE TAN MAGROV für Singstimme und Klavier (zweites Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 3, 1, 6, 10, 7, 4], P0-I3
  286. Lackner, Peter: Kanon-Polska für zwei Bratschen. 6. Juni 1993, [0, 6, 3, 1, 10, 8, 5, 11, 2, 4, 7, 9], P0-I5
  287. Lackner, Peter: Kanon für B. L., 7. Oktober 2017, [0, 9, 10, 5, 3, 7, 11, 2, 1, 6, 8, 4], P0-I11
  288. Lackner, Peter: Kanon für Cello und Klavier, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], P0-I1
  289. Lackner, Peter: Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], P0-I9
  290. Lackner, Peter: Kanon für Hammerklavier. März 2016, [0, 2, 1, 5, 7, 3, 11, 9, 10, 6, 4, 8], P0-I11
  291. Lackner, Peter: Kanon für Kammerorchester, [0, 9, 11, 6, 2, 4, 7, 10, 8, 1, 5, 3], P0-I7
  292. Lackner, Peter: Kanon für Klavier, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], P0-I5
  293. Lackner, Peter: Kanon für Klavier. 15. Juni 1992, [0, 10, 3, 8, 6, 5, 2, 1, 11, 4, 9, 7], P0-I7
  294. Lackner, Peter: Kanon für Klavier. 21. Juni 1998, [0, 7, 6, 5, 1, 4, 3, 8, 9, 10, 2, 11], P0-I3
  295. Lackner, Peter: Kanon für Klavier. 27. Juni, 26. September 2002, [0, 9, 4, 1, 2, 8, 7, 10, 3, 6, 5, 11], P0-I7
  296. Lackner, Peter: Kanon für Klavier. 5. April 1989, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], P0-I1
  297. Lackner, Peter: Kanon für Klavier. April 2000, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], P0-I9
  298. Lackner, Peter: Kanon für Klavier zu vier Händen. 12. Juni 1996, [0, 4, 2, 8, 11, 10, 5, 1, 3, 9, 6, 7], P0-I5
  299. Lackner, Peter: Kanon für Klavier zu vier Händen. Frühling 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], P0-I3
  300. Lackner, Peter: Kanon für Klavierquartett, [0, 8, 6, 11, 3, 9, 1, 5, 7, 2, 10, 4], P0-I1
  301. Lackner, Peter: Kanon für Klavierquartett. 27. April 1991, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], P0-I1,7
  302. Lackner, Peter: Kanon für Klavierquartett. 27. Juni 1991, [0, 2, 6, 9, 11, 3, 7, 5, 1, 10, 8, 4], P0-I7
  303. Lackner, Peter: Kanon für Schwegelpfeife in A und Geige, [0, 9, 7, 2, 10, 4, 3, 6, 8, 1, 5, 11], P0-I3
  304. Lackner, Peter: Kanon für Streichquartett, [0, 9, 3, 5, 1, 11, 7, 10, 4, 2, 6, 8], P0-I7
  305. Lackner, Peter: Kanon für Streichquartett. 3. Jänner 1990, [0, 6, 4, 8, 11, 3, 1, 7, 9, 5, 2, 10], P0-I1
  306. Lackner, Peter: Kanon für Streichquartett und Orgel. 21. November 1993, [0, 10, 2, 5, 4, 7, 1, 11, 3, 9, 8, 6], P0-I1
  307. Lackner, Peter: Kanon für Tenor-Hackbrett. 19. März 2014, [0, 8, 4, 6, 9, 1, 11, 3, 7, 5, 2, 10], P0-I11
  308. Lackner, Peter: Kanon für Violine, Bratsche und Klavier, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], P0-I5
  309. Lackner, Peter: Kanon für Violine und Violoncello, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], P0-I1
  310. Lackner, Peter: Kanon für acht Instrumente. Dezember 1991, März 2007, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], P0-I7
  311. Lackner, Peter: Kanon für drei Bratschen, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], P0-I7
  312. Lackner, Peter: Kanon für sechs Instrumente. 16. März 2009, [0, 7, 6, 3, 2, 10, 1, 8, 11, 5, 4, 9], P0-I11
  313. Lackner, Peter: Kanon für sechs Posaunen. Herbst 1996, [0, 9, 1, 6, 4, 8, 11, 2, 10, 7, 5, 3], P0-I11
  314. Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1], P0-I1,7
  315. Lackner, Peter: Kanon für zwei Violinen und Klavier. Frühjahr 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], P0-I3
  316. Lackner, Peter: Kanon à 3, [0, 11, 6, 10, 2, 7, 3, 4, 9, 5, 1, 8], P0-I3
  317. Lackner, Peter: Kanon à 4 – ‘Für Harald Fripertinger zum 50. Geburtstag’, [0, 10, 3, 6, 5, 8, 1, 11, 9, 4, 7, 2], P0-I7
  318. Lackner, Peter: Kanon á 4, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], P0-I5
  319. Lackner, Peter: Kanon á 5 für Klaus Chudoba, [0, 2, 10, 8, 6, 11, 3, 1, 5, 7, 9, 4], P0-I3
  320. Lackner, Peter: Moebius-Band für Flöte, Violine, Violoncello und Klavier, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], P0-I7
  321. Lackner, Peter: Moebius-Band für sechs Violinen, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], P0-I7
  322. Lackner, Peter: Moebiusband für Violine und Klavier (Chinesenfolter I), [0, 2, 4, 6, 10, 5, 1, 11, 9, 7, 3, 8], P0-I1
  323. Lackner, Peter: Reihenspiel für Orgel, [0, 9, 6, 11, 5, 4, 10, 7, 2, 1, 8, 3], P0-I7
  324. Lackner, Peter: Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], P0-I1
  325. Lackner, Peter: Sponsions-Kanon, [0, 4, 1, 10, 3, 7, 9, 5, 8, 11, 6, 2], P0-I9
  326. Lackner, Peter: TACET (drittes Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 4, 7, 10, 6, 1, 3], P0-I3
  327. Leibowitz, René: String Quartet, No.3, Op.26, [0, 8, 9, 7, 6, 1, 2, 5, 4, 10, 11, 3], P0-I11
  328. Lewin, David: Just a Minute, Roger, [0, 11, 4, 5, 7, 3, 2, 6, 8, 1, 10, 9], P0-I1
  329. Lu, Shi-Lin: A Family of Red-Crowned Cranes, [0, 2, 9, 7, 4, 6, 11, 8, 1, 3, 10, 5], P0-I5
  330. Lu, Yen: A Bird Flying By, [0, 6, 3, 4, 8, 7, 11, 5, 10, 2, 9, 1], P0-I5
  331. Luo, Zhong-Rong: Dusk, row 1, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], P0-I11
  332. Luo, Zhong-Rong: Evening, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], P0-I11
  333. Luo, Zhong-Rong: Sonatina, mvt 3, [0, 2, 7, 4, 11, 8, 5, 9, 10, 1, 3, 6], P0-I5
  334. Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7], P0-I7
  335. Luo, Zhong-Rong: String Quartet, No.3, row 1, [0, 2, 4, 7, 5, 10, 8, 1, 6, 3, 9, 11], P0-I1
  336. Luo, Zhong-Rong: String Quartet, No.3, row 3, [0, 2, 7, 9, 11, 1, 3, 6, 10, 4, 5, 8], P0-I5
  337. Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 1, [0, 2, 5, 10, 6, 1, 3, 8, 11, 9, 7, 4], P0-I9
  338. Lutyens, Elisabeth: Five Little Pieces for Clarinet and Piano, [0, 8, 4, 1, 10, 2, 9, 3, 5, 6, 11, 7], P0-I7
  339. Lutyens, Elisabeth: Présages, Op.53, [0, 1, 11, 2, 10, 8, 5, 3, 4, 7, 9, 6], P0-I5
  340. Lutyens, Elisabeth: Quincunx, Op.44, [0, 6, 11, 1, 5, 2, 7, 3, 4, 9, 10, 8], P0-I9
  341. Maderna, Bruno: Improvvisazione N. 1, [0, 11, 4, 8, 3, 2, 7, 6, 1, 5, 10, 9], P0-I9
  342. Maderna, Bruno: Musica su due dimensioni, [0, 2, 9, 4, 6, 11, 8, 10, 1, 3, 5, 7], P0-I7
  343. Martin, Frank: Petite complainte, [0, 11, 10, 6, 2, 4, 5, 9, 8, 7, 3, 1], P0-I7
  344. Martino, Donald: Fantasy Variations, [0, 3, 1, 10, 2, 8, 11, 5, 6, 9, 7, 4], P0-I7
  345. Matthias, Josef: Salambo, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], P0-I1
  346. Messiaen, Olivier: Mode de valeurs et d’intensités, Series 1, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], P0-I1
  347. Morris, Robert: Entanglements, [0, 3, 10, 5, 11, 6, 1, 7, 9, 2, 8, 4], P0-I7
  348. Morris, Robert: Exchanges, [0, 4, 3, 1, 9, 5, 8, 6, 2, 10, 11, 7], P0-I11
  349. Morris, Robert: Pari Passu, row 1, [0, 6, 10, 11, 2, 3, 9, 1, 7, 8, 4, 5], P0-I7
  350. Morris, Robert: Refrains, [0, 3, 4, 2, 6, 10, 1, 8, 11, 7, 5, 9], P0-I11
  351. Morris, Robert: Roundelay, row 3, [0, 10, 9, 3, 4, 6, 8, 11, 2, 7, 1, 5], P0-I5,11
  352. Morris, Robert: Terrane, [0, 11, 1, 3, 2, 5, 6, 4, 9, 7, 8, 10], P0-I9
  353. Morris, Robert: Three Musicians, [0, 9, 7, 6, 8, 1, 11, 2, 4, 5, 3, 10], P0-I11
  354. Morris, Robert: Tournament for 12 trombones, [0, 7, 6, 4, 11, 8, 5, 9, 1, 3, 2, 10], P0-I9
  355. Nichols, Jeff: …its darkening opposite, or Set Portrait in a Convex Mirror, [0, 4, 8, 7, 11, 2, 3, 6, 1, 9, 10, 5], P0-I5
  356. Nono, Luigi: Incontri, [0, 2, 3, 8, 9, 6, 4, 5, 7, 11, 1, 10], P0-I1,7
  357. Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], P0-I5
  358. Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], P0-I11
  359. Nono, Luigi: La terra e la compagna (sketch), Series 5, [0, 7, 2, 4, 9, 10, 5, 1, 6, 11, 8, 3], P0-I3
  360. Nono, Luigi: La terra e la compagna (sketch), Series 7, [0, 5, 3, 10, 7, 1, 8, 9, 2, 6, 11, 4], P0-I9
  361. Nono, Luigi: La terra e la compagna (sketch), Series 8, [0, 4, 5, 11, 3, 6, 10, 2, 7, 9, 1, 8], P0-I1
  362. Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], P0-I7
  363. Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], P0-I7
  364. Papaioannou, Yannis: Songs of the Lake, No.1, [0, 8, 5, 7, 6, 11, 2, 10, 1, 3, 9, 4], P0-I9
  365. Papaioannou, Yannis: Songs of the Lake, No.2, [0, 7, 4, 6, 5, 1, 9, 2, 8, 10, 3, 11], P0-I3
  366. Papaioannou, Yannis: Songs of the Lake, No.4, [0, 5, 11, 9, 6, 10, 7, 2, 3, 1, 4, 8], P0-I1
  367. Papaioannou, Yannis: Suite, “XP”, [0, 4, 2, 1, 6, 8, 3, 9, 7, 10, 5, 11], P0-I11
  368. Papaioannou, Yannis: Suite, “YP”, [0, 10, 9, 8, 1, 4, 5, 7, 3, 6, 2, 11], P0-I3
  369. Pentland, Barbara: String Quartet, No.3, [0, 11, 3, 6, 5, 9, 10, 8, 1, 2, 7, 4], P0-I1,7
  370. Perle, George: First string quartet, [0, 1, 3, 6, 10, 9, 8, 7, 4, 5, 11, 2], P0-I5
  371. Pousseur, Henri: Trois Chants Sacrés, [0, 10, 11, 4, 1, 5, 9, 6, 3, 7, 2, 8], P0-I7
  372. Preßl, Hermann Markus: ‘A 5’ für Bassklarinette, Vibraphon und drei Bratschen, [0, 6, 5, 8, 10, 7, 3, 2, 4, 9, 1, 11], P0-I9
  373. Preßl, Hermann Markus: Finstersonnen, [0, 3, 9, 6, 11, 5, 1, 2, 7, 8, 10, 4], P0-I1,7
  374. Pärt, Arvo: Perpetuum Mobile, [0, 11, 10, 5, 6, 9, 7, 1, 2, 8, 3, 4], P0-I1
  375. Pärt, Arvo: Symphony, No.1, [0, 1, 2, 7, 6, 3, 5, 11, 10, 4, 9, 8], P0-I11
  376. Reynolds, Roger: Ambages, [0, 1, 4, 5, 7, 6, 8, 9, 10, 11, 2, 3], P0-I3
  377. Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], P0-I9
  378. Santoro, Claudio: Peças para Piano, [0, 11, 4, 5, 1, 9, 2, 3, 7, 8, 6, 10], P0-I7
  379. Santoro, Claudio: Preludes 18-20, [0, 9, 1, 3, 2, 8, 10, 4, 6, 5, 7, 11], P0-I7
  380. Santoro, Claudio: Six Piano Pieces, [0, 10, 4, 1, 11, 2, 5, 6, 3, 9, 7, 8], P0-I7
  381. Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], P0-I5
  382. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 7, [0, 3, 11, 9, 10, 1, 4, 2, 7, 8, 5, 6], P0-I5
  383. Schnittke, Alfred: Concerto Grosso, No.3, monogram 1, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], P0-I7
  384. Schnittke, Alfred: Concerto Grosso, No.3, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], P0-I7
  385. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 1, [0, 3, 6, 10, 2, 11, 8, 5, 9, 1, 4, 7], P0-I7
  386. Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], P0-I5
  387. Schnittke, Alfred: Viola Concerto, [0, 11, 5, 2, 1, 6, 3, 8, 7, 4, 10, 9], P0-I9
  388. Schnittke, Alfred: Violin Sonata 2, [0, 10, 11, 9, 6, 8, 7, 5, 4, 1, 2, 3], P0-I1
  389. Schoenberg, Arnold: A Survivor From Warsaw, Op.46, [0, 1, 6, 2, 10, 9, 5, 4, 11, 3, 7, 8], P0-I5
  390. Schoenberg, Arnold: A Survivor From Warsaw, Op.46 (alternative), [0, 1, 6, 2, 10, 9, 4, 7, 3, 8, 11, 5], P0-I5
  391. Schoenberg, Arnold: Accompaniment to a Film Scene, Op.34, [0, 3, 11, 1, 10, 9, 6, 8, 7, 5, 2, 4], P0-I5
  392. Schoenberg, Arnold: Fantasy for Piano Four Hands, II (fragment), [0, 3, 6, 1, 7, 8, 2, 5, 11, 4, 10, 9], P0-I5
  393. Schoenberg, Arnold: Fantasy for Violin and Piano, Op.47, [0, 11, 3, 1, 7, 9, 5, 6, 2, 4, 10, 8], P0-I5
  394. Schoenberg, Arnold: Five Piano Pieces, Op.23, No.5, [0, 8, 10, 6, 7, 5, 9, 1, 3, 2, 11, 4], P0-I9
  395. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.1, Op.27, No.1, [0, 11, 8, 2, 1, 7, 9, 10, 4, 3, 5, 6], P0-I5
  396. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.2, Op.27, No.2, [0, 11, 4, 10, 2, 8, 3, 7, 6, 5, 9, 1], P0-I5
  397. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.4, Op.27, No.4, [0, 2, 9, 5, 7, 3, 10, 11, 1, 8, 4, 6], P0-I1
  398. Schoenberg, Arnold: Moses und Aron, [0, 1, 7, 5, 6, 4, 10, 8, 9, 11, 2, 3], P0-I3
  399. Schoenberg, Arnold: Piano Concerto, Op.42, [0, 7, 11, 2, 1, 9, 3, 5, 10, 6, 8, 4], P0-I5
  400. Schoenberg, Arnold: Prelude To A Suite From “Genesis”, Op.44, [0, 8, 4, 7, 6, 2, 1, 10, 3, 5, 11, 9], P0-I5
  401. Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5], P0-I5,11
  402. Schoenberg, Arnold: Six Pieces for Male Chorus, No.1, Op.35, [0, 9, 1, 3, 2, 11, 6, 8, 7, 4, 10, 5], P0-I7
  403. Schoenberg, Arnold: Six Pieces for Male Chorus, No.2, Op.35, [0, 3, 1, 7, 6, 8, 11, 5, 4, 9, 10, 2], P0-I5
  404. Schoenberg, Arnold: Six Pieces for Male Chorus, No.5, Op.35, [0, 6, 9, 1, 2, 10, 7, 3, 11, 5, 4, 8], P0-I5
  405. Schoenberg, Arnold: Sonata For Organ, [0, 6, 10, 2, 8, 1, 7, 5, 9, 4, 11, 3], P0-I5
  406. Schoenberg, Arnold: String Quartet, No.4, Op.37, [0, 11, 7, 8, 3, 1, 2, 10, 6, 5, 4, 9], P0-I5
  407. Schoenberg, Arnold: String Trio, Op.45, [0, 8, 1, 7, 2, 11, 9, 6, 4, 5, 3, 10], P0-I5
  408. Schoenberg, Arnold: Suite for Piano, Op.25, [0, 1, 3, 9, 2, 11, 4, 10, 7, 8, 5, 6], P0-I7
  409. Schoenberg, Arnold: Three Satires for Mixed Chorus, No.3, Op.28, No.3, [0, 1, 11, 3, 9, 5, 2, 4, 10, 6, 8, 7], P0-I7
  410. Schoenberg, Arnold: Three Songs, No.2, “Tot”, Op.48, [0, 1, 7, 11, 8, 2, 6, 5, 10, 9, 3, 4], P0-I5
  411. Schoenberg, Arnold: Three Times a Thousand Years, Op.50a, [0, 2, 11, 9, 10, 4, 3, 7, 5, 6, 8, 1], P0-I5
  412. Schoenberg, Arnold: Two Piano Pieces, No.1, Op.33a, [0, 7, 2, 1, 11, 8, 3, 5, 9, 10, 4, 6], P0-I5
  413. Schoenberg, Arnold: Two Piano Pieces, No.2, Op.33b, [0, 2, 6, 4, 10, 9, 7, 11, 8, 5, 1, 3], P0-I5
  414. Schoenberg, Arnold: Variations for Orchestra, Op.31, [0, 6, 8, 5, 7, 11, 4, 3, 9, 10, 1, 2], P0-I9
  415. Schoenberg, Arnold: Violin Concerto, Op.36, [0, 1, 6, 2, 7, 9, 3, 4, 10, 11, 5, 8], P0-I5
  416. Schoenberg, Arnold: Violin Phantasy, Op.47, [0, 11, 3, 1, 7, 9, 6, 2, 10, 5, 8, 4], P0-I5
  417. Schoenberg, Arnold: Von Heute Auf Morgen, Op.32, [0, 1, 7, 11, 9, 3, 6, 5, 2, 10, 8, 4], P0-I5
  418. Schoenberg, Arnold: Wind Quintet, Op.26, [0, 4, 6, 8, 10, 9, 7, 11, 1, 3, 5, 2], P0-I11
  419. Schuller, Gunther: Transformation, [0, 2, 4, 3, 8, 11, 9, 6, 5, 10, 7, 1], P0-I9
  420. Schwantner, Joseph: Modus Caelestis (m. 39), [0, 6, 11, 10, 5, 9, 4, 8, 3, 2, 7, 1], P0-I1
  421. Schwantner, Joseph: Wild Angels of the Open Hills, 2, “Angels of the Shadowed Ancient Land,” m. 21, [0, 8, 9, 11, 3, 7, 6, 5, 2, 4, 10, 1], P0-I1
  422. Searle, Humphrey: Toccata alla Passacaglia, Op.31, [0, 5, 6, 1, 10, 7, 9, 8, 3, 2, 4, 11], P0-I9
  423. Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], P0-I3
  424. Seiber, Mátyás: Sonata for Violin and Piano, [0, 1, 11, 10, 7, 6, 8, 9, 4, 3, 5, 2], P0-I3
  425. Sengstschmid, Johann: Meditation für Orgel, Op.43a, [0, 6, 3, 1, 10, 8, 5, 2, 11, 9, 7, 4], P0-I5
  426. Sessions, Roger: Piano Sonata, No.3, mvt 2, [0, 1, 5, 4, 8, 2, 11, 10, 6, 7, 3, 9], P0-I11
  427. Sessions, Roger: When Lilacs Last in the Dooryard Bloom’d, [0, 2, 4, 10, 5, 8, 9, 1, 11, 7, 6, 3], P0-I11
  428. Shapey, Ralph: String Quartet, No.9, [0, 8, 9, 3, 5, 1, 2, 6, 4, 10, 11, 7], P0-I7
  429. Shostakovich, Dmitri: Symphony, No.14, mov. I, [0, 11, 9, 4, 3, 10, 8, 7, 5, 6, 1, 2], P0-I5
  430. Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], P0-I7
  431. Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], P0-I11
  432. Slonimsky, Nicholas: No. 1238a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 9, 7, 5, 3, 2, 4, 6, 8, 1, 10, 11], P0-I1
  433. Slonimsky, Nicholas: No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 9, 6, 3, 11, 5, 2, 8, 7, 10, 1, 4], P0-I1,7
  434. Slonimsky, Nicholas: No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 2, 6, 8, 11, 4], P0-I9
  435. Slonimsky, Nicholas: No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 10, 6, 2, 11, 7, 4, 1, 9], P0-I7
  436. Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1], P0-I1
  437. Slonimsky, Nicholas: No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 10, 6, 4, 11, 7, 5, 2, 9], P0-I5
  438. Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3], P0-I3,9
  439. Slonimsky, Nicholas: No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 9, 6, 5, 1, 10, 7, 4, 11], P0-I1,7
  440. Slonimsky, Nicholas: No. 1258a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 5, 8, 11, 4], P0-I11
  441. Slonimsky, Nicholas: No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 2, 10, 6, 4, 1, 9], P0-I9
  442. Slonimsky, Nicholas: No. 1259a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 1, 5, 7, 10, 3], P0-I9
  443. Slonimsky, Nicholas: No. 1259b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 7, 5, 1, 9, 6, 3, 11], P0-I1
  444. Slonimsky, Nicholas: No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 1, 5, 8, 11, 3], P0-I3
  445. Slonimsky, Nicholas: No. 1260b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 10, 6, 5, 1, 9, 7, 4, 11], P0-I7
  446. Slonimsky, Nicholas: No. 1263a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 4, 8, 11, 5], P0-I11
  447. Slonimsky, Nicholas: No. 1263b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 6, 2, 9, 4, 1, 10], P0-I9
  448. Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], P0-I11
  449. Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], P0-I11
  450. Slonimsky, Nicholas: No. 1265b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 1, 10, 6, 4, 11, 7, 5, 2, 8], P0-I5
  451. Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], P0-I1
  452. Slonimsky, Nicholas: No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], P0-I7
  453. Slonimsky, Nicholas: No. 1267a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 11, 5, 6, 9, 2], P0-I9
  454. Slonimsky, Nicholas: No. 1267b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 1, 10, 7, 5, 2, 8, 6, 3, 11], P0-I3
  455. Slonimsky, Nicholas: No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 6, 2, 11, 8, 4], P0-I9
  456. Slonimsky, Nicholas: No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 1, 2, 6, 9, 8, 4, 11], P0-I9
  457. Slonimsky, Nicholas: No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 9, 6, 1, 11, 8, 3], P0-I1
  458. Slonimsky, Nicholas: No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 2, 1, 6, 9, 8, 3, 11], P0-I1
  459. Slonimsky, Nicholas: No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 5, 2, 11, 8, 3], P0-I3,9
  460. Slonimsky, Nicholas: No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 1, 2, 5, 9, 8, 3, 11], P0-I3,9
  461. Slonimsky, Nicholas: No. 1279a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 5, 1, 11, 8, 4], P0-I11
  462. Slonimsky, Nicholas: No. 1279b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 5, 9, 8, 4, 11], P0-I11
  463. Slonimsky, Nicholas: No. 1280a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 5, 1, 10, 7, 3], P0-I9
  464. Slonimsky, Nicholas: No. 1280b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 6, 2, 5, 9, 1, 10, 7, 3], P0-I9
  465. Slonimsky, Nicholas: No. 1281a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 5, 1, 11, 8, 3], P0-I3
  466. Slonimsky, Nicholas: No. 1281b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 2, 1, 5, 9, 8, 3, 11], P0-I3
  467. Slonimsky, Nicholas: No. 1284a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 4, 1, 11, 8, 5], P0-I11
  468. Slonimsky, Nicholas: No. 1284b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 4, 9, 8, 5, 11], P0-I11
  469. Slonimsky, Nicholas: No. 1286a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 2, 10, 8, 5, 11], P0-I11
  470. Slonimsky, Nicholas: No. 1286b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 4, 1, 10, 2, 7, 8, 5, 11], P0-I11
  471. Slonimsky, Nicholas: No. 1287a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 4, 11, 10, 7, 1], P0-I1
  472. Slonimsky, Nicholas: No. 1287b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 5, 2, 11, 4, 8, 7, 1, 10], P0-I1
  473. Slonimsky, Nicholas: No. 1288a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 5, 11, 9, 6, 2], P0-I9
  474. Slonimsky, Nicholas: No. 1288b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 4, 1, 11, 5, 8, 6, 2, 9], P0-I9
  475. Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], P0-I5
  476. Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], P0-I3
  477. Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], P0-I1
  478. Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], P0-I9
  479. Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], P0-I5
  480. Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], P0-I11
  481. Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], P0-I5
  482. Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], P0-I11
  483. Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], P0-I5
  484. Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], P0-I11
  485. Slonimsky, Nicholas: No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], P0-I11
  486. Slonimsky, Nicholas: No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], P0-I11
  487. Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], P0-I9
  488. Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], P0-I11
  489. Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], P0-I1
  490. Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], P0-I5
  491. Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], P0-I1
  492. Spinner, Leopold: Concert for Piano and Orchestra, Op.4, [0, 2, 1, 9, 11, 3, 4, 7, 5, 6, 10, 8], P0-I7
  493. Spinner, Leopold: Ouverture for Orchestra, Op.5, [0, 11, 2, 10, 8, 1, 7, 5, 6, 9, 3, 4], P0-I5
  494. Spinner, Leopold: Quintet, Op.14, [0, 6, 4, 2, 8, 5, 1, 9, 10, 11, 7, 3], P0-I3
  495. Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5], P0-I5
  496. Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11], P0-I11
  497. Spinner, Leopold: Sonata for Violin and Piano, Op.1, [0, 7, 6, 1, 3, 8, 5, 10, 2, 9, 4, 11], P0-I5
  498. Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], P0-I3
  499. Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3], P0-I3
  500. Spinner, Leopold: Variations for Violin and Piano, Op.19, [0, 8, 9, 1, 2, 4, 3, 5, 6, 10, 11, 7], P0-I7
  501. Spinner, Leopold: Zwei Lieder, Op.24, [0, 11, 1, 4, 3, 7, 5, 6, 9, 8, 10, 2], P0-I9
  502. Stockhausen, Karlheinz: Choral, [0, 1, 10, 6, 8, 3, 5, 2, 4, 11, 9, 7], P0-I5
  503. Stockhausen, Karlheinz: Klavierstück IV row 3, [0, 7, 1, 10, 11, 9, 5, 8, 4, 3, 2, 6], P0-I3
  504. Stockhausen, Karlheinz: Licht, Eve formula, [0, 4, 3, 2, 5, 6, 10, 11, 9, 1, 7, 8], P0-I1
  505. Stockhausen, Karlheinz: Plus-Minus, [0, 1, 7, 9, 8, 6, 3, 10, 2, 5, 11, 4], P0-I11
  506. Stockhausen, Karlheinz: Tierkreis, Aries, [0, 3, 2, 9, 7, 8, 11, 6, 1, 5, 4, 10], P0-I1
  507. Stockhausen, Karlheinz: Tierkreis, Sagittarius, [0, 6, 5, 2, 3, 4, 7, 8, 9, 10, 11, 1], P0-I1
  508. Stravinsky, Igor: A Sermon, a Narrative and a Prayer, [0, 1, 9, 11, 10, 7, 8, 3, 4, 6, 5, 2], P0-I3
  509. Stravinsky, Igor: Canticum Sacrum, II, [0, 11, 9, 6, 10, 8, 7, 5, 2, 4, 3, 1], P0-I1
  510. Stravinsky, Igor: Elegy for J.F.K., [0, 6, 4, 2, 8, 9, 3, 1, 11, 10, 7, 5], P0-I7
  511. Stravinsky, Igor: Introitus “T. S. Eliot in Memoriam”, [0, 5, 6, 4, 8, 9, 3, 2, 1, 10, 11, 7], P0-I7
  512. Stravinsky, Igor: Requiem Canticles, 1st series, [0, 2, 10, 11, 1, 8, 6, 7, 9, 4, 3, 5], P0-I5
  513. Stravinsky, Igor: Variations “Aldous Huxley in Memoriam”, [0, 10, 7, 9, 2, 8, 6, 11, 1, 5, 4, 3], P0-I1
  514. Talma, Louise: Piano Sonata 2, mvt 4, first row, [0, 4, 8, 2, 5, 10, 1, 11, 6, 9, 7, 3], P0-I11
  515. Talma, Louise: Six Etudes, Etude 1, [0, 3, 6, 8, 10, 2, 5, 7, 9, 1, 11, 4], P0-I7
  516. Talma, Louise: Six Etudes, Etude 5, [0, 4, 6, 11, 8, 3, 9, 1, 5, 7, 2, 10], P0-I1
  517. Talma, Louise: Six Etudes, Etude 6, [0, 8, 6, 9, 4, 5, 2, 1, 3, 10, 7, 11], P0-I7
  518. Toufektsis, Orestis: MIKRO-ALLAXI (EpiEnteka II), für 15 Musiker, [0, 8, 3, 7, 2, 4, 10, 11, 1, 6, 9, 5], P0-I1
  519. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 1A, [0, 10, 9, 1, 4, 8, 7, 2, 5, 11, 3, 6], P0-I3
  520. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 3, [0, 10, 8, 4, 3, 6, 5, 11, 9, 1, 2, 7], P0-I5
  521. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], P0-I5,11
  522. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 7, [0, 2, 11, 8, 5, 3, 10, 9, 1, 7, 6, 4], P0-I9
  523. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 8, [0, 4, 3, 11, 6, 8, 2, 9, 10, 7, 1, 5], P0-I1
  524. Tranchell, Peter: Septet : [for] 2 violins, oboe, clarinet, horn, bassoon, cello : fifth dodecafonia, [0, 2, 1, 10, 3, 4, 11, 6, 5, 9, 8, 7], P0-I9
  525. Tranchell, Peter: Twice a Kiss sketch 1, [0, 9, 1, 2, 4, 8, 5, 7, 10, 6, 3, 11], P0-I7
  526. Tranchell, Peter: Twice a Kiss sketch 2, [0, 9, 1, 2, 4, 8, 3, 11, 5, 6, 7, 10], P0-I7
  527. Tranchell, Peter: Twice a Kiss sketch 3, [0, 1, 2, 4, 8, 9, 7, 5, 3, 6, 10, 11], P0-I7
  528. Urbanner, Erich: Adagio, [0, 3, 1, 11, 10, 9, 8, 7, 6, 4, 2, 5], P0-I5
  529. Volkonsky, Andrei: Musica Stricta, mvt 2, row A, [0, 6, 8, 9, 11, 10, 1, 7, 2, 3, 5, 4], P0-I1
  530. Volkonsky, Andrei: Musica Stricta, mvt 2, row D, [0, 4, 9, 2, 8, 10, 11, 1, 3, 7, 5, 6], P0-I3
  531. Volkonsky, Andrei: Musica Stricta, mvt 4, row G, [0, 6, 5, 4, 3, 2, 1, 11, 9, 10, 8, 7], P0-I1
  532. Volkonsky, Andrei: Musica Stricta, mvt 4, row H, [0, 6, 4, 9, 8, 2, 7, 1, 11, 5, 10, 3], P0-I7
  533. Wang, Xi-Lin: A Dilapidated Tombstone, [0, 4, 6, 3, 2, 10, 11, 5, 8, 9, 7, 1], P0-I11
  534. Weber, Ben: Five Bagatelles for Piano, Op.2, mvt ii, [0, 1, 2, 9, 6, 7, 4, 8, 5, 11, 10, 3], P0-I5
  535. Weber, Ben: Humoreske, Op.49, [0, 2, 4, 5, 7, 10, 1, 11, 9, 8, 6, 3], P0-I1
  536. Webern, Anton: Op.32 (un-finished), initial sketch, [0, 1, 9, 11, 3, 2, 7, 6, 10, 8, 4, 5], P0-I7
  537. Webern, Anton: 3 Volkstexte, “Liebste Jungfrau”, Op.17, No.2, [0, 11, 10, 6, 7, 1, 2, 5, 4, 3, 8, 9], P0-I3
  538. Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5], P0-I5
  539. Webern, Anton: Klavierstück, [0, 1, 2, 11, 10, 4, 5, 6, 9, 8, 7, 3], P0-I7
  540. Webern, Anton: Quartet for Violin, Clarinet, Tenor Sax, And Piano, Op.22, [0, 9, 8, 11, 10, 2, 3, 4, 5, 7, 1, 6], P0-I3
  541. Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], P0-I9
  542. Webern, Anton: String Trio, Op.20, [0, 11, 6, 5, 10, 9, 1, 2, 7, 8, 4, 3], P0-I1
  543. Webern, Anton: Three Songs on Texts by Hildegard Jone, Op.25, [0, 9, 8, 11, 6, 10, 7, 4, 3, 5, 2, 1], P0-I1
  544. Wilson, Olly: Piece for Four’, [0, 8, 9, 4, 2, 6, 7, 11, 10, 3, 5, 1], P0-I7
  545. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], P0-I7
  546. Wuorinen, Charles: Piano Concerto, No.3, [0, 5, 2, 1, 11, 3, 10, 9, 4, 6, 8, 7], P0-I9
  547. Wuorinen, Charles: Reliquary for Igor Stravinsky, [0, 11, 7, 5, 6, 8, 2, 4, 9, 3, 1, 10], P0-I9
  548. Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 1, [0, 4, 2, 6, 5, 8, 7, 9, 3, 1, 10, 11], P0-I3
  549. Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 2, [0, 11, 10, 4, 2, 1, 3, 6, 5, 9, 7, 8], P0-I7
  550. Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 1, [0, 11, 1, 9, 10, 7, 5, 6, 8, 2, 3, 4], P0-I3
  551. Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 2, [0, 4, 2, 8, 5, 6, 7, 9, 3, 11, 10, 1], P0-I3
  552. Yun, Isang: Funf Stücke für Klavier, Stück 4, [0, 1, 7, 8, 11, 3, 4, 9, 5, 2, 6, 10], P0-I5
  553. Yun, Isang: Funf Stücke für Klavier, Stück 5, [0, 11, 6, 3, 2, 10, 9, 1, 5, 4, 8, 7], P0-I7
  554. Yun, Isang: Gasa, [0, 11, 7, 8, 6, 5, 2, 9, 10, 1, 3, 4], P0-I9
  555. Yun, Isang: Riul für Klarinette und Klavier, [0, 5, 6, 9, 8, 4, 3, 7, 1, 2, 11, 10], P0-I7
  556. Zappa, Frank: Brown Shoes Don’t Make It, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], P0-I7
  557. Zappa, Frank: Waltz, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], P0-I7
  558. Zenk, Ludwig: An einen Springbrunnnen, Op.6, No.1, [0, 2, 3, 7, 6, 10, 9, 1, 5, 11, 4, 8], P0-I11
  559. Zenk, Ludwig: Piano Sonata, Op.1, [0, 1, 8, 4, 6, 5, 2, 10, 9, 3, 11, 7], P0-I3
  560. hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], P0-I3

Retrograde Inversion Combinatorial

These rows are combinatorial by retrograde inversion.

  1. Argento, Dominick: Evensong: Of Love and Angels, [0, 11, 9, 8, 5, 3, 4, 1, 2, 7, 10, 6], P0-RI8
  2. Bennett, Richard Rodney: Symphony, [0, 2, 9, 8, 3, 5, 6, 1, 7, 11, 10, 4], P0-RI5
  3. Berg, Alban: Chamber Concerto, mvts 2, 3, [0, 11, 10, 4, 5, 9, 7, 1, 2, 6, 8, 3], P0-RI9
  4. Berg, Alban: Lyric Suite, mvt I, m.7-9, [0, 3, 7, 8, 2, 1, 9, 6, 4, 11, 5, 10], P0-RI3
  5. Carter, Elliott: String Quartet, No.3, [0, 11, 2, 9, 5, 3, 4, 8, 10, 7, 1, 6], P0-RI2
  6. Copland, Aaron: Connotations, row 1, [0, 1, 3, 6, 2, 9, 8, 5, 10, 4, 11, 7], P0-RI3
  7. Copland, Aaron: Connotations, row 2, [0, 7, 9, 6, 2, 3, 8, 11, 10, 4, 5, 1], P0-RI9
  8. Copland, Aaron: Piano Fantasy, [0, 7, 2, 10, 8, 3, 6, 4, 11, 9, 1, 5], P0-RI10
  9. Cordero, Roque: Concerto for Violin, mvt 2B, [0, 5, 3, 11, 6, 8, 7, 2, 1, 4, 9, 10], P0-RI11
  10. Cordero, Roque: Sonata breve, [0, 1, 4, 11, 10, 7, 5, 8, 9, 6, 3, 2], P0-RI11
  11. Dallapiccola, Luigi: Due studi, ‘Fanfare’, [0, 1, 7, 9, 10, 3, 4, 2, 8, 11, 6, 5], P0-RI10
  12. Dallapiccola, Luigi: Preghiere, [0, 11, 2, 3, 8, 9, 7, 6, 1, 5, 4, 10], P0-RI11
  13. Dallapiccola, Luigi: Quattro liriche di Antonio Machado, ii, [0, 1, 4, 6, 7, 9, 10, 11, 2, 3, 5, 8], P0-RI1
  14. Dallapiccola, Luigi: Tre poemi, [0, 8, 9, 6, 3, 1, 2, 11, 7, 5, 4, 10], P0-RI9
  15. David, Johann Nepomuk: Symphony, No.8, Op.59, [0, 5, 9, 2, 6, 11, 3, 4, 7, 8, 10, 1], P0-RI11
  16. Denisov, Edison: Five Etudes for Solo Bassoon, row G, [0, 11, 5, 10, 4, 3, 9, 8, 2, 1, 6, 7], P0-RI3
  17. Dobbins, Bill: Concerto for Jazz Orchestra, [0, 9, 7, 4, 3, 1, 10, 11, 8, 6, 5, 2], P0-RI4
  18. Eisler, Hanns: >Spruch< for voice and piano, [0, 3, 11, 9, 5, 8, 4, 1, 2, 10, 7, 6], P0-RI8
  19. Eisler, Hanns: An den Schlaf, [0, 8, 2, 10, 11, 5, 6, 1, 9, 3, 7, 4], P0-RI10
  20. Eisler, Hanns: Chamber Symphony / Film music for “White Flood”, row 1, [0, 1, 2, 3, 11, 7, 6, 5, 9, 8, 10, 4], P0-RI2
  21. Eisler, Hanns: Chamber Symphony / Film music for “White Flood”, row 2, [0, 8, 2, 10, 11, 5, 6, 1, 4, 9, 7, 3], P0-RI10
  22. Eisler, Hanns: Deutsche Symphonie, mvt 4, [0, 10, 5, 6, 11, 7, 1, 4, 2, 8, 9, 3], P0-RI5
  23. Eisler, Hanns: Deutsche Symphonie, mvt 7, [0, 11, 8, 5, 2, 1, 4, 3, 10, 7, 6, 9], P0-RI1
  24. Eisler, Hanns: Deutsche Symphonie, mvts 2, 6, [0, 3, 11, 9, 5, 8, 4, 7, 6, 2, 1, 10], P0-RI8
  25. Eisler, Hanns: Five Pieces for Orchestra, mvt 1, [0, 6, 2, 3, 10, 9, 11, 5, 8, 7, 1, 4], P0-RI12
  26. Eisler, Hanns: Five Pieces for Orchestra, mvt 2, [0, 2, 3, 1, 11, 7, 5, 4, 8, 10, 9, 6], P0-RI2
  27. Eisler, Hanns: Palmström, Op.5, No.4, [0, 11, 2, 8, 3, 9, 6, 7, 10, 1, 4, 5], P0-RI11
  28. Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 4, [0, 4, 3, 2, 9, 6, 10, 1, 7, 5, 8, 11], P0-RI6
  29. Eröd, Ivan: Die Seidenraupen, [0, 4, 6, 3, 1, 10, 8, 11, 9, 5, 2, 7], P0-RI4
  30. Florey, Hans: ‘Die Blume der Blumen’ für Gesang und Viola, [0, 3, 4, 8, 9, 6, 1, 7, 10, 11, 2, 5], P0-RI12
  31. Florey, Hans: ‘Fort, fort sind meine Rosen’ für Gesang und Instrument, [0, 7, 6, 3, 5, 9, 2, 10, 8, 4, 1, 11], P0-RI12
  32. Florey, Hans: Grabgesang, [0, 2, 8, 5, 10, 11, 4, 1, 6, 3, 9, 7], P0-RI10
  33. Florey, Hans: Griechisch-lateinisches Quadrat der Ordnung 4 mit Fuge in Klangnotation, [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5], P0-RI7
  34. Florey, Hans: Kleiner Doppelkanon, [0, 4, 6, 3, 8, 9, 7, 2, 1, 5, 11, 10], P0-RI12
  35. Florey, Hans: Magisches Quadrat der Ordnung 3, [0, 4, 6, 3, 8, 9, 7, 2, 1, 5, 11, 10], P0-RI12
  36. Frankel, Benjamin: The Curse of the Werewolf, [0, 3, 2, 1, 4, 8, 11, 5, 10, 7, 6, 9], P0-RI4
  37. Gerhard, Roberto: Concerto for Harpsichord, String Orchestra, and Percussion, [0, 2, 8, 7, 11, 5, 1, 4, 3, 6, 9, 10], P0-RI7
  38. Gerhard, Roberto: Gemini, [0, 11, 3, 1, 5, 4, 8, 6, 7, 2, 9, 10], P0-RI4
  39. Gerhard, Roberto: Leo, [0, 2, 1, 6, 5, 7, 3, 8, 9, 10, 4, 11], P0-RI7
  40. Gerhard, Roberto: Nonet, [0, 11, 1, 3, 5, 4, 10, 8, 2, 7, 9, 6], P0-RI4
  41. Gerhard, Roberto: Symphony, No.2, [0, 8, 1, 7, 5, 6, 10, 11, 2, 3, 9, 4], P0-RI1
  42. Ginastera, Alberto: Cantata para América Mágica, Op.27, [0, 7, 6, 5, 10, 11, 8, 1, 2, 9, 4, 3], P0-RI5
  43. Ginastera, Alberto: Piano Concerto, No.1, Op.28, [0, 11, 5, 1, 8, 2, 7, 6, 10, 4, 9, 3], P0-RI1
  44. Ginastera, Alberto: String Quartet, No.2, Op.26, [0, 5, 11, 2, 8, 1, 9, 10, 7, 4, 3, 6], P0-RI1
  45. Goehr, Alexander: Little Symphony, Op.15, [0, 3, 7, 10, 6, 4, 5, 2, 9, 8, 11, 1], P0-RI10
  46. Goehr, Alexander: Sonata in One Movement, Op.2, [0, 2, 7, 1, 4, 10, 6, 9, 11, 8, 5, 3], P0-RI2
  47. Harrison, Lou: Suite for Piano, [0, 1, 6, 2, 5, 7, 11, 4, 9, 8, 10, 3], P0-RI7
  48. Harrison, Lou: Untitled Piano Piece, [0, 10, 4, 3, 9, 7, 2, 8, 6, 1, 11, 5], P0-RI7
  49. Hauer, Josef Matthias: ‘Kaleidoskop’ für Orchester, [0, 9, 6, 7, 3, 8, 2, 4, 11, 1, 5, 10], P0-RI3
  50. Hauer, Josef Matthias: ‘Musik für Schule und Haus II’ 22. September 1956. für Violine, Bratsche und Klavier, [0, 7, 8, 1, 6, 5, 10, 2, 11, 9, 3, 4], P0-RI1
  51. Hauer, Josef Matthias: Labyrinthischer Tanz [Zwölftonspiel] für Klavier zu vier Händen. 16. November 1952, [0, 3, 8, 7, 2, 10, 6, 1, 11, 9, 4, 5], P0-RI10
  52. Hauer, Josef Matthias: Nomos, [0, 5, 7, 3, 9, 6, 11, 2, 8, 4, 1, 10], P0-RI12
  53. Hauer, Josef Matthias: Nomos, Op.19 (bb.1-36), [0, 5, 7, 3, 9, 6, 11, 2, 8, 4, 1, 10], P0-RI12
  54. Hauer, Josef Matthias: Nomos, Op.19 (bb.101-102), [0, 7, 4, 2, 1, 10, 9, 11, 8, 6, 3, 5], P0-RI2
  55. Hauer, Josef Matthias: Nomos, Op.19 (bb.129-130), [0, 9, 10, 4, 3, 7, 6, 2, 1, 8, 11, 5], P0-RI7
  56. Hauer, Josef Matthias: Nomos, Op.19 (bb.131-132), [0, 9, 8, 2, 11, 3, 6, 5, 10, 7, 4, 1], P0-RI11
  57. Hauer, Josef Matthias: Nomos, Op.19 (bb.133-134), [0, 8, 5, 11, 2, 7, 4, 6, 3, 1, 10, 9], P0-RI7
  58. Hauer, Josef Matthias: Nomos, Op.19 (bb.141-142), [0, 5, 3, 4, 1, 11, 2, 6, 8, 9, 10, 7], P0-RI4
  59. Hauer, Josef Matthias: Nomos, Op.19 (bb.194-195), [0, 4, 2, 3, 6, 9, 5, 1, 8, 7, 11, 10], P0-RI6
  60. Hauer, Josef Matthias: Nomos, Op.19 (bb.198-201), [0, 8, 9, 11, 3, 5, 6, 1, 2, 7, 10, 4], P0-RI8
  61. Hauer, Josef Matthias: Nomos, Op.19 (bb.202-203), [0, 1, 3, 10, 7, 9, 2, 11, 4, 6, 8, 5], P0-RI10
  62. Hauer, Josef Matthias: Nomos, Op.19 (bb.208-212), [0, 9, 7, 2, 5, 1, 10, 6, 11, 4, 3, 8], P0-RI2
  63. Hauer, Josef Matthias: Nomos, Op.19 (bb.215-219), [0, 3, 8, 2, 6, 5, 4, 1, 10, 11, 9, 7], P0-RI8
  64. Hauer, Josef Matthias: Nomos, Op.19 (bb.255-257), [0, 7, 2, 6, 5, 10, 3, 4, 11, 8, 1, 9], P0-RI12
  65. Hauer, Josef Matthias: Nomos, Op.19 (bb.301-305), [0, 10, 2, 9, 8, 1, 5, 6, 11, 3, 7, 4], P0-RI10
  66. Hauer, Josef Matthias: Nomos, Op.19 (bb.337-338), [0, 1, 11, 5, 4, 3, 8, 9, 2, 10, 6, 7], P0-RI4
  67. Hauer, Josef Matthias: Nomos, Op.19 (bb.348-353), [0, 11, 9, 5, 10, 4, 6, 8, 3, 2, 1, 7], P0-RI9
  68. Hauer, Josef Matthias: Nomos, Op.19 (bb.395-402), [0, 2, 7, 10, 6, 5, 8, 9, 11, 3, 1, 4], P0-RI12
  69. Hauer, Josef Matthias: Nomos, Op.19 (bb.411-414), [0, 2, 8, 3, 5, 6, 7, 4, 9, 10, 1, 11], P0-RI8
  70. Hauer, Josef Matthias: Nomos, Op.19 (bb.467-471), [0, 5, 9, 1, 7, 2, 10, 4, 11, 8, 3, 6], P0-RI2
  71. Hauer, Josef Matthias: Nomos, Op.19 (bb.471-472), [0, 3, 11, 1, 6, 9, 2, 8, 5, 7, 10, 4], P0-RI12
  72. Hauer, Josef Matthias: Nomos, Op.19 (bb.473-474), [0, 6, 9, 1, 3, 11, 8, 4, 5, 7, 10, 2], P0-RI12
  73. Hauer, Josef Matthias: Nomos, Op.19 (bb.490-494), [0, 5, 11, 6, 9, 2, 8, 7, 10, 4, 1, 3], P0-RI11
  74. Hauer, Josef Matthias: Nomos, Op.19 (bb.496-498), [0, 10, 9, 4, 3, 7, 5, 8, 1, 2, 6, 11], P0-RI7
  75. Hauer, Josef Matthias: Nomos, Op.19 (bb.498-501), [0, 3, 1, 10, 7, 6, 2, 11, 8, 5, 4, 9], P0-RI1
  76. Hauer, Josef Matthias: Nomos, Op.19 (bb.525-527), [0, 10, 3, 9, 7, 1, 11, 2, 6, 4, 8, 5], P0-RI10
  77. Hauer, Josef Matthias: Nomos, Op.19 (bb.64-67), [0, 6, 9, 11, 8, 5, 4, 3, 1, 2, 7, 10], P0-RI5
  78. Hauer, Josef Matthias: Nomos, Op.19 (bb.82-83), [0, 2, 11, 8, 5, 10, 9, 1, 7, 3, 4, 6], P0-RI10
  79. Hauer, Josef Matthias: Nomos, Op.19 (bb.87-90), [0, 1, 11, 9, 8, 7, 10, 6, 4, 3, 5, 2], P0-RI8
  80. Hauer, Josef Matthias: Nomos, Op.19 (bb.91-92), [0, 4, 10, 1, 2, 7, 6, 8, 5, 9, 11, 3], P0-RI2
  81. Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen, [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5], P0-RI7
  82. Hauer, Josef Matthias: Tanz für Violine allein, [0, 7, 3, 4, 10, 9, 2, 8, 11, 1, 6, 5], P0-RI7
  83. Hauer, Josef Matthias: Zwölftonmusik [Zwölftonspiel] für Klavier zu vier Händen. Februar 1959 (Fragment), [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5], P0-RI7
  84. Hauer, Josef Matthias: Zwölftonmusik für Orchester, Op.86, [0, 2, 6, 3, 11, 8, 10, 9, 5, 7, 1, 4], P0-RI2
  85. Hauer, Josef Matthias: Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, 2 Violinen, Viola, Violoncello & Klavier vierhändig, [0, 8, 11, 6, 9, 5, 7, 1, 3, 2, 4, 10], P0-RI5
  86. Hauer, Josef Matthias: Zwölftonspiel 28. August 1948; für Violine und Klavier, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
  87. Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine (Flöte) und Klavier, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
  88. Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine und Klavier; 2. Fassung, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
  89. Hauer, Josef Matthias: Zwölftonspiel März 1958; für Kammerorchester, [0, 5, 10, 4, 1, 7, 2, 11, 8, 3, 6, 9], P0-RI5
  90. Hauer, Josef Matthias: Zwölftonspiel November 1957; für zwei Violinen und Klavier, [0, 6, 3, 9, 1, 5, 11, 8, 10, 7, 2, 4], P0-RI6
  91. Hauer, Josef Matthias: Zwölftonspiel für Klavier. September 1956, [0, 8, 11, 6, 3, 5, 1, 10, 7, 4, 2, 9], P0-RI11
  92. Hauer, Josef Matthias: Zwölftonspiel für Klavier zu zwei Händen. Neujahr 1947 (mit einer Zwölftonreihe von Ernst Hartmann), [0, 10, 6, 3, 7, 4, 9, 2, 8, 11, 1, 5], P0-RI10
  93. Hauer, Josef Matthias: Zwölftonspiel für Orchester (August 1957), [0, 9, 4, 6, 11, 3, 2, 8, 5, 1, 7, 10], P0-RI3
  94. Hauer, Josef Matthias: Zwölftonspiel für Streichquartett, [0, 3, 7, 2, 9, 6, 4, 10, 1, 8, 11, 5], P0-RI9
  95. Hauer, Josef Matthias: Zwölftonspiel für Violine und Cembalo [Klavier]. 27. August 1948, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
  96. Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier. 2. September 1956, [0, 6, 8, 1, 10, 5, 9, 3, 11, 4, 7, 2], P0-RI6
  97. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier, [0, 6, 9, 11, 4, 3, 7, 5, 2, 8, 10, 1], P0-RI3
  98. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello. Jänner 1948, [0, 1, 7, 2, 11, 3, 8, 5, 6, 4, 9, 10], P0-RI2
  99. Hauer, Josef Matthias: [Zwölftonspiel] ‘Johann Sebastian Bach hat das Wohltemperierte Klavier im Himmel vollendet …’, [0, 10, 5, 4, 2, 9, 8, 1, 3, 11, 6, 7], P0-RI2
  100. Hendler, Maximilian: Vier Miniaturen für Klarinette, Op.51, [0, 3, 5, 11, 8, 6, 10, 2, 4, 1, 9, 7], P0-RI11
  101. Husa, Karel: Hudba pro Prahu 1968, [0, 8, 2, 1, 7, 9, 6, 10, 3, 11, 5, 4], P0-RI9
  102. Husa, Karel: Mosaïques, [0, 6, 4, 3, 2, 9, 10, 5, 7, 8, 11, 1], P0-RI6
  103. Ives, Charles: String Quartet, No.2, mvt 2, [0, 1, 2, 11, 3, 7, 10, 4, 6, 8, 9, 5], P0-RI2
  104. Kokkonen, Joonas: Symphonic Sketches, mov. 3, row “III/A”, [0, 2, 1, 3, 8, 7, 5, 6, 4, 11, 9, 10], P0-RI3
  105. Kurtág, György: The Sayings of Péter Bornemisza, Op.7, [0, 11, 7, 8, 9, 1, 2, 10, 3, 4, 5, 6], P0-RI8
  106. Lackner, Peter: ‘Lied des Harfenmädchens’ für Frauenstimme und Klavier, [0, 3, 5, 11, 7, 10, 1, 8, 4, 9, 6, 2], P0-RI10
  107. Lackner, Peter: ‘Lied des Harfenmädchens II’ für Flöte, Klarinette, Posaune, Violine, Cello und Klavier, [0, 3, 5, 11, 7, 10, 1, 8, 4, 9, 6, 2], P0-RI10
  108. Lackner, Peter: ‘So lebe wohl’ für Singstimme und Klavier, [0, 2, 3, 8, 10, 7, 6, 5, 1, 11, 9, 4], P0-RI10
  109. Lackner, Peter: Kanon ‘kgV(3,5,7)’, [0, 3, 10, 9, 6, 5, 2, 11, 4, 8, 1, 7], P0-RI3
  110. Lackner, Peter: Kanon für Bläsersextett. Mai 1995,1996, [0, 9, 7, 3, 10, 1, 6, 8, 2, 11, 5, 4], P0-RI10
  111. Lackner, Peter: Kanon für Schrammel-Quartett. November 2002, [0, 4, 6, 3, 11, 9, 1, 5, 8, 2, 10, 7], P0-RI3
  112. Lackner, Peter: Kanon für Streichquartett. 18. Mai 1993, [0, 11, 4, 7, 1, 10, 5, 6, 2, 3, 9, 8], P0-RI11
  113. Lackner, Peter: Kanon für Violine, Violoncello und Akkordeon (Harmonium). 25. Oktober 1995, [0, 2, 1, 7, 6, 5, 3, 4, 10, 9, 11, 8], P0-RI7
  114. Lang, Bernhard: ‘Küstenlinien’; für zwei Klaviere und doppeltes Schlagwerk, [0, 9, 7, 4, 5, 11, 2, 1, 8, 10, 3, 6], P0-RI4
  115. Lutyens, Elisabeth: O Saisons, O Châteaux!, [0, 11, 10, 4, 8, 9, 3, 7, 6, 5, 2, 1], P0-RI8
  116. Lutyens, Elisabeth: The Valley of Hatsu’se, [0, 6, 11, 10, 8, 7, 9, 1, 3, 2, 4, 5], P0-RI6
  117. Lutyens, Elisabeth: Three Improvisations for Piano Solo, [0, 6, 9, 7, 8, 3, 4, 1, 10, 5, 11, 2], P0-RI3
  118. Maderna, Bruno: Quartetto, [0, 7, 2, 3, 6, 9, 10, 1, 4, 5, 8, 11], P0-RI9
  119. Maderna, Bruno: Streichquartett (Basisreihe 1), [0, 7, 2, 3, 6, 9, 10, 1, 4, 5, 8, 11], P0-RI9
  120. Maderna, Bruno: Streichquartett (Basisreihe 2), [0, 7, 10, 1, 6, 3, 11, 4, 9, 2, 5, 8], P0-RI1
  121. Mamlok, Ursula: Five Intermezzi for guitar solo, [0, 3, 6, 11, 2, 5, 1, 10, 7, 4, 8, 9], P0-RI5
  122. Mamlok, Ursula: Variations for Solo Flute, theme, [0, 2, 1, 11, 7, 3, 5, 6, 4, 10, 8, 9], P0-RI2
  123. Martino, Donald: Notturno (Row A), [0, 11, 10, 2, 6, 1, 5, 9, 4, 8, 3, 7], P0-RI12
  124. Messiaen, Olivier: Mode de valeurs et d’intensités, Series 3, [0, 11, 6, 4, 3, 9, 5, 2, 8, 1, 7, 10], P0-RI3
  125. Morris, Robert: 14 Little Piano Pieces, [0, 5, 1, 9, 10, 11, 2, 7, 3, 4, 6, 8], P0-RI10
  126. Morris, Robert: Arabesque, [0, 6, 7, 1, 3, 10, 8, 9, 4, 5, 11, 2], P0-RI1
  127. Morris, Robert: Arc, [0, 1, 8, 2, 4, 3, 11, 10, 6, 7, 5, 9], P0-RI4
  128. Morris, Robert: Broken Consort in Three Parts, Row 3, [0, 11, 3, 9, 7, 6, 10, 5, 1, 2, 4, 8], P0-RI6
  129. Morris, Robert: Brush, [0, 11, 6, 10, 7, 8, 3, 2, 5, 4, 9, 1], P0-RI6
  130. Morris, Robert: Concerto for Piano and Winds, [0, 1, 4, 7, 8, 10, 11, 2, 5, 6, 9, 3], P0-RI8
  131. Morris, Robert: Four Fold Heart Sutra, [0, 6, 7, 2, 11, 1, 10, 4, 9, 5, 8, 3], P0-RI1
  132. Morris, Robert: Four Play Nine, [0, 3, 2, 1, 8, 7, 10, 5, 4, 11, 6, 9], P0-RI3
  133. Morris, Robert: Four or Five Mirrors, [0, 11, 2, 3, 7, 1, 6, 5, 9, 8, 10, 4], P0-RI2
  134. Morris, Robert: In Variations, [0, 2, 9, 11, 5, 3, 4, 6, 10, 8, 7, 1], P0-RI2
  135. Morris, Robert: Inter Alia, [0, 1, 11, 5, 3, 4, 9, 10, 8, 2, 7, 6], P0-RI4
  136. Morris, Robert: MA, [0, 1, 5, 6, 4, 11, 8, 7, 9, 2, 10, 3], P0-RI5
  137. Morris, Robert: On the Go, [0, 9, 2, 3, 5, 8, 10, 11, 1, 4, 7, 6], P0-RI5
  138. Morris, Robert: Out and Out, [0, 11, 6, 3, 7, 9, 5, 8, 1, 2, 10, 4], P0-RI6
  139. Morris, Robert: Sung Song, [0, 3, 7, 6, 9, 2, 10, 5, 1, 8, 4, 11], P0-RI9
  140. Morris, Robert: Zoe, [0, 8, 6, 3, 1, 9, 7, 10, 4, 2, 5, 11], P0-RI9
  141. Musgrave, Thea: Triptych, Song 1, [0, 11, 9, 6, 5, 2, 10, 1, 8, 7, 3, 4], P0-RI11
  142. Nierhaus, Gerhard: ‘Polg’ – für Orchester, [0, 3, 1, 7, 11, 2, 10, 4, 8, 5, 9, 6], P0-RI2
  143. Nono, Luigi: Intolleranza, Soprano 2, [0, 1, 2, 7, 6, 11, 10, 5, 4, 9, 8, 3], P0-RI1
  144. Nono, Luigi: La terra e la compagna (sketch), Series 4, [0, 2, 9, 5, 6, 8, 3, 11, 1, 10, 4, 7], P0-RI2
  145. Papageorgiou, Dimitri: ‘Jarra Jarra’ for six block flutes, [0, 5, 3, 2, 6, 8, 7, 11, 1, 10, 9, 4], P0-RI8
  146. Papaioannou, Yannis: Pygmalion, [0, 2, 7, 5, 8, 11, 9, 6, 10, 3, 1, 4], P0-RI7
  147. Papaioannou, Yannis: Songs of the Lake, No.3, [0, 11, 8, 1, 6, 7, 2, 10, 3, 4, 9, 5], P0-RI7
  148. Papaioannou, Yannis: Suite, Basic row, [0, 1, 3, 10, 4, 6, 9, 5, 2, 8, 7, 11], P0-RI4
  149. Payne, Antony: Miniature Variations on a Theme of E.L., [0, 6, 11, 10, 8, 7, 9, 1, 3, 2, 4, 5], P0-RI6
  150. Preßl, Hermann Markus: ‘Sonnenuntergänge nach meinem Tode’; Fünf Haikus nach Günther Klinge für Sprechgesang, Alt-Saxophon und Crotales, [0, 4, 7, 9, 8, 2, 6, 10, 5, 11, 1, 3], P0-RI4
  151. Preßl, Hermann Markus: 6. Symphonie aus Es, [0, 6, 1, 7, 5, 8, 9, 11, 3, 2, 4, 10], P0-RI1
  152. Preßl, Hermann Markus: Ithaka, [0, 9, 7, 10, 6, 4, 2, 5, 8, 3, 1, 11], P0-RI4
  153. Ruggles, Carl: Evocations II (Series X), [0, 1, 7, 2, 8, 9, 11, 10, 5, 6, 4, 3], P0-RI9
  154. Santoro, Claudio: A Menina Boba, “A Menina Exausta”, [0, 5, 10, 7, 3, 11, 1, 8, 2, 9, 6, 4], P0-RI10
  155. Schiske, Karl: Symphony, No.4, [0, 8, 11, 3, 2, 6, 1, 9, 4, 5, 7, 10], P0-RI2
  156. Schmid, Erich: Bagatellen for Piano, Op.14, [0, 1, 5, 2, 6, 7, 4, 8, 10, 3, 9, 11], P0-RI7
  157. Schmid, Erich: Notturno, Op.10, mvt 1, [0, 4, 6, 3, 9, 8, 5, 11, 1, 2, 10, 7], P0-RI12
  158. Schnittke, Alfred: Concerto Grosso, No.3, monogram 5, [0, 1, 7, 10, 4, 11, 5, 6, 9, 8, 2, 3], P0-RI11
  159. Schnittke, Alfred: Improvisation and Fugue for piano, [0, 8, 11, 3, 9, 2, 5, 7, 6, 10, 1, 4], P0-RI11
  160. Schnittke, Alfred: Serenade, [0, 1, 7, 3, 10, 9, 8, 6, 5, 11, 4, 2], P0-RI10
  161. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 3, [0, 4, 7, 11, 2, 6, 9, 10, 1, 5, 8, 3], P0-RI6
  162. Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 4, [0, 4, 7, 3, 6, 10, 9, 5, 1, 2, 8, 11], P0-RI10
  163. Schoenberg, Arnold: Die Jakobsleiter, [0, 1, 4, 3, 7, 6, 11, 2, 10, 9, 5, 8], P0-RI7
  164. Schreiner, Thomas: Stück für drei Violinen, [0, 2, 1, 7, 4, 10, 9, 6, 8, 5, 3, 11], P0-RI2
  165. Sengstschmid, Johann: Scherzo für Blockflötenquartett, Op.28, [0, 7, 9, 4, 6, 1, 8, 2, 11, 5, 3, 10], P0-RI1
  166. Slonimsky, Nicholas: No. 1243a Crossing Sixths (Crossing Intervals), [0, 1, 9, 4, 6, 7, 3, 10, 11, 2, 8, 5], P0-RI1
  167. Slonimsky, Nicholas: No. 1249a Crossing Thirds (Crossing Intervals), [0, 11, 3, 8, 6, 5, 9, 2, 1, 10, 4, 7], P0-RI11
  168. Slonimsky, Nicholas: No. 1251a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 2, 5, 8, 11, 4], P0-RI1
  169. Slonimsky, Nicholas: No. 1251b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 6, 2, 10, 7, 4, 1, 9], P0-RI11
  170. Slonimsky, Nicholas: No. 1253a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 11, 3, 6, 9, 2], P0-RI5
  171. Slonimsky, Nicholas: No. 1253b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 9, 6, 4, 11, 7, 5, 2, 10], P0-RI9
  172. Slonimsky, Nicholas: No. 1261a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 5, 9, 1, 6, 7, 10, 3], P0-RI4
  173. Slonimsky, Nicholas: No. 1261b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 10, 7, 5, 2, 9, 6, 3, 11], P0-RI8
  174. Slonimsky, Nicholas: No. 1262a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 3, 6, 11, 2, 8, 9, 1, 5], P0-RI10
  175. Slonimsky, Nicholas: No. 1262b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 5, 3, 11, 8, 4, 1, 7, 6, 2, 10], P0-RI8
  176. Slonimsky, Nicholas: No. 1264a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 5, 8, 11, 4, 7, 10, 2], P0-RI6
  177. Slonimsky, Nicholas: No. 1264b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 2, 10, 6, 5, 1, 8, 7, 4, 11], P0-RI12
  178. Slonimsky, Nicholas: No. 1268a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 11, 2, 6, 9, 3], P0-RI5
  179. Slonimsky, Nicholas: No. 1268b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 9, 6, 4, 10, 7, 5, 2, 11], P0-RI9
  180. Slonimsky, Nicholas: No. 1272a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 5, 2, 11, 8, 4], P0-RI1
  181. Slonimsky, Nicholas: No. 1272b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 1, 2, 5, 9, 8, 4, 11], P0-RI1
  182. Slonimsky, Nicholas: No. 1274a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 9, 6, 2, 11, 8, 3], P0-RI5
  183. Slonimsky, Nicholas: No. 1274b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 1, 2, 6, 9, 8, 3, 11], P0-RI5
  184. Slonimsky, Nicholas: No. 1282a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 5, 9, 6, 1, 10, 7, 3], P0-RI4
  185. Slonimsky, Nicholas: No. 1282b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 5, 2, 6, 9, 1, 10, 7, 3], P0-RI4
  186. Slonimsky, Nicholas: No. 1283a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 3, 6, 8, 2, 11, 9, 5, 1], P0-RI10
  187. Slonimsky, Nicholas: No. 1283b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 3, 11, 2, 8, 5, 1, 9], P0-RI10
  188. Slonimsky, Nicholas: No. 1285a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 5, 8, 4, 11, 10, 7, 2], P0-RI6
  189. Slonimsky, Nicholas: No. 1285b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 5, 1, 11, 4, 8, 7, 2, 10], P0-RI6
  190. Slonimsky, Nicholas: No. 1289a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 2, 11, 9, 6, 3], P0-RI5
  191. Slonimsky, Nicholas: No. 1289b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 1, 11, 2, 8, 9, 6, 3], P0-RI5
  192. Slonimsky, Nicholas: No. 262 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 5, 4, 3, 2, 9, 8, 7, 6, 1], P0-RI3
  193. Slonimsky, Nicholas: No. 348 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 1, 7, 4, 2, 5, 11, 8, 6, 9, 3], P0-RI2
  194. Slonimsky, Nicholas: No. 647 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 2, 11, 5, 8, 10, 7, 1, 4, 6, 3, 9], P0-RI10
  195. Slonimsky, Nicholas: No. 685 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 1, 3, 6, 8, 9, 11, 2, 4, 5, 7, 10], P0-RI9
  196. Slonimsky, Nicholas: No. 735 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 6, 9, 11, 8, 2, 5, 7, 4, 10, 1, 3], P0-RI8
  197. Smith, Hale: Evocation, [0, 1, 7, 2, 9, 5, 8, 3, 10, 11, 4, 6], P0-RI2
  198. Spinner, Leopold: Die Nacht, Op.29, [0, 4, 1, 2, 5, 6, 7, 10, 8, 9, 11, 3], P0-RI6
  199. Spinner, Leopold: Drei Lieder, Op.15, [0, 2, 3, 9, 6, 10, 8, 4, 7, 5, 1, 11], P0-RI12
  200. Spinner, Leopold: Lieder for Voice, Clarinet, Violin, and Cello, [0, 7, 6, 3, 11, 9, 2, 1, 4, 8, 10, 5], P0-RI6
  201. Spinner, Leopold: Suite for Clarinet and Piano, Op.10, [0, 4, 1, 6, 5, 2, 8, 10, 7, 9, 11, 3], P0-RI6
  202. Stockhausen, Karlheinz: ‘Mantra’, [0, 2, 11, 7, 8, 5, 10, 6, 4, 3, 1, 9], P0-RI7
  203. Stockhausen, Karlheinz: Klavierstück IV, row 1, [0, 11, 4, 10, 9, 5, 8, 6, 2, 1, 7, 3], P0-RI9
  204. Stockhausen, Karlheinz: Tierkreis, Aquarius, [0, 3, 5, 4, 11, 10, 9, 8, 7, 6, 2, 1], P0-RI3
  205. Stockhausen, Karlheinz: Tierkreis, Leo, [0, 5, 11, 6, 3, 2, 8, 7, 9, 10, 4, 1], P0-RI5
  206. Stravinsky, Igor: The Owl and the Pussy Cat, [0, 2, 9, 11, 8, 6, 5, 7, 10, 1, 4, 3], P0-RI8
  207. Talma, Louise: Seven Episodes for flute, viola and piano, [0, 9, 11, 4, 6, 3, 8, 1, 10, 2, 5, 7], P0-RI3
  208. Talma, Louise: Six Etudes, Etude 2, [0, 3, 9, 5, 11, 2, 8, 4, 10, 6, 1, 7], P0-RI2
  209. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 4, [0, 7, 6, 1, 3, 4, 2, 11, 9, 5, 10, 8], P0-RI7
  210. Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 6, [0, 8, 3, 6, 4, 9, 10, 5, 7, 1, 11, 2], P0-RI12
  211. Volkonsky, Andrei: Musica Stricta, mvt 2, row C, [0, 10, 11, 9, 4, 5, 7, 2, 1, 3, 6, 8], P0-RI9
  212. Volkonsky, Andrei: Musica Stricta, mvt 3, row F, [0, 1, 9, 3, 5, 6, 7, 11, 10, 8, 4, 2], P0-RI6
  213. Walker, George: Spatials, [0, 3, 9, 11, 2, 8, 7, 5, 4, 1, 10, 6], P0-RI11
  214. Weber, Ben: Five Bagatelles for Piano, Op.2, mvt v, [0, 9, 1, 8, 2, 7, 3, 5, 6, 4, 11, 10], P0-RI9
  215. Webern, Anton: 3 Lieder, “Ave, Regina Coelorum”, Op.18, No.3, [0, 11, 3, 2, 1, 7, 6, 10, 9, 8, 5, 4], P0-RI2
  216. Webern, Anton: 3 Volkstexte, “Armer Sunder, Du”, Op.17, No.1, [0, 11, 6, 7, 4, 5, 8, 9, 10, 1, 2, 3], P0-RI11
  217. Yi, Chen: Near Distance, [0, 1, 10, 3, 4, 6, 8, 9, 11, 5, 7, 2], P0-RI4
  218. Yi, Chen: Symphony, No.2, [0, 6, 2, 3, 7, 9, 10, 4, 5, 11, 8, 1], P0-RI9
  219. Yi, Chen: Woodwind Quintet, [0, 11, 1, 7, 9, 8, 10, 4, 6, 5, 2, 3], P0-RI8
  220. Zenk, Ludwig: Abend in Lans, Op.3, No.2, [0, 1, 6, 4, 5, 2, 7, 8, 3, 10, 11, 9], P0-RI6
  221. Zenk, Ludwig: Adagio for Orchestra, [0, 3, 11, 8, 6, 2, 7, 5, 9, 4, 1, 10], P0-RI2
  222. Zenk, Ludwig: Piano Sonata, No.2, Op.4, [0, 11, 6, 8, 7, 10, 5, 4, 9, 2, 1, 3], P0-RI6

All-Combinatorial

Finally, rows are all-combinatorial when the combinatorial property holds for all transformations in at least one transposition. Notice how the whole-tone hexachord [0,2,4,6,8,10] (in any ordering) stands out for its highly combinatorial properties.

  1. Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  2. Babbitt, Milton: All Set, [0, 4, 5, 11, 6, 10, 7, 3, 1, 2, 9, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  3. Babbitt, Milton: Arie da Capo, [0, 7, 8, 6, 2, 1, 10, 5, 11, 9, 4, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  4. Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  5. Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
  6. Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], T6; I7; RI1, (0, 2, 3, 4, 5, 7)
  7. Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  8. Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  9. Babbitt, Milton: Composition for Synthesizer, [0, 9, 1, 8, 4, 5, 7, 2, 3, 6, 10, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  10. Babbitt, Milton: Composition for Tenor and Six Instruments, [0, 11, 7, 5, 6, 1, 4, 3, 10, 8, 2, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  11. Babbitt, Milton: Composition for Twelve Instruments, [0, 1, 4, 9, 5, 8, 3, 10, 2, 11, 6, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  12. Babbitt, Milton: Composition for Viola and Piano, [0, 3, 4, 8, 11, 7, 9, 2, 1, 5, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  13. Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  14. Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  15. Babbitt, Milton: Groupwise, [0, 5, 4, 6, 10, 11, 2, 9, 3, 1, 8, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  16. Babbitt, Milton: My Complements to Roger, [0, 3, 7, 8, 11, 4, 2, 6, 1, 9, 10, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  17. Babbitt, Milton: My Ends Are My Beginnings, [0, 11, 4, 8, 7, 3, 5, 6, 9, 2, 10, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  18. Babbitt, Milton: Paraphrases, [0, 11, 3, 10, 8, 1, 7, 5, 4, 6, 2, 9], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  19. Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
  20. Babbitt, Milton: Relata I, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  21. Babbitt, Milton: Relata II, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  22. Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  23. Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  24. Babbitt, Milton: String Quartet, No.3, [0, 11, 6, 7, 5, 1, 10, 2, 9, 3, 4, 8], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  25. Babbitt, Milton: String Quartet, No.4, [0, 2, 9, 7, 11, 10, 1, 8, 4, 3, 5, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
  26. Babbitt, Milton: Tableaux, [0, 11, 4, 6, 10, 5, 2, 1, 7, 9, 8, 3], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  27. Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
  28. Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  29. Babbitt, Milton: Two Sonnets of Gerard Manley Hopkins, [0, 2, 3, 4, 7, 5, 11, 6, 10, 9, 8, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  30. Babbitt, Milton: Vision and Prayer, [0, 11, 8, 3, 7, 4, 10, 9, 2, 6, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  31. Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  32. Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  33. Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  34. Berg, Alban: Altenberg Lieder, [0, 1, 11, 10, 2, 9, 3, 8, 7, 6, 5, 4], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  35. Berg, Alban: Lulu, Primary / Main / Basic Row, [0, 4, 5, 2, 7, 9, 6, 8, 11, 10, 3, 1], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  36. Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  37. Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  38. Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  39. Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  40. Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  41. Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  42. Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  43. Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  44. Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  45. Boulez, Pierre: Notations, [0, 2, 7, 6, 1, 8, 4, 9, 5, 11, 10, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  46. Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  47. Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  48. Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  49. Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  50. Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  51. Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  52. Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  53. Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  54. Denisov, Edison: Five Etudes for Solo Bassoon, row I, [0, 6, 1, 7, 2, 8, 3, 10, 5, 11, 9, 4], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  55. Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  56. Denisov, Edison: Octet for Winds, mvt 2, row A, [0, 1, 3, 2, 4, 5, 8, 7, 6, 11, 9, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  57. Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  58. Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  59. Eisler, Hanns: Deutsche Symphonie, mvt 8, [0, 3, 1, 11, 2, 10, 8, 9, 6, 7, 5, 4], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  60. Eisler, Hanns: Five Pieces for Orchestra, mvt 3, [0, 3, 2, 1, 5, 4, 6, 9, 8, 11, 10, 7], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  61. Eisler, Hanns: Gegen den Krieg, Op.55, [0, 3, 2, 5, 4, 7, 6, 8, 9, 10, 1, 11], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  62. Eisler, Hanns: Man lebt von einem Tage zu dem andern (“Kantate im Exil”), [0, 10, 11, 3, 1, 8, 7, 4, 2, 6, 9, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  63. Eisler, Hanns: Palmström, Op.5, No.5, [0, 10, 11, 9, 8, 1, 7, 6, 5, 3, 4, 2], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  64. Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  65. Eisler, Hanns: Suite for Orchestra, No.1, mvt 4, [0, 4, 2, 3, 1, 11, 7, 10, 9, 8, 6, 5], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  66. Evans, Bill: Twelve Tone Tune, [0, 10, 2, 3, 1, 11, 4, 6, 9, 8, 5, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  67. Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  68. Finney, Ross Lee: Fantasy in Two Movements for solo violin, [0, 1, 3, 5, 4, 2, 11, 10, 8, 6, 7, 9], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  69. Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  70. Gerhard, Roberto: Chaconne for Unaccompanied Violin, [0, 11, 4, 2, 1, 3, 9, 10, 8, 6, 5, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  71. Gerhard, Roberto: Libra, [0, 6, 1, 7, 2, 8, 4, 9, 5, 10, 11, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  72. Gerhard, Roberto: The Plague, [0, 1, 9, 11, 8, 10, 4, 5, 6, 2, 3, 7], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  73. Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  74. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 1, [0, 1, 6, 7, 8, 2, 10, 11, 5, 4, 9, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  75. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  76. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 5, [0, 1, 7, 6, 5, 11, 2, 8, 9, 10, 4, 3], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  77. Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 7, [0, 1, 8, 2, 7, 6, 5, 11, 9, 10, 4, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  78. Ginastera, Alberto: Quintet, Op.29, Row Class V, [0, 5, 4, 7, 3, 2, 6, 9, 8, 1, 10, 11], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  79. Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  80. Ginastera, Alberto: Sonata for Cello and Piano, Op.49, [0, 3, 2, 1, 10, 11, 8, 9, 5, 4, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  81. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  82. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  83. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  84. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  85. Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 7, [0, 9, 10, 11, 8, 7, 6, 3, 4, 5, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  86. Ginastera, Alberto: Turbae ad Passionem Gregorianam, Op.43, mvt II, [0, 5, 1, 7, 6, 11, 8, 2, 3, 4, 9, 10], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  87. Ginastera, Alberto: Violin Concerto, Op.30, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  88. Hartmann, Karl Amadeus: Symphony, No.4, [0, 1, 3, 2, 11, 4, 5, 10, 7, 6, 8, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  89. Hauer, Josef Matthias: Nomos, Op.19 (bb.139-141), [0, 2, 10, 1, 11, 9, 8, 5, 6, 4, 7, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  90. Hauer, Josef Matthias: Nomos, Op.19 (bb.143-145), [0, 9, 10, 2, 1, 11, 4, 6, 7, 5, 8, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  91. Hauer, Josef Matthias: Nomos, Op.19 (bb.331-334), [0, 4, 3, 2, 1, 11, 7, 10, 5, 6, 8, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  92. Hauer, Josef Matthias: Nomos, Op.19 (bb.362-365), [0, 7, 5, 3, 10, 8, 4, 2, 9, 6, 11, 1], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
  93. Hauer, Josef Matthias: Nomos, Op.19 (bb.503-507), [0, 10, 1, 2, 3, 5, 7, 11, 4, 8, 9, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
  94. Hauer, Josef Matthias: XXIX. Zwölftonspiel für Cembalo; mit der Sokolowski-Reihe zu Bachs Geburtstag, [0, 11, 2, 1, 4, 3, 10, 5, 8, 9, 6, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  95. Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, [0, 2, 3, 11, 1, 10, 8, 6, 4, 9, 7, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  96. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.13, [0, 3, 5, 7, 8, 10, 9, 6, 4, 2, 1, 11], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
  97. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  98. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.28, [0, 5, 7, 8, 9, 10, 11, 6, 4, 3, 2, 1], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
  99. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.30, [0, 1, 2, 6, 7, 8, 11, 10, 9, 5, 4, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  100. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  101. Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  102. Hendler, Maximilian: aus den fünf Liedern nach Texten von Karl Hans Haysen für Singstimme und Klavier : ‘Erkenntnis’, Op.45-2, [0, 9, 2, 4, 7, 11, 8, 10, 5, 1, 6, 3], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  103. Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  104. Ives, Charles: On the Antipodes, [0, 3, 11, 8, 4, 7, 10, 9, 6, 2, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  105. Ives, Charles: Tone Roads, No.3, [0, 11, 1, 3, 2, 10, 5, 8, 4, 7, 6, 9], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  106. Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  107. Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  108. Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  109. Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/A”, [0, 2, 7, 4, 3, 5, 6, 1, 11, 8, 10, 9], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  110. Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/B”, [0, 2, 3, 1, 4, 5, 7, 8, 6, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  111. Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/C”, [0, 9, 11, 10, 7, 2, 6, 3, 5, 4, 1, 8], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
  112. Kokkonen, Joonas: Woodwind Quintet, mov. 1, rows “I/A” and “I/B”, [0, 2, 11, 9, 10, 1, 3, 6, 4, 5, 7, 8], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  113. Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  114. Krenek, Ernst: String Quartet, No.6, Op.78, [0, 10, 11, 8, 1, 9, 3, 7, 2, 4, 6, 5], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  115. Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  116. Krenek, Ernst: Zwölf Variationen in Drei Satzen, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 6, 8], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
  117. Krenek, Ernst: Zwölf Variationen in Drei Sätzen, Op.79, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 8, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
  118. Kukuck, Felicitas: ‘Der Gottesknecht’: 6. Kantate, [0, 11, 10, 1, 2, 3, 8, 9, 6, 5, 7, 4], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  119. Lackner, Peter: ‘An alle Außerirdischen’. Kanon für drei Singstimmen, Kontrabaß und Klavier, [0, 4, 9, 7, 11, 2, 5, 1, 8, 10, 6, 3], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  120. Lackner, Peter: ‘Es fiel ein Reif in der Frühlingsnacht’ für Singstimme und ein Melodie-Instrument, [0, 9, 4, 7, 2, 5, 1, 8, 10, 11, 3, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  121. Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  122. Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
  123. Lackner, Peter: ‘Venus-Quadrat’ für Violine und Klavier, [0, 7, 2, 5, 9, 10, 11, 6, 8, 4, 3, 1], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  124. Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  125. Lackner, Peter: Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier, [0, 8, 3, 5, 1, 10, 7, 11, 4, 2, 6, 9], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
  126. Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  127. Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  128. Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  129. Lackner, Peter: Kanon T3 à 4, [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  130. Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  131. Lackner, Peter: Kanon T6 á 2, [0, 10, 8, 3, 1, 5, 6, 4, 2, 9, 7, 11], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
  132. Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  133. Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  134. Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  135. Lackner, Peter: Kanon für Klavier zu vier Händen, [0, 10, 5, 3, 7, 8, 6, 4, 11, 9, 1, 2], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
  136. Lackner, Peter: Kanon für Klaviertrio, [0, 2, 4, 9, 5, 7, 3, 1, 11, 6, 10, 8], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  137. Lackner, Peter: Kanon für Orgel, zweimanualiges Cembalo oder Klavier, [0, 7, 2, 11, 4, 9, 6, 8, 1, 5, 3, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  138. Lackner, Peter: Kanon für Orgel. 21. November 1994, 4. Februar 1995, [0, 8, 5, 1, 4, 9, 2, 11, 7, 3, 10, 6], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  139. Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  140. Lackner, Peter: Kanon für Schwegel und zwei Geigen, [0, 6, 4, 2, 10, 8, 9, 3, 5, 7, 11, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  141. Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  142. Lackner, Peter: Kanon für Violine, Viola und Akkordeon. 11. Juni 2007, [0, 11, 1, 2, 3, 10, 4, 9, 8, 7, 5, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  143. Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
  144. Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  145. Lackner, Peter: Kanon für drei Violinen I, II August 1998, [0, 2, 10, 4, 8, 6, 1, 9, 11, 5, 3, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  146. Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  147. Lackner, Peter: Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993, [0, 1, 2, 10, 3, 5, 11, 9, 4, 8, 7, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
  148. Lackner, Peter: Kanon für zwei Violinen, [0, 7, 4, 5, 9, 2, 3, 8, 11, 10, 6, 1], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  149. Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  150. Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  151. Lackner, Peter: Moebiusband I für zwei Melodieinstrumente, [0, 6, 8, 2, 7, 1, 11, 5, 3, 9, 4, 10], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  152. Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  153. Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  154. Lang, Bernhard: ‘Der Golem’ nach Gustav Meyrinck, [0, 4, 7, 8, 11, 3, 5, 2, 9, 1, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  155. Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  156. Lang, Bernhard: Hemma (Music Theatre Hemma Klagenfurt 2015), [0, 5, 10, 2, 3, 1, 7, 9, 8, 4, 11, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
  157. Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
  158. Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  159. Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  160. Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  161. Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  162. Luo, Zhong-Rong: Dusk, row 2, [0, 3, 7, 5, 8, 10, 1, 11, 6, 2, 4, 9], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
  163. Luo, Zhong-Rong: Morning Glory, [0, 2, 5, 9, 7, 10, 3, 11, 1, 4, 6, 8], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  164. Luo, Zhong-Rong: Picking lotus flowers at the riverside, [0, 2, 5, 7, 10, 3, 1, 4, 6, 9, 11, 8], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  165. Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 2, [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  166. Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  167. Lutyens, Elisabeth: Essence Of Our Happinesses, Op.69, mvt II, Part I, [0, 11, 1, 10, 2, 3, 8, 9, 5, 6, 4, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  168. Lutyens, Elisabeth: Motet (Excerota Tractati Logico-Philosophici), Op.27, [0, 11, 3, 7, 8, 4, 2, 6, 5, 1, 9, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  169. Lutyens, Elisabeth: The Numbered, Altered Primary Row (swap pitches 2 and 3), [0, 11, 10, 1, 2, 9, 3, 4, 8, 5, 7, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  170. Lutyens, Elisabeth: The Numbered, Primary Row, [0, 10, 11, 1, 2, 9, 3, 4, 8, 5, 7, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  171. Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  172. Mamlok, Ursula: Panta Rhei, [0, 7, 4, 11, 8, 3, 10, 9, 6, 2, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  173. Mamlok, Ursula: Panta Rhei, secondary row (mvt 4, Piano), [0, 11, 8, 3, 4, 7, 2, 1, 6, 9, 10, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  174. Martino, Donald: Notturno (Row B), [0, 7, 11, 10, 9, 8, 2, 1, 6, 3, 4, 5], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  175. Matthias, Hauer Josef: Zwölftonspiel für Holzbläser, Streicher und Klavier. April 1951, [0, 4, 9, 11, 7, 2, 3, 6, 8, 10, 5, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  176. Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  177. Mittendorfer, Josef: aleatoric row, [0, 2, 7, 1, 8, 6, 10, 5, 4, 11, 3, 9], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  178. Moevs, Robert: Musica da Camera, [0, 1, 11, 3, 4, 2, 9, 10, 8, 7, 5, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  179. Morris, Robert: By Far, [0, 1, 4, 11, 3, 2, 6, 7, 5, 10, 8, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  180. Morris, Robert: Clash, [0, 3, 11, 10, 8, 1, 7, 9, 2, 6, 4, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  181. Morris, Robert: Concerto for Piano and Strings, [0, 1, 6, 11, 7, 5, 10, 8, 4, 3, 2, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  182. Morris, Robert: Roundelay, row 1, [0, 7, 4, 11, 9, 2, 6, 3, 10, 5, 8, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  183. Morris, Robert: Roundelay, row 2, [0, 5, 9, 7, 8, 10, 4, 11, 1, 6, 2, 3], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
  184. Morris, Robert: Roundelay, row 5, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  185. Morris, Robert: Roundelay, row 6, [0, 10, 5, 11, 4, 6, 8, 7, 2, 3, 9, 1], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  186. Morris, Robert: Tête‐à‐Tête, [0, 3, 11, 10, 1, 8, 2, 6, 9, 5, 4, 7], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  187. Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  188. Nono, Luigi: Composizione per orchestra, No.1, [0, 1, 7, 6, 2, 8, 4, 3, 5, 10, 11, 9], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  189. Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  190. Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  191. Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  192. Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  193. Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  194. Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  195. Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  196. Nono, Luigi: La terra e la compagna (sketch), Series 2, [0, 6, 1, 7, 11, 5, 2, 8, 10, 4, 3, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  197. Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  198. Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  199. Preßl, Hermann Markus: N. N. 50; ‘Die Zeremonie des Abschieds’, [0, 9, 4, 2, 7, 5, 8, 1, 6, 3, 11, 10], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  200. Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  201. Riegebauer, Sigrid: Toccata, [0, 3, 1, 2, 11, 10, 4, 5, 8, 7, 9, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  202. Rochberg, George: Sonata-Fantasia, [0, 11, 10, 4, 5, 6, 9, 8, 7, 1, 2, 3], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  203. Rochberg, George: Symphony, No.2, [0, 8, 1, 4, 9, 5, 6, 2, 3, 10, 11, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  204. Sande, Henrik: ‘Volkslied’ für zwei Singstimmen und Klavier. 24. 12. 2015, [0, 2, 4, 5, 7, 9, 10, 8, 6, 3, 1, 11], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  205. Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  206. Santoro, Claudio: Sonata, No.1, [0, 10, 3, 8, 11, 1, 2, 9, 7, 4, 5, 6], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  207. Schnittke, Alfred: Concerto, No.2 for Violin and Chamber Orchestra, [0, 11, 1, 2, 10, 3, 4, 9, 5, 6, 8, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  208. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  209. Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 8, [0, 11, 7, 9, 10, 8, 6, 5, 3, 4, 1, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  210. Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  211. Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  212. Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, [0, 2, 3, 1, 4, 5, 11, 10, 7, 9, 8, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  213. Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  214. Schnittke, Alfred: String Quartet, No.4, [0, 11, 10, 1, 3, 2, 4, 9, 8, 6, 5, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  215. Schnittke, Alfred: String Quartet, No.4, mvt 2, m.40, [0, 5, 10, 3, 2, 7, 8, 1, 6, 11, 4, 9], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  216. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.122, [0, 1, 11, 2, 10, 3, 4, 9, 8, 7, 6, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  217. Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  218. Schnittke, Alfred: Symphony, No.7, mvt 3, row X, [0, 1, 10, 11, 2, 3, 9, 4, 5, 8, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  219. Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  220. Schoenberg, Arnold: Fantasy for Piano Four Hands, I, [0, 4, 2, 5, 3, 7, 11, 10, 1, 8, 9, 6], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  221. Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.3, Op.27, No.3, [0, 11, 7, 9, 10, 8, 4, 5, 1, 3, 2, 6], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  222. Schoenberg, Arnold: Modern Psalms, The First Psalm, Op.50c, [0, 11, 8, 4, 7, 3, 1, 5, 2, 6, 9, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  223. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  224. Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  225. Schoenberg, Arnold: Psalm 130, De Profundis (unfinished), Op.50B, [0, 6, 5, 1, 11, 7, 4, 8, 9, 3, 2, 10], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  226. Schoenberg, Arnold: Serenade, mvt 4, “Sonett”, Op.24, [0, 10, 11, 7, 8, 9, 4, 2, 5, 1, 3, 6], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  227. Schoenberg, Arnold: Suite, Op.29, [0, 4, 3, 7, 11, 8, 9, 6, 5, 1, 2, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  228. Schoenberg, Arnold: Three Songs, No.3, “Madchenlied”, Op.48, [0, 6, 8, 10, 2, 4, 9, 5, 3, 11, 7, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  229. Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  230. Schwantner, Joseph: Elixir (Consortium VIII), [0, 8, 4, 3, 7, 11, 10, 6, 9, 5, 1, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  231. Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  232. Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  233. Schwantner, Joseph: In Aeternum (Principal Row), [0, 4, 11, 6, 10, 5, 1, 9, 2, 7, 3, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  234. Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  235. Seiber, Mátyás: String Quartet, No.2, [0, 2, 3, 1, 4, 11, 5, 10, 7, 9, 8, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  236. Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  237. Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  238. Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
  239. Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  240. Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
  241. Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  242. Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  243. Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  244. Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  245. Slonimsky, Nicholas: No. 1223a Sixths (Twelve-Tone Patterns), [0, 8, 4, 1, 5, 9, 6, 2, 10, 7, 11, 3], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  246. Slonimsky, Nicholas: No. 1225a Sixths (Twelve-Tone Patterns), [0, 8, 4, 7, 11, 3, 6, 2, 10, 1, 5, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  247. Slonimsky, Nicholas: No. 1226a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 8, 2, 4, 6, 1, 11, 9, 3, 5, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  248. Slonimsky, Nicholas: No. 1227a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 4, 2, 8, 6, 1, 11, 9, 7, 5, 3], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  249. Slonimsky, Nicholas: No. 1228a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 2, 4, 8, 6, 11, 1, 5, 3, 7, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  250. Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  251. Slonimsky, Nicholas: No. 1230a Major Sevenths (Twelve-Tone Patterns), [0, 11, 3, 4, 8, 7, 1, 2, 6, 5, 9, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  252. Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  253. Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  254. Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  255. Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  256. Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  257. Slonimsky, Nicholas: No. 1236a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 6, 8, 3, 1, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  258. Slonimsky, Nicholas: No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  259. Slonimsky, Nicholas: No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  260. Slonimsky, Nicholas: No. 1240a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 3, 6, 8, 1, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  261. Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  262. Slonimsky, Nicholas: No. 1244a Crossing Sixths (Crossing Intervals), [0, 3, 8, 7, 4, 11, 1, 2, 10, 5, 6, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  263. Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  264. Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  265. Slonimsky, Nicholas: No. 1247a Crossing Thirds (Crossing Intervals), [0, 3, 4, 11, 7, 8, 10, 5, 2, 1, 6, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  266. Slonimsky, Nicholas: No. 1248a Crossing Thirds (Crossing Intervals), [0, 5, 4, 1, 8, 9, 11, 6, 3, 2, 7, 10], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  267. Slonimsky, Nicholas: No. 1250a Crossing Seconds (Crossing Intervals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  268. Slonimsky, Nicholas: No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 11, 4, 6, 9, 1], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  269. Slonimsky, Nicholas: No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 2, 11, 7, 5, 1, 8, 6, 3, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  270. Slonimsky, Nicholas: No. 1257a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 1, 6, 9, 2, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  271. Slonimsky, Nicholas: No. 1257b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 5, 2, 10, 6, 1, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  272. Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  273. Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  274. Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  275. Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  276. Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  277. Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  278. Slonimsky, Nicholas: No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 4, 11, 9, 6, 1], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  279. Slonimsky, Nicholas: No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 2, 4, 8, 11, 9, 6, 1], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  280. Slonimsky, Nicholas: No. 1278a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 1, 9, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  281. Slonimsky, Nicholas: No. 1278b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 6, 10, 1, 9, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  282. Slonimsky, Nicholas: No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 2, 10, 7, 3, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  283. Slonimsky, Nicholas: No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 5, 1, 10, 2, 6, 7, 3, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  284. Slonimsky, Nicholas: No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 3, 11, 9, 5, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  285. Slonimsky, Nicholas: No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 6, 2, 11, 3, 7, 9, 5, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  286. Slonimsky, Nicholas: No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 2, 1, 9, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  287. Slonimsky, Nicholas: No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 2, 6, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  288. Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  289. Slonimsky, Nicholas: No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 1, 11, 10, 8, 6, 9, 7, 5, 4, 2], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  290. Slonimsky, Nicholas: No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 4, 7, 5, 2, 6, 3, 10, 1, 11, 8], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  291. Slonimsky, Nicholas: No. 1294b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 8, 11, 1, 10, 3, 6, 2, 5, 7, 4, 9], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  292. Slonimsky, Nicholas: No. 1295a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 5, 4, 3, 1, 6, 8, 11, 10, 9, 7], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  293. Slonimsky, Nicholas: No. 1295b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 9, 10, 11, 8, 6, 1, 3, 4, 5, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  294. Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  295. Slonimsky, Nicholas: No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  296. Slonimsky, Nicholas: No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 10, 8, 1, 3, 5, 6, 4, 2, 7, 9, 11], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
  297. Slonimsky, Nicholas: No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  298. Slonimsky, Nicholas: No. 1299a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 2, 7, 4, 5, 6, 3, 8, 1, 10, 11], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  299. Slonimsky, Nicholas: No. 1299b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 10, 1, 8, 3, 6, 5, 4, 7, 2, 9], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  300. Slonimsky, Nicholas: No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  301. Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  302. Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
  303. Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  304. Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  305. Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  306. Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  307. Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  308. Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  309. Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  310. Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  311. Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  312. Slonimsky, Nicholas: No. 405 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 7, 5, 3, 10, 8, 6, 1, 11, 9, 4, 2], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
  313. Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  314. Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
  315. Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  316. Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  317. Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  318. Slonimsky, Nicholas: No. 482 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 1, 3, 2, 4, 6, 5, 7, 9, 8, 10], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  319. Slonimsky, Nicholas: No. 485 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 2, 3, 1, 5, 6, 4, 8, 9, 7, 11], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
  320. Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  321. Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  322. Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
  323. Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
  324. Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  325. Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  326. Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  327. Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  328. Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7], T6; I7; RI1, (0, 2, 3, 4, 5, 7)
  329. Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  330. Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  331. Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  332. Slonimsky, Nicholas: No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 5, 4, 3, 6, 7, 8, 11, 10, 9], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  333. Slonimsky, Nicholas: No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 7, 8, 9, 6, 5, 4, 1, 2, 3], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  334. Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  335. Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  336. Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  337. Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  338. Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  339. Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  340. Slonimsky, Nicholas: No. 754 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 5, 7, 9, 2, 4, 6, 11, 1, 3, 8, 10], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  341. Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  342. Slonimsky, Nicholas: No. 794 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 10, 11, 9, 7, 8, 6, 4, 5, 3, 1, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  343. Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  344. Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  345. Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  346. Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  347. Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  348. Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  349. Slonimsky, Nicholas: No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts), [0, 10, 2, 8, 4, 6, 5, 3, 7, 1, 9, 11], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  350. Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  351. Smith, Hale: Contours for Orchestra, [0, 5, 6, 4, 10, 11, 7, 2, 1, 3, 9, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  352. Spinner, Leopold: Chamber Symphony, Op.28, [0, 11, 10, 6, 4, 5, 2, 1, 3, 7, 8, 9], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  353. Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  354. Spinner, Leopold: Ich lieb’ eine Blume for Four-part mixed Choir, [0, 11, 2, 4, 9, 7, 1, 3, 10, 8, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  355. Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  356. Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  357. Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  358. Spinner, Leopold: Trio for Clarinet, Cello and Piano, [0, 1, 7, 6, 5, 11, 10, 3, 4, 2, 9, 8], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  359. Steinbauer, Othmar: Violinsonate, No.1, Op.15, [0, 5, 2, 10, 7, 3, 11, 8, 4, 1, 6, 9], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  360. Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  361. Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  362. Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  363. Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
  364. Stockhausen, Karlheinz: Kreuzspiel, [0, 10, 9, 11, 7, 2, 8, 1, 4, 6, 5, 3], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
  365. Stockhausen, Karlheinz: Tierkreis, Cancer, [0, 7, 11, 10, 9, 8, 3, 6, 4, 1, 5, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  366. Stockhausen, Karlheinz: Tierkreis, Scorpio, [0, 4, 3, 11, 7, 8, 10, 9, 2, 5, 1, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  367. Stravinsky, Igor: Agon, “Pas de deux”, “Four trios”, [0, 1, 4, 3, 2, 5, 6, 9, 8, 11, 10, 7], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  368. Stravinsky, Igor: Canticum Sacrum, II & IV, [0, 11, 1, 3, 4, 2, 7, 6, 9, 5, 8, 10], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  369. Stravinsky, Igor: Fanfare for a New Theater, [0, 11, 1, 3, 4, 2, 5, 7, 6, 8, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  370. Stravinsky, Igor: Movements, [0, 1, 7, 5, 6, 11, 9, 8, 10, 3, 4, 2], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
  371. Talma, Louise: Passacaglia and Fugue, [0, 4, 2, 9, 11, 7, 8, 3, 1, 6, 5, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  372. Talma, Louise: Six Etudes, Etude 4, [0, 1, 5, 9, 4, 8, 7, 6, 11, 2, 10, 3], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  373. Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
  374. Webern, Anton: Op.32 (un-finished), later sketch, [0, 1, 2, 11, 10, 9, 5, 4, 3, 6, 7, 8], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  375. Webern, Anton: 3 Lieder, “Erlösung”, Op.18, No.2, [0, 3, 11, 2, 10, 1, 9, 5, 8, 4, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  376. Webern, Anton: 3 Volkstexte, “Heiland, Unsere Missetaten…”, Op.17, No.3, [0, 9, 8, 7, 11, 10, 4, 5, 6, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  377. Webern, Anton: Concerto for Nine Instruments (Konzert), Op.24, [0, 11, 3, 4, 8, 7, 9, 5, 6, 1, 2, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  378. Webern, Anton: Symphony, Op.21, [0, 3, 2, 1, 5, 4, 10, 11, 7, 8, 9, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  379. Webern, Anton: Variations for Orchestra, Op.30, [0, 1, 4, 3, 2, 5, 6, 9, 8, 7, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  380. Webern, Anton: Variations for Piano, Op.27, [0, 8, 7, 11, 10, 9, 3, 1, 4, 2, 6, 5], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  381. Westergaard, Peter: Mr. and Mrs. Discobbolos, [0, 2, 1, 4, 3, 5, 8, 6, 10, 7, 11, 9], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  382. Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  383. Wolpe, Stefan: Four Studies on Basic Rows, No.2 – Study on Thirds, [0, 11, 9, 8, 10, 7, 6, 5, 3, 2, 4, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
  384. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  385. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
  386. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  387. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  388. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  389. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
  390. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
  391. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
  392. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
  393. Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  394. Wuorinen, Charles: Flute Variations II, [0, 1, 3, 2, 5, 4, 9, 10, 6, 8, 7, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  395. Wuorinen, Charles: Second Sonata, Source set, [0, 2, 10, 3, 5, 7, 6, 4, 1, 11, 9, 8], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
  396. Wuorinen, Charles: Second Sonata, Voice 2, [0, 2, 10, 9, 11, 1, 6, 4, 7, 5, 3, 8], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
  397. Wuorinen, Charles: Second Sonata, Voice 3, [0, 2, 4, 3, 5, 1, 9, 7, 11, 10, 8, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  398. Wuorinen, Charles: Sonata for Piano, [0, 3, 2, 4, 5, 1, 11, 8, 9, 7, 6, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
  399. Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
  400. Zhou, Jin-Min: Piano Quintet, Scherzo, [0, 10, 5, 4, 6, 11, 7, 9, 2, 3, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
  401. Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
  402. Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
  403. Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
  1. For more on the preparation of this list, please see the open access research publication linked to this dataset: Gotham and Yust, DLfM 2021. The code and latest version of record for the list are hosted in this repository and the research paper is open access to all when approached from this contents page. In addition to Jason Yust, I would also like to thank the creators of foregoing lists of this kind (notably the Schoenberg-Berg-Webern collection here and a wiki here), the hundreds of analysts whose work is represented here, and the scholars who contributed entries to this new, combined and enlarged collection: Elizabeth West Marvin, David Maw, Rachel Mitchell, Sam Reenan, and Laurel Parsons. To contribute your own corrections or new entry to this list, please email me (Mark Gotham) at < FirstName [dot] LastName [at] tu-dortmund [dot] de > with all the relevant information: Row; Composer (Last Name(s), First Name(s)); Composition including opus number; Year; Source (e.g. URL or PDF). The row can be in any consistent text or numerical format such as ‘A-Gs-G-Cs-F-Fs-C-E-Eb-D-B-Bb’ or [0, 11, 10, 4, 8, 9, 3, 7, 6, 5, 2, 1]. ↵

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Open Music Theory Copyright © 2023 by Mark Gotham; Kyle Gullings; Chelsey Hamm; Bryn Hughes; Brian Jarvis; Megan Lavengood; and John Peterson is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License, except where otherwise noted.

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