Anthology
Twelve-Tone Anthology
Mark Gotham
This page provides a list of rows used in the repertoire in the form of a:
- Tabular list of all the rows collected (roughly 1,600);
- Musical representation of those rows in ‘open’ values (quarter notes, no stems) and properties labelled;
- Structured anthology, re-organising the rows by property (e.g. with a list of the all-interval rows).
As the twelve-tone part of this textbook is at pains to point out, it’s not always straightforward (or indeed musically relevant) to identify a single main row. Indeed it’s not always clear what counts as ‘serial’. That being the case, no list of this kind can aim to be ‘definitive’. All the same, it’s very useful to see at least some rows gathered together and compared.[1]
Tabular List
| Composer | Work | Year | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Adorno, Theodor W. | Totenlied auf den Kater | 1932-33 | 0 | 7 | 6 | 3 | 11 | 5 | 8 | 4 | 10 | 9 | 1 | 2 |
| Apostel, Hans Erich | Fischerhaus-Serenade, Op.45 | 1971 | 0 | 4 | 8 | 3 | 11 | 7 | 1 | 9 | 5 | 2 | 10 | 6 |
| Argento, Dominick | A Water Bird Talk, Bird Row | 1974-76 | 0 | 7 | 2 | 1 | 10 | 9 | 3 | 8 | 5 | 4 | 11 | 6 |
| Argento, Dominick | A Water Bird Talk, Lecturer Row | 1974-76 | 0 | 9 | 5 | 10 | 2 | 6 | 3 | 11 | 8 | 4 | 1 | 7 |
| Argento, Dominick | Evensong: Of Love and Angels | 2007 | 0 | 11 | 9 | 8 | 5 | 3 | 4 | 1 | 2 | 7 | 10 | 6 |
| Argento, Dominick | From the Diary of Virginia Woolf | 1974 | 0 | 7 | 6 | 2 | 11 | 5 | 3 | 1 | 8 | 9 | 4 | 10 |
| Argento, Dominick | Miss Havisham's Wedding Night | 1979 | 0 | 2 | 7 | 11 | 10 | 1 | 6 | 5 | 3 | 4 | 8 | 9 |
| Atterberg, Kurt | Symphony 9 [Bbm], Op.54, 'Sinfonia visionaria' | 1955-56 | 0 | 1 | 5 | 6 | 7 | 4 | 8 | 11 | 10 | 9 | 2 | 3 |
| Babbitt, Milton | All Set | 1957 | 0 | 4 | 5 | 11 | 6 | 10 | 7 | 3 | 1 | 2 | 9 | 8 |
| Babbitt, Milton | Arie da Capo | 1974 | 0 | 7 | 8 | 6 | 2 | 1 | 10 | 5 | 11 | 9 | 4 | 3 |
| Babbitt, Milton | Composition for Four Instruments | 1948 | 0 | 3 | 11 | 2 | 10 | 1 | 7 | 4 | 8 | 5 | 9 | 6 |
| Babbitt, Milton | Composition for Four Instruments, row i | 1948 | 0 | 10 | 9 | 8 | 7 | 5 | 11 | 1 | 2 | 3 | 4 | 6 |
| Babbitt, Milton | Composition for Four Instruments, row ii | 1948 | 0 | 9 | 11 | 2 | 4 | 1 | 7 | 10 | 8 | 5 | 3 | 6 |
| Babbitt, Milton | Composition for Four Instruments, row iii | 1948 | 0 | 4 | 3 | 8 | 7 | 11 | 5 | 1 | 2 | 9 | 10 | 6 |
| Babbitt, Milton | Composition for Four Instruments, row iv | 1948 | 0 | 4 | 1 | 8 | 5 | 9 | 3 | 11 | 2 | 7 | 10 | 6 |
| Babbitt, Milton | Composition for Synthesizer | 1961 | 0 | 9 | 1 | 8 | 4 | 5 | 7 | 2 | 3 | 6 | 10 | 11 |
| Babbitt, Milton | Composition for Tenor and Six Instruments | 1960 | 0 | 11 | 7 | 5 | 6 | 1 | 4 | 3 | 10 | 8 | 2 | 9 |
| Babbitt, Milton | Composition for Twelve Instruments | 1954 | 0 | 1 | 4 | 9 | 5 | 8 | 3 | 10 | 2 | 11 | 6 | 7 |
| Babbitt, Milton | Composition for Viola and Piano | 1950 | 0 | 3 | 4 | 8 | 11 | 7 | 9 | 2 | 1 | 5 | 10 | 6 |
| Babbitt, Milton | Du, row i | 1951 | 0 | 9 | 2 | 10 | 11 | 1 | 7 | 5 | 4 | 8 | 3 | 6 |
| Babbitt, Milton | Du, row ii | 1956 | 0 | 5 | 2 | 10 | 9 | 7 | 1 | 3 | 4 | 8 | 11 | 6 |
| Babbitt, Milton | Groupwise | 1983 | 0 | 5 | 4 | 6 | 10 | 11 | 2 | 9 | 3 | 1 | 8 | 7 |
| Babbitt, Milton | My Complements to Roger | 1978 | 0 | 3 | 7 | 8 | 11 | 4 | 2 | 6 | 1 | 9 | 10 | 5 |
| Babbitt, Milton | My Ends Are My Beginnings | 1978 | 0 | 11 | 4 | 8 | 7 | 3 | 5 | 6 | 9 | 2 | 10 | 1 |
| Babbitt, Milton | Paraphrases | 1979 | 0 | 11 | 3 | 10 | 8 | 1 | 7 | 5 | 4 | 6 | 2 | 9 |
| Babbitt, Milton | Partitions | 1957 | 0 | 7 | 9 | 10 | 2 | 11 | 5 | 8 | 4 | 3 | 1 | 6 |
| Babbitt, Milton | Philomel | 1964 | 0 | 1 | 11 | 3 | 8 | 6 | 9 | 10 | 5 | 4 | 7 | 2 |
| Babbitt, Milton | Post-Partions | 1966 | 0 | 5 | 10 | 9 | 1 | 6 | 11 | 8 | 4 | 2 | 7 | 3 |
| Babbitt, Milton | Relata I | 1965 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 8 | 4 | 6 | 7 | 5 |
| Babbitt, Milton | Relata II | 1968 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 8 | 4 | 6 | 7 | 5 |
| Babbitt, Milton | Semi-simple variations | 1956 | 0 | 8 | 1 | 10 | 9 | 11 | 5 | 3 | 4 | 7 | 2 | 6 |
| Babbitt, Milton | Sounds and Words | 1960 | 0 | 9 | 2 | 4 | 8 | 3 | 11 | 10 | 1 | 7 | 5 | 6 |
| Babbitt, Milton | String Quartet, No.2 | 1954 | 0 | 3 | 11 | 4 | 1 | 2 | 8 | 10 | 5 | 9 | 7 | 6 |
| Babbitt, Milton | String Quartet, No.3 | 1970 | 0 | 11 | 6 | 7 | 5 | 1 | 10 | 2 | 9 | 3 | 4 | 8 |
| Babbitt, Milton | String Quartet, No.4 | 1970 | 0 | 2 | 9 | 7 | 11 | 10 | 1 | 8 | 4 | 3 | 5 | 6 |
| Babbitt, Milton | Tableaux | 1972 | 0 | 11 | 4 | 6 | 10 | 5 | 2 | 1 | 7 | 9 | 8 | 3 |
| Babbitt, Milton | The Crowded Air | 1988 | 0 | 8 | 5 | 7 | 10 | 6 | 11 | 1 | 9 | 3 | 2 | 4 |
| Babbitt, Milton | The Widow's Lament in Springtime | 1951 | 0 | 11 | 9 | 2 | 10 | 7 | 1 | 4 | 8 | 3 | 5 | 6 |
| Babbitt, Milton | Three Compositions for Piano, No.1 | 1947 | 0 | 5 | 7 | 4 | 2 | 3 | 9 | 1 | 8 | 11 | 10 | 6 |
| Babbitt, Milton | Two Sonnets of Gerard Manley Hopkins | 1955 | 0 | 2 | 3 | 4 | 7 | 5 | 11 | 6 | 10 | 9 | 8 | 1 |
| Babbitt, Milton | Vision and Prayer | 1961 | 0 | 11 | 8 | 3 | 7 | 4 | 10 | 9 | 2 | 6 | 1 | 5 |
| Babbitt, Milton | Woodwind Quartet | 1953 | 0 | 3 | 1 | 2 | 11 | 10 | 8 | 9 | 5 | 7 | 6 | 4 |
| Bach, Johann Sebastian | Chromatische Fantasie | 1717? | 0 | 3 | 6 | 9 | 11 | 2 | 5 | 8 | 10 | 1 | 4 | 7 |
| Badger, Christine | aleatoric row, at 17:14; Graz | 2013/2/5 | 0 | 2 | 6 | 11 | 3 | 4 | 5 | 7 | 10 | 1 | 9 | 8 |
| Baker, David | “Status Symbol” from "The Black Experience" | 1973 | 0 | 3 | 4 | 7 | 8 | 11 | 1 | 10 | 9 | 6 | 5 | 2 |
| Barber, Samuel | Piano Sonata, Op.26 | 1949 | 0 | 8 | 4 | 11 | 3 | 7 | 1 | 9 | 5 | 10 | 2 | 6 |
| Bartók, Béla | String Quartet, No.4 | 1928 | 0 | 5 | 6 | 11 | 4 | 9 | 10 | 3 | 8 | 1 | 2 | 7 |
| Bartók, Béla | Violin Concerto, No.2, mvt 1 | 1937-38 | 0 | 2 | 8 | 1 | 9 | 4 | 10 | 6 | 3 | 7 | 11 | 5 |
| Bartók, Béla | Violin Concerto, No.2, mvt 3 | 1937-38 | 0 | 8 | 2 | 9 | 1 | 4 | 10 | 7 | 6 | 3 | 11 | 5 |
| Beecroft, Norma | Improvvisazioni Concertanti, No.1 | 1961 | 0 | 1 | 11 | 9 | 3 | 2 | 7 | 6 | 10 | 8 | 4 | 5 |
| Bennett, Richard Rodney | Five Studies for Piano | 1962 | 0 | 3 | 5 | 6 | 11 | 9 | 4 | 2 | 7 | 8 | 10 | 1 |
| Bennett, Richard Rodney | Symphony | 1965 | 0 | 2 | 9 | 8 | 3 | 5 | 6 | 1 | 7 | 11 | 10 | 4 |
| Berg, Alban | Altenberg Lieder | 1912 | 0 | 1 | 11 | 10 | 2 | 9 | 3 | 8 | 7 | 6 | 5 | 4 |
| Berg, Alban | Chamber Concerto, mvts 1, 3 | 1923-25 | 0 | 1 | 3 | 8 | 4 | 9 | 10 | 7 | 6 | 5 | 11 | 2 |
| Berg, Alban | Chamber Concerto, mvts 2, 3 | 1923-25 | 0 | 11 | 10 | 4 | 5 | 9 | 7 | 1 | 2 | 6 | 8 | 3 |
| Berg, Alban | Der Wein | 1929 | 0 | 2 | 3 | 5 | 7 | 8 | 11 | 4 | 6 | 10 | 9 | 1 |
| Berg, Alban | Lulu, (no character) | 1927-35 | 0 | 5 | 2 | 7 | 9 | 6 | 8 | 10 | 3 | 1 | 4 | 11 |
| Berg, Alban | Lulu, Acrobat/Athlete | 1927-35 | 0 | 5 | 7 | 6 | 11 | 3 | 4 | 2 | 9 | 8 | 10 | 1 |
| Berg, Alban | Lulu, Act II, Scene I. (Every 5th Note of Transposed Primary Row) | 1927-35 | 0 | 9 | 3 | 2 | 11 | 4 | 6 | 1 | 7 | 10 | 5 | 8 |
| Berg, Alban | Lulu, Alwa | 1927-35 | 0 | 8 | 5 | 10 | 7 | 1 | 6 | 4 | 11 | 2 | 3 | 9 |
| Berg, Alban | Lulu, Chorale row | 1927-35 | 0 | 5 | 1 | 2 | 3 | 9 | 8 | 10 | 4 | 11 | 6 | 7 |
| Berg, Alban | Lulu, Countess Geschwitz | 1927-35 | 0 | 5 | 2 | 10 | 1 | 7 | 8 | 6 | 11 | 4 | 9 | 3 |
| Berg, Alban | Lulu, Dr. Schön | 1927-35 | 0 | 5 | 9 | 10 | 4 | 7 | 6 | 11 | 1 | 2 | 8 | 3 |
| Berg, Alban | Lulu, Lulu (title character) row | 1927-35 | 0 | 2 | 3 | 5 | 7 | 9 | 1 | 10 | 11 | 4 | 6 | 8 |
| Berg, Alban | Lulu, Primary / Main / Basic Row | 1934 | 0 | 4 | 5 | 2 | 7 | 9 | 6 | 8 | 11 | 10 | 3 | 1 |
| Berg, Alban | Lulu, Schigolch | 1927-35 | 0 | 2 | 3 | 1 | 4 | 5 | 6 | 7 | 8 | 9 | 11 | 10 |
| Berg, Alban | Lulu, Schoolboy row | 1927-35 | 0 | 2 | 6 | 10 | 4 | 7 | 8 | 3 | 5 | 9 | 11 | 1 |
| Berg, Alban | Lulu, permutation of main row | 1927-35 | 0 | 4 | 2 | 7 | 9 | 6 | 8 | 11 | 3 | 1 | 5 | 10 |
| Berg, Alban | Lulu, whole-tone row | 1927-35 | 0 | 2 | 4 | 6 | 10 | 8 | 11 | 7 | 9 | 1 | 3 | 5 |
| Berg, Alban | Lyric Suite, Primary Row / mvt I | 1925-26 | 0 | 11 | 7 | 4 | 2 | 9 | 3 | 8 | 10 | 1 | 5 | 6 |
| Berg, Alban | Lyric Suite, mvt I | 1925-26 | 0 | 2 | 4 | 5 | 7 | 9 | 6 | 8 | 10 | 11 | 1 | 3 |
| Berg, Alban | Lyric Suite, mvt I, m.7-9 | 1925-26 | 0 | 3 | 7 | 8 | 2 | 1 | 9 | 6 | 4 | 11 | 5 | 10 |
| Berg, Alban | Lyric Suite, mvt III | 1925-26 | 0 | 11 | 7 | 1 | 2 | 9 | 3 | 8 | 10 | 4 | 5 | 6 |
| Berg, Alban | Lyric Suite, mvt V and VI | 1925-26 | 0 | 1 | 4 | 3 | 5 | 6 | 11 | 7 | 8 | 9 | 10 | 2 |
| Berg, Alban | Lyric Suite, mvt VI | 1925-26 | 0 | 2 | 4 | 7 | 9 | 11 | 6 | 8 | 10 | 1 | 3 | 5 |
| Berg, Alban | Lyric Suite, mvt VI, row 2 | 1925-26 | 0 | 11 | 8 | 9 | 7 | 6 | 1 | 5 | 4 | 3 | 2 | 10 |
| Berg, Alban | Schliesse mir die Augen Beide | 1907 | 0 | 11 | 7 | 4 | 2 | 9 | 3 | 8 | 10 | 1 | 5 | 6 |
| Berg, Alban | Violin Concerto | 1935 | 0 | 3 | 7 | 11 | 2 | 5 | 9 | 1 | 4 | 6 | 8 | 10 |
| Berg, Alban | Wozzeck, Act I, Scene 4 "Passacaglia" | 1914-22 | 0 | 8 | 4 | 10 | 9 | 3 | 1 | 7 | 6 | 2 | 5 | 11 |
| Berger, Arthur | Chamber Music for Thirteen Players | 1956 | 0 | 1 | 11 | 7 | 10 | 9 | 6 | 5 | 8 | 4 | 2 | 3 |
| Berio, Luciano | Chamber Music | 1953 | 0 | 9 | 3 | 5 | 7 | 10 | 2 | 11 | 4 | 6 | 8 | 1 |
| Berio, Luciano | Cinque Variazioni | 1952-53 | 0 | 2 | 4 | 1 | 3 | 5 | 8 | 10 | 6 | 7 | 9 | 11 |
| Berio, Luciano | Sequenza I | 1958 | 0 | 11 | 10 | 9 | 8 | 7 | 4 | 6 | 5 | 3 | 1 | 2 |
| Bischof, Rainer | 'Und so sink ich leise in mich selbst hinein'. Österreichischer Liederzyklus für Mezzosopran und Violine, Op.17 | 1982-1983 | 0 | 6 | 5 | 11 | 4 | 9 | 3 | 2 | 8 | 7 | 1 | 10 |
| Bischof, Rainer | Sonatine für Klarinette solo, Op.1 | 1969 | 0 | 5 | 4 | 10 | 6 | 7 | 1 | 9 | 11 | 2 | 8 | 3 |
| Boulez, Pierre | 1st Piano Sonata | 1946,49 | 0 | 8 | 11 | 9 | 10 | 5 | 6 | 4 | 3 | 1 | 2 | 7 |
| Boulez, Pierre | 2nd Piano Sonata | 1948 | 0 | 7 | 1 | 6 | 11 | 3 | 5 | 8 | 9 | 10 | 4 | 2 |
| Boulez, Pierre | 2nd Piano Sonata, mvt II, Section 1 | 1948 | 0 | 2 | 1 | 11 | 3 | 9 | 8 | 10 | 7 | 6 | 5 | 4 |
| Boulez, Pierre | 3rd Piano Sonata | 1957 | 0 | 1 | 7 | 2 | 4 | 3 | 6 | 8 | 5 | 10 | 9 | 11 |
| Boulez, Pierre | Le Marteau sans Maître (alternative view) | 1953-55 | 0 | 2 | 11 | 10 | 7 | 8 | 6 | 9 | 5 | 1 | 4 | 3 |
| Boulez, Pierre | Le Marteau sans Maître, cycle of Bel Édifice et les pressentiments | 1953-55 | 0 | 10 | 1 | 11 | 3 | 7 | 2 | 4 | 8 | 6 | 9 | 5 |
| Boulez, Pierre | Le Marteau sans Maître, cycle of Bourreaux de solitude | 1953-55 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 |
| Boulez, Pierre | Le Marteau sans Maître, cycle of L'Artisanat furieux | 1953-55 | 0 | 10 | 1 | 2 | 6 | 3 | 7 | 4 | 5 | 8 | 11 | 9 |
| Boulez, Pierre | Le Soleil des eaux, series I | 1965 | 0 | 6 | 10 | 2 | 5 | 1 | 7 | 11 | 3 | 4 | 8 | 9 |
| Boulez, Pierre | Le Soleil des eaux, series II | 1965 | 0 | 6 | 10 | 2 | 5 | 1 | 4 | 7 | 11 | 8 | 3 | 9 |
| Boulez, Pierre | Le Soleil des eaux, series III | 1965 | 0 | 11 | 7 | 2 | 6 | 5 | 4 | 8 | 10 | 1 | 3 | 9 |
| Boulez, Pierre | Notations | 1945- | 0 | 2 | 7 | 6 | 1 | 8 | 4 | 9 | 5 | 11 | 10 | 3 |
| Boulez, Pierre | Pli selon pli | 1958,67,71 | 0 | 1 | 8 | 6 | 7 | 9 | 4 | 5 | 11 | 3 | 2 | 10 |
| Boulez, Pierre | Sonatine | 1946,49 | 0 | 1 | 5 | 11 | 4 | 8 | 9 | 3 | 10 | 2 | 7 | 6 |
| Boulez, Pierre | Structures Ia | 1952 | 0 | 11 | 6 | 5 | 4 | 3 | 1 | 10 | 9 | 7 | 2 | 8 |
| Britten, Benjamin | Missa Brevis in D, Op.63 | 1959 | 0 | 5 | 2 | 9 | 10 | 3 | 6 | 1 | 4 | 11 | 8 | 7 |
| Britten, Benjamin | The Turn of the Screw | 1954 | 0 | 5 | 2 | 7 | 4 | 9 | 6 | 11 | 8 | 1 | 10 | 3 |
| Cage, John | Sonata for Clarinet | 1933 | 0 | 1 | 10 | 11 | 9 | 7 | 6 | 5 | 4 | 8 | 3 | 2 |
| Cage, John | Sonata for Clarinet, mvt 2 | 1933 | 0 | 11 | 9 | 10 | 8 | 6 | 5 | 4 | 3 | 7 | 2 | 1 |
| Cage, John | Two pieces for Piano | 1935 | 0 | 11 | 8 | 3 | 4 | 2 | 9 | 7 | 1 | 5 | 10 | 6 |
| Carlos, Juan | Canciones y Baladas, Balada II | 1936 | 0 | 4 | 10 | 6 | 3 | 8 | 7 | 2 | 5 | 9 | 1 | 11 |
| Carter, Elliott | A Symphony of Three Orchestras | 1976 | 0 | 8 | 7 | 10 | 4 | 5 | 2 | 9 | 11 | 3 | 1 | 6 |
| Carter, Elliott | Caténaires | 2006 | 0 | 8 | 5 | 3 | 7 | 9 | 10 | 4 | 11 | 2 | 1 | 6 |
| Carter, Elliott | Night Fantasies | 1982 | 0 | 10 | 3 | 11 | 8 | 7 | 1 | 2 | 5 | 9 | 4 | 6 |
| Carter, Elliott | Piano Concerto, Orchestra | 1964-65 | 0 | 7 | 4 | 11 | 6 | 10 | 3 | 9 | 1 | 8 | 5 | 2 |
| Carter, Elliott | Piano Concerto, Soloist | 1964-65 | 0 | 8 | 4 | 9 | 10 | 3 | 1 | 6 | 11 | 2 | 7 | 5 |
| Carter, Elliott | String Quartet, No.2 (sketch) 1 | 1958 | 0 | 4 | 8 | 3 | 7 | 11 | 6 | 10 | 2 | 9 | 1 | 5 |
| Carter, Elliott | String Quartet, No.2 (sketch) 2 | 1958 | 0 | 8 | 4 | 3 | 11 | 7 | 6 | 2 | 10 | 9 | 5 | 1 |
| Carter, Elliott | String Quartet, No.2 (sketch) 3 | 1958 | 0 | 2 | 4 | 6 | 8 | 10 | 1 | 3 | 5 | 7 | 9 | 11 |
| Carter, Elliott | String Quartet, No.3 | 1973 | 0 | 11 | 2 | 9 | 5 | 3 | 4 | 8 | 10 | 7 | 1 | 6 |
| Carter, Elliott | Variations for Orchestra (sketch) | 1955 | 0 | 8 | 4 | 9 | 11 | 2 | 1 | 5 | 10 | 3 | 6 | 7 |
| Coltrane, John | Miles Mode | 1962 | 0 | 3 | 5 | 2 | 7 | 9 | 10 | 8 | 1 | 11 | 6 | 4 |
| Copland, Aaron | Connotations, row 1 | 1962 | 0 | 1 | 3 | 6 | 2 | 9 | 8 | 5 | 10 | 4 | 11 | 7 |
| Copland, Aaron | Connotations, row 2 | 1962 | 0 | 7 | 9 | 6 | 2 | 3 | 8 | 11 | 10 | 4 | 5 | 1 |
| Copland, Aaron | Inscape, ("Row 2") | 1967 | 0 | 7 | 3 | 9 | 2 | 4 | 6 | 10 | 5 | 8 | 11 | 1 |
| Copland, Aaron | Inscape, ("Y form" or "Row 1") | 1967 | 0 | 4 | 3 | 11 | 2 | 7 | 6 | 8 | 10 | 9 | 5 | 1 |
| Copland, Aaron | Piano Fantasy | 1952-57 | 0 | 7 | 2 | 10 | 8 | 3 | 6 | 4 | 11 | 9 | 1 | 5 |
| Cordero, Roque | Concerto for Violin, mvt 2A | 1962 | 0 | 11 | 6 | 4 | 7 | 8 | 5 | 9 | 3 | 10 | 1 | 2 |
| Cordero, Roque | Concerto for Violin, mvt 2B | 1962 | 0 | 5 | 3 | 11 | 6 | 8 | 7 | 2 | 1 | 4 | 9 | 10 |
| Cordero, Roque | Soliloquios | 1975 | 0 | 1 | 5 | 11 | 3 | 2 | 9 | 8 | 4 | 10 | 6 | 7 |
| Cordero, Roque | Sonata breve | 1966 | 0 | 1 | 4 | 11 | 10 | 7 | 5 | 8 | 9 | 6 | 3 | 2 |
| Cordero, Roque | Tres mensajes breves | 1966 | 0 | 11 | 10 | 7 | 1 | 2 | 3 | 6 | 5 | 4 | 8 | 9 |
| Cordero, Roque | Violin Concerto mvt 1-3 | 1962 | 0 | 11 | 6 | 4 | 8 | 7 | 5 | 1 | 3 | 2 | 10 | 9 |
| Crosse, Gordon | Elegy for Small Orchestra, Op.1 | 1959-61 | 0 | 11 | 3 | 1 | 9 | 10 | 5 | 6 | 2 | 4 | 8 | 7 |
| Dallapiccola, Luigi | 'Intermezzo' from the 'Ciaccona' (of 'Ciaccona, intermezzo e adagio') | 1945 | 0 | 5 | 6 | 3 | 8 | 9 | 7 | 11 | 10 | 2 | 1 | 4 |
| Dallapiccola, Luigi | An Mathilde | 1955 | 0 | 1 | 10 | 4 | 6 | 5 | 3 | 9 | 2 | 8 | 7 | 11 |
| Dallapiccola, Luigi | Canti di Liberationi, No.2 | 1951-1955 | 0 | 5 | 8 | 3 | 1 | 9 | 10 | 4 | 2 | 11 | 7 | 6 |
| Dallapiccola, Luigi | Canti di Liberazione | 1951-55 | 0 | 1 | 5 | 8 | 10 | 4 | 3 | 7 | 9 | 2 | 11 | 6 |
| Dallapiccola, Luigi | Cinque canti | 1956 | 0 | 11 | 5 | 8 | 6 | 2 | 7 | 3 | 1 | 4 | 10 | 9 |
| Dallapiccola, Luigi | Cinque fragment di Saffo, No.4 | 1942 | 0 | 2 | 8 | 6 | 7 | 9 | 10 | 3 | 1 | 11 | 4 | 5 |
| Dallapiccola, Luigi | Commiato | 1972 | 0 | 6 | 5 | 3 | 9 | 11 | 10 | 8 | 7 | 1 | 2 | 4 |
| Dallapiccola, Luigi | Dialoghi | 1959-60 | 0 | 1 | 10 | 2 | 6 | 4 | 5 | 3 | 7 | 11 | 8 | 9 |
| Dallapiccola, Luigi | Due studi, 'Fanfare' | 1951 | 0 | 1 | 7 | 9 | 10 | 3 | 4 | 2 | 8 | 11 | 6 | 5 |
| Dallapiccola, Luigi | Goethe-Lieder, No.2 | 1953 | 0 | 1 | 11 | 9 | 3 | 8 | 6 | 7 | 2 | 5 | 4 | 10 |
| Dallapiccola, Luigi | Il Prigioniero, "Hope" | 1949 | 0 | 1 | 2 | 3 | 11 | 5 | 4 | 10 | 6 | 7 | 9 | 8 |
| Dallapiccola, Luigi | Il Prigioniero, "Liberty" | 1949 | 0 | 2 | 5 | 8 | 10 | 1 | 3 | 6 | 9 | 11 | 4 | 7 |
| Dallapiccola, Luigi | Il prigioniero, "Prayer" | 1949 | 0 | 3 | 6 | 11 | 9 | 2 | 1 | 7 | 8 | 4 | 5 | 10 |
| Dallapiccola, Luigi | Job | 1950 | 0 | 1 | 5 | 7 | 8 | 11 | 2 | 10 | 4 | 6 | 9 | 3 |
| Dallapiccola, Luigi | Liriche greche c: Sex Carmina Alcaei | 1943 | 0 | 3 | 5 | 6 | 2 | 9 | 8 | 7 | 4 | 1 | 10 | 11 |
| Dallapiccola, Luigi | Parole di San Paolo | 1964 | 0 | 8 | 9 | 10 | 4 | 3 | 6 | 7 | 5 | 11 | 2 | 1 |
| Dallapiccola, Luigi | Piccola musica notturna | 1954 | 0 | 9 | 1 | 3 | 4 | 11 | 2 | 8 | 7 | 5 | 10 | 6 |
| Dallapiccola, Luigi | Preghiere | 1962 | 0 | 11 | 2 | 3 | 8 | 9 | 7 | 6 | 1 | 5 | 4 | 10 |
| Dallapiccola, Luigi | Quaderno musicale di Annalibera | 1952 | 0 | 1 | 5 | 8 | 10 | 4 | 3 | 7 | 9 | 2 | 11 | 6 |
| Dallapiccola, Luigi | Quattro liriche di Antonio Machado, i, iv | 1948 | 0 | 3 | 5 | 6 | 8 | 9 | 11 | 10 | 7 | 4 | 2 | 1 |
| Dallapiccola, Luigi | Quattro liriche di Antonio Machado, ii | 1948 | 0 | 1 | 4 | 6 | 7 | 9 | 10 | 11 | 2 | 3 | 5 | 8 |
| Dallapiccola, Luigi | Requiescant | 1957-58 | 0 | 2 | 1 | 3 | 4 | 6 | 7 | 9 | 8 | 10 | 5 | 11 |
| Dallapiccola, Luigi | Requiescant (alternative view) | 1957-1958 | 0 | 2 | 1 | 7 | 11 | 8 | 9 | 6 | 10 | 4 | 3 | 5 |
| Dallapiccola, Luigi | Sicut umbra | 1970 | 0 | 1 | 2 | 8 | 6 | 5 | 3 | 9 | 4 | 7 | 10 | 11 |
| Dallapiccola, Luigi | Tempus, 'Exhortatio' | 1970-71 | 0 | 11 | 9 | 3 | 5 | 6 | 4 | 7 | 8 | 2 | 1 | 10 |
| Dallapiccola, Luigi | Tempus, 'Ploratus' | 1970-71 | 0 | 1 | 7 | 6 | 10 | 4 | 3 | 2 | 5 | 11 | 9 | 8 |
| Dallapiccola, Luigi | Tre poemi | 1948 | 0 | 8 | 9 | 6 | 3 | 1 | 2 | 11 | 7 | 5 | 4 | 10 |
| Dallapiccola, Luigi | Ulisse [opera] | 1960-1968 | 0 | 2 | 1 | 3 | 9 | 8 | 11 | 10 | 4 | 6 | 5 | 7 |
| Dallapiccola, Luigi | Variazioni per orchestra | 1954 | 0 | 1 | 5 | 8 | 10 | 4 | 3 | 7 | 9 | 2 | 11 | 6 |
| David, Johann Nepomuk | Sonata for violin, Op.58, No.1 | 1963 | 0 | 2 | 3 | 9 | 11 | 10 | 5 | 8 | 1 | 6 | 4 | 7 |
| David, Johann Nepomuk | Symphony, No.8, Op.59 | 1964-1965 | 0 | 5 | 9 | 2 | 6 | 11 | 3 | 4 | 7 | 8 | 10 | 1 |
| Davies, Peter Maxwell | Five Pieces for Piano, Op.2, No.1 | 1956 | 0 | 6 | 11 | 10 | 1 | 3 | 5 | 8 | 7 | 2 | 4 | 9 |
| Davies, Peter Maxwell | Five Pieces for Piano, Op.2, No.1 (first row) | 1955-56 | 0 | 6 | 11 | 10 | 1 | 3 | 5 | 8 | 7 | 2 | 4 | 9 |
| Davies, Peter Maxwell | Five Pieces for Piano, Op.2, No.1 (second row) | 1955-56 | 0 | 6 | 1 | 2 | 11 | 9 | 7 | 4 | 5 | 10 | 8 | 3 |
| Davies, Peter Maxwell | Five Pieces for Piano, Op.2, No.2 | 1956 | 0 | 7 | 11 | 1 | 3 | 5 | 8 | 6 | 4 | 9 | 10 | 2 |
| Davies, Peter Maxwell | Sonata for Trumpet and Piano, Op.1 | 1955 | 0 | 7 | 6 | 2 | 11 | 10 | 8 | 9 | 1 | 5 | 3 | 4 |
| Denisov, Edison | Concerto for Guitar and Orchestra, Row 1 | 1991 | 0 | 6 | 10 | 4 | 8 | 2 | 3 | 9 | 1 | 7 | 11 | 5 |
| Denisov, Edison | Concerto for Guitar and Orchestra, Row 2 | 1991 | 0 | 11 | 5 | 8 | 9 | 10 | 6 | 7 | 1 | 2 | 4 | 3 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row A | 1983 | 0 | 6 | 1 | 7 | 8 | 3 | 2 | 9 | 10 | 5 | 11 | 4 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row B | 1983 | 0 | 11 | 6 | 5 | 4 | 10 | 9 | 3 | 2 | 7 | 1 | 8 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row C | 1983 | 0 | 6 | 11 | 5 | 4 | 10 | 9 | 3 | 2 | 7 | 1 | 8 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row D | 1983 | 0 | 6 | 1 | 7 | 8 | 3 | 2 | 9 | 10 | 11 | 5 | 4 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row E | 1983 | 0 | 1 | 7 | 6 | 5 | 11 | 10 | 4 | 3 | 8 | 2 | 9 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row F | 1983 | 0 | 6 | 1 | 7 | 3 | 2 | 8 | 9 | 10 | 5 | 11 | 4 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row G | 1983 | 0 | 11 | 5 | 10 | 4 | 3 | 9 | 8 | 2 | 1 | 6 | 7 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row H | 1983 | 0 | 6 | 1 | 2 | 8 | 3 | 7 | 9 | 10 | 5 | 11 | 4 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row I | 1983 | 0 | 6 | 1 | 7 | 2 | 8 | 3 | 10 | 5 | 11 | 9 | 4 |
| Denisov, Edison | Five Etudes for Solo Bassoon, row J | 1983 | 0 | 6 | 5 | 11 | 4 | 10 | 9 | 3 | 2 | 7 | 1 | 8 |
| Denisov, Edison | Octet for Winds, mvt 2, row A | 1991 | 0 | 1 | 3 | 2 | 4 | 5 | 8 | 7 | 6 | 11 | 9 | 10 |
| Denisov, Edison | Octet for Winds, mvt 2, row B | 1991 | 0 | 6 | 11 | 5 | 4 | 10 | 9 | 3 | 2 | 8 | 1 | 7 |
| Denisov, Edison | Sonata for Alto Saxophone and Piano, mvt 3, row A | 1970 | 0 | 1 | 10 | 9 | 11 | 6 | 7 | 8 | 5 | 4 | 2 | 3 |
| Denisov, Edison | Sonata for Alto Saxophone and Piano, mvt 3, row B | 1970 | 0 | 4 | 7 | 11 | 3 | 6 | 9 | 2 | 5 | 8 | 1 | 10 |
| Denisov, Edison | Variations | 1961 | 0 | 1 | 9 | 6 | 8 | 10 | 4 | 3 | 7 | 11 | 5 | 2 |
| Dessau, Paul | >Guernica< for piano | 1937 | 0 | 7 | 6 | 2 | 10 | 11 | 5 | 9 | 1 | 3 | 4 | 8 |
| Dessau, Paul | Les Voix | 1939 | 0 | 11 | 6 | 8 | 9 | 3 | 4 | 10 | 5 | 7 | 2 | 1 |
| Diamond, David | The World of Paul Klee, frame I | 1958 | 0 | 5 | 8 | 4 | 9 | 3 | 1 | 11 | 2 | 6 | 10 | 7 |
| Diamond, David | The World of Paul Klee, frame I, II | 1958 | 0 | 7 | 11 | 3 | 4 | 10 | 6 | 8 | 9 | 1 | 5 | 2 |
| Dobbins, Bill | Concerto for Jazz Orchestra | 1999 | 0 | 9 | 7 | 4 | 3 | 1 | 10 | 11 | 8 | 6 | 5 | 2 |
| Dzubay, David | Di,Con[ver(gence,sions)] | 1988 | 0 | 9 | 8 | 4 | 7 | 6 | 1 | 10 | 3 | 5 | 11 | 2 |
| Eder, Helmut | Concerto for violin and orchestra, Op.32 | 1960 | 0 | 9 | 6 | 2 | 11 | 3 | 8 | 1 | 7 | 5 | 10 | 4 |
| Eisler, Hanns | >Spruch< for voice and piano | 1939 | 0 | 3 | 11 | 9 | 5 | 8 | 4 | 1 | 2 | 10 | 7 | 6 |
| Eisler, Hanns | An den Schlaf | 1939 | 0 | 8 | 2 | 10 | 11 | 5 | 6 | 1 | 9 | 3 | 7 | 4 |
| Eisler, Hanns | Chamber Symphony / Film music for "White Flood", row 1 | 1940 | 0 | 1 | 2 | 3 | 11 | 7 | 6 | 5 | 9 | 8 | 10 | 4 |
| Eisler, Hanns | Chamber Symphony / Film music for "White Flood", row 2 | 1940 | 0 | 8 | 2 | 10 | 11 | 5 | 6 | 1 | 4 | 9 | 7 | 3 |
| Eisler, Hanns | Der Zweck der Musik | 1939 | 0 | 2 | 4 | 5 | 7 | 9 | 6 | 8 | 10 | 11 | 1 | 3 |
| Eisler, Hanns | Deutsche Symphonie, mvt 4 | 1936-47 | 0 | 10 | 5 | 6 | 11 | 7 | 1 | 4 | 2 | 8 | 9 | 3 |
| Eisler, Hanns | Deutsche Symphonie, mvt 5 | 1936-47 | 0 | 1 | 3 | 5 | 8 | 9 | 6 | 11 | 10 | 4 | 2 | 7 |
| Eisler, Hanns | Deutsche Symphonie, mvt 7 | 1936-47 | 0 | 11 | 8 | 5 | 2 | 1 | 4 | 3 | 10 | 7 | 6 | 9 |
| Eisler, Hanns | Deutsche Symphonie, mvt 8 | 1936-47 | 0 | 3 | 1 | 11 | 2 | 10 | 8 | 9 | 6 | 7 | 5 | 4 |
| Eisler, Hanns | Deutsche Symphonie, mvt 9 | 1936-47 | 0 | 4 | 1 | 10 | 8 | 6 | 3 | 11 | 9 | 2 | 5 | 7 |
| Eisler, Hanns | Deutsche Symphonie, mvts 1, 10 | 1936-47 | 0 | 10 | 6 | 1 | 11 | 7 | 5 | 8 | 9 | 3 | 4 | 2 |
| Eisler, Hanns | Deutsche Symphonie, mvts 2, 6 | 1936-47 | 0 | 3 | 11 | 9 | 5 | 8 | 4 | 7 | 6 | 2 | 1 | 10 |
| Eisler, Hanns | Five Pieces for Orchestra, mvt 1 | 1938-40 | 0 | 6 | 2 | 3 | 10 | 9 | 11 | 5 | 8 | 7 | 1 | 4 |
| Eisler, Hanns | Five Pieces for Orchestra, mvt 2 | 1938-40 | 0 | 2 | 3 | 1 | 11 | 7 | 5 | 4 | 8 | 10 | 9 | 6 |
| Eisler, Hanns | Five Pieces for Orchestra, mvt 3 | 1938-40 | 0 | 3 | 2 | 1 | 5 | 4 | 6 | 9 | 8 | 11 | 10 | 7 |
| Eisler, Hanns | Five Pieces for Orchestra, mvt 4 | 1938-40 | 0 | 10 | 9 | 8 | 6 | 7 | 3 | 4 | 5 | 11 | 1 | 2 |
| Eisler, Hanns | Five Pieces for Orchestra, mvt 5 | 1938-40 | 0 | 2 | 6 | 4 | 10 | 9 | 11 | 1 | 7 | 5 | 8 | 3 |
| Eisler, Hanns | Gegen den Krieg, Op.55 | 1936 | 0 | 3 | 2 | 5 | 4 | 7 | 6 | 8 | 9 | 10 | 1 | 11 |
| Eisler, Hanns | Kleine Symphonie, Op.29, mvt 1 | 1931 | 0 | 10 | 11 | 8 | 5 | 4 | 1 | 2 | 3 | 9 | 7 | 6 |
| Eisler, Hanns | Man lebt von einem Tage zu dem andern ("Kantate im Exil") | 1937 | 0 | 10 | 11 | 3 | 1 | 8 | 7 | 4 | 2 | 6 | 9 | 5 |
| Eisler, Hanns | Nonet (No. 1) / Film music for "The Living Land" | 1939 | 0 | 3 | 5 | 7 | 10 | 4 | 2 | 9 | 8 | 6 | 11 | 1 |
| Eisler, Hanns | Palmström, Op.5, No.2 | 1924-25 | 0 | 1 | 11 | 7 | 10 | 8 | 6 | 4 | 2 | 5 | 3 | 9 |
| Eisler, Hanns | Palmström, Op.5, No.4 | 1924-25 | 0 | 11 | 2 | 8 | 3 | 9 | 6 | 7 | 10 | 1 | 4 | 5 |
| Eisler, Hanns | Palmström, Op.5, No.5 | 1924-25 | 0 | 10 | 11 | 9 | 8 | 1 | 7 | 6 | 5 | 3 | 4 | 2 |
| Eisler, Hanns | Praeludium und Fuge über B-A-C-H for String Trio, Op.46 | 1934 | 0 | 11 | 2 | 1 | 4 | 3 | 6 | 5 | 8 | 7 | 10 | 9 |
| Eisler, Hanns | Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 1 | 1924-25 | 0 | 4 | 6 | 3 | 2 | 1 | 9 | 10 | 7 | 8 | 5 | 11 |
| Eisler, Hanns | Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 2 | 1924-25 | 0 | 4 | 3 | 2 | 6 | 1 | 9 | 10 | 7 | 8 | 5 | 11 |
| Eisler, Hanns | Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 3 | 1924-25 | 0 | 4 | 3 | 2 | 1 | 9 | 10 | 6 | 7 | 8 | 5 | 11 |
| Eisler, Hanns | Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 4 | 1924-25 | 0 | 4 | 3 | 2 | 9 | 6 | 10 | 1 | 7 | 5 | 8 | 11 |
| Eisler, Hanns | Sonata for Piano, No.2 ("in Form von Variationen"), Op.6, row variant 5 | 1924-25 | 0 | 3 | 2 | 4 | 6 | 1 | 9 | 10 | 7 | 8 | 5 | 11 |
| Eisler, Hanns | Sonata for violin and piano ("Reisesonate") | 1937 | 0 | 5 | 9 | 4 | 2 | 3 | 1 | 11 | 10 | 6 | 7 | 8 |
| Eisler, Hanns | Sonatina for Piano ("Gradus ad parnassum"), Op.44 | 1934 | 0 | 2 | 3 | 5 | 7 | 8 | 11 | 10 | 9 | 1 | 6 | 4 |
| Eisler, Hanns | String Quartet | 1938 | 0 | 9 | 3 | 2 | 11 | 1 | 4 | 5 | 10 | 7 | 8 | 6 |
| Eisler, Hanns | Suite for Orchestra, No.1, mvt 4 | 1930 | 0 | 4 | 2 | 3 | 1 | 11 | 7 | 10 | 9 | 8 | 6 | 5 |
| Eisler, Hanns | Variations for Piano | 1941 | 0 | 3 | 10 | 6 | 5 | 8 | 1 | 11 | 2 | 4 | 7 | 9 |
| Eisler, Hanns | Vierzehn Arten den Regen zu beschreiben / Film music for "Regen" | 1941 | 0 | 6 | 7 | 4 | 5 | 3 | 2 | 1 | 11 | 9 | 10 | 8 |
| Eisler, Hanns | Zwei Elegien, No.1 ("In die Städte kam ich") | 1937 | 0 | 10 | 5 | 1 | 2 | 7 | 6 | 8 | 9 | 3 | 4 | 11 |
| Eisler, Hanns | Zwei Elegien, No.2 (An die Überlebenden) | 1937 | 0 | 1 | 4 | 3 | 2 | 6 | 8 | 11 | 10 | 9 | 5 | 7 |
| Eröd, Ivan | Die Seidenraupen | 1964-1968 | 0 | 4 | 6 | 3 | 1 | 10 | 8 | 11 | 9 | 5 | 2 | 7 |
| Evans, Bill | Twelve Tone Tune | 1971 | 0 | 10 | 2 | 3 | 1 | 11 | 4 | 6 | 9 | 8 | 5 | 7 |
| Evans, Bill | Twelve Tone Tune Two | 1972 | 0 | 9 | 11 | 1 | 10 | 3 | 2 | 6 | 4 | 5 | 8 | 7 |
| Fano, Michel | Sonata for Two Pianos | 1951 | 0 | 6 | 10 | 7 | 9 | 8 | 3 | 2 | 4 | 1 | 5 | 11 |
| Ferneyhough, Brian | Superscriptio | 1981 | 0 | 3 | 5 | 6 | 1 | 11 | 8 | 9 | 2 | 4 | 7 | 10 |
| Fine, Irving | Fantasia for String Trio | 1957 | 0 | 2 | 6 | 3 | 1 | 11 | 8 | 9 | 4 | 5 | 10 | 7 |
| Fine, Vivian | Chaconne for piano | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 3 | 8 | 4 | 7 | 5 | 6 |
| Fine, Vivian | Four Songs, No.1, "The Lover in Winter Plaineth For The Spring" | 1933 | 0 | 10 | 2 | 7 | 6 | 9 | 11 | 8 | 4 | 5 | 1 | 3 |
| Fine, Vivian | Four Songs, No.2, "Comfort To A Youth That Had Lost His Love" | 1933 | 0 | 1 | 2 | 6 | 9 | 10 | 11 | 3 | 5 | 4 | 7 | 8 |
| Finney, Ross Lee | Concerto for Alto Sax | 1974 | 0 | 1 | 3 | 4 | 6 | 9 | 11 | 10 | 8 | 7 | 5 | 2 |
| Finney, Ross Lee | Fantasy in Two Movements for solo violin | 1958 | 0 | 1 | 3 | 5 | 4 | 2 | 11 | 10 | 8 | 6 | 7 | 9 |
| Finney, Ross Lee | Sonata Quasi una Fantasia | 1961 | 0 | 1 | 3 | 2 | 4 | 5 | 6 | 7 | 9 | 8 | 10 | 11 |
| Florey, Hans | 'Achteck' für Flöte, Violine und Klavier | 1991/4/5 | 0 | 7 | 8 | 9 | 2 | 6 | 11 | 10 | 3 | 1 | 5 | 4 |
| Florey, Hans | 'Die Blume der Blumen' für Gesang und Viola | 1983/9/19 | 0 | 3 | 4 | 8 | 9 | 6 | 1 | 7 | 10 | 11 | 2 | 5 |
| Florey, Hans | 'Fort, fort sind meine Rosen' für Gesang und Instrument | 1985/7/29 | 0 | 7 | 6 | 3 | 5 | 9 | 2 | 10 | 8 | 4 | 1 | 11 |
| Florey, Hans | 'Jünglingstrauer' für Singstimme und Klavier | 1983/10/16 | 0 | 11 | 2 | 8 | 9 | 4 | 10 | 1 | 6 | 5 | 3 | 7 |
| Florey, Hans | Bildentwurf | 1959 | 0 | 7 | 5 | 4 | 9 | 3 | 8 | 10 | 2 | 11 | 1 | 6 |
| Florey, Hans | Die Aussicht | 1986/8/2 | 0 | 9 | 11 | 8 | 2 | 10 | 5 | 6 | 7 | 4 | 3 | 1 |
| Florey, Hans | Duo mit Schloßreihe | 1998/11/14 | 0 | 6 | 9 | 7 | 5 | 11 | 2 | 3 | 10 | 8 | 1 | 4 |
| Florey, Hans | Fragment für Gesang und Melodieinstrument | 1986/1/5 | 0 | 6 | 3 | 4 | 11 | 10 | 9 | 5 | 1 | 7 | 8 | 2 |
| Florey, Hans | Fünfstimmiger Kanon mit Krebs (für Gerhard Zeller) | 1985/6/27 | 0 | 3 | 10 | 6 | 1 | 5 | 11 | 2 | 9 | 7 | 4 | 8 |
| Florey, Hans | Fünfstimmiger Kanon mit Sonnenquadrat | 1985/3/19 | 0 | 9 | 7 | 2 | 10 | 6 | 1 | 4 | 5 | 8 | 3 | 11 |
| Florey, Hans | Grabgesang | 2006/3/21 | 0 | 2 | 8 | 5 | 10 | 11 | 4 | 1 | 6 | 3 | 9 | 7 |
| Florey, Hans | Griechisch-lateinisches Quadrat der Ordnung 4 mit Fuge in Klangnotation | 2001/1977 | 0 | 9 | 3 | 7 | 4 | 10 | 2 | 6 | 1 | 8 | 11 | 5 |
| Florey, Hans | Hexaeder für Klavier | 1986/1/21 | 0 | 9 | 4 | 8 | 5 | 10 | 11 | 3 | 2 | 6 | 1 | 7 |
| Florey, Hans | Hälfte des Lebens | 1986/11/29 | 0 | 3 | 4 | 1 | 7 | 11 | 6 | 9 | 10 | 8 | 2 | 5 |
| Florey, Hans | I Ging | 1980/10 | 0 | 7 | 2 | 10 | 11 | 6 | 5 | 1 | 9 | 8 | 4 | 3 |
| Florey, Hans | Im Mondlicht | 1988/1/5 | 0 | 1 | 4 | 6 | 5 | 3 | 11 | 10 | 9 | 7 | 8 | 3 |
| Florey, Hans | Im Winter | 1983/9/6 | 0 | 6 | 7 | 10 | 1 | 8 | 2 | 9 | 4 | 3 | 11 | 5 |
| Florey, Hans | Kanonvariationen | 1992/6 | 0 | 1 | 4 | 6 | 5 | 3 | 11 | 10 | 9 | 7 | 8 | 2 |
| Florey, Hans | Klavierstück | 1982/2/22 | 0 | 1 | 11 | 10 | 9 | 6 | 4 | 8 | 5 | 7 | 2 | 3 |
| Florey, Hans | Kleiner Doppelkanon | 1991/11/19 | 0 | 4 | 6 | 3 | 8 | 9 | 7 | 2 | 1 | 5 | 11 | 10 |
| Florey, Hans | Magische Klangordnung | 1978/11/7 | 0 | 5 | 7 | 4 | 1 | 2 | 3 | 9 | 10 | 6 | 8 | 11 |
| Florey, Hans | Magischer Würfel mit 6 Spiegelpunkten | 1983/1982 | 0 | 10 | 1 | 7 | 4 | 6 | 5 | 8 | 3 | 9 | 2 | 11 |
| Florey, Hans | Magisches Quadrat der Ordnung 3 | 1992/1973 | 0 | 4 | 6 | 3 | 8 | 9 | 7 | 2 | 1 | 5 | 11 | 10 |
| Florey, Hans | Polare Doppelzeichen-Kreise | 1991/11/21 | 0 | 2 | 11 | 4 | 5 | 3 | 10 | 9 | 1 | 7 | 6 | 8 |
| Florey, Hans | Sechs Kanonzyklen einunddesselben magischen Quadrates | 1982/9 | 0 | 10 | 1 | 7 | 4 | 6 | 5 | 8 | 3 | 9 | 2 | 11 |
| Florey, Hans | Trigramme | 1991/10/15 | 0 | 8 | 9 | 7 | 6 | 4 | 3 | 5 | 10 | 11 | 1 | 2 |
| Florey, Hans | Triptychon | 2005/6/23 | 0 | 8 | 9 | 3 | 7 | 2 | 1 | 10 | 5 | 6 | 11 | 4 |
| Florey, Hans | Zwölftonspiel für Streichquartett. 3. Dezember 1965 | 1965/12/3 | 0 | 10 | 2 | 5 | 3 | 4 | 1 | 8 | 9 | 6 | 7 | 11 |
| Fortner, Wolfgang | Sieben Elegien | 1951 | 0 | 10 | 5 | 8 | 1 | 11 | 9 | 6 | 7 | 4 | 2 | 3 |
| Frankel, Benjamin | The Curse of the Werewolf | 1961 | 0 | 3 | 2 | 1 | 4 | 8 | 11 | 5 | 10 | 7 | 6 | 9 |
| Gerhard, Roberto | Capriccio for Solo Flute | 1949 | 0 | 11 | 9 | 3 | 1 | 10 | 8 | 6 | 4 | 7 | 2 | 5 |
| Gerhard, Roberto | Chaconne for Unaccompanied Violin | 1959 | 0 | 11 | 4 | 2 | 1 | 3 | 9 | 10 | 8 | 6 | 5 | 7 |
| Gerhard, Roberto | Concert for 8 | 1962 | 0 | 8 | 11 | 2 | 1 | 4 | 9 | 6 | 3 | 10 | 5 | 7 |
| Gerhard, Roberto | Concerto for Harpsichord, String Orchestra, and Percussion | 1955-56 | 0 | 2 | 8 | 7 | 11 | 5 | 1 | 4 | 3 | 6 | 9 | 10 |
| Gerhard, Roberto | Concerto for Piano and String Orchestra | 1951 | 0 | 4 | 1 | 11 | 10 | 3 | 6 | 5 | 9 | 8 | 2 | 7 |
| Gerhard, Roberto | Concerto for Violin and Orchestra | 1942-43 | 0 | 8 | 7 | 1 | 11 | 10 | 5 | 9 | 4 | 6 | 3 | 2 |
| Gerhard, Roberto | Gemini | 1966 | 0 | 11 | 3 | 1 | 5 | 4 | 8 | 6 | 7 | 2 | 9 | 10 |
| Gerhard, Roberto | Hymnody | 1963 | 0 | 10 | 11 | 8 | 2 | 9 | 4 | 5 | 1 | 6 | 7 | 3 |
| Gerhard, Roberto | Leo | 1969 | 0 | 2 | 1 | 6 | 5 | 7 | 3 | 8 | 9 | 10 | 4 | 11 |
| Gerhard, Roberto | Libra | 1968 | 0 | 6 | 1 | 7 | 2 | 8 | 4 | 9 | 5 | 10 | 11 | 3 |
| Gerhard, Roberto | Nonet | 1956-57 | 0 | 11 | 1 | 3 | 5 | 4 | 10 | 8 | 2 | 7 | 9 | 6 |
| Gerhard, Roberto | Sonata for Cello and Piano | 1956 | 0 | 2 | 10 | 11 | 5 | 6 | 4 | 3 | 7 | 8 | 1 | 9 |
| Gerhard, Roberto | String Quartet | 1950-55 | 0 | 7 | 8 | 2 | 6 | 10 | 9 | 11 | 4 | 5 | 1 | 3 |
| Gerhard, Roberto | String Quartet, No.2 | 1961 | 0 | 1 | 5 | 2 | 8 | 7 | 10 | 9 | 6 | 11 | 4 | 3 |
| Gerhard, Roberto | Symphony, No.1 | 1952-53 | 0 | 11 | 8 | 5 | 10 | 9 | 6 | 3 | 4 | 2 | 1 | 7 |
| Gerhard, Roberto | Symphony, No.2 | 1957-59 | 0 | 8 | 1 | 7 | 5 | 6 | 10 | 11 | 2 | 3 | 9 | 4 |
| Gerhard, Roberto | The Plague | 1963-64 | 0 | 1 | 9 | 11 | 8 | 10 | 4 | 5 | 6 | 2 | 3 | 7 |
| Gerhard, Roberto | Three Impromptus | 1950 | 0 | 8 | 1 | 10 | 4 | 6 | 7 | 5 | 3 | 2 | 9 | 11 |
| Geßler, Florian | Die Dinge des Lebens (Klavierquartett) | 11/2010 | 0 | 9 | 3 | 1 | 7 | 2 | 5 | 11 | 4 | 10 | 8 | 6 |
| Gielen, Michael | Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano | 1958 | 0 | 5 | 1 | 4 | 2 | 3 | 9 | 8 | 10 | 7 | 11 | 6 |
| Ginastera, Alberto | Cantata para América Mágica, Op.27 | 1960 | 0 | 7 | 6 | 5 | 10 | 11 | 8 | 1 | 2 | 9 | 4 | 3 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 1 | 1963-64 | 0 | 1 | 6 | 7 | 8 | 2 | 10 | 11 | 5 | 4 | 9 | 3 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 2 | 1963-64 | 0 | 11 | 2 | 3 | 4 | 1 | 6 | 5 | 8 | 9 | 10 | 7 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 3 | 1963-64 | 0 | 5 | 6 | 11 | 2 | 1 | 8 | 7 | 10 | 4 | 9 | 3 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 4 | 1963-64 | 0 | 9 | 10 | 11 | 6 | 5 | 8 | 7 | 2 | 3 | 4 | 1 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 5 | 1963-64 | 0 | 1 | 7 | 6 | 5 | 11 | 2 | 8 | 9 | 10 | 4 | 3 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 6 | 1963-64 | 0 | 11 | 1 | 2 | 5 | 4 | 6 | 7 | 10 | 8 | 9 | 3 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 7 | 1963-64 | 0 | 1 | 8 | 2 | 7 | 6 | 5 | 11 | 9 | 10 | 4 | 3 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 8 | 1963-64 | 0 | 1 | 7 | 6 | 8 | 9 | 3 | 2 | 4 | 5 | 11 | 10 |
| Ginastera, Alberto | Don Rodrigo, Op.31, Row Class 9 | 1963-64 | 0 | 11 | 3 | 4 | 7 | 10 | 6 | 5 | 9 | 1 | 2 | 8 |
| Ginastera, Alberto | Piano Concerto, No.1, Op.28 | 1961 | 0 | 11 | 5 | 1 | 8 | 2 | 7 | 6 | 10 | 4 | 9 | 3 |
| Ginastera, Alberto | Quintet, Op.29, Row Class III 1 | 1963 | 0 | 11 | 1 | 8 | 2 | 7 | 10 | 3 | 9 | 4 | 6 | 5 |
| Ginastera, Alberto | Quintet, Op.29, Row Class III 2 | 1963 | 0 | 11 | 1 | 8 | 2 | 7 | 5 | 6 | 4 | 9 | 3 | 10 |
| Ginastera, Alberto | Quintet, Op.29, Row Class V | 1963 | 0 | 5 | 4 | 7 | 3 | 2 | 6 | 9 | 8 | 1 | 10 | 11 |
| Ginastera, Alberto | Quintet, Op.29, Row Class VII 1 | 1963 | 0 | 9 | 10 | 11 | 4 | 3 | 6 | 2 | 1 | 5 | 8 | 7 |
| Ginastera, Alberto | Quintet, Op.29, Row Class VII 2 | 1963 | 0 | 11 | 1 | 8 | 2 | 7 | 5 | 6 | 4 | 9 | 3 | 10 |
| Ginastera, Alberto | Quintet, Op.29, Row Class VII S | 1963 | 0 | 11 | 1 | 10 | 2 | 9 | 3 | 8 | 4 | 7 | 5 | 6 |
| Ginastera, Alberto | Quintet, Op.29, mvt.III | 1963 | 0 | 7 | 3 | 10 | 2 | 6 | 9 | 1 | 4 | 8 | 11 | 5 |
| Ginastera, Alberto | Sonata for Cello and Piano, Op.49 | 1979 | 0 | 3 | 2 | 1 | 10 | 11 | 8 | 9 | 5 | 4 | 7 | 6 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class II 1 | 1976 | 0 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class II 2 | 1976 | 0 | 3 | 6 | 9 | 2 | 5 | 8 | 11 | 4 | 7 | 10 | 1 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class II 3 | 1976 | 0 | 9 | 3 | 2 | 11 | 6 | 5 | 1 | 8 | 7 | 4 | 10 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class II 4 | 1976 | 0 | 2 | 1 | 5 | 3 | 4 | 7 | 8 | 6 | 10 | 9 | 11 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class II 5 | 1976 | 0 | 7 | 1 | 6 | 4 | 11 | 5 | 10 | 8 | 3 | 9 | 2 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class II 6 | 1976 | 0 | 11 | 4 | 3 | 8 | 7 | 1 | 2 | 9 | 10 | 5 | 6 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class II 7 | 1976 | 0 | 9 | 10 | 11 | 8 | 7 | 6 | 3 | 4 | 5 | 2 | 1 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class III | 1976 | 0 | 11 | 7 | 4 | 2 | 9 | 3 | 8 | 10 | 1 | 5 | 6 |
| Ginastera, Alberto | Sonata for Guitar, Op.47, mvts II and III, Row Class III S | 1976 | 0 | 6 | 11 | 5 | 8 | 2 | 7 | 1 | 4 | 10 | 3 | 9 |
| Ginastera, Alberto | String Quartet, No.2, Op.26 | 1958 | 0 | 5 | 11 | 2 | 8 | 1 | 9 | 10 | 7 | 4 | 3 | 6 |
| Ginastera, Alberto | Turbae ad Passionem Gregorianam, Op.43, mvt II | 1974 | 0 | 5 | 1 | 7 | 6 | 11 | 8 | 2 | 3 | 4 | 9 | 10 |
| Ginastera, Alberto | Violin Concerto, Op.30 | 1963 | 0 | 11 | 2 | 3 | 4 | 1 | 6 | 5 | 8 | 9 | 10 | 7 |
| Goehr, Alexander | Little Symphony, Op.15 | 1963 | 0 | 3 | 7 | 10 | 6 | 4 | 5 | 2 | 9 | 8 | 11 | 1 |
| Goehr, Alexander | Piano Trio, Op.20 | 1966 | 0 | 6 | 7 | 4 | 3 | 8 | 5 | 9 | 11 | 2 | 10 | 1 |
| Goehr, Alexander | Sonata in One Movement, Op.2 | 1953-55 | 0 | 2 | 7 | 1 | 4 | 10 | 6 | 9 | 11 | 8 | 5 | 3 |
| Goehr, Alexander | Violin Concerto, Op.13 | 1962 | 0 | 8 | 2 | 1 | 3 | 11 | 5 | 10 | 7 | 6 | 4 | 9 |
| Goeyvaerts, Karel | 'Opus 2 for 13 Instruments' aka 'Nummer 2' | 1951 | 0 | 7 | 6 | 5 | 8 | 9 | 4 | 3 | 10 | 11 | 2 | 1 |
| Goeyvaerts, Karel | Sonata for Two Pianos, aka 'Opus 1', 'Nummer 1' | 1950-51 | 0 | 8 | 1 | 11 | 10 | 4 | 6 | 5 | 2 | 7 | 3 | 9 |
| Goeyvaerts, Karel | Violin concerto, No.2 | 1951/1950 | 0 | 11 | 7 | 1 | 2 | 9 | 10 | 8 | 5 | 6 | 3 | 4 |
| Gotham, Mark | 4x4x4x4, row 1 | 2021 | 0 | 2 | 6 | 10 | 5 | 3 | 8 | 9 | 11 | 7 | 4 | 1 |
| Gotham, Mark | 4x4x4x4, row 2 | 2021 | 0 | 2 | 6 | 10 | 11 | 9 | 8 | 3 | 5 | 1 | 4 | 7 |
| Gotham, Mark | 4x4x4x4, row 3 | 2021 | 0 | 2 | 6 | 10 | 7 | 4 | 11 | 9 | 8 | 3 | 5 | 1 |
| Gotham, Mark | 4x4x4x4, row 4 | 2021 | 0 | 2 | 6 | 10 | 1 | 4 | 5 | 3 | 8 | 9 | 11 | 7 |
| Gotham, Mark | Move On! | 2022 | 0 | 4 | 3 | 10 | 6 | 9 | 1 | 5 | 2 | 8 | 11 | 7 |
| Hamel, Peter Michael | 'Klangspirale' für 13 Spieler oder drei Orchestergruppen | 1977 | 0 | 10 | 5 | 9 | 3 | 4 | 1 | 6 | 8 | 11 | 2 | 7 |
| Harrison, Lou | A Twelve-Tone Morning After to Amuse Henry | 1944-45 | 0 | 2 | 3 | 4 | 9 | 8 | 7 | 10 | 11 | 6 | 5 | 1 |
| Harrison, Lou | Rapunzel | 1952 | 0 | 11 | 4 | 3 | 7 | 6 | 10 | 9 | 2 | 1 | 8 | 5 |
| Harrison, Lou | Suite for Piano | 1943 | 0 | 1 | 6 | 2 | 5 | 7 | 11 | 4 | 9 | 8 | 10 | 3 |
| Harrison, Lou | Symphony on G | 1947-64 | 0 | 1 | 5 | 4 | 3 | 10 | 11 | 7 | 6 | 2 | 9 | 8 |
| Harrison, Lou | Untitled Piano Piece | 1937 | 0 | 10 | 4 | 3 | 9 | 7 | 2 | 8 | 6 | 1 | 11 | 5 |
| Hartmann, Karl Amadeus | Symphony, No.4 | 1947-1948 | 0 | 1 | 3 | 2 | 11 | 4 | 5 | 10 | 7 | 6 | 8 | 9 |
| Hauer, Jose Matthias | XXXII. Zwölftonspiel; für Violine, Bratsche und Cello | 1946/8/19 | 0 | 2 | 6 | 1 | 10 | 9 | 5 | 8 | 11 | 7 | 4 | 3 |
| Hauer, Josef Matthias | 'Almanach 1957' [Zwölftonspiel] für vier Violinen | 1956 | 0 | 2 | 6 | 5 | 1 | 9 | 8 | 3 | 7 | 4 | 10 | 11 |
| Hauer, Josef Matthias | 'Atonale Musik'. Klavierstücke 1922., Op.20 | 1920-1922 | 0 | 7 | 4 | 9 | 5 | 8 | 3 | 11 | 2 | 6 | 1 | 10 |
| Hauer, Josef Matthias | 'Der Menschen Weg', Op.67 | 1952/1934 | 0 | 8 | 5 | 4 | 10 | 2 | 7 | 9 | 1 | 3 | 11 | 6 |
| Hauer, Josef Matthias | 'Die schwarze Spinne', Op.62 | 1932/7/27 | 0 | 4 | 10 | 1 | 5 | 8 | 11 | 2 | 7 | 9 | 6 | 3 |
| Hauer, Josef Matthias | 'Durch Dick und Dünn zum Staatsvertrag'. Marsch für Klavier zu vier Händen | 1955/5/20 | 0 | 4 | 5 | 1 | 8 | 11 | 3 | 9 | 6 | 10 | 7 | 2 |
| Hauer, Josef Matthias | 'Emilie vor ihrem Brauttag' (Friedrich Hölderlin) für Altsolo und Orchester, Op.58 | 1928/11/9-28 | 0 | 8 | 3 | 4 | 11 | 6 | 9 | 10 | 2 | 1 | 5 | 7 |
| Hauer, Josef Matthias | 'Empedokles', dramatische Gesänge in zwei Teilen für Soli Männerchor und Orchester; Opus 68 | 1935/6-09 | 0 | 6 | 10 | 5 | 7 | 9 | 1 | 4 | 11 | 8 | 3 | 2 |
| Hauer, Josef Matthias | 'Kaleidoskop' für Orchester | 1956/8/20 | 0 | 9 | 6 | 7 | 3 | 8 | 2 | 4 | 11 | 1 | 5 | 10 |
| Hauer, Josef Matthias | 'Musik für Schule und Haus I' 22. September 1956. für zwei Violinen und Klavier | 1956/9/22 | 0 | 5 | 1 | 3 | 6 | 11 | 7 | 8 | 2 | 10 | 4 | 9 |
| Hauer, Josef Matthias | 'Musik für Schule und Haus II' 22. September 1956. für Violine, Bratsche und Klavier | 1956/9/22 | 0 | 7 | 8 | 1 | 6 | 5 | 10 | 2 | 11 | 9 | 3 | 4 |
| Hauer, Josef Matthias | 'Salambo', opera after Gustave Flaubert;, Op.60 | 1929/5-8 | 0 | 6 | 9 | 2 | 8 | 10 | 4 | 7 | 1 | 11 | 3 | 5 |
| Hauer, Josef Matthias | 'Tanz tibetanischer Mönche' im langsamen 3/4 Takt) [Zwölftonspiel]. 8. September 1956 | 1956/9/8 | 0 | 7 | 8 | 6 | 3 | 1 | 11 | 2 | 10 | 5 | 9 | 4 |
| Hauer, Josef Matthias | 'Wandlungen' (chamber-oratorio for stage or concert, for six solo-voices, choir and orchestra; after words of Friedrich Hölderlin), Op.53 | 1927/12/5 | 0 | 5 | 11 | 4 | 10 | 1 | 6 | 8 | 9 | 3 | 7 | 2 |
| Hauer, Josef Matthias | 1. canonic Example from the theoretical work 'Zwölftontechnik' | 1925/10 | 0 | 1 | 4 | 6 | 5 | 3 | 11 | 10 | 9 | 7 | 8 | 2 |
| Hauer, Josef Matthias | Apokalyptische Phantasie, Op.5 | 1913/September-Oktober/16.9.-23.10 | 0 | 1 | 11 | 9 | 6 | 10 | 4 | 8 | 2 | 5 | 7 | 3 |
| Hauer, Josef Matthias | Baustein | 1920 | 0 | 8 | 11 | 1 | 6 | 10 | 4 | 2 | 3 | 5 | 9 | 7 |
| Hauer, Josef Matthias | Divertimento für kleines Orchester, Op.61 | 1930/5/5 | 0 | 7 | 5 | 1 | 2 | 11 | 6 | 4 | 8 | 10 | 3 | 9 |
| Hauer, Josef Matthias | Erste Suite für Orchester | 1924/6 | 0 | 7 | 5 | 10 | 1 | 11 | 9 | 4 | 6 | 2 | 8 | 3 |
| Hauer, Josef Matthias | Fünfte Tanzfantasie für kleines Orchester, Opus 66 | 1933/12/17 | 0 | 10 | 4 | 7 | 8 | 11 | 6 | 2 | 5 | 9 | 3 | 1 |
| Hauer, Josef Matthias | Harmonie - Melodie - Rhythmus - in kristallischer Bindung - im vierfachen Kontrapunkt [Zwölftonspiel] für Zwölftonorchester | 1956/8/23 | 0 | 2 | 10 | 9 | 6 | 5 | 1 | 4 | 7 | 11 | 8 | 3 |
| Hauer, Josef Matthias | Hausmusik [Zwölftonspiel] für Klavier zu vier Händen. September 1958 | 1958/9/11 | 0 | 9 | 6 | 11 | 4 | 1 | 10 | 5 | 2 | 8 | 3 | 7 |
| Hauer, Josef Matthias | Hausmusik [Zwölftonspiel] für zwei Violinen und Klavier | 1955/4/6 | 0 | 1 | 5 | 3 | 7 | 10 | 9 | 6 | 11 | 4 | 2 | 8 |
| Hauer, Josef Matthias | Hölderlinrezitation | 1949/4/30 | 0 | 4 | 1 | 2 | 11 | 7 | 5 | 10 | 3 | 6 | 8 | 9 |
| Hauer, Josef Matthias | Kammermusik [Zwölftonspiel] für Flöte, Oboe, Baßklarinette, Fagott, zwei Violinen, Bratsche, Cello und Klavier zu vier Händen. 24. Jänner 1957 | 1957/1/24 | 0 | 9 | 3 | 7 | 5 | 10 | 1 | 6 | 11 | 4 | 2 | 8 |
| Hauer, Josef Matthias | Klavierkonzert, Op.55 | 1928/4-5 | 0 | 1 | 9 | 2 | 10 | 3 | 5 | 11 | 7 | 8 | 4 | 6 |
| Hauer, Josef Matthias | Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op.25 ;, No.10 | 1923 | 0 | 6 | 11 | 10 | 9 | 5 | 2 | 3 | 7 | 1 | 4 | 8 |
| Hauer, Josef Matthias | Labyrinthischer Tanz [Zwölftonspiel] für Klavier zu vier Händen. 16. November 1952 | 1952/11/16 | 0 | 3 | 8 | 7 | 2 | 10 | 6 | 1 | 11 | 9 | 4 | 5 |
| Hauer, Josef Matthias | Langsamer Walzer [Zwölftonspiel] für Orchester. 10. Jänner 1957 | 1957/1/10 | 0 | 8 | 10 | 2 | 3 | 6 | 1 | 9 | 7 | 4 | 11 | 5 |
| Hauer, Josef Matthias | Langsamer Walzer [Zwölftonspiel] für Orchester. 19. Jänner 1957 | 1957/1/19 | 0 | 10 | 1 | 5 | 7 | 2 | 9 | 11 | 6 | 3 | 8 | 4 |
| Hauer, Josef Matthias | Langsamer Walzer [Zwölftonspiel] für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen | 1955/9/24 | 0 | 6 | 2 | 11 | 10 | 7 | 3 | 4 | 5 | 9 | 1 | 8 |
| Hauer, Josef Matthias | Lateinische Messe, Op.46 für gemischten Chor, Orchester und Orgel | 1926 | 0 | 8 | 5 | 4 | 11 | 7 | 1 | 3 | 10 | 2 | 6 | 9 |
| Hauer, Josef Matthias | Nomos | 1919 | 0 | 5 | 7 | 3 | 9 | 6 | 11 | 2 | 8 | 4 | 1 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.1-36) | 1919/8/25-29 | 0 | 5 | 7 | 3 | 9 | 6 | 11 | 2 | 8 | 4 | 1 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.101-102) | 1919/8/25-29 | 0 | 7 | 4 | 2 | 1 | 10 | 9 | 11 | 8 | 6 | 3 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.103-105) | 1919/8/25-29 | 0 | 3 | 9 | 10 | 8 | 1 | 6 | 7 | 2 | 11 | 5 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.106-108) | 1919/8/25-29 | 0 | 10 | 6 | 1 | 7 | 4 | 9 | 5 | 3 | 8 | 11 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.111-113) | 1919/8/25-29 | 0 | 5 | 9 | 8 | 4 | 3 | 10 | 2 | 1 | 7 | 6 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.117-118) | 1919/8/25-29 | 0 | 4 | 5 | 11 | 7 | 10 | 3 | 9 | 6 | 2 | 1 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.119-120) | 1919/8/25-29 | 0 | 10 | 8 | 6 | 5 | 7 | 9 | 2 | 3 | 1 | 11 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.123-124) | 1919/8/25-29 | 0 | 8 | 11 | 5 | 3 | 7 | 4 | 9 | 1 | 6 | 10 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.125-126) | 1919/8/25-29 | 0 | 11 | 1 | 10 | 6 | 8 | 9 | 5 | 7 | 3 | 2 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.129-130) | 1919/8/25-29 | 0 | 9 | 10 | 4 | 3 | 7 | 6 | 2 | 1 | 8 | 11 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.131-132) | 1919/8/25-29 | 0 | 9 | 8 | 2 | 11 | 3 | 6 | 5 | 10 | 7 | 4 | 1 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.133-134) | 1919/8/25-29 | 0 | 8 | 5 | 11 | 2 | 7 | 4 | 6 | 3 | 1 | 10 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.134-137) | 1919/8/25-29 | 0 | 2 | 1 | 4 | 5 | 9 | 6 | 8 | 10 | 7 | 11 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.136-138) | 1919/8/25-29 | 0 | 1 | 9 | 8 | 4 | 7 | 3 | 6 | 5 | 11 | 10 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.138-140) | 1919/8/25-29 | 0 | 3 | 4 | 2 | 5 | 6 | 8 | 7 | 10 | 11 | 1 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.139-141) | 1919/8/25-29 | 0 | 2 | 10 | 1 | 11 | 9 | 8 | 5 | 6 | 4 | 7 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.141-142) | 1919/8/25-29 | 0 | 5 | 3 | 4 | 1 | 11 | 2 | 6 | 8 | 9 | 10 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.141-143) | 1919/8/25-29 | 0 | 10 | 11 | 3 | 5 | 6 | 7 | 2 | 1 | 4 | 8 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.142-143) | 1919/8/25-29 | 0 | 11 | 10 | 1 | 5 | 3 | 8 | 6 | 9 | 4 | 7 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.143-145) | 1919/8/25-29 | 0 | 9 | 10 | 2 | 1 | 11 | 4 | 6 | 7 | 5 | 8 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.148-150) | 1919/8/25-29 | 0 | 6 | 5 | 3 | 2 | 7 | 8 | 4 | 1 | 11 | 9 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.151-153) | 1919/8/25-29 | 0 | 7 | 2 | 4 | 6 | 1 | 5 | 3 | 9 | 10 | 8 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.154-155) | 1919/8/25-29 | 0 | 5 | 6 | 4 | 9 | 1 | 2 | 7 | 10 | 11 | 8 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.159-161) | 1919/8/25-29 | 0 | 5 | 1 | 8 | 10 | 4 | 6 | 7 | 3 | 9 | 11 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.171-174) | 1919/8/25-29 | 0 | 7 | 1 | 3 | 9 | 6 | 8 | 11 | 10 | 5 | 4 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.175-178) | 1919/8/25-29 | 0 | 10 | 1 | 2 | 6 | 5 | 3 | 4 | 8 | 9 | 7 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.180-185) | 1919/8/25-29 | 0 | 1 | 3 | 11 | 6 | 7 | 8 | 5 | 4 | 9 | 10 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.186-191) | 1919/8/25-29 | 0 | 4 | 3 | 9 | 7 | 5 | 2 | 6 | 8 | 11 | 1 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.192-193) | 1919/8/25-29 | 0 | 9 | 6 | 2 | 8 | 4 | 7 | 10 | 1 | 3 | 5 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.194-195) | 1919/8/25-29 | 0 | 4 | 2 | 3 | 6 | 9 | 5 | 1 | 8 | 7 | 11 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.196-197) | 1919/8/25-29 | 0 | 2 | 8 | 6 | 11 | 5 | 4 | 10 | 7 | 3 | 1 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.198-201) | 1919/8/25-29 | 0 | 8 | 9 | 11 | 3 | 5 | 6 | 1 | 2 | 7 | 10 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.202-203) | 1919/8/25-29 | 0 | 1 | 3 | 10 | 7 | 9 | 2 | 11 | 4 | 6 | 8 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.204-207) | 1919/8/25-29 | 0 | 2 | 3 | 1 | 9 | 7 | 6 | 4 | 11 | 5 | 10 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.208-212) | 1919/8/25-29 | 0 | 9 | 7 | 2 | 5 | 1 | 10 | 6 | 11 | 4 | 3 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.213-216) | 1919/8/25-29 | 0 | 2 | 6 | 1 | 10 | 4 | 5 | 8 | 11 | 7 | 3 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.215-219) | 1919/8/25-29 | 0 | 3 | 8 | 2 | 6 | 5 | 4 | 1 | 10 | 11 | 9 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.220-224) | 1919/8/25-29 | 0 | 10 | 7 | 4 | 5 | 8 | 3 | 11 | 9 | 2 | 1 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.224-228) | 1919/8/25-29 | 0 | 1 | 9 | 3 | 4 | 5 | 10 | 11 | 6 | 2 | 8 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.228-230) | 1919/8/25-29 | 0 | 2 | 9 | 6 | 5 | 10 | 7 | 3 | 8 | 1 | 4 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.231-233) | 1919/8/25-29 | 0 | 6 | 10 | 3 | 2 | 8 | 9 | 5 | 4 | 1 | 11 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.234-237) | 1919/8/25-29 | 0 | 11 | 3 | 1 | 7 | 4 | 9 | 6 | 5 | 10 | 2 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.238-240) | 1919/8/25-29 | 0 | 6 | 11 | 9 | 2 | 1 | 5 | 7 | 8 | 10 | 4 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.241-243) | 1919/8/25-29 | 0 | 2 | 8 | 1 | 4 | 9 | 5 | 6 | 3 | 11 | 10 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.244-246) | 1919/8/25-29 | 0 | 9 | 7 | 10 | 11 | 4 | 6 | 8 | 1 | 2 | 3 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.247-250) | 1919/8/25-29 | 0 | 9 | 6 | 4 | 11 | 7 | 5 | 10 | 3 | 8 | 2 | 1 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.251-254) | 1919/8/25-29 | 0 | 9 | 8 | 1 | 4 | 3 | 5 | 7 | 6 | 2 | 11 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.255-257) | 1919/8/25-29 | 0 | 7 | 2 | 6 | 5 | 10 | 3 | 4 | 11 | 8 | 1 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.257-262) | 1919/8/25-29 | 0 | 7 | 3 | 8 | 4 | 2 | 9 | 1 | 11 | 6 | 10 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.262-263) | 1919/8/25-29 | 0 | 11 | 2 | 5 | 1 | 6 | 9 | 7 | 10 | 3 | 4 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.264-267) | 1919/8/25-29 | 0 | 7 | 5 | 4 | 1 | 8 | 3 | 9 | 2 | 6 | 10 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.272-276) | 1919/8/25-29 | 0 | 1 | 5 | 3 | 7 | 2 | 8 | 10 | 4 | 6 | 11 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.280-283) | 1919/8/25-29 | 0 | 5 | 6 | 9 | 7 | 4 | 3 | 8 | 11 | 1 | 10 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.284-287) | 1919/8/25-29 | 0 | 1 | 11 | 7 | 6 | 4 | 10 | 5 | 2 | 8 | 3 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.288-291) | 1919/8/25-29 | 0 | 2 | 10 | 7 | 4 | 6 | 11 | 3 | 5 | 1 | 8 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.292-294) | 1919/8/25-29 | 0 | 9 | 2 | 6 | 3 | 5 | 10 | 1 | 11 | 7 | 4 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.297-300) | 1919/8/25-29 | 0 | 11 | 8 | 6 | 5 | 10 | 1 | 4 | 3 | 9 | 2 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.301-305) | 1919/8/25-29 | 0 | 10 | 2 | 9 | 8 | 1 | 5 | 6 | 11 | 3 | 7 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.306-309) | 1919/8/25-29 | 0 | 2 | 7 | 8 | 1 | 4 | 9 | 10 | 3 | 6 | 5 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.307-309) | 1919/8/25-29 | 0 | 4 | 9 | 3 | 2 | 5 | 11 | 1 | 10 | 7 | 6 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.315-317) | 1919/8/25-29 | 0 | 8 | 1 | 3 | 7 | 10 | 4 | 5 | 11 | 2 | 9 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.321-324) | 1919/8/25-29 | 0 | 6 | 10 | 1 | 3 | 5 | 9 | 4 | 2 | 8 | 11 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.325-328) | 1919/8/25-29 | 0 | 5 | 4 | 2 | 7 | 6 | 3 | 11 | 1 | 8 | 10 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.328-332) | 1919/8/25-29 | 0 | 3 | 2 | 7 | 6 | 10 | 9 | 11 | 8 | 5 | 1 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.331-334) | 1919/8/25-29 | 0 | 4 | 3 | 2 | 1 | 11 | 7 | 10 | 5 | 6 | 8 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.337-338) | 1919/8/25-29 | 0 | 1 | 11 | 5 | 4 | 3 | 8 | 9 | 2 | 10 | 6 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.348-353) | 1919/8/25-29 | 0 | 11 | 9 | 5 | 10 | 4 | 6 | 8 | 3 | 2 | 1 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.356-358) | 1919/8/25-29 | 0 | 6 | 9 | 5 | 4 | 2 | 11 | 3 | 10 | 8 | 7 | 1 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.358-361) | 1919/8/25-29 | 0 | 10 | 8 | 1 | 11 | 7 | 2 | 6 | 5 | 9 | 4 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.362-365) | 1919/8/25-29 | 0 | 7 | 5 | 3 | 10 | 8 | 4 | 2 | 9 | 6 | 11 | 1 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.366-371) | 1919/8/25-29 | 0 | 5 | 1 | 7 | 3 | 2 | 4 | 8 | 11 | 6 | 10 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.37-39) | 1919/8/25-29 | 0 | 8 | 5 | 1 | 9 | 2 | 4 | 6 | 10 | 3 | 7 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.372-375) | 1919/8/25-29 | 0 | 8 | 6 | 1 | 10 | 11 | 5 | 9 | 7 | 4 | 3 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.376-378) | 1919/8/25-29 | 0 | 11 | 9 | 3 | 4 | 8 | 7 | 10 | 2 | 1 | 6 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.379-382) | 1919/8/25-29 | 0 | 7 | 3 | 10 | 5 | 6 | 4 | 1 | 2 | 9 | 11 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.383-386) | 1919/8/25-29 | 0 | 3 | 1 | 4 | 10 | 8 | 11 | 2 | 5 | 7 | 9 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.387-390) | 1919/8/25-29 | 0 | 3 | 7 | 4 | 10 | 1 | 11 | 9 | 6 | 8 | 2 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.391-394) | 1919/8/25-29 | 0 | 10 | 11 | 9 | 7 | 4 | 8 | 5 | 1 | 3 | 6 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.395-402) | 1919/8/25-29 | 0 | 2 | 7 | 10 | 6 | 5 | 8 | 9 | 11 | 3 | 1 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.40-42) | 1919/8/25-29 | 0 | 10 | 1 | 11 | 7 | 2 | 6 | 5 | 3 | 8 | 9 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.403-409) | 1919/8/25-29 | 0 | 11 | 2 | 10 | 8 | 1 | 5 | 3 | 4 | 6 | 7 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.411-414) | 1919/8/25-29 | 0 | 2 | 8 | 3 | 5 | 6 | 7 | 4 | 9 | 10 | 1 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.422-425) | 1919/8/25-29 | 0 | 6 | 4 | 2 | 10 | 9 | 8 | 5 | 11 | 7 | 1 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.425-427) | 1919/8/25-29 | 0 | 8 | 10 | 7 | 4 | 2 | 3 | 5 | 6 | 11 | 1 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.428-429) | 1919/8/25-29 | 0 | 10 | 4 | 6 | 5 | 3 | 1 | 9 | 7 | 8 | 2 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.430-432) | 1919/8/25-29 | 0 | 6 | 8 | 10 | 9 | 2 | 7 | 1 | 3 | 4 | 5 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.433-435) | 1919/8/25-29 | 0 | 3 | 11 | 4 | 9 | 5 | 8 | 6 | 7 | 10 | 1 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.438-441) | 1919/8/25-29 | 0 | 1 | 10 | 8 | 9 | 4 | 3 | 5 | 7 | 11 | 6 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.441-445) | 1919/8/25-29 | 0 | 1 | 9 | 8 | 10 | 4 | 6 | 5 | 7 | 2 | 3 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.45-47) | 1919/8/25-29 | 0 | 10 | 6 | 1 | 5 | 4 | 11 | 8 | 2 | 3 | 7 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.451-453) | 1919/8/25-29 | 0 | 2 | 4 | 1 | 6 | 11 | 3 | 8 | 9 | 7 | 5 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.452-455) | 1919/8/25-29 | 0 | 5 | 7 | 8 | 1 | 2 | 3 | 4 | 6 | 11 | 10 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.455-456) | 1919/8/25-29 | 0 | 5 | 9 | 4 | 6 | 1 | 10 | 3 | 7 | 2 | 8 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.457-458) | 1919/8/25-29 | 0 | 3 | 4 | 5 | 8 | 1 | 6 | 11 | 9 | 10 | 2 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.459-460) | 1919/8/25-29 | 0 | 9 | 1 | 8 | 5 | 2 | 3 | 11 | 7 | 10 | 6 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.46-51) | 1919/8/25-29 | 0 | 11 | 10 | 2 | 6 | 9 | 1 | 8 | 3 | 7 | 4 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.463-464) | 1919/8/25-29 | 0 | 4 | 6 | 7 | 3 | 9 | 1 | 10 | 8 | 11 | 5 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.467-471) | 1919/8/25-29 | 0 | 5 | 9 | 1 | 7 | 2 | 10 | 4 | 11 | 8 | 3 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.471-472) | 1919/8/25-29 | 0 | 3 | 11 | 1 | 6 | 9 | 2 | 8 | 5 | 7 | 10 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.473-474) | 1919/8/25-29 | 0 | 6 | 9 | 1 | 3 | 11 | 8 | 4 | 5 | 7 | 10 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.475-479) | 1919/8/25-29 | 0 | 9 | 10 | 6 | 7 | 5 | 2 | 3 | 8 | 4 | 1 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.479-483) | 1919/8/25-29 | 0 | 6 | 10 | 9 | 7 | 8 | 11 | 4 | 5 | 3 | 2 | 1 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.486-490) | 1919/8/25-29 | 0 | 10 | 1 | 4 | 9 | 5 | 6 | 8 | 7 | 3 | 2 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.490-494) | 1919/8/25-29 | 0 | 5 | 11 | 6 | 9 | 2 | 8 | 7 | 10 | 4 | 1 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.494-496) | 1919/8/25-29 | 0 | 7 | 8 | 5 | 6 | 11 | 2 | 3 | 9 | 4 | 1 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.496-498) | 1919/8/25-29 | 0 | 10 | 9 | 4 | 3 | 7 | 5 | 8 | 1 | 2 | 6 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.498-501) | 1919/8/25-29 | 0 | 3 | 1 | 10 | 7 | 6 | 2 | 11 | 8 | 5 | 4 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.50-53) | 1919/8/25-29 | 0 | 2 | 10 | 4 | 5 | 3 | 6 | 7 | 1 | 8 | 9 | 11 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.501-503) | 1919/8/25-29 | 0 | 5 | 7 | 1 | 3 | 2 | 6 | 10 | 11 | 8 | 9 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.503-507) | 1919/8/25-29 | 0 | 10 | 1 | 2 | 3 | 5 | 7 | 11 | 4 | 8 | 9 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.509-511) | 1919/8/25-29 | 0 | 10 | 11 | 7 | 3 | 6 | 1 | 8 | 2 | 5 | 9 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.511-514) | 1919/8/25-29 | 0 | 10 | 1 | 4 | 6 | 2 | 9 | 7 | 11 | 8 | 5 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.517-521) | 1919/8/25-29 | 0 | 2 | 10 | 11 | 6 | 4 | 5 | 1 | 3 | 9 | 8 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.52-56) | 1919/8/25-29 | 0 | 3 | 2 | 9 | 5 | 4 | 8 | 1 | 7 | 10 | 11 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.522-526) | 1919/8/25-29 | 0 | 8 | 1 | 6 | 3 | 11 | 10 | 2 | 9 | 4 | 5 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.525-527) | 1919/8/25-29 | 0 | 10 | 3 | 9 | 7 | 1 | 11 | 2 | 6 | 4 | 8 | 5 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.528-531) | 1919/8/25-29 | 0 | 6 | 7 | 5 | 8 | 10 | 9 | 11 | 4 | 2 | 1 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.55-59) | 1919/8/25-29 | 0 | 11 | 1 | 4 | 3 | 9 | 10 | 8 | 7 | 6 | 5 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.60-63) | 1919/8/25-29 | 0 | 4 | 1 | 2 | 9 | 8 | 10 | 5 | 11 | 3 | 6 | 7 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.64-67) | 1919/8/25-29 | 0 | 6 | 9 | 11 | 8 | 5 | 4 | 3 | 1 | 2 | 7 | 10 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.68-71) | 1919/8/25-29 | 0 | 5 | 6 | 10 | 7 | 9 | 4 | 1 | 2 | 8 | 11 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.72-73) | 1919/8/25-29 | 0 | 1 | 7 | 11 | 4 | 3 | 9 | 6 | 5 | 2 | 10 | 8 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.73-78) | 1919/8/25-29 | 0 | 8 | 7 | 2 | 4 | 11 | 1 | 3 | 6 | 5 | 10 | 9 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.82-83) | 1919/8/25-29 | 0 | 2 | 11 | 8 | 5 | 10 | 9 | 1 | 7 | 3 | 4 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.84-87) | 1919/8/25-29 | 0 | 10 | 1 | 11 | 5 | 3 | 2 | 6 | 7 | 8 | 9 | 4 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.87-90) | 1919/8/25-29 | 0 | 1 | 11 | 9 | 8 | 7 | 10 | 6 | 4 | 3 | 5 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.91-92) | 1919/8/25-29 | 0 | 4 | 10 | 1 | 2 | 7 | 6 | 8 | 5 | 9 | 11 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.93-94) | 1919/8/25-29 | 0 | 1 | 10 | 8 | 6 | 2 | 9 | 4 | 11 | 7 | 5 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.95-96) | 1919/8/25-29 | 0 | 1 | 4 | 7 | 8 | 6 | 11 | 9 | 10 | 5 | 3 | 2 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.97-98) | 1919/8/25-29 | 0 | 9 | 8 | 7 | 4 | 3 | 2 | 10 | 1 | 11 | 5 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (bb.99-100) | 1919/8/25-29 | 0 | 5 | 3 | 9 | 1 | 10 | 4 | 11 | 8 | 7 | 2 | 6 |
| Hauer, Josef Matthias | Nomos, Op.19 (row 1) | 1919/8/25-29 | 0 | 8 | 9 | 5 | 4 | 6 | 10 | 11 | 7 | 1 | 2 | 3 |
| Hauer, Josef Matthias | Nomos, Op.19 (row 2) | 1919/8/25-29 | 0 | 6 | 10 | 4 | 3 | 2 | 8 | 7 | 11 | 9 | 5 | 1 |
| Hauer, Josef Matthias | Paraphonie [Zwölftonspiel] für Bratsche und Klavier | 1947/4/24 | 0 | 4 | 10 | 5 | 8 | 1 | 11 | 7 | 2 | 9 | 6 | 3 |
| Hauer, Josef Matthias | Romantische Phantasie für Orchester | 1925/6 | 0 | 10 | 8 | 5 | 1 | 9 | 4 | 11 | 3 | 7 | 6 | 2 |
| Hauer, Josef Matthias | Sakraler Tanz [Zwölftonspiel] für Orchester | 1957/3/2 | 0 | 3 | 10 | 8 | 5 | 2 | 9 | 1 | 11 | 6 | 4 | 7 |
| Hauer, Josef Matthias | Schulmusik für zwei Klaviere. 3. Oktober 1958 | 1958/10/3 | 0 | 9 | 6 | 11 | 4 | 1 | 10 | 5 | 2 | 8 | 3 | 7 |
| Hauer, Josef Matthias | Sechste Suite für Orchester, Op.47 | 1926 | 0 | 9 | 6 | 2 | 8 | 3 | 10 | 11 | 7 | 4 | 5 | 1 |
| Hauer, Josef Matthias | Sieben Charakterstücke mit Überschriften für Violine allein, Op.56 | 1928/5/17 | 0 | 7 | 10 | 11 | 4 | 6 | 8 | 3 | 5 | 2 | 9 | 1 |
| Hauer, Josef Matthias | Sinfonietta in drei Sätzen (Symphonische Stücke für großes Orchester), Op.50 | 1927 | 0 | 1 | 3 | 5 | 10 | 9 | 6 | 11 | 2 | 4 | 8 | 7 |
| Hauer, Josef Matthias | Streichquartett [Zwölftonspiel]. 27. August 1956 | 1956/8/27 | 0 | 6 | 11 | 8 | 3 | 7 | 2 | 10 | 4 | 1 | 9 | 5 |
| Hauer, Josef Matthias | Symphonische Stücke für Streichorchester, Klavier und Harmonium, Op.49 | 1926/12 | 0 | 4 | 6 | 3 | 2 | 8 | 1 | 11 | 10 | 7 | 9 | 5 |
| Hauer, Josef Matthias | Tanz [Zwölftonspiel] im langsamen 3/4 Takt für Klavier zu vier Händen. 26. Mai 1958 | 1958/5/26 | 0 | 2 | 9 | 6 | 1 | 4 | 10 | 3 | 7 | 5 | 11 | 8 |
| Hauer, Josef Matthias | Tanz [Zwölftonspiel] im langsamen 3/4 Takt für Violine, Bratsche und Klavier zu vier Händen. 6. September 1958 | 1958/9/6 | 0 | 9 | 6 | 11 | 4 | 1 | 10 | 5 | 2 | 8 | 3 | 7 |
| Hauer, Josef Matthias | Tanz [Zwölftonspiel] im langsamen 3/4 Takt für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen | 1958/6/9 | 0 | 9 | 3 | 7 | 4 | 10 | 2 | 6 | 1 | 8 | 11 | 5 |
| Hauer, Josef Matthias | Tanz [Zwölftonspiel] im langsamen 4/4 Takt für zwei Violinen, zwei Bratschen und Klavier. August 1958 | 1958/8/28 | 0 | 8 | 3 | 11 | 2 | 7 | 5 | 9 | 1 | 6 | 4 | 10 |
| Hauer, Josef Matthias | Tanz für Violine allein | 1954 | 0 | 7 | 3 | 4 | 10 | 9 | 2 | 8 | 11 | 1 | 6 | 5 |
| Hauer, Josef Matthias | Tanz im langsamen 3/4 Takt [Zwölftonspiel] für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen | 1958/6/9 | 0 | 3 | 10 | 2 | 11 | 6 | 8 | 7 | 4 | 9 | 1 | 5 |
| Hauer, Josef Matthias | VIII. Zwölftonspiel für Orchester. Juni 1943 | 1943/6/18 | 0 | 5 | 10 | 8 | 4 | 2 | 11 | 9 | 3 | 1 | 7 | 6 |
| Hauer, Josef Matthias | Vierte Tanzsuite für neun Soloinstrumente | 1937 | 0 | 5 | 2 | 6 | 4 | 11 | 10 | 7 | 9 | 3 | 8 | 1 |
| Hauer, Josef Matthias | Violinkonzert, Op.54 (9. März - 6. April 1928) | 1928/3-4 | 0 | 7 | 6 | 8 | 4 | 11 | 1 | 10 | 5 | 9 | 2 | 3 |
| Hauer, Josef Matthias | XV. Zwölftönespiel für Orchester | 1944/4/16 & 23 | 0 | 9 | 8 | 3 | 1 | 11 | 5 | 6 | 7 | 10 | 2 | 4 |
| Hauer, Josef Matthias | XXI. Zwölftonspiel für Orchester; mit einer Zwöfftonreihe, die in sechs Tropen steht, und vom Kulturreferenten der Stadt Wien Dr. Viktor Matejka gewählt wurde. Erster Teil 2,4-Takt (Halbe = 50) mit achttaktigen Perioden; zweiter Teil im 3/4 Takt (punktierte Halbe = 40) mit sechstaktigen Perioden | 1945/6/23 | 0 | 3 | 4 | 9 | 11 | 10 | 1 | 7 | 6 | 2 | 5 | 8 |
| Hauer, Josef Matthias | XXII. Zwölftonspiel für Klavier | 1946 | 0 | 2 | 11 | 6 | 7 | 10 | 1 | 3 | 8 | 4 | 9 | 5 |
| Hauer, Josef Matthias | XXIII. Zwölftonspiel für Klavierquintett | 1946 | 0 | 4 | 11 | 9 | 10 | 2 | 6 | 3 | 7 | 5 | 8 | 1 |
| Hauer, Josef Matthias | XXIV. Zwölftonspiel für Klavier | 1946/2/1 | 0 | 2 | 9 | 3 | 8 | 1 | 4 | 7 | 11 | 5 | 6 | 10 |
| Hauer, Josef Matthias | XXIX. Zwölftonspiel für Cembalo; mit der Sokolowski-Reihe zu Bachs Geburtstag | 1946 | 0 | 11 | 2 | 1 | 4 | 3 | 10 | 5 | 8 | 9 | 6 | 7 |
| Hauer, Josef Matthias | XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (1/2) | 1946/8/12 | 0 | 9 | 6 | 10 | 11 | 2 | 7 | 3 | 1 | 4 | 5 | 8 |
| Hauer, Josef Matthias | XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (2/2) | 1946/8/12 | 0 | 7 | 4 | 3 | 11 | 2 | 5 | 1 | 10 | 9 | 6 | 8 |
| Hauer, Josef Matthias | XXXII. Zwölftonspiel; für Violine, Bratsche und Cello | 1946/8/19 | 0 | 3 | 7 | 4 | 1 | 5 | 6 | 9 | 2 | 10 | 8 | 11 |
| Hauer, Josef Matthias | Zwölftonmusik [Zwölftonspiel] für Klavier zu vier Händen. Februar 1959 (Fragment) | 1959/2 | 0 | 9 | 3 | 7 | 4 | 10 | 2 | 6 | 1 | 8 | 11 | 5 |
| Hauer, Josef Matthias | Zwölftonmusik für Orchester, Op.86 | 1939/7/16 | 0 | 2 | 6 | 3 | 11 | 8 | 10 | 9 | 5 | 7 | 1 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel (Langsamer Walzer) 8. Oktober 1956; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen | 1956/10/8 | 0 | 1 | 10 | 9 | 3 | 8 | 5 | 6 | 11 | 2 | 4 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel (Weihnachten 1947) für Klarinette, Violine, Bratsche, Cello und Klavier | 1948/6/2 | 0 | 6 | 2 | 10 | 8 | 3 | 11 | 4 | 9 | 7 | 5 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel 10. Juli 1957; für Klavier zu vier Händen | 1956/7/10 | 0 | 8 | 10 | 6 | 2 | 11 | 1 | 3 | 9 | 4 | 7 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, 2 Violinen, Viola, Violoncello & Klavier vierhändig | 1957/6/15 | 0 | 8 | 11 | 6 | 9 | 5 | 7 | 1 | 3 | 2 | 4 | 10 |
| Hauer, Josef Matthias | Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, zwei Violinen, Viola, Violoncello & Klavier vierhändig | 1957/6/15 | 0 | 6 | 4 | 8 | 3 | 11 | 9 | 2 | 7 | 1 | 10 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel 17. August 1957; für zwei Violinen und Klavier | 1957/8/17 | 0 | 5 | 8 | 4 | 9 | 3 | 11 | 7 | 2 | 6 | 1 | 10 |
| Hauer, Josef Matthias | Zwölftonspiel 17. September 1956; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen | 1956/9/17 | 0 | 5 | 7 | 1 | 6 | 3 | 9 | 8 | 2 | 10 | 4 | 11 |
| Hauer, Josef Matthias | Zwölftonspiel 18. Mai 1958; für Streichsextett | 1958/5/18 | 0 | 5 | 1 | 8 | 2 | 6 | 4 | 11 | 9 | 7 | 3 | 10 |
| Hauer, Josef Matthias | Zwölftonspiel 2. Juni 1948 für Streichquartett und Klavier | 1948/6/2 | 0 | 3 | 10 | 6 | 2 | 11 | 1 | 4 | 7 | 9 | 5 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel 22. Mai 1958; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen | 1958/5/22 | 0 | 9 | 6 | 11 | 4 | 1 | 10 | 5 | 2 | 8 | 3 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel 26. April 1958; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen | 1958/4/26 | 0 | 2 | 7 | 11 | 3 | 5 | 8 | 1 | 4 | 9 | 6 | 10 |
| Hauer, Josef Matthias | Zwölftonspiel 26. August 1948; für Violine und Klavier | 1948/8/26 | 0 | 9 | 8 | 5 | 10 | 2 | 11 | 6 | 3 | 7 | 4 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel 26. Juli 1957, für Flöte, Oboe, Bassklarinette, Fagott und Streichquartett | 1957/7/26 | 0 | 4 | 1 | 6 | 8 | 2 | 10 | 7 | 3 | 9 | 11 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel 28. August 1948; für Violine und Klavier | 1948/8/28 | 0 | 9 | 6 | 2 | 3 | 10 | 8 | 5 | 4 | 7 | 11 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel 3. Mai 1958; für Streichsextett | 1958/5/3 | 0 | 4 | 10 | 3 | 7 | 1 | 8 | 2 | 11 | 6 | 9 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel 31. August 1948; für Violine (Flöte) und Klavier | 1948/8/28 | 0 | 9 | 6 | 2 | 3 | 10 | 8 | 5 | 4 | 7 | 11 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel 31. August 1948; für Violine und Klavier; 2. Fassung | 1948/8/28 | 0 | 9 | 6 | 2 | 3 | 10 | 8 | 5 | 4 | 7 | 11 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier | 1957/9/5 | 0 | 4 | 2 | 9 | 10 | 6 | 11 | 1 | 7 | 3 | 8 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel 7. April 1957; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen | 1957/4/7 | 0 | 6 | 2 | 9 | 10 | 4 | 11 | 3 | 7 | 1 | 5 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel 8. Juni 1957; für Klavier zu vier Händen | 1957/7/8 | 0 | 5 | 11 | 4 | 9 | 2 | 6 | 3 | 10 | 8 | 1 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier | 1957/9/9 | 0 | 4 | 2 | 9 | 10 | 6 | 11 | 1 | 7 | 3 | 8 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel April 1956; für Klavier zu vier Händen | 1956/4/22 | 0 | 5 | 7 | 2 | 8 | 4 | 10 | 3 | 9 | 11 | 6 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel Jänner 1957; für zwei Violinen, Bratsche und Cello | 1957/1/30 | 0 | 10 | 6 | 2 | 8 | 3 | 5 | 7 | 9 | 4 | 1 | 11 |
| Hauer, Josef Matthias | Zwölftonspiel März 1958; für Kammerorchester | 1958/3/21 | 0 | 5 | 10 | 4 | 1 | 7 | 2 | 11 | 8 | 3 | 6 | 9 |
| Hauer, Josef Matthias | Zwölftonspiel November 1957; für zwei Violinen und Klavier | 1957/10/10 | 0 | 6 | 3 | 9 | 1 | 5 | 11 | 8 | 10 | 7 | 2 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel Oktober 1956; für Klavier zu vier Händen | 1956/10/22 | 0 | 9 | 6 | 2 | 8 | 3 | 10 | 5 | 1 | 11 | 7 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel Oktober 1957; für Heimorchester | 1957/10 | 0 | 2 | 4 | 10 | 9 | 3 | 6 | 11 | 7 | 1 | 5 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel für Cembalo oder Klavier. 13. Juni 1947 | 1947/7/13 | 0 | 5 | 10 | 4 | 7 | 6 | 2 | 1 | 9 | 8 | 3 | 11 |
| Hauer, Josef Matthias | Zwölftonspiel für Flöte, Fagott (Baßklarinette), zwei Violinen, Bratsche und Cello. Jänner 1958 | 1958/1 | 0 | 10 | 8 | 5 | 2 | 9 | 6 | 3 | 1 | 11 | 7 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier | 1953 od. 1954 | 0 | 10 | 7 | 2 | 8 | 6 | 3 | 4 | 9 | 11 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Gitarre. 24. 7. 1949 | 1949/7/24 | 0 | 6 | 10 | 2 | 5 | 9 | 1 | 4 | 7 | 3 | 11 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel für Hausorchester (Klavier zu vier Händen, Violine, Cello und Akkordeon) | 1955/2/25 | 0 | 1 | 10 | 2 | 9 | 4 | 11 | 5 | 3 | 8 | 6 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel für Hausorchester (für Klavier zu vier Händen und Harmonium). 26. Juni 1954 | 1954/6/26 | 0 | 9 | 5 | 3 | 8 | 10 | 6 | 2 | 4 | 7 | 11 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier und Streichquartett | 1947/7 | 0 | 9 | 3 | 10 | 2 | 5 | 8 | 6 | 1 | 11 | 7 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen | 1958/9/1 | 0 | 9 | 6 | 11 | 4 | 1 | 10 | 5 | 2 | 8 | 3 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen und Akkordeon (Hausorchester) | 1955/3/14 | 0 | 7 | 2 | 9 | 6 | 4 | 11 | 3 | 10 | 8 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen und Harmonium | 1952/7/31 | 0 | 9 | 6 | 10 | 8 | 5 | 1 | 4 | 2 | 11 | 3 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen und Streichquartett | 1951/11/28 | 0 | 7 | 2 | 10 | 6 | 8 | 3 | 11 | 9 | 4 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen, Violine, Bratsche, Cello und Kontrabaß (melischer Entwurf vom 29.8.1954) | 1954/9/8 | 0 | 4 | 2 | 7 | 9 | 6 | 8 | 3 | 11 | 5 | 10 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 10. Juli 1952 | 1952/7/10 | 0 | 10 | 6 | 8 | 9 | 7 | 11 | 3 | 1 | 5 | 2 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 8. Juli 1952 | 1952/7/8 | 0 | 2 | 10 | 6 | 8 | 7 | 5 | 9 | 11 | 3 | 1 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello | 1954/10/24 | 0 | 1 | 4 | 9 | 6 | 11 | 2 | 10 | 8 | 5 | 7 | 3 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello. 19. Oktober 1954 | 1954/10/19 | 0 | 6 | 11 | 2 | 1 | 5 | 3 | 8 | 10 | 7 | 9 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 13. März 1952 | 1952/3/13 | 0 | 5 | 9 | 10 | 8 | 1 | 4 | 3 | 6 | 7 | 11 | 2 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 16. Oktober 1955 | 1955/10/16 | 0 | 4 | 6 | 3 | 2 | 7 | 10 | 1 | 9 | 5 | 8 | 11 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 2. Mai 1952 | 1952/5/2 | 0 | 4 | 6 | 10 | 11 | 7 | 9 | 2 | 8 | 1 | 3 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 24. Juni 1952 | 1952/6/24 | 0 | 6 | 10 | 7 | 9 | 3 | 4 | 1 | 8 | 5 | 11 | 2 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 26. Juni 1952 | 1952/6/26 | 0 | 6 | 2 | 10 | 9 | 5 | 3 | 4 | 8 | 7 | 11 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 28. Juli 1952 | 1952/7/28 | 0 | 11 | 9 | 4 | 1 | 6 | 10 | 5 | 2 | 7 | 8 | 3 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 30. Juni 1952, I | 1952/6/30 | 0 | 2 | 10 | 4 | 11 | 8 | 1 | 7 | 5 | 3 | 6 | 9 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 5. Juli 1952 | 1952/7/5 | 0 | 2 | 3 | 10 | 4 | 7 | 6 | 1 | 9 | 8 | 5 | 11 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. 9. April 1952 | 1952/4/9 | 0 | 10 | 8 | 6 | 1 | 7 | 9 | 3 | 2 | 11 | 5 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen. Mai 1955 | 1955/5/7 | 0 | 6 | 11 | 4 | 2 | 9 | 3 | 1 | 5 | 7 | 10 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu vier Händen; mit einer Zwölftonreihe von Dr. Fritz Racek | 1954/8/22 | 0 | 2 | 9 | 11 | 4 | 3 | 6 | 1 | 10 | 8 | 5 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier zu zwei Händen. Neujahr 1947 (mit einer Zwölftonreihe von Ernst Hartmann) | 1947/1/1 | 0 | 10 | 6 | 3 | 7 | 4 | 9 | 2 | 8 | 11 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. 11. Juni 1955 | 1955/6/11 | 0 | 6 | 11 | 4 | 2 | 9 | 3 | 1 | 5 | 7 | 10 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. 17. Juli 1952 | 1952/7/17 | 0 | 6 | 4 | 9 | 2 | 10 | 7 | 11 | 1 | 8 | 5 | 3 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. 19. Februar 1953 | 1953/2/19 | 0 | 6 | 9 | 11 | 1 | 10 | 2 | 4 | 5 | 7 | 3 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. 2. Juni 1955 | 1955/6/2 | 0 | 10 | 2 | 7 | 3 | 6 | 4 | 8 | 1 | 9 | 11 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. 24. Dezember 1946 | 1946/12/24 | 0 | 1 | 2 | 6 | 10 | 5 | 11 | 4 | 3 | 9 | 7 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. 3. Februar 1954 | 1954/2/3 | 0 | 9 | 4 | 2 | 8 | 11 | 1 | 5 | 3 | 6 | 10 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. 7. Juni 1955 | 1955/6/7 | 0 | 4 | 10 | 7 | 11 | 8 | 3 | 1 | 5 | 6 | 2 | 9 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. März 1953 | 1953/3/2 | 0 | 6 | 8 | 7 | 5 | 10 | 2 | 3 | 11 | 4 | 9 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für Klavier. September 1956 | 1956/9/4 | 0 | 8 | 11 | 6 | 3 | 5 | 1 | 10 | 7 | 4 | 2 | 9 |
| Hauer, Josef Matthias | Zwölftonspiel für Oechester. 28. 9. 1954 | 1954/9/28 | 0 | 8 | 9 | 6 | 10 | 4 | 11 | 1 | 2 | 5 | 3 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel für Orchester (August 1957) | 1957/8/9 | 0 | 9 | 4 | 6 | 11 | 3 | 2 | 8 | 5 | 1 | 7 | 10 |
| Hauer, Josef Matthias | Zwölftonspiel für Orchester. 28. 9. 1954 | 1954/9/28 | 0 | 5 | 7 | 4 | 6 | 1 | 9 | 3 | 8 | 11 | 10 | 2 |
| Hauer, Josef Matthias | Zwölftonspiel für Orchester. September 1957 | 1957/9/22 | 0 | 8 | 6 | 10 | 5 | 7 | 2 | 4 | 1 | 9 | 11 | 3 |
| Hauer, Josef Matthias | Zwölftonspiel für Streichquartett | 1948/10/4 | 0 | 3 | 7 | 2 | 9 | 6 | 4 | 10 | 1 | 8 | 11 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine allein mit einer Zwölftonreihe von Dr. Ernst Weidinger | 1948/8/23 | 0 | 9 | 8 | 5 | 10 | 2 | 11 | 6 | 3 | 7 | 4 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine und Cembalo [Klavier]. 27. August 1948 | 1948/8/27 | 0 | 9 | 6 | 2 | 3 | 10 | 8 | 5 | 4 | 7 | 11 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine und Cembalo. 22.Juli 1948 | 1948/7/22 | 0 | 6 | 1 | 8 | 5 | 9 | 2 | 7 | 10 | 3 | 11 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine und Klavier | 1954 | 0 | 10 | 7 | 2 | 8 | 6 | 3 | 4 | 9 | 11 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine und Klavier. 15.Juni 1955 | 1955/6/15 | 0 | 6 | 3 | 2 | 11 | 4 | 1 | 9 | 7 | 10 | 5 | 8 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine und Klavier. 2. September 1956 | 1956/9/2 | 0 | 6 | 8 | 1 | 10 | 5 | 9 | 3 | 11 | 4 | 7 | 2 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine und Klavier. 3. April 1955 | 1955/4/3 | 0 | 2 | 6 | 4 | 9 | 10 | 5 | 3 | 7 | 8 | 11 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine, Cello und Klavier zu vier Händen | 1957/8/13 | 0 | 10 | 6 | 1 | 8 | 3 | 11 | 7 | 2 | 5 | 9 | 4 |
| Hauer, Josef Matthias | Zwölftonspiel für Violine, Viola und Klavier. September 1957 | 1957/9 | 0 | 5 | 9 | 4 | 7 | 10 | 3 | 6 | 1 | 11 | 8 | 2 |
| Hauer, Josef Matthias | Zwölftonspiel für fünf Instrumente (Klavierquintett) | 1951/9/15 | 0 | 4 | 2 | 11 | 7 | 10 | 6 | 9 | 3 | 8 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für fünf Violinen. 16. August 1950 | 1950/8/16 | 0 | 7 | 3 | 6 | 1 | 11 | 4 | 10 | 5 | 2 | 8 | 9 |
| Hauer, Josef Matthias | Zwölftonspiel für fünf Violinen. Mai 1955 | 1955/5 | 0 | 7 | 11 | 8 | 5 | 1 | 3 | 9 | 4 | 10 | 6 | 2 |
| Hauer, Josef Matthias | Zwölftonspiel für kleinen Chor und Klavier. Ostern 1947 | 1947/4 | 0 | 7 | 2 | 5 | 1 | 4 | 8 | 10 | 3 | 11 | 9 | 6 |
| Hauer, Josef Matthias | Zwölftonspiel für zwei Violinen | 1954/2/10 | 0 | 2 | 3 | 11 | 1 | 10 | 8 | 6 | 4 | 9 | 7 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für zwei Violinen und zwei Violinen und zwei Bratschen. 11. Oktober 1956 | 1956/10/11 | 0 | 10 | 1 | 3 | 2 | 9 | 5 | 6 | 4 | 8 | 11 | 7 |
| Hauer, Josef Matthias | Zwölftonspiel für zwei Violinen, Bratsche und Cello ('Ins Räumliche übertragen'). 3. September 1953 | 1953/9/3 | 0 | 10 | 7 | 2 | 8 | 6 | 3 | 4 | 9 | 11 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel für zwei Violinen, Bratsche und Cello. 12. Jänner 1954 | 1954/1/12 | 0 | 11 | 10 | 1 | 9 | 4 | 5 | 6 | 2 | 7 | 8 | 3 |
| Hauer, Josef Matthias | Zwölftonspiel für zwei Violinen, Bratsche und Cello. Jänner 1948 | 1948/1 | 0 | 1 | 7 | 2 | 11 | 3 | 8 | 5 | 6 | 4 | 9 | 10 |
| Hauer, Josef Matthias | Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier | 1956/1/19 | 0 | 6 | 9 | 11 | 4 | 3 | 7 | 5 | 2 | 8 | 10 | 1 |
| Hauer, Josef Matthias | Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier. 16. April 1958 | 1958/4/16 | 0 | 3 | 8 | 2 | 9 | 1 | 11 | 5 | 7 | 4 | 6 | 10 |
| Hauer, Josef Matthias | Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953 | 1953/7/31 | 0 | 10 | 7 | 2 | 8 | 6 | 3 | 4 | 9 | 11 | 1 | 5 |
| Hauer, Josef Matthias | Zwölftonspiel. 20. Mai 1956 | 1956/5/20 | 0 | 2 | 5 | 8 | 10 | 9 | 11 | 6 | 4 | 7 | 3 | 1 |
| Hauer, Josef Matthias | [Zwölftonspiel] 'Johann Sebastian Bach hat das Wohltemperierte Klavier im Himmel vollendet ...' | 1952/11/2 | 0 | 10 | 5 | 4 | 2 | 9 | 8 | 1 | 3 | 11 | 6 | 7 |
| Hauer, Josef Matthias | twelve-tone-row-example | 1920 | 0 | 2 | 5 | 11 | 1 | 10 | 4 | 8 | 7 | 3 | 6 | 9 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.1 | 1979/9 | 0 | 1 | 2 | 3 | 4 | 5 | 11 | 10 | 9 | 8 | 7 | 6 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.10 | 1979/9 | 0 | 4 | 6 | 7 | 8 | 10 | 9 | 5 | 3 | 2 | 1 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.11 | 1979/9 | 0 | 4 | 5 | 6 | 8 | 9 | 7 | 3 | 2 | 1 | 11 | 10 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.12 | 1979/9 | 0 | 3 | 6 | 7 | 9 | 10 | 11 | 8 | 5 | 4 | 2 | 1 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.13 | 1979/9 | 0 | 3 | 5 | 7 | 8 | 10 | 9 | 6 | 4 | 2 | 1 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.14 | 1979/9 | 0 | 2 | 5 | 7 | 8 | 10 | 11 | 9 | 6 | 4 | 3 | 1 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.15 | 1979/9 | 0 | 1 | 3 | 6 | 7 | 9 | 11 | 10 | 8 | 5 | 4 | 2 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.16 | 1979/9 | 0 | 1 | 3 | 5 | 7 | 10 | 9 | 8 | 6 | 4 | 2 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.17 | 1979/9 | 0 | 1 | 3 | 5 | 8 | 9 | 7 | 6 | 4 | 2 | 11 | 10 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.18 | 1979/9 | 0 | 3 | 4 | 6 | 9 | 10 | 11 | 8 | 7 | 5 | 2 | 1 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.19 | 1979/9 | 0 | 1 | 4 | 5 | 8 | 9 | 11 | 10 | 7 | 6 | 3 | 2 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.2 | 1979/9 | 0 | 1 | 2 | 3 | 4 | 10 | 9 | 8 | 7 | 6 | 5 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.20 | 1979/9 | 0 | 1 | 2 | 5 | 7 | 8 | 11 | 10 | 9 | 6 | 4 | 3 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.21 | 1979/9 | 0 | 1 | 2 | 5 | 6 | 10 | 9 | 8 | 7 | 4 | 3 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.22 | 1979/9 | 0 | 1 | 2 | 4 | 8 | 9 | 7 | 6 | 5 | 3 | 11 | 10 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.23 | 1979/9 | 0 | 3 | 4 | 5 | 9 | 10 | 11 | 8 | 7 | 6 | 2 | 1 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.24 | 1979/9 | 0 | 3 | 4 | 7 | 8 | 10 | 9 | 6 | 5 | 2 | 1 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.25 | 1979/9 | 0 | 3 | 5 | 6 | 8 | 9 | 7 | 4 | 2 | 1 | 11 | 10 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.26 | 1979/9 | 0 | 3 | 4 | 6 | 7 | 8 | 5 | 2 | 1 | 11 | 10 | 9 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.27 | 1979/9 | 0 | 2 | 4 | 5 | 6 | 7 | 3 | 1 | 11 | 10 | 9 | 8 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.28 | 1979/9 | 0 | 5 | 7 | 8 | 9 | 10 | 11 | 6 | 4 | 3 | 2 | 1 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.29 | 1979/9 | 0 | 1 | 6 | 7 | 8 | 9 | 11 | 10 | 5 | 4 | 3 | 2 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.3 | 1979/9 | 0 | 2 | 3 | 4 | 5 | 10 | 11 | 9 | 8 | 7 | 6 | 1 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.30 | 1979/9 | 0 | 1 | 2 | 6 | 7 | 8 | 11 | 10 | 9 | 5 | 4 | 3 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.31 | 1979/9 | 0 | 1 | 2 | 3 | 6 | 7 | 11 | 10 | 9 | 8 | 5 | 4 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.32 | 1979/9 | 0 | 1 | 2 | 3 | 4 | 6 | 11 | 10 | 9 | 8 | 7 | 5 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.4 | 1979/9 | 0 | 2 | 3 | 4 | 8 | 10 | 9 | 7 | 6 | 5 | 1 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.5 | 1979/9 | 0 | 2 | 4 | 5 | 8 | 10 | 11 | 9 | 7 | 6 | 3 | 1 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.6 | 1979/9 | 0 | 2 | 4 | 6 | 8 | 10 | 9 | 7 | 5 | 3 | 1 | 11 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.7 | 1979/9 | 0 | 2 | 4 | 6 | 8 | 9 | 7 | 5 | 3 | 1 | 11 | 10 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.8 | 1979/9 | 0 | 2 | 4 | 6 | 7 | 8 | 5 | 3 | 1 | 11 | 10 | 9 |
| Hendler, Maximilian | 'Die vollständige Ordnung der symmetrischen zwölftönigen Modi', No.9 | 1979/9 | 0 | 4 | 6 | 8 | 9 | 10 | 11 | 7 | 5 | 3 | 2 | 1 |
| Hendler, Maximilian | Vier Miniaturen für Klarinette, Op.51 | 1982/4/26 | 0 | 3 | 5 | 11 | 8 | 6 | 10 | 2 | 4 | 1 | 9 | 7 |
| Hendler, Maximilian | aus dem >Liederbuch für Annemarie< 'Zur Nachbarin' (Text: Herwig von Kreutzbruck), Op.56-2 | 1982/8/29 | 0 | 9 | 4 | 7 | 11 | 10 | 8 | 1 | 5 | 3 | 2 | 6 |
| Hendler, Maximilian | aus den fünf Liedern nach Texten von Elisabeth Pöschl : 'Sonnenaufgang' für Singstimme und Klavier, Op.44-1 | 1981/12 | 0 | 11 | 2 | 1 | 5 | 6 | 4 | 3 | 8 | 7 | 9 | 10 |
| Hendler, Maximilian | aus den fünf Liedern nach Texten von Karl Hans Haysen für Singstimme und Klavier : 'Erkenntnis', Op.45-2 | 1982/1 | 0 | 9 | 2 | 4 | 7 | 11 | 8 | 10 | 5 | 1 | 6 | 3 |
| Hindemith, Paul | Ludus Tonalis | 1942 | 0 | 7 | 5 | 9 | 4 | 3 | 8 | 2 | 10 | 1 | 11 | 6 |
| Huber, Klaus | Zwei Sätze | 1958 | 0 | 3 | 1 | 10 | 11 | 8 | 6 | 9 | 7 | 2 | 4 | 5 |
| Husa, Karel | Hudba pro Prahu 1968 | 1968 | 0 | 8 | 2 | 1 | 7 | 9 | 6 | 10 | 3 | 11 | 5 | 4 |
| Husa, Karel | Mosaïques | 1960 | 0 | 6 | 4 | 3 | 2 | 9 | 10 | 5 | 7 | 8 | 11 | 1 |
| Husa, Karel | Poème for Viola and Chamber Orchestra, mvt 1 | 1959 | 0 | 6 | 5 | 7 | 8 | 11 | 9 | 10 | 3 | 4 | 2 | 1 |
| Husa, Karel | Poème for Viola and Chamber Orchestra, mvt 2 | 1959 | 0 | 1 | 11 | 10 | 5 | 8 | 6 | 7 | 9 | 3 | 2 | 4 |
| Husa, Karel | Poème for Viola and Chamber Orchestra, mvt 3 | 1959 | 0 | 3 | 1 | 2 | 4 | 10 | 9 | 11 | 7 | 8 | 6 | 5 |
| Höller, York | Der Meister und Margarita | 1984-89 | 0 | 1 | 4 | 6 | 3 | 5 | 9 | 8 | 11 | 10 | 7 | 2 |
| Ives, Charles | On the Antipodes | 1915-23 | 0 | 3 | 11 | 8 | 4 | 7 | 10 | 9 | 6 | 2 | 5 | 1 |
| Ives, Charles | String Quartet, No.2, mvt 2 | 1913 | 0 | 1 | 2 | 11 | 3 | 7 | 10 | 4 | 6 | 8 | 9 | 5 |
| Ives, Charles | Tone Roads, No.1 | 1911 | 0 | 10 | 3 | 4 | 2 | 7 | 6 | 9 | 8 | 11 | 1 | 5 |
| Ives, Charles | Tone Roads, No.3 | 1915 | 0 | 11 | 1 | 3 | 2 | 10 | 5 | 8 | 4 | 7 | 6 | 9 |
| Jelinek, Hanns | Zwölftonwerk, Op.15 | 1947-1957 | 0 | 10 | 5 | 7 | 3 | 6 | 1 | 8 | 11 | 9 | 2 | 4 |
| Johnston, Ben | String Quartet, No.6 | 1980 | 0 | 5 | 10 | 9 | 3 | 7 | 11 | 6 | 1 | 2 | 8 | 4 |
| Johnston, Ben | String Quartet, No.7, mov. 2 | 1984 | 0 | 5 | 10 | 8 | 4 | 7 | 2 | 6 | 1 | 11 | 3 | 9 |
| Jung, Joachim | 1994 | 0 | 11 | 3 | 10 | 2 | 1 | 7 | 8 | 4 | 9 | 5 | 6 | |
| Kahn, Erich Itor | Bagatelle für Rene Leibowitz | 1940/2/20 | 0 | 1 | 2 | 4 | 6 | 3 | 10 | 11 | 5 | 7 | 9 | 8 |
| Kahn, Erich Itor | Short Piano Piece | 1951 | 0 | 3 | 11 | 10 | 8 | 6 | 2 | 7 | 9 | 4 | 5 | 1 |
| Kalodiki, Georgia | Six Sketches for piano | 2004 | 0 | 7 | 6 | 1 | 2 | 9 | 8 | 3 | 4 | 11 | 5 | 10 |
| Klein, Fritz | Die Maschine: Eine extonale Selbstsatire, Op.1 | 1921 | 0 | 11 | 7 | 4 | 2 | 9 | 3 | 8 | 10 | 1 | 5 | 6 |
| Klein, Fritz | Variations for Piano | 1924 | 0 | 1 | 5 | 11 | 8 | 4 | 9 | 3 | 2 | 10 | 7 | 6 |
| Klein, Fritz Heinrich | Die Maschine. Eine extonale Selbstsatire von Heautontimorumenus., Op.1 (Das Maschinen-Thema) | 1921 | 0 | 5 | 7 | 9 | 3 | 2 | 11 | 6 | 8 | 10 | 4 | 1 |
| Klein, Fritz Heinrich | Variationen, Op.14 | 1924 | 0 | 11 | 7 | 4 | 2 | 9 | 3 | 8 | 10 | 1 | 5 | 6 |
| Klenau, Paul von | Elisabeth von England | 1939/1938 | 0 | 2 | 8 | 11 | 7 | 1 | 4 | 10 | 3 | 6 | 5 | 9 |
| Kokkonen, Joonas | Cello Concerto, mov. 2, row "II/A" | 1969 | 0 | 2 | 7 | 4 | 3 | 5 | 6 | 1 | 11 | 8 | 10 | 9 |
| Kokkonen, Joonas | Cello Concerto, mov. 2, row "II/B" | 1969 | 0 | 2 | 3 | 1 | 4 | 5 | 7 | 8 | 6 | 9 | 10 | 11 |
| Kokkonen, Joonas | Cello Concerto, mov. 2, row "II/C" | 1969 | 0 | 9 | 11 | 10 | 7 | 2 | 6 | 3 | 5 | 4 | 1 | 8 |
| Kokkonen, Joonas | Symphonic Sketches, mov. 3, row "III/A" | 1968 | 0 | 2 | 1 | 3 | 8 | 7 | 5 | 6 | 4 | 11 | 9 | 10 |
| Kokkonen, Joonas | Woodwind Quintet, mov. 1, rows "I/A" and "I/B" | 1973,75 | 0 | 2 | 11 | 9 | 10 | 1 | 3 | 6 | 4 | 5 | 7 | 8 |
| Krenek | Monologue for Solo Clarinet, Op.157 | 1956 | 0 | 1 | 11 | 2 | 10 | 5 | 4 | 7 | 6 | 3 | 8 | 9 |
| Krenek, Ernst | Eight Piano Pieces | 1946 | 0 | 10 | 1 | 7 | 6 | 11 | 5 | 8 | 3 | 9 | 2 | 4 |
| Krenek, Ernst | Four Songs, Op.112 | 1946-1947 | 0 | 7 | 3 | 11 | 10 | 1 | 2 | 4 | 6 | 5 | 9 | 8 |
| Krenek, Ernst | Kafka-songs, Op.82 | 1938-1939 | 0 | 11 | 9 | 5 | 4 | 2 | 6 | 3 | 10 | 8 | 7 | 1 |
| Krenek, Ernst | Karl V | 1938 | 0 | 3 | 1 | 6 | 2 | 10 | 9 | 8 | 11 | 7 | 5 | 4 |
| Krenek, Ernst | Karl V, King Francis Row | 1938 | 0 | 10 | 5 | 6 | 11 | 3 | 9 | 4 | 2 | 7 | 1 | 8 |
| Krenek, Ernst | Kette, Kreis, und Spiegel (Circle, Chain and Mirror), Op.160 | 1956-57 | 0 | 5 | 6 | 9 | 8 | 4 | 10 | 7 | 11 | 3 | 1 | 2 |
| Krenek, Ernst | Lamentatio Jeremiae Prophetae, Op.93, row 1 | 1941 | 0 | 2 | 4 | 5 | 8 | 10 | 6 | 7 | 9 | 11 | 1 | 3 |
| Krenek, Ernst | Lamentatio Jeremiae Prophetae, Op.93, row 2 | 1941 | 0 | 2 | 3 | 6 | 8 | 10 | 5 | 7 | 9 | 11 | 1 | 4 |
| Krenek, Ernst | Lamentatio Jeremiae Prophetae, Op.93, row 3 | 1941 | 0 | 1 | 4 | 6 | 8 | 10 | 5 | 7 | 9 | 11 | 2 | 3 |
| Krenek, Ernst | Lamentatio Jeremiae Prophetae, Op.93, row 4 | 1941 | 0 | 3 | 5 | 7 | 9 | 11 | 6 | 8 | 10 | 1 | 2 | 4 |
| Krenek, Ernst | Lamentatio Jeremiae Prophetae, Op.93, row 5 | 1941 | 0 | 2 | 4 | 6 | 8 | 9 | 5 | 7 | 10 | 11 | 1 | 3 |
| Krenek, Ernst | Lamentatio Jeremiae Prophetae, Op.93, row 6 | 1941 | 0 | 2 | 4 | 6 | 7 | 10 | 5 | 8 | 9 | 11 | 1 | 3 |
| Krenek, Ernst | Quaestio temporis, Op.170 | 1959 | 0 | 3 | 11 | 4 | 2 | 1 | 7 | 8 | 10 | 5 | 9 | 6 |
| Krenek, Ernst | Sechs Vermessene, Op.168 | 1958 | 0 | 3 | 1 | 6 | 2 | 4 | 10 | 5 | 9 | 7 | 8 | 11 |
| Krenek, Ernst | Sestina, Op.161 | 1957 | 0 | 8 | 11 | 10 | 4 | 6 | 7 | 1 | 5 | 3 | 9 | 2 |
| Krenek, Ernst | Sonata for Viola and Piano, Op.117 | 1948 | 0 | 10 | 3 | 6 | 2 | 1 | 11 | 9 | 5 | 8 | 7 | 4 |
| Krenek, Ernst | Sonata, No.3, Op.92, No.4 | 1942 | 0 | 10 | 5 | 8 | 3 | 2 | 6 | 7 | 1 | 9 | 11 | 4 |
| Krenek, Ernst | Sonatine for Flute and Viola, Op.92/2a | 1942 | 0 | 11 | 9 | 2 | 1 | 8 | 7 | 6 | 4 | 5 | 3 | 10 |
| Krenek, Ernst | String Quartet, No.6, Op.78 | 1936 | 0 | 10 | 11 | 8 | 1 | 9 | 3 | 7 | 2 | 4 | 6 | 5 |
| Krenek, Ernst | String Quartet, No.7, Op.96 | 1943-44 | 0 | 7 | 6 | 11 | 9 | 1 | 4 | 10 | 8 | 5 | 2 | 3 |
| Krenek, Ernst | Studies in Counterpoint | 1940 | 0 | 4 | 3 | 11 | 10 | 9 | 1 | 7 | 8 | 6 | 2 | 5 |
| Krenek, Ernst | Studies in Counterpoint (i) | 1937 | 0 | 4 | 3 | 11 | 10 | 9 | 1 | 7 | 8 | 6 | 2 | 5 |
| Krenek, Ernst | Studies in Counterpoint (ii) | 1937 | 0 | 3 | 10 | 4 | 9 | 11 | 8 | 7 | 5 | 1 | 2 | 6 |
| Krenek, Ernst | Suite, Op.84 for solo cello | 1939 | 0 | 4 | 3 | 11 | 10 | 9 | 1 | 7 | 8 | 6 | 2 | 5 |
| Krenek, Ernst | Symeon, der Stylit | 1935-1936 | 0 | 3 | 10 | 4 | 9 | 11 | 8 | 7 | 5 | 1 | 2 | 6 |
| Krenek, Ernst | Symphonic Elegy for String Orchestra, Op.105 | 1946 | 0 | 1 | 9 | 11 | 10 | 2 | 3 | 7 | 6 | 8 | 4 | 5 |
| Krenek, Ernst | Symphonic Piece for string Orchestra, Op.86 | 1939 | 0 | 3 | 4 | 10 | 2 | 9 | 11 | 8 | 7 | 5 | 1 | 6 |
| Krenek, Ernst | Twelve Short Piano-Pieces, Op.83 | 1938 | 0 | 9 | 4 | 5 | 6 | 7 | 3 | 10 | 1 | 8 | 11 | 2 |
| Krenek, Ernst | Zwölf Variationen in Drei Satzen | 1937 | 0 | 1 | 3 | 10 | 2 | 5 | 11 | 7 | 4 | 9 | 6 | 8 |
| Krenek, Ernst | Zwölf Variationen in Drei Sätzen, Op.79 | 1957/1940/1937 | 0 | 1 | 3 | 10 | 2 | 5 | 11 | 7 | 4 | 9 | 8 | 6 |
| Krenek, Ernst | concert for organ and string-orchestra, Op.230 | 1979/1-2 | 0 | 11 | 8 | 4 | 3 | 6 | 7 | 5 | 2 | 9 | 10 | 1 |
| Krenek, Ernst | twelve-tone-row in a display case of 'Steinerner Saal' in the 'Musikverein' of Vienna | 1985/8/8 | 0 | 3 | 5 | 4 | 8 | 9 | 6 | 10 | 11 | 1 | 7 | 2 |
| Kukuck, Felicitas | 'Der Gottesknecht': 6. Kantate | 1959 | 0 | 11 | 10 | 1 | 2 | 3 | 8 | 9 | 6 | 5 | 7 | 4 |
| Kukuck, Felicitas | 'Wo bist Du Trost'; motet | 1974 | 0 | 11 | 10 | 7 | 6 | 1 | 2 | 5 | 4 | 3 | 9 | 8 |
| Kurtág, György | The Sayings of Péter Bornemisza, Op.7 | 1963 | 0 | 11 | 7 | 8 | 9 | 1 | 2 | 10 | 3 | 4 | 5 | 6 |
| Lachenmann, Helmut | Mouvement (- vor der Erstarrung) für Ensemble | 1982-1984 | 0 | 10 | 11 | 7 | 8 | 2 | 5 | 3 | 1 | 9 | 4 | 6 |
| Lackner, Peter | 'An alle Außerirdischen'. Kanon für drei Singstimmen, Kontrabaß und Klavier | 1995/9 | 0 | 4 | 9 | 7 | 11 | 2 | 5 | 1 | 8 | 10 | 6 | 3 |
| Lackner, Peter | 'Davongeflogene Seelen' für Singstimme, Violoncello und Klavier | 1991 | 0 | 10 | 4 | 7 | 6 | 1 | 9 | 11 | 5 | 2 | 3 | 8 |
| Lackner, Peter | 'Der Winter' | 2005/11/20 | 0 | 6 | 3 | 5 | 9 | 11 | 7 | 1 | 4 | 2 | 10 | 8 |
| Lackner, Peter | 'Drei Dinge' für Singstimme und Klavier | 1982/7 | 0 | 4 | 2 | 11 | 7 | 10 | 1 | 5 | 9 | 3 | 6 | 8 |
| Lackner, Peter | 'Es fiel ein Reif in der Frühlingsnacht' für Singstimme und ein Melodie-Instrument | 1984/11/13 | 0 | 9 | 4 | 7 | 2 | 5 | 1 | 8 | 10 | 11 | 3 | 6 |
| Lackner, Peter | 'Euphorbia obesa'. Kanon für Oboe, Englischhorn und Fagott. | 2000/4/16 | 0 | 10 | 2 | 6 | 8 | 4 | 1 | 9 | 11 | 3 | 7 | 5 |
| Lackner, Peter | 'Flügelaltar' für Klavier | 1983/7/15 | 0 | 9 | 11 | 10 | 2 | 7 | 1 | 8 | 4 | 5 | 3 | 6 |
| Lackner, Peter | 'Hexentanz' für Violine und Klavier | 1986/9/2 | 0 | 3 | 5 | 7 | 8 | 4 | 1 | 10 | 11 | 2 | 6 | 9 |
| Lackner, Peter | 'INKE TAN MAGROV' für Singstimme und Klavier | 1997/3/27 | 0 | 6 | 5 | 10 | 8 | 3 | 7 | 1 | 2 | 9 | 11 | 4 |
| Lackner, Peter | 'Lied des Harfenmädchens II' für Flöte, Klarinette, Posaune, Violine, Cello und Klavier | 2005/10/19 | 0 | 3 | 5 | 11 | 7 | 10 | 1 | 8 | 4 | 9 | 6 | 2 |
| Lackner, Peter | 'Lied des Harfenmädchens' für Frauenstimme und Klavier | 0 | 3 | 5 | 11 | 7 | 10 | 1 | 8 | 4 | 9 | 6 | 2 | |
| Lackner, Peter | 'So lebe wohl' für Singstimme und Klavier | 1986/2/25 | 0 | 2 | 3 | 8 | 10 | 7 | 6 | 5 | 1 | 11 | 9 | 4 |
| Lackner, Peter | 'Ständchen' für zwei Violinen und zwei Bratschen. 1913,2013 | 2013/1989 | 0 | 4 | 2 | 8 | 11 | 7 | 10 | 5 | 9 | 1 | 3 | 6 |
| Lackner, Peter | 'Venus-Quadrat' für Violine und Klavier | 1985/10/20 | 0 | 7 | 2 | 5 | 9 | 10 | 11 | 6 | 8 | 4 | 3 | 1 |
| Lackner, Peter | 'Wo ist der Freund' (erstes Lied aus dem Zyklus 'Wilde Erdbeeren' für Singstimme und Klavier) | 1989/9/13 | 0 | 3 | 6 | 2 | 9 | 11 | 7 | 4 | 1 | 5 | 10 | 8 |
| Lackner, Peter | 1. Kanonzyklus | 1994/4/7 | 0 | 7 | 5 | 9 | 1 | 3 | 11 | 8 | 4 | 6 | 10 | 2 |
| Lackner, Peter | 2. Kanonzyklus | 1993/7 | 0 | 10 | 2 | 7 | 9 | 5 | 11 | 3 | 1 | 8 | 4 | 6 |
| Lackner, Peter | 3. Kanonzyklus | 1994/1/1 | 0 | 6 | 8 | 10 | 1 | 3 | 5 | 11 | 9 | 7 | 4 | 2 |
| Lackner, Peter | 4. Kanonzyklus | 1991/7/21 | 0 | 5 | 3 | 7 | 11 | 1 | 9 | 4 | 6 | 2 | 10 | 8 |
| Lackner, Peter | 5. Kanonzyklus | 1994/6 | 0 | 7 | 11 | 9 | 1 | 3 | 5 | 8 | 10 | 6 | 2 | 4 |
| Lackner, Peter | AGNI MEI (Kanon für Klavier. 5. Juni 2015) | 2015/6/5 | 0 | 4 | 10 | 11 | 1 | 2 | 8 | 7 | 3 | 6 | 9 | 5 |
| Lackner, Peter | Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier | 1998/4/16 | 0 | 8 | 3 | 5 | 1 | 10 | 7 | 11 | 4 | 2 | 6 | 9 |
| Lackner, Peter | Florianische Reihe | 1995/4/16 | 0 | 3 | 9 | 7 | 4 | 11 | 5 | 2 | 8 | 6 | 1 | 10 |
| Lackner, Peter | INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente | 2016/6/28 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 |
| Lackner, Peter | INKE TAN MAGROV für Singstimme und Klavier (zweites Lied aus dem Zyklus 'Wilde Erdbeeren') | 1990 | 0 | 2 | 9 | 5 | 8 | 11 | 3 | 1 | 6 | 10 | 7 | 4 |
| Lackner, Peter | KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008 | 2008 | 0 | 8 | 10 | 4 | 2 | 6 | 9 | 1 | 11 | 5 | 7 | 3 |
| Lackner, Peter | Kanon 'kgV(3,5,7)' | 1986/5/5 | 0 | 3 | 10 | 9 | 6 | 5 | 2 | 11 | 4 | 8 | 1 | 7 |
| Lackner, Peter | Kanon T2 à 6 | 1992 | 0 | 5 | 2 | 7 | 4 | 9 | 6 | 11 | 8 | 1 | 10 | 3 |
| Lackner, Peter | Kanon T3 à 4 | 1992 | 0 | 2 | 7 | 3 | 5 | 10 | 6 | 8 | 1 | 9 | 11 | 4 |
| Lackner, Peter | Kanon T4 á 3 | 1992 | 0 | 5 | 7 | 2 | 4 | 9 | 11 | 6 | 8 | 1 | 3 | 10 |
| Lackner, Peter | Kanon T6 á 2 | 1992 | 0 | 10 | 8 | 3 | 1 | 5 | 6 | 4 | 2 | 9 | 7 | 11 |
| Lackner, Peter | Kanon for 836017 | 2010/9/24 | 0 | 2 | 10 | 7 | 5 | 1 | 3 | 9 | 11 | 4 | 6 | 8 |
| Lackner, Peter | Kanon für B. L., 7. Oktober 2017 | 2017/10/7 | 0 | 9 | 10 | 5 | 3 | 7 | 11 | 2 | 1 | 6 | 8 | 4 |
| Lackner, Peter | Kanon für Blockflötenquartett. April 2005 | 2005/4/27 | 0 | 10 | 11 | 3 | 1 | 2 | 8 | 7 | 9 | 5 | 4 | 6 |
| Lackner, Peter | Kanon für Bläsersextett. Mai 1995,1996 | 1996/1995/5 | 0 | 9 | 7 | 3 | 10 | 1 | 6 | 8 | 2 | 11 | 5 | 4 |
| Lackner, Peter | Kanon für Cello und Klavier | 1989 | 0 | 2 | 9 | 10 | 6 | 5 | 1 | 11 | 4 | 3 | 7 | 8 |
| Lackner, Peter | Kanon für Flöte solo und N. N. | 2011/6/19 | 0 | 3 | 7 | 10 | 2 | 5 | 11 | 8 | 4 | 1 | 9 | 6 |
| Lackner, Peter | Kanon für Flöte und Elektronik. Februar 1999 | 1999/2 | 0 | 10 | 2 | 7 | 9 | 5 | 11 | 3 | 1 | 8 | 4 | 6 |
| Lackner, Peter | Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier | 2002/11/17 | 0 | 5 | 3 | 7 | 11 | 1 | 9 | 4 | 6 | 2 | 10 | 8 |
| Lackner, Peter | Kanon für Hammerklavier. März 2016 | 2016/3/23-24 | 0 | 2 | 1 | 5 | 7 | 3 | 11 | 9 | 10 | 6 | 4 | 8 |
| Lackner, Peter | Kanon für Kammerorchester | 1989 | 0 | 9 | 11 | 6 | 2 | 4 | 7 | 10 | 8 | 1 | 5 | 3 |
| Lackner, Peter | Kanon für Klavier | 1989/27/6 | 0 | 6 | 8 | 10 | 1 | 3 | 5 | 11 | 9 | 7 | 4 | 2 |
| Lackner, Peter | Kanon für Klavier zu vier Händen | 1988 | 0 | 10 | 5 | 3 | 7 | 8 | 6 | 4 | 11 | 9 | 1 | 2 |
| Lackner, Peter | Kanon für Klavier zu vier Händen. 12. Juni 1996 | 1996/6/12 | 0 | 4 | 2 | 8 | 11 | 10 | 5 | 1 | 3 | 9 | 6 | 7 |
| Lackner, Peter | Kanon für Klavier zu vier Händen. Frühling 1984 | 1984 | 0 | 1 | 10 | 7 | 9 | 4 | 5 | 11 | 8 | 6 | 2 | 3 |
| Lackner, Peter | Kanon für Klavier. 15. Juni 1992 | 1992/6/15 | 0 | 10 | 3 | 8 | 6 | 5 | 2 | 1 | 11 | 4 | 9 | 7 |
| Lackner, Peter | Kanon für Klavier. 21. Juni 1998 | 1998/6/21 | 0 | 7 | 6 | 5 | 1 | 4 | 3 | 8 | 9 | 10 | 2 | 11 |
| Lackner, Peter | Kanon für Klavier. 26. Juni 1983 | 1983/6/26 | 0 | 7 | 5 | 9 | 4 | 8 | 6 | 1 | 11 | 3 | 10 | 2 |
| Lackner, Peter | Kanon für Klavier. 27. Juni, 26. September 2002 | 2002/9/6 | 0 | 9 | 4 | 1 | 2 | 8 | 7 | 10 | 3 | 6 | 5 | 11 |
| Lackner, Peter | Kanon für Klavier. 5. April 1989 | 1989/4/5 | 0 | 2 | 9 | 10 | 6 | 5 | 1 | 11 | 4 | 3 | 7 | 8 |
| Lackner, Peter | Kanon für Klavier. April 2000 | 2000/4 | 0 | 5 | 3 | 7 | 11 | 1 | 9 | 4 | 6 | 2 | 10 | 8 |
| Lackner, Peter | Kanon für Klavierquartett | 1991/3/21 | 0 | 8 | 6 | 11 | 3 | 9 | 1 | 5 | 7 | 2 | 10 | 4 |
| Lackner, Peter | Kanon für Klavierquartett. 27. April 1991 | 1991/4/27 | 0 | 6 | 3 | 5 | 9 | 11 | 7 | 1 | 4 | 2 | 10 | 8 |
| Lackner, Peter | Kanon für Klavierquartett. 27. Juni 1991 | 1991/6/27 | 0 | 2 | 6 | 9 | 11 | 3 | 7 | 5 | 1 | 10 | 8 | 4 |
| Lackner, Peter | Kanon für Klaviertrio | 0 | 2 | 4 | 9 | 5 | 7 | 3 | 1 | 11 | 6 | 10 | 8 | |
| Lackner, Peter | Kanon für Orgel, zweimanualiges Cembalo oder Klavier | 1982/10/30 | 0 | 7 | 2 | 11 | 4 | 9 | 6 | 8 | 1 | 5 | 3 | 10 |
| Lackner, Peter | Kanon für Orgel. 21. November 1994, 4. Februar 1995 | 95/1994 | 0 | 8 | 5 | 1 | 4 | 9 | 2 | 11 | 7 | 3 | 10 | 6 |
| Lackner, Peter | Kanon für Schrammel-Quartett. November 2002 | 2002/11 | 0 | 4 | 6 | 3 | 11 | 9 | 1 | 5 | 8 | 2 | 10 | 7 |
| Lackner, Peter | Kanon für Schwegel und zwei Geigen | 1989/6/2 | 0 | 6 | 4 | 2 | 10 | 8 | 9 | 3 | 5 | 7 | 11 | 1 |
| Lackner, Peter | Kanon für Schwegel, diatonisches Hackbrett und Violine | 0 | 8 | 4 | 10 | 6 | 2 | 5 | 1 | 9 | 3 | 11 | 7 | |
| Lackner, Peter | Kanon für Schwegelpfeife in A und Geige | 1991/1 | 0 | 9 | 7 | 2 | 10 | 4 | 3 | 6 | 8 | 1 | 5 | 11 |
| Lackner, Peter | Kanon für Streichquartett | 1989 | 0 | 9 | 3 | 5 | 1 | 11 | 7 | 10 | 4 | 2 | 6 | 8 |
| Lackner, Peter | Kanon für Streichquartett und Orgel. 21. November 1993 | 1993/11/21 | 0 | 10 | 2 | 5 | 4 | 7 | 1 | 11 | 3 | 9 | 8 | 6 |
| Lackner, Peter | Kanon für Streichquartett. 18. Mai 1993 | 1993/5/18 | 0 | 11 | 4 | 7 | 1 | 10 | 5 | 6 | 2 | 3 | 9 | 8 |
| Lackner, Peter | Kanon für Streichquartett. 22.September 2003 | 2003/9/22 | 0 | 8 | 10 | 4 | 2 | 6 | 9 | 1 | 11 | 5 | 7 | 3 |
| Lackner, Peter | Kanon für Streichquartett. 3. Jänner 1990 | 1990/1/3 | 0 | 6 | 4 | 8 | 11 | 3 | 1 | 7 | 9 | 5 | 2 | 10 |
| Lackner, Peter | Kanon für Streichquartett. 5. Dezember 1992 | 1992/12/5 | 0 | 5 | 9 | 4 | 11 | 8 | 2 | 7 | 1 | 10 | 3 | 6 |
| Lackner, Peter | Kanon für Tenor-Hackbrett. 19. März 2014 | 2014/3/19 | 0 | 8 | 4 | 6 | 9 | 1 | 11 | 3 | 7 | 5 | 2 | 10 |
| Lackner, Peter | Kanon für Violine solo | 1988/11/16 | 0 | 11 | 2 | 7 | 10 | 9 | 3 | 4 | 1 | 8 | 5 | 6 |
| Lackner, Peter | Kanon für Violine und Violoncello | 1989/4/12 | 0 | 2 | 9 | 10 | 6 | 5 | 1 | 11 | 4 | 3 | 7 | 8 |
| Lackner, Peter | Kanon für Violine, Bratsche und Klavier | 1989/7 | 0 | 4 | 2 | 8 | 11 | 7 | 10 | 5 | 9 | 1 | 3 | 6 |
| Lackner, Peter | Kanon für Violine, Viola und Akkordeon. 11. Juni 2007 | 2007/6/11 | 0 | 11 | 1 | 2 | 3 | 10 | 4 | 9 | 8 | 7 | 5 | 6 |
| Lackner, Peter | Kanon für Violine, Violoncello und Akkordeon (Harmonium). 25. Oktober 1995 | 1995/10/25 | 0 | 2 | 1 | 7 | 6 | 5 | 3 | 4 | 10 | 9 | 11 | 8 |
| Lackner, Peter | Kanon für acht Instrumente. Dezember 1991, März 2007 | 2007/1991 | 0 | 11 | 3 | 10 | 6 | 2 | 7 | 8 | 4 | 9 | 1 | 5 |
| Lackner, Peter | Kanon für drei Bratschen | 1991/12/31 | 0 | 11 | 3 | 10 | 6 | 2 | 7 | 8 | 4 | 9 | 1 | 5 |
| Lackner, Peter | Kanon für drei Klaviere. 28. 6. 2016 | 2016/6/28 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 |
| Lackner, Peter | Kanon für drei Violinen I, II August 1998 | 1998/8 | 0 | 2 | 10 | 4 | 8 | 6 | 1 | 9 | 11 | 5 | 3 | 7 |
| Lackner, Peter | Kanon für sechs Instrumente. 16. März 2009 | 2009/3/16 | 0 | 7 | 6 | 3 | 2 | 10 | 1 | 8 | 11 | 5 | 4 | 9 |
| Lackner, Peter | Kanon für sechs Posaunen. Herbst 1996 | 1996 | 0 | 9 | 1 | 6 | 4 | 8 | 11 | 2 | 10 | 7 | 5 | 3 |
| Lackner, Peter | Kanon für zwei Gitarren. September 2001 | 2001/9/9 | 0 | 5 | 3 | 9 | 11 | 6 | 7 | 2 | 4 | 10 | 8 | 1 |
| Lackner, Peter | Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004 | 2004/9 | 0 | 2 | 9 | 10 | 5 | 7 | 1 | 11 | 4 | 3 | 8 | 6 |
| Lackner, Peter | Kanon für zwei Singstimmen zu vier Texten für Kanons von Hannes Waltl | 2006/9 | 0 | 11 | 2 | 1 | 8 | 6 | 10 | 7 | 3 | 4 | 5 | 9 |
| Lackner, Peter | Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993 | 1993/5/1 | 0 | 1 | 2 | 10 | 3 | 5 | 11 | 9 | 4 | 8 | 7 | 6 |
| Lackner, Peter | Kanon für zwei Violinen | 1988/4/23 | 0 | 7 | 4 | 5 | 9 | 2 | 3 | 8 | 11 | 10 | 6 | 1 |
| Lackner, Peter | Kanon für zwei Violinen und Klavier. 1. Dezember 2004 | 2004/12/1 | 0 | 10 | 2 | 6 | 8 | 4 | 1 | 9 | 11 | 3 | 7 | 5 |
| Lackner, Peter | Kanon für zwei Violinen und Klavier. Frühjahr 1984 | 1984 | 0 | 1 | 10 | 7 | 9 | 4 | 5 | 11 | 8 | 6 | 2 | 3 |
| Lackner, Peter | Kanon für zwei Violinen. Frühjahr 1992 | 1992/3 | 0 | 2 | 4 | 7 | 9 | 11 | 5 | 3 | 1 | 10 | 8 | 6 |
| Lackner, Peter | Kanon à 3 | 1992/9/9 | 0 | 11 | 6 | 10 | 2 | 7 | 3 | 4 | 9 | 5 | 1 | 8 |
| Lackner, Peter | Kanon à 4 - 'Für Harald Fripertinger zum 50. Geburtstag' | 2015/8/22 | 0 | 10 | 3 | 6 | 5 | 8 | 1 | 11 | 9 | 4 | 7 | 2 |
| Lackner, Peter | Kanon á 4 | 2012/1989 | 0 | 4 | 2 | 8 | 11 | 7 | 10 | 5 | 9 | 1 | 3 | 6 |
| Lackner, Peter | Kanon á 5 für Klaus Chudoba | 1993/1/28 | 0 | 2 | 10 | 8 | 6 | 11 | 3 | 1 | 5 | 7 | 9 | 4 |
| Lackner, Peter | Kanon-Polska für zwei Bratschen. 6. Juni 1993 | 1993/6/6 | 0 | 6 | 3 | 1 | 10 | 8 | 5 | 11 | 2 | 4 | 7 | 9 |
| Lackner, Peter | Krebs-Kanon à 4 | 1993/3/2 | 0 | 8 | 5 | 7 | 3 | 9 | 1 | 11 | 2 | 6 | 4 | 10 |
| Lackner, Peter | Moebius-Band für Flöte, Violine, Violoncello und Klavier | 1989 | 0 | 3 | 6 | 2 | 9 | 11 | 7 | 4 | 1 | 5 | 10 | 8 |
| Lackner, Peter | Moebius-Band für sechs Violinen | 1989 | 0 | 3 | 6 | 2 | 9 | 11 | 7 | 4 | 1 | 5 | 10 | 8 |
| Lackner, Peter | Moebiusband I für zwei Melodieinstrumente | 1988/7/20 | 0 | 6 | 8 | 2 | 7 | 1 | 11 | 5 | 3 | 9 | 4 | 10 |
| Lackner, Peter | Moebiusband für Violine und Klavier (Chinesenfolter I) | 1989/3/3 | 0 | 2 | 4 | 6 | 10 | 5 | 1 | 11 | 9 | 7 | 3 | 8 |
| Lackner, Peter | Reihenspiel für Orgel | 1982/8-9 | 0 | 9 | 6 | 11 | 5 | 4 | 10 | 7 | 2 | 1 | 8 | 3 |
| Lackner, Peter | Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008 | 2008/2/12 | 0 | 6 | 9 | 2 | 8 | 10 | 4 | 7 | 1 | 11 | 3 | 5 |
| Lackner, Peter | Sponsions-Kanon | 2007/1/5 | 0 | 4 | 1 | 10 | 3 | 7 | 9 | 5 | 8 | 11 | 6 | 2 |
| Lackner, Peter | TACET (drittes Lied aus dem Zyklus 'Wilde Erdbeeren') | 1990 | 0 | 2 | 9 | 5 | 8 | 11 | 4 | 7 | 10 | 6 | 1 | 3 |
| Lackner, Peter | Trauermusik für Fagott, Kontrafagott und Pauke | 1989/2 | 0 | 6 | 2 | 8 | 10 | 4 | 11 | 5 | 9 | 3 | 1 | 7 |
| Lackner, Peter | Vier Klavierstücke 1988 | 1988 | 0 | 1 | 10 | 11 | 8 | 7 | 9 | 5 | 6 | 4 | 2 | 3 |
| Lackner, Peter | kgV (3,4) [zweistimmiger Kanon für Klavier] | 1987 | 0 | 10 | 2 | 3 | 5 | 7 | 1 | 11 | 9 | 8 | 4 | 6 |
| Lang, Bernhard | 'Der Golem' nach Gustav Meyrinck | 2014 | 0 | 4 | 7 | 8 | 11 | 3 | 5 | 2 | 9 | 1 | 10 | 6 |
| Lang, Bernhard | 'Küstenlinien'; für zwei Klaviere und doppeltes Schlagwerk | 1992 | 0 | 9 | 7 | 4 | 5 | 11 | 2 | 1 | 8 | 10 | 3 | 6 |
| Lang, Bernhard | Der Reigen | 2012 | 0 | 5 | 1 | 4 | 2 | 3 | 9 | 8 | 10 | 7 | 11 | 6 |
| Lang, Bernhard | HIOB Musiktheater für Orchester, Chor und Solisten | 2017-2022 | 0 | 9 | 11 | 10 | 5 | 8 | 6 | 7 | 2 | 3 | 1 | 4 |
| Lang, Bernhard | Hemma (Music Theatre Hemma Klagenfurt 2015) | 2014/6/24 | 0 | 5 | 10 | 2 | 3 | 1 | 7 | 9 | 8 | 4 | 11 | 6 |
| Lang, Bernhard | Monadologie XIII a; 'The Saucy Maid' | 2011-2012 | 0 | 1 | 5 | 2 | 4 | 9 | 3 | 10 | 8 | 11 | 7 | 6 |
| Lang, Klaus | 'Von der Ligurischen Küste zum Trasimenischen See'; Trauermusik für Violine und Klavier | 1993 | 0 | 5 | 9 | 8 | 10 | 7 | 1 | 4 | 2 | 3 | 11 | 6 |
| Leibowitz, René | String Quartet, No.3, Op.26 | 1951 | 0 | 8 | 9 | 7 | 6 | 1 | 2 | 5 | 4 | 10 | 11 | 3 |
| Leibowitz, René | Trois pièces pour piano, Op.19 | 1949 | 0 | 4 | 3 | 1 | 2 | 5 | 6 | 9 | 10 | 8 | 7 | 11 |
| Lewin, David | Just a Minute, Roger | 1978 | 0 | 11 | 4 | 5 | 7 | 3 | 2 | 6 | 8 | 1 | 10 | 9 |
| Li, Bao-Shu | Träumerei of Jiuzhai Gou | 0 | 5 | 7 | 2 | 4 | 11 | 9 | 6 | 3 | 1 | 8 | 10 | |
| Ligeti, György | Le Grand Macabre | 1975-77,96 | 0 | 6 | 5 | 11 | 10 | 4 | 9 | 3 | 2 | 8 | 7 | 1 |
| Liszt, Franz | Eine Faust Symphonie | 1854/1853 | 0 | 4 | 8 | 11 | 3 | 7 | 10 | 2 | 6 | 9 | 1 | 5 |
| Lu, Shi-Lin | A Family of Red-Crowned Cranes | 0 | 2 | 9 | 7 | 4 | 6 | 11 | 8 | 1 | 3 | 10 | 5 | |
| Lu, Yen | A Bird Flying By | 1988 | 0 | 6 | 3 | 4 | 8 | 7 | 11 | 5 | 10 | 2 | 9 | 1 |
| Luo, Zhong-Rong | Chang'e | 0 | 7 | 5 | 2 | 10 | 9 | 3 | 4 | 8 | 11 | 1 | 6 | |
| Luo, Zhong-Rong | Dusk, row 1 | 0 | 2 | 7 | 5 | 10 | 8 | 6 | 3 | 1 | 11 | 9 | 4 | |
| Luo, Zhong-Rong | Dusk, row 2 | 0 | 3 | 7 | 5 | 8 | 10 | 1 | 11 | 6 | 2 | 4 | 9 | |
| Luo, Zhong-Rong | Evening | 0 | 2 | 7 | 5 | 10 | 8 | 6 | 3 | 1 | 11 | 9 | 4 | |
| Luo, Zhong-Rong | Morning Glory | 0 | 2 | 5 | 9 | 7 | 10 | 3 | 11 | 1 | 4 | 6 | 8 | |
| Luo, Zhong-Rong | Picking lotus flowers at the riverside | 1979 | 0 | 2 | 5 | 7 | 10 | 3 | 1 | 4 | 6 | 9 | 11 | 8 |
| Luo, Zhong-Rong | Sonatina, mvt 2 | 0 | 2 | 5 | 7 | 4 | 11 | 6 | 8 | 1 | 3 | 9 | 10 | |
| Luo, Zhong-Rong | Sonatina, mvt 3 | 0 | 2 | 7 | 4 | 11 | 8 | 5 | 9 | 10 | 1 | 3 | 6 | |
| Luo, Zhong-Rong | String Quartet, No.2 | 1985 | 0 | 3 | 5 | 10 | 6 | 8 | 11 | 1 | 9 | 2 | 4 | 7 |
| Luo, Zhong-Rong | String Quartet, No.3, row 1 | 1996 | 0 | 2 | 4 | 7 | 5 | 10 | 8 | 1 | 6 | 3 | 9 | 11 |
| Luo, Zhong-Rong | String Quartet, No.3, row 2 | 1996 | 0 | 2 | 5 | 7 | 4 | 11 | 6 | 8 | 1 | 3 | 9 | 10 |
| Luo, Zhong-Rong | String Quartet, No.3, row 3 | 1996 | 0 | 2 | 7 | 9 | 11 | 1 | 3 | 6 | 10 | 4 | 5 | 8 |
| Luo, Zhong-Rong | String Quartet, No.3, row 4 | 1996 | 0 | 3 | 7 | 10 | 1 | 8 | 5 | 9 | 11 | 2 | 4 | 6 |
| Luo, Zhong-Rong | Three Piano Pieces, "Arabeque", row 1 | 0 | 2 | 5 | 10 | 6 | 1 | 3 | 8 | 11 | 9 | 7 | 4 | |
| Luo, Zhong-Rong | Three Piano Pieces, "Arabeque", row 2 | 0 | 2 | 7 | 9 | 11 | 4 | 6 | 8 | 1 | 3 | 10 | 5 | |
| Luo, Zhong-Rong | Three Piano Pieces, "Reverie" | 0 | 5 | 10 | 8 | 3 | 11 | 1 | 6 | 9 | 2 | 4 | 7 | |
| Lutosławski, Witold | Musique Funébre (Funeral Music) | 1954-58 | 0 | 6 | 5 | 11 | 10 | 4 | 3 | 9 | 8 | 2 | 1 | 7 |
| Lutyens, Elisabeth | Essence Of Our Happinesses, Op.69, mvt II, Part I | 1968 | 0 | 11 | 1 | 10 | 2 | 3 | 8 | 9 | 5 | 6 | 4 | 7 |
| Lutyens, Elisabeth | Five Little Pieces for Clarinet and Piano | 1945 | 0 | 8 | 4 | 1 | 10 | 2 | 9 | 3 | 5 | 6 | 11 | 7 |
| Lutyens, Elisabeth | Islands, Op.80 | 1970 | 0 | 11 | 7 | 3 | 8 | 10 | 9 | 6 | 4 | 5 | 1 | 2 |
| Lutyens, Elisabeth | Motet (Excerota Tractati Logico-Philosophici), Op.27 | 1951 | 0 | 11 | 3 | 7 | 8 | 4 | 2 | 6 | 5 | 1 | 9 | 10 |
| Lutyens, Elisabeth | O Saisons, O Châteaux! | 1946 | 0 | 11 | 10 | 4 | 8 | 9 | 3 | 7 | 6 | 5 | 2 | 1 |
| Lutyens, Elisabeth | Présages, Op.53 | 1965 | 0 | 1 | 11 | 2 | 10 | 8 | 5 | 3 | 4 | 7 | 9 | 6 |
| Lutyens, Elisabeth | Quincunx, Op.44 | 1960 | 0 | 6 | 11 | 1 | 5 | 2 | 7 | 3 | 4 | 9 | 10 | 8 |
| Lutyens, Elisabeth | Six Tempi for 10 Instruments, Op.42 | 1957 | 0 | 6 | 7 | 8 | 5 | 3 | 4 | 11 | 10 | 9 | 1 | 2 |
| Lutyens, Elisabeth | The Numbered, Altered Primary Row (swap pitches 2 and 3) | 1967 | 0 | 11 | 10 | 1 | 2 | 9 | 3 | 4 | 8 | 5 | 7 | 6 |
| Lutyens, Elisabeth | The Numbered, Primary Row | 1967 | 0 | 10 | 11 | 1 | 2 | 9 | 3 | 4 | 8 | 5 | 7 | 6 |
| Lutyens, Elisabeth | The Valley of Hatsu'se | 1965 | 0 | 6 | 11 | 10 | 8 | 7 | 9 | 1 | 3 | 2 | 4 | 5 |
| Lutyens, Elisabeth | Three Improvisations for Piano Solo | 1948 | 0 | 6 | 9 | 7 | 8 | 3 | 4 | 1 | 10 | 5 | 11 | 2 |
| Lutyens, Elisabeth | Time Off? Not a Ghost of a Chance!, Op.68 | 1967-68 | 0 | 11 | 1 | 5 | 2 | 4 | 9 | 8 | 3 | 7 | 6 | 10 |
| Maderna, Bruno | Improvvisazione N. 1 | 1951-1952 | 0 | 11 | 4 | 8 | 3 | 2 | 7 | 6 | 1 | 5 | 10 | 9 |
| Maderna, Bruno | Musica su due dimensioni | 1952 | 0 | 2 | 9 | 4 | 6 | 11 | 8 | 10 | 1 | 3 | 5 | 7 |
| Maderna, Bruno | Quartetto | 1955 | 0 | 7 | 2 | 3 | 6 | 9 | 10 | 1 | 4 | 5 | 8 | 11 |
| Maderna, Bruno | Streichquartett (Basisreihe 1) | 1955 | 0 | 7 | 2 | 3 | 6 | 9 | 10 | 1 | 4 | 5 | 8 | 11 |
| Maderna, Bruno | Streichquartett (Basisreihe 2) | 1955 | 0 | 7 | 10 | 1 | 6 | 3 | 11 | 4 | 9 | 2 | 5 | 8 |
| Mamlok, Ursula | Five Intermezzi for guitar solo | 1984-90 | 0 | 3 | 6 | 11 | 2 | 5 | 1 | 10 | 7 | 4 | 8 | 9 |
| Mamlok, Ursula | Haiku Settings, No.5 | 1967 | 0 | 11 | 8 | 7 | 4 | 3 | 5 | 6 | 9 | 10 | 1 | 2 |
| Mamlok, Ursula | Panta Rhei | 1981 | 0 | 7 | 4 | 11 | 8 | 3 | 10 | 9 | 6 | 2 | 5 | 1 |
| Mamlok, Ursula | Panta Rhei, secondary row (mvt 4, Piano) | 1981 | 0 | 11 | 8 | 3 | 4 | 7 | 2 | 1 | 6 | 9 | 10 | 5 |
| Mamlok, Ursula | Variations for Solo Flute, theme | 1961 | 0 | 2 | 1 | 11 | 7 | 3 | 5 | 6 | 4 | 10 | 8 | 9 |
| Martin, Frank | Petite complainte | 1941 | 0 | 11 | 10 | 6 | 2 | 4 | 5 | 9 | 8 | 7 | 3 | 1 |
| Martino, Donald | Fantasy Variations | 1962 | 0 | 3 | 1 | 10 | 2 | 8 | 11 | 5 | 6 | 9 | 7 | 4 |
| Martino, Donald | Notturno (Row A) | 1973 | 0 | 11 | 10 | 2 | 6 | 1 | 5 | 9 | 4 | 8 | 3 | 7 |
| Martino, Donald | Notturno (Row B) | 1973 | 0 | 7 | 11 | 10 | 9 | 8 | 2 | 1 | 6 | 3 | 4 | 5 |
| Matthias, Hauer Josef | Zwölftonspiel für Holzbläser, Streicher und Klavier. April 1951 | 1951/4/27 | 0 | 4 | 9 | 11 | 7 | 2 | 3 | 6 | 8 | 10 | 5 | 1 |
| Matthias, Josef | Salambo, Op.60 | 1929 | 0 | 6 | 9 | 2 | 8 | 10 | 4 | 7 | 1 | 11 | 3 | 5 |
| Messiaen, Olivier | Le Merle noir | 1951 | 0 | 5 | 11 | 6 | 1 | 9 | 7 | 3 | 4 | 2 | 8 | 10 |
| Messiaen, Olivier | Livre d'orgue | 1951 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 4 | 8 | 5 | 7 | 6 |
| Messiaen, Olivier | Mode de valeurs et d'intensités, Series 1 | 1949 | 0 | 11 | 6 | 5 | 4 | 3 | 1 | 10 | 9 | 7 | 2 | 8 |
| Messiaen, Olivier | Mode de valeurs et d'intensités, Series 3 | 1949 | 0 | 11 | 6 | 4 | 3 | 9 | 5 | 2 | 8 | 1 | 7 | 10 |
| Messiaen, Olivier | Mode de valeurs et d’intensités, Series 2 | 1949 | 0 | 5 | 3 | 1 | 10 | 9 | 8 | 7 | 6 | 4 | 11 | 2 |
| Mittendorfer, Josef | aleatoric row | 2012/12/28 | 0 | 2 | 7 | 1 | 8 | 6 | 10 | 5 | 4 | 11 | 3 | 9 |
| Moevs, Robert | Ludi Praeteriti: Games of the Past for two pianos | 1976 | 0 | 11 | 8 | 7 | 6 | 3 | 2 | 1 | 9 | 10 | 4 | 5 |
| Moevs, Robert | Musica da Camera | 1965 | 0 | 1 | 11 | 3 | 4 | 2 | 9 | 10 | 8 | 7 | 5 | 6 |
| Moevs, Robert | Three Pieces for violin and piano, mvt II | 1982 | 0 | 4 | 8 | 9 | 3 | 2 | 10 | 11 | 7 | 6 | 5 | 1 |
| Morris, Robert | 14 Little Piano Pieces | 2002 | 0 | 5 | 1 | 9 | 10 | 11 | 2 | 7 | 3 | 4 | 6 | 8 |
| Morris, Robert | Along a Rocky Path | 1993 | 0 | 9 | 10 | 3 | 4 | 2 | 8 | 1 | 6 | 7 | 11 | 5 |
| Morris, Robert | Arabesque | 1979 | 0 | 6 | 7 | 1 | 3 | 10 | 8 | 9 | 4 | 5 | 11 | 2 |
| Morris, Robert | Arc | 1988 | 0 | 1 | 8 | 2 | 4 | 3 | 11 | 10 | 6 | 7 | 5 | 9 |
| Morris, Robert | Badlands | 1991 | 0 | 5 | 6 | 9 | 4 | 7 | 1 | 8 | 3 | 11 | 2 | 10 |
| Morris, Robert | Beautiful Beast | 2007 | 0 | 1 | 3 | 6 | 5 | 10 | 7 | 4 | 9 | 8 | 11 | 2 |
| Morris, Robert | Broken Consort in Three Parts, Row 1 | 1994 | 0 | 1 | 3 | 7 | 11 | 10 | 2 | 8 | 6 | 5 | 9 | 4 |
| Morris, Robert | Broken Consort in Three Parts, Row 2 | 1994 | 0 | 11 | 3 | 10 | 6 | 7 | 9 | 1 | 5 | 4 | 8 | 2 |
| Morris, Robert | Broken Consort in Three Parts, Row 3 | 1994 | 0 | 11 | 3 | 9 | 7 | 6 | 10 | 5 | 1 | 2 | 4 | 8 |
| Morris, Robert | Brush | 2011 | 0 | 11 | 6 | 10 | 7 | 8 | 3 | 2 | 5 | 4 | 9 | 1 |
| Morris, Robert | By Far | 1995 | 0 | 1 | 4 | 11 | 3 | 2 | 6 | 7 | 5 | 10 | 8 | 9 |
| Morris, Robert | Canonic Variations | 1992 | 0 | 3 | 11 | 1 | 4 | 8 | 5 | 6 | 9 | 10 | 2 | 7 |
| Morris, Robert | Clash | 1987 | 0 | 3 | 11 | 10 | 8 | 1 | 7 | 9 | 2 | 6 | 4 | 5 |
| Morris, Robert | Cold Mountain Songs | 1993 | 0 | 1 | 2 | 5 | 6 | 3 | 7 | 8 | 10 | 9 | 11 | 4 |
| Morris, Robert | Concerto for Piano and Strings | 1994 | 0 | 1 | 6 | 11 | 7 | 5 | 10 | 8 | 4 | 3 | 2 | 9 |
| Morris, Robert | Concerto for Piano and Winds | 1988 | 0 | 1 | 4 | 7 | 8 | 10 | 11 | 2 | 5 | 6 | 9 | 3 |
| Morris, Robert | Cuts | 1984 | 0 | 10 | 11 | 7 | 3 | 8 | 6 | 9 | 4 | 5 | 1 | 2 |
| Morris, Robert | Entanglements | 1998 | 0 | 3 | 10 | 5 | 11 | 6 | 1 | 7 | 9 | 2 | 8 | 4 |
| Morris, Robert | Exchanges | 1982 | 0 | 4 | 3 | 1 | 9 | 5 | 8 | 6 | 2 | 10 | 11 | 7 |
| Morris, Robert | Four Fold Heart Sutra | 1984 | 0 | 6 | 7 | 2 | 11 | 1 | 10 | 4 | 9 | 5 | 8 | 3 |
| Morris, Robert | Four Play Nine | 2012 | 0 | 3 | 2 | 1 | 8 | 7 | 10 | 5 | 4 | 11 | 6 | 9 |
| Morris, Robert | Four Tangled Groves | 2008 | 0 | 8 | 11 | 2 | 7 | 9 | 10 | 5 | 4 | 1 | 3 | 6 |
| Morris, Robert | Four or Five Mirrors | 1990 | 0 | 11 | 2 | 3 | 7 | 1 | 6 | 5 | 9 | 8 | 10 | 4 |
| Morris, Robert | In Variations | 1981 | 0 | 2 | 9 | 11 | 5 | 3 | 4 | 6 | 10 | 8 | 7 | 1 |
| Morris, Robert | Inscape | 1996 | 0 | 1 | 10 | 7 | 11 | 5 | 9 | 4 | 2 | 3 | 8 | 6 |
| Morris, Robert | Inter Alia | 1980 | 0 | 1 | 11 | 5 | 3 | 4 | 9 | 10 | 8 | 2 | 7 | 6 |
| Morris, Robert | Knot Lilacs | 2006 | 0 | 1 | 4 | 2 | 9 | 5 | 11 | 3 | 8 | 10 | 7 | 6 |
| Morris, Robert | MA | 1992 | 0 | 1 | 5 | 6 | 4 | 11 | 8 | 7 | 9 | 2 | 10 | 3 |
| Morris, Robert | Night Sky Scroll | 1985 | 0 | 11 | 4 | 3 | 9 | 5 | 8 | 2 | 1 | 7 | 6 | 10 |
| Morris, Robert | Not Lilacs | 1974 | 0 | 1 | 4 | 2 | 9 | 5 | 11 | 3 | 8 | 10 | 7 | 6 |
| Morris, Robert | On the Go | 1999 | 0 | 9 | 2 | 3 | 5 | 8 | 10 | 11 | 1 | 4 | 7 | 6 |
| Morris, Robert | Out and Out | 1989 | 0 | 11 | 6 | 3 | 7 | 9 | 5 | 8 | 1 | 2 | 10 | 4 |
| Morris, Robert | Pari Passu, row 1 | 1988 | 0 | 6 | 10 | 11 | 2 | 3 | 9 | 1 | 7 | 8 | 4 | 5 |
| Morris, Robert | Refrains | 1995 | 0 | 3 | 4 | 2 | 6 | 10 | 1 | 8 | 11 | 7 | 5 | 9 |
| Morris, Robert | Roundelay, row 1 | 2007 | 0 | 7 | 4 | 11 | 9 | 2 | 6 | 3 | 10 | 5 | 8 | 1 |
| Morris, Robert | Roundelay, row 2 | 2007 | 0 | 5 | 9 | 7 | 8 | 10 | 4 | 11 | 1 | 6 | 2 | 3 |
| Morris, Robert | Roundelay, row 3 | 2007 | 0 | 10 | 9 | 3 | 4 | 6 | 8 | 11 | 2 | 7 | 1 | 5 |
| Morris, Robert | Roundelay, row 4 | 2007 | 0 | 3 | 11 | 10 | 7 | 2 | 6 | 9 | 5 | 4 | 1 | 8 |
| Morris, Robert | Roundelay, row 5 | 2007 | 0 | 3 | 11 | 4 | 1 | 2 | 8 | 10 | 5 | 9 | 7 | 6 |
| Morris, Robert | Roundelay, row 6 | 2007 | 0 | 10 | 5 | 11 | 4 | 6 | 8 | 7 | 2 | 3 | 9 | 1 |
| Morris, Robert | Something New | 1998 | 0 | 9 | 4 | 8 | 11 | 7 | 3 | 6 | 10 | 5 | 2 | 1 |
| Morris, Robert | Strange Flowers, Occasional Storms | 2008 | 0 | 1 | 8 | 3 | 5 | 4 | 10 | 6 | 9 | 7 | 11 | 2 |
| Morris, Robert | Sung Song | 2002 | 0 | 3 | 7 | 6 | 9 | 2 | 10 | 5 | 1 | 8 | 4 | 11 |
| Morris, Robert | Terrane | 1989 | 0 | 11 | 1 | 3 | 2 | 5 | 6 | 4 | 9 | 7 | 8 | 10 |
| Morris, Robert | Three Musicians | 1989 | 0 | 9 | 7 | 6 | 8 | 1 | 11 | 2 | 4 | 5 | 3 | 10 |
| Morris, Robert | Tigers and Lilies | 1979 | 0 | 1 | 7 | 2 | 8 | 10 | 5 | 3 | 4 | 9 | 6 | 11 |
| Morris, Robert | Tournament for 12 trombones | 1981 | 0 | 7 | 6 | 4 | 11 | 8 | 5 | 9 | 1 | 3 | 2 | 10 |
| Morris, Robert | Traces | 1990 | 0 | 11 | 10 | 4 | 9 | 6 | 3 | 8 | 5 | 7 | 2 | 1 |
| Morris, Robert | Twelve Bell Canons | 2004 | 0 | 11 | 2 | 10 | 3 | 5 | 9 | 1 | 4 | 7 | 8 | 6 |
| Morris, Robert | Tête‐à‐Tête | 1999 | 0 | 3 | 11 | 10 | 1 | 8 | 2 | 6 | 9 | 5 | 4 | 7 |
| Morris, Robert | Vignette | 1999 | 0 | 3 | 11 | 10 | 7 | 6 | 5 | 2 | 1 | 8 | 9 | 4 |
| Morris, Robert | Zoe | 1996 | 0 | 8 | 6 | 3 | 1 | 9 | 7 | 10 | 4 | 2 | 5 | 11 |
| Morris, Robert | …gradually… | 2010 | 0 | 1 | 8 | 3 | 5 | 4 | 6 | 7 | 9 | 11 | 2 | 10 |
| Musgrave, Thea | Triptych, Song 1 | 1959 | 0 | 11 | 9 | 6 | 5 | 2 | 10 | 1 | 8 | 7 | 3 | 4 |
| Nichols, Jeff | ...its darkening opposite, or Set Portrait in a Convex Mirror | 2008 | 0 | 4 | 8 | 7 | 11 | 2 | 3 | 6 | 1 | 9 | 10 | 5 |
| Nierhaus, Gerhard | 'Achat' für Streichorchester (bzw. Streichsextett und Orgel) | 1993/12/5 | 0 | 4 | 3 | 11 | 2 | 6 | 5 | 9 | 8 | 7 | 10 | 1 |
| Nierhaus, Gerhard | 'Polg' - für Orchester | 1991 | 0 | 3 | 1 | 7 | 11 | 2 | 10 | 4 | 8 | 5 | 9 | 6 |
| Nono, Luigi | Canti per tredeci | 1955 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 4 | 8 | 5 | 7 | 6 |
| Nono, Luigi | Composizione per orchestra, No.1 | 1951 | 0 | 1 | 7 | 6 | 2 | 8 | 4 | 3 | 5 | 10 | 11 | 9 |
| Nono, Luigi | Cori di Didone | 1958 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 4 | 8 | 5 | 7 | 6 |
| Nono, Luigi | Ha venido | 1960 | 0 | 6 | 1 | 7 | 2 | 8 | 3 | 9 | 4 | 10 | 5 | 11 |
| Nono, Luigi | Il canto sospeso | 1955-56 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 4 | 8 | 5 | 7 | 6 |
| Nono, Luigi | Incontri | 1955 | 0 | 2 | 3 | 8 | 9 | 6 | 4 | 5 | 7 | 11 | 1 | 10 |
| Nono, Luigi | Intolleranza, Alto | 1960 | 0 | 6 | 7 | 1 | 2 | 8 | 9 | 3 | 4 | 10 | 11 | 5 |
| Nono, Luigi | Intolleranza, Baritone | 1960 | 0 | 2 | 7 | 9 | 4 | 6 | 11 | 1 | 8 | 10 | 3 | 5 |
| Nono, Luigi | Intolleranza, Soprano 1 | 1960 | 0 | 3 | 4 | 7 | 8 | 5 | 6 | 9 | 10 | 1 | 2 | 11 |
| Nono, Luigi | Intolleranza, Soprano 2 | 1960 | 0 | 1 | 2 | 7 | 6 | 11 | 10 | 5 | 4 | 9 | 8 | 3 |
| Nono, Luigi | Intolleranza, Tenor 1 | 1960 | 0 | 6 | 11 | 5 | 10 | 4 | 9 | 3 | 8 | 2 | 7 | 1 |
| Nono, Luigi | Intolleranza, Tenor 2 | 1960 | 0 | 1 | 3 | 2 | 4 | 5 | 7 | 6 | 8 | 9 | 11 | 10 |
| Nono, Luigi | La terra e la compagna (sketch), Series 1 | 1957 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 4 | 8 | 5 | 7 | 6 |
| Nono, Luigi | La terra e la compagna (sketch), Series 2 | 1957 | 0 | 6 | 1 | 7 | 11 | 5 | 2 | 8 | 10 | 4 | 3 | 9 |
| Nono, Luigi | La terra e la compagna (sketch), Series 3 | 1957 | 0 | 9 | 6 | 3 | 1 | 4 | 7 | 10 | 11 | 8 | 5 | 2 |
| Nono, Luigi | La terra e la compagna (sketch), Series 4 | 1957 | 0 | 2 | 9 | 5 | 6 | 8 | 3 | 11 | 1 | 10 | 4 | 7 |
| Nono, Luigi | La terra e la compagna (sketch), Series 5 | 1957 | 0 | 7 | 2 | 4 | 9 | 10 | 5 | 1 | 6 | 11 | 8 | 3 |
| Nono, Luigi | La terra e la compagna (sketch), Series 6 | 1957 | 0 | 3 | 7 | 8 | 2 | 11 | 4 | 6 | 9 | 1 | 10 | 5 |
| Nono, Luigi | La terra e la compagna (sketch), Series 7 | 1957 | 0 | 5 | 3 | 10 | 7 | 1 | 8 | 9 | 2 | 6 | 11 | 4 |
| Nono, Luigi | La terra e la compagna (sketch), Series 8 | 1957 | 0 | 4 | 5 | 11 | 3 | 6 | 10 | 2 | 7 | 9 | 1 | 8 |
| Nono, Luigi | Sarà dolce tacere | 1960 | 0 | 10 | 5 | 3 | 8 | 6 | 1 | 11 | 4 | 2 | 9 | 7 |
| Nono, Luigi | Variazioni canoniche sulla serie dell'Op.41 di Arnold Schönberg | 1950 | 0 | 1 | 9 | 8 | 4 | 5 | 7 | 6 | 10 | 11 | 3 | 2 |
| Panufnik, Andrzej | Sinfonia di Sfere (Symphony, No.5), Chord 1 | 1975 | 0 | 4 | 8 | 11 | 3 | 7 | 10 | 2 | 6 | 9 | 1 | 5 |
| Panufnik, Andrzej | Sinfonia di Sfere (Symphony, No.5), Chord 2 | 1975 | 0 | 3 | 6 | 9 | 11 | 2 | 5 | 8 | 10 | 1 | 4 | 7 |
| Papageorgiou, Dimitri | 'Jarra Jarra' for six block flutes | 1988 | 0 | 5 | 3 | 2 | 6 | 8 | 7 | 11 | 1 | 10 | 9 | 4 |
| Papaioannou, Yannis | 12 Inventions and Toccatta | 1958 | 0 | 2 | 5 | 6 | 1 | 3 | 8 | 9 | 11 | 7 | 4 | 10 |
| Papaioannou, Yannis | Pygmalion | 1952 | 0 | 2 | 7 | 5 | 8 | 11 | 9 | 6 | 10 | 3 | 1 | 4 |
| Papaioannou, Yannis | Sonata | 1958 | 0 | 2 | 9 | 8 | 1 | 6 | 4 | 3 | 11 | 10 | 7 | 5 |
| Papaioannou, Yannis | Songs of the Lake, No.1 | 1950 | 0 | 8 | 5 | 7 | 6 | 11 | 2 | 10 | 1 | 3 | 9 | 4 |
| Papaioannou, Yannis | Songs of the Lake, No.2 | 1950 | 0 | 7 | 4 | 6 | 5 | 1 | 9 | 2 | 8 | 10 | 3 | 11 |
| Papaioannou, Yannis | Songs of the Lake, No.3 | 1950 | 0 | 11 | 8 | 1 | 6 | 7 | 2 | 10 | 3 | 4 | 9 | 5 |
| Papaioannou, Yannis | Songs of the Lake, No.4 | 1950 | 0 | 5 | 11 | 9 | 6 | 10 | 7 | 2 | 3 | 1 | 4 | 8 |
| Papaioannou, Yannis | Songs of the Lake, basic series | 1950 | 0 | 4 | 5 | 9 | 8 | 3 | 11 | 10 | 2 | 1 | 6 | 7 |
| Papaioannou, Yannis | Suite, "XP" | 1958 | 0 | 4 | 2 | 1 | 6 | 8 | 3 | 9 | 7 | 10 | 5 | 11 |
| Papaioannou, Yannis | Suite, "YP" | 1958 | 0 | 10 | 9 | 8 | 1 | 4 | 5 | 7 | 3 | 6 | 2 | 11 |
| Papaioannou, Yannis | Suite, Basic row | 1958 | 0 | 1 | 3 | 10 | 4 | 6 | 9 | 5 | 2 | 8 | 7 | 11 |
| Papaioannou, Yannis | Symphony, No.3 | 1953 | 0 | 1 | 5 | 6 | 9 | 11 | 8 | 7 | 3 | 10 | 2 | 4 |
| Payne, Antony | Miniature Variations on a Theme of E.L. | 1984 | 0 | 6 | 11 | 10 | 8 | 7 | 9 | 1 | 3 | 2 | 4 | 5 |
| Pentland, Barbara | String Quartet, No.3 | 1969 | 0 | 11 | 3 | 6 | 5 | 9 | 10 | 8 | 1 | 2 | 7 | 4 |
| Perle, George | First string quartet | 0 | 1 | 3 | 6 | 10 | 9 | 8 | 7 | 4 | 5 | 11 | 2 | |
| Piston, Walter | Symphony, No.8 | 1965 | 0 | 1 | 4 | 5 | 8 | 7 | 6 | 3 | 2 | 9 | 11 | 10 |
| Pousseur, Henri | Trois Chants Sacrés | 1951 | 0 | 10 | 11 | 4 | 1 | 5 | 9 | 6 | 3 | 7 | 2 | 8 |
| Preßl, Hermann Markus | 'A 5' für Bassklarinette, Vibraphon und drei Bratschen | 1985/10/11 | 0 | 6 | 5 | 8 | 10 | 7 | 3 | 2 | 4 | 9 | 1 | 11 |
| Preßl, Hermann Markus | 'Arsis' für 84 Singstimmen und 48 Instrumente | 1988 | 0 | 1 | 4 | 7 | 8 | 11 | 2 | 9 | 10 | 6 | 5 | 3 |
| Preßl, Hermann Markus | 'N.N.,8' für Klavier und Orgel | 1986/8 | 0 | 1 | 8 | 11 | 3 | 9 | 6 | 5 | 7 | 2 | 4 | 10 |
| Preßl, Hermann Markus | 'Sonnenuntergänge nach meinem Tode'; Fünf Haikus nach Günther Klinge für Sprechgesang, Alt-Saxophon und Crotales | 1994/7 | 0 | 4 | 7 | 9 | 8 | 2 | 6 | 10 | 5 | 11 | 1 | 3 |
| Preßl, Hermann Markus | 'Zisterne' für Alt-Blockflöte allein | 1994/7/17 | 0 | 10 | 6 | 3 | 11 | 8 | 2 | 1 | 7 | 9 | 5 | 4 |
| Preßl, Hermann Markus | 6. Symphonie aus Es | 1990 | 0 | 6 | 1 | 7 | 5 | 8 | 9 | 11 | 3 | 2 | 4 | 10 |
| Preßl, Hermann Markus | Fier Fafeln für Fier Fiolen | 1994/6/13 | 0 | 10 | 5 | 4 | 7 | 3 | 9 | 2 | 11 | 6 | 8 | 1 |
| Preßl, Hermann Markus | Finstersonnen | 1994/7 | 0 | 3 | 9 | 6 | 11 | 5 | 1 | 2 | 7 | 8 | 10 | 4 |
| Preßl, Hermann Markus | Ithaka | 1994/8/1 | 0 | 9 | 7 | 10 | 6 | 4 | 2 | 5 | 8 | 3 | 1 | 11 |
| Preßl, Hermann Markus | N. N. 50; 'Die Zeremonie des Abschieds' | 1992/6/17 | 0 | 9 | 4 | 2 | 7 | 5 | 8 | 1 | 6 | 3 | 11 | 10 |
| Preßl, Hermann Markus | N. N. 59 oder 'Der Ortsverlasser' für Cembalo und Orgelpositiv | 1992/8/31 | 0 | 10 | 3 | 7 | 8 | 9 | 4 | 5 | 6 | 2 | 11 | 1 |
| Preßl, Herrmann Markus | Fier Fafeln für Fier Fiolen | 1994/6/13 | 0 | 7 | 8 | 11 | 9 | 4 | 6 | 10 | 1 | 5 | 3 | 2 |
| Pärt, Arvo | Diagrams | 1964 | 0 | 11 | 2 | 1 | 3 | 4 | 9 | 10 | 7 | 8 | 6 | 5 |
| Pärt, Arvo | Perpetuum Mobile | 1963 | 0 | 11 | 10 | 5 | 6 | 9 | 7 | 1 | 2 | 8 | 3 | 4 |
| Pärt, Arvo | Symphony, No.1 | 1963 | 0 | 1 | 2 | 7 | 6 | 3 | 5 | 11 | 10 | 4 | 9 | 8 |
| Pärt, Arvo | Symphony, No.2 | 1966 | 0 | 3 | 1 | 2 | 4 | 7 | 5 | 6 | 8 | 11 | 9 | 10 |
| Reynolds, Roger | Ambages | 1965 | 0 | 1 | 4 | 5 | 7 | 6 | 8 | 9 | 10 | 11 | 2 | 3 |
| Riegebauer, Sigrid | Toccata | 1987 | 0 | 3 | 1 | 2 | 11 | 10 | 4 | 5 | 8 | 7 | 9 | 6 |
| Rinner, Ernst Christian | Missa DO-SI-MI-LA | 1989 | 0 | 11 | 4 | 9 | 3 | 2 | 10 | 1 | 8 | 7 | 5 | 6 |
| Rochberg, George | Sonata-Fantasia | 1956 | 0 | 11 | 10 | 4 | 5 | 6 | 9 | 8 | 7 | 1 | 2 | 3 |
| Rochberg, George | String Quartet, No.2 with soprano solo | 1961 | 0 | 11 | 6 | 5 | 1 | 2 | 8 | 7 | 3 | 4 | 9 | 10 |
| Rochberg, George | Symphony, No.2 | 1955-56 | 0 | 8 | 1 | 4 | 9 | 5 | 6 | 2 | 3 | 10 | 11 | 7 |
| Rochberg, George | Twelve Bagatelles, i | 1952 | 0 | 1 | 7 | 11 | 5 | 4 | 10 | 2 | 6 | 3 | 8 | 9 |
| Ross, Eric | Sotto Passaggio, Op.53 | 2002 | 0 | 11 | 4 | 6 | 9 | 8 | 10 | 1 | 5 | 2 | 3 | 7 |
| Ruggles, Carl | Evocations II (Series X) | 1941 | 0 | 1 | 7 | 2 | 8 | 9 | 11 | 10 | 5 | 6 | 4 | 3 |
| Sande, Henrik | 'Volkslied' für zwei Singstimmen und Klavier. 24. 12. 2015 | 2015/12/24 | 0 | 2 | 4 | 5 | 7 | 9 | 10 | 8 | 6 | 3 | 1 | 11 |
| Sande, Henrik | 4032 Töne für Klavier sechshändig | 1999/11/24 | 0 | 7 | 2 | 9 | 4 | 11 | 6 | 1 | 8 | 3 | 10 | 5 |
| Santoro, Claudio | A Menina Boba, "A Menina Exausta" | 1945,71 | 0 | 5 | 10 | 7 | 3 | 11 | 1 | 8 | 2 | 9 | 6 | 4 |
| Santoro, Claudio | A Menina Boba, "Asa Ferida" | 1945 | 0 | 9 | 10 | 11 | 3 | 5 | 4 | 6 | 2 | 7 | 8 | 1 |
| Santoro, Claudio | Invenções a duas vozes (Two-Part inventions) | 1942 | 0 | 2 | 3 | 6 | 7 | 11 | 1 | 9 | 4 | 8 | 5 | 10 |
| Santoro, Claudio | Peças para Piano | 1943 | 0 | 11 | 4 | 5 | 1 | 9 | 2 | 3 | 7 | 8 | 6 | 10 |
| Santoro, Claudio | Preludes 18-20 | 1963 | 0 | 9 | 1 | 3 | 2 | 8 | 10 | 4 | 6 | 5 | 7 | 11 |
| Santoro, Claudio | Six Piano Pieces | 1946 | 0 | 10 | 4 | 1 | 11 | 2 | 5 | 6 | 3 | 9 | 7 | 8 |
| Santoro, Claudio | Sonata 1942 | 1942 | 0 | 2 | 3 | 6 | 7 | 11 | 1 | 9 | 4 | 8 | 5 | 10 |
| Santoro, Claudio | Sonata, No.1 | 1945 | 0 | 10 | 3 | 8 | 11 | 1 | 2 | 9 | 7 | 4 | 5 | 6 |
| Santoro, Claudio | Sonatina, No.2 | 1963 | 0 | 11 | 1 | 5 | 6 | 3 | 7 | 8 | 9 | 2 | 4 | 10 |
| Schiske, Karl | Symphony, No.4 | 1955 | 0 | 8 | 11 | 3 | 2 | 6 | 1 | 9 | 4 | 5 | 7 | 10 |
| Schlerath, Ute | 2012/1/1 | 0 | 5 | 3 | 9 | 10 | 2 | 8 | 4 | 1 | 7 | 11 | 6 | |
| Schmid, Erich | Bagatellen for Piano, Op.14 | 1943 | 0 | 1 | 5 | 2 | 6 | 7 | 4 | 8 | 10 | 3 | 9 | 11 |
| Schmid, Erich | Canon ("Herrn Dr. Anton Webern in Ehrfurcht als Willkommensgruss gewidmet") | 1943 | 0 | 10 | 4 | 5 | 8 | 11 | 1 | 7 | 9 | 3 | 6 | 2 |
| Schmid, Erich | Notturno, Op.10, mvt 1 | 1935 | 0 | 4 | 6 | 3 | 9 | 8 | 5 | 11 | 1 | 2 | 10 | 7 |
| Schnittke, Alfred | Concerto Grosso, No.1, mvt 2 | 1977 | 0 | 11 | 2 | 1 | 8 | 7 | 10 | 9 | 6 | 5 | 4 | 3 |
| Schnittke, Alfred | Concerto Grosso, No.3 | 1985 | 0 | 5 | 1 | 4 | 10 | 8 | 11 | 9 | 3 | 6 | 2 | 7 |
| Schnittke, Alfred | Concerto Grosso, No.3, (mvt 3, 4), row 10 | 1985 | 0 | 3 | 4 | 11 | 10 | 1 | 2 | 9 | 7 | 8 | 5 | 6 |
| Schnittke, Alfred | Concerto Grosso, No.3, (mvt 3, 4), row 6 | 1985 | 0 | 11 | 2 | 1 | 9 | 10 | 7 | 8 | 4 | 3 | 6 | 5 |
| Schnittke, Alfred | Concerto Grosso, No.3, (mvt 3, 4), row 7 | 1985 | 0 | 3 | 11 | 9 | 10 | 1 | 4 | 2 | 7 | 8 | 5 | 6 |
| Schnittke, Alfred | Concerto Grosso, No.3, (mvt 3, 4), row 8 | 1985 | 0 | 11 | 7 | 9 | 10 | 8 | 6 | 5 | 3 | 4 | 1 | 2 |
| Schnittke, Alfred | Concerto Grosso, No.3, (mvt 3, 4), row 9 | 1985 | 0 | 11 | 2 | 1 | 9 | 6 | 7 | 8 | 10 | 3 | 5 | 4 |
| Schnittke, Alfred | Concerto Grosso, No.3, monogram 1 | 1985 | 0 | 5 | 1 | 4 | 10 | 8 | 11 | 9 | 3 | 6 | 2 | 7 |
| Schnittke, Alfred | Concerto Grosso, No.3, monogram 2 | 1985 | 0 | 8 | 9 | 7 | 5 | 2 | 3 | 4 | 6 | 11 | 10 | 1 |
| Schnittke, Alfred | Concerto Grosso, No.3, monogram 3 | 1985 | 0 | 11 | 2 | 1 | 3 | 4 | 10 | 9 | 7 | 8 | 5 | 6 |
| Schnittke, Alfred | Concerto Grosso, No.3, monogram 4 | 1985 | 0 | 9 | 10 | 7 | 5 | 4 | 2 | 3 | 1 | 11 | 8 | 6 |
| Schnittke, Alfred | Concerto Grosso, No.3, monogram 5 | 1985 | 0 | 1 | 7 | 10 | 4 | 11 | 5 | 6 | 9 | 8 | 2 | 3 |
| Schnittke, Alfred | Concerto, No.2 for Violin and Chamber Orchestra | 1966 | 0 | 11 | 1 | 2 | 10 | 3 | 4 | 9 | 5 | 6 | 8 | 7 |
| Schnittke, Alfred | Improvisation and Fugue for piano | 1965 | 0 | 8 | 11 | 3 | 9 | 2 | 5 | 7 | 6 | 10 | 1 | 4 |
| Schnittke, Alfred | Piano Sonata, No.1, mvt 2, mm. 72-76 | 1987 | 0 | 6 | 5 | 11 | 10 | 4 | 3 | 9 | 8 | 2 | 1 | 7 |
| Schnittke, Alfred | Serenade | 1968 | 0 | 1 | 7 | 3 | 10 | 9 | 8 | 6 | 5 | 11 | 4 | 2 |
| Schnittke, Alfred | Sonata, No.1 for Violin and Piano, mvt 1 | 1963 | 0 | 3 | 6 | 10 | 2 | 11 | 8 | 5 | 9 | 1 | 4 | 7 |
| Schnittke, Alfred | Sonata, No.1 for Violin and Piano, mvt 2 | 1963 | 0 | 3 | 7 | 10 | 2 | 11 | 6 | 9 | 1 | 4 | 8 | 5 |
| Schnittke, Alfred | Sonata, No.1 for Violin and Piano, mvt 3 | 1963 | 0 | 4 | 7 | 11 | 2 | 6 | 9 | 10 | 1 | 5 | 8 | 3 |
| Schnittke, Alfred | Sonata, No.1 for Violin and Piano, mvt 4 | 1963 | 0 | 4 | 7 | 3 | 6 | 10 | 9 | 5 | 1 | 2 | 8 | 11 |
| Schnittke, Alfred | Sonata, No.2 for Cello and Piano, mvt 2 | 1994 | 0 | 2 | 3 | 1 | 4 | 5 | 11 | 10 | 7 | 9 | 8 | 6 |
| Schnittke, Alfred | Sonata, No.2 for Cello and Piano, mvt 2, new row | 1994 | 0 | 3 | 6 | 9 | 10 | 1 | 4 | 7 | 8 | 11 | 2 | 5 |
| Schnittke, Alfred | Sonata, No.3 for Violin and Piano, mvt 4 | 1994 | 0 | 3 | 5 | 4 | 6 | 7 | 8 | 2 | 1 | 9 | 10 | 11 |
| Schnittke, Alfred | String Quartet, No.1 | 1966 | 0 | 2 | 1 | 10 | 3 | 11 | 5 | 9 | 4 | 7 | 8 | 6 |
| Schnittke, Alfred | String Quartet, No.4 | 1989 | 0 | 11 | 10 | 1 | 3 | 2 | 4 | 9 | 8 | 6 | 5 | 7 |
| Schnittke, Alfred | String Quartet, No.4, mvt 2, m.190 | 1989 | 0 | 1 | 6 | 5 | 3 | 4 | 11 | 10 | 8 | 9 | 2 | 7 |
| Schnittke, Alfred | String Quartet, No.4, mvt 2, m.40 | 1989 | 0 | 5 | 10 | 3 | 2 | 7 | 8 | 1 | 6 | 11 | 4 | 9 |
| Schnittke, Alfred | String Quartet, No.4, mvt 4, m.122 | 1989 | 0 | 1 | 11 | 2 | 10 | 3 | 4 | 9 | 8 | 7 | 6 | 5 |
| Schnittke, Alfred | String Quartet, No.4, mvt 4, m.31 | 1989 | 0 | 11 | 9 | 10 | 8 | 7 | 6 | 5 | 3 | 4 | 2 | 1 |
| Schnittke, Alfred | Symphony, No.7, mvt 3, row X | 1993 | 0 | 1 | 10 | 11 | 2 | 3 | 9 | 4 | 5 | 8 | 7 | 6 |
| Schnittke, Alfred | Symphony, No.7, mvt 3, row y | 1993 | 0 | 1 | 11 | 10 | 8 | 9 | 7 | 6 | 5 | 4 | 3 | 2 |
| Schnittke, Alfred | Viola Concerto | 1985 | 0 | 11 | 5 | 2 | 1 | 6 | 3 | 8 | 7 | 4 | 10 | 9 |
| Schnittke, Alfred | Violin Sonata 2 | 1968 | 0 | 10 | 11 | 9 | 6 | 8 | 7 | 5 | 4 | 1 | 2 | 3 |
| Schoenberg, Arnold | A Survivor From Warsaw, Op.46 | 1947 | 0 | 1 | 6 | 2 | 10 | 9 | 5 | 4 | 11 | 3 | 7 | 8 |
| Schoenberg, Arnold | A Survivor From Warsaw, Op.46 (alternative) | 1947 | 0 | 1 | 6 | 2 | 10 | 9 | 4 | 7 | 3 | 8 | 11 | 5 |
| Schoenberg, Arnold | Accompaniment to a Film Scene, Op.34 | 1930 | 0 | 3 | 11 | 1 | 10 | 9 | 6 | 8 | 7 | 5 | 2 | 4 |
| Schoenberg, Arnold | Die Jakobsleiter | 1917,22 | 0 | 1 | 4 | 3 | 7 | 6 | 11 | 2 | 10 | 9 | 5 | 8 |
| Schoenberg, Arnold | Fantasy for Piano Four Hands, I | Year unknown | 0 | 4 | 2 | 5 | 3 | 7 | 11 | 10 | 1 | 8 | 9 | 6 |
| Schoenberg, Arnold | Fantasy for Piano Four Hands, II (fragment) | Year unknown | 0 | 3 | 6 | 1 | 7 | 8 | 2 | 5 | 11 | 4 | 10 | 9 |
| Schoenberg, Arnold | Fantasy for Violin and Piano, Op.47 | 1949 | 0 | 11 | 3 | 1 | 7 | 9 | 5 | 6 | 2 | 4 | 10 | 8 |
| Schoenberg, Arnold | Five Piano Pieces, Op.23, No.5 | 1920,23 | 0 | 8 | 10 | 6 | 7 | 5 | 9 | 1 | 3 | 2 | 11 | 4 |
| Schoenberg, Arnold | Four Pieces for Mixed Chorus, No.1, Op.27, No.1 | 1925 | 0 | 11 | 8 | 2 | 1 | 7 | 9 | 10 | 4 | 3 | 5 | 6 |
| Schoenberg, Arnold | Four Pieces for Mixed Chorus, No.2, Op.27, No.2 | 1925 | 0 | 11 | 4 | 10 | 2 | 8 | 3 | 7 | 6 | 5 | 9 | 1 |
| Schoenberg, Arnold | Four Pieces for Mixed Chorus, No.3, Op.27, No.3 | 1925 | 0 | 11 | 7 | 9 | 10 | 8 | 4 | 5 | 1 | 3 | 2 | 6 |
| Schoenberg, Arnold | Four Pieces for Mixed Chorus, No.4, Op.27, No.4 | 1925 | 0 | 2 | 9 | 5 | 7 | 3 | 10 | 11 | 1 | 8 | 4 | 6 |
| Schoenberg, Arnold | Israel Exists Again | 1949 | 0 | 3 | 4 | 9 | 11 | 5 | 2 | 1 | 10 | 8 | 6 | 7 |
| Schoenberg, Arnold | Modern Psalms, The First Psalm, Op.50c | 1950 | 0 | 11 | 8 | 4 | 7 | 3 | 1 | 5 | 2 | 6 | 9 | 10 |
| Schoenberg, Arnold | Moses und Aron | 1930-32 | 0 | 1 | 7 | 5 | 6 | 4 | 10 | 8 | 9 | 11 | 2 | 3 |
| Schoenberg, Arnold | Ode To Napoleon Buonaparte, Op.41 (view 1) | 1942 | 0 | 11 | 3 | 4 | 8 | 7 | 2 | 1 | 5 | 6 | 10 | 9 |
| Schoenberg, Arnold | Ode To Napoleon Buonaparte, Op.41 (view 2) | 1942 | 0 | 1 | 9 | 8 | 4 | 5 | 7 | 6 | 10 | 11 | 3 | 2 |
| Schoenberg, Arnold | Piano Concerto, Op.42 | 1942 | 0 | 7 | 11 | 2 | 1 | 9 | 3 | 5 | 10 | 6 | 8 | 4 |
| Schoenberg, Arnold | Prelude To A Suite From "Genesis", Op.44 | 1945 | 0 | 8 | 4 | 7 | 6 | 2 | 1 | 10 | 3 | 5 | 11 | 9 |
| Schoenberg, Arnold | Psalm 130, De Profundis (unfinished), Op.50B | 1950 | 0 | 6 | 5 | 1 | 11 | 7 | 4 | 8 | 9 | 3 | 2 | 10 |
| Schoenberg, Arnold | Serenade, mvt 4, "Sonett", Op.24 | 1922-23 | 0 | 10 | 11 | 7 | 8 | 9 | 4 | 2 | 5 | 1 | 3 | 6 |
| Schoenberg, Arnold | Serenade, mvt 5, "Tanzscene", Op.24 | 1920-23 | 0 | 1 | 3 | 6 | 7 | 9 | 8 | 10 | 11 | 2 | 4 | 5 |
| Schoenberg, Arnold | Six Pieces for Male Chorus, No.1, Op.35 | 1930 | 0 | 9 | 1 | 3 | 2 | 11 | 6 | 8 | 7 | 4 | 10 | 5 |
| Schoenberg, Arnold | Six Pieces for Male Chorus, No.2, Op.35 | 1930 | 0 | 3 | 1 | 7 | 6 | 8 | 11 | 5 | 4 | 9 | 10 | 2 |
| Schoenberg, Arnold | Six Pieces for Male Chorus, No.3, Op.35 | 1930 | 0 | 3 | 4 | 5 | 2 | 9 | 6 | 7 | 1 | 8 | 11 | 10 |
| Schoenberg, Arnold | Six Pieces for Male Chorus, No.5, Op.35 | 1930 | 0 | 6 | 9 | 1 | 2 | 10 | 7 | 3 | 11 | 5 | 4 | 8 |
| Schoenberg, Arnold | Sonata For Organ | 1941 | 0 | 6 | 10 | 2 | 8 | 1 | 7 | 5 | 9 | 4 | 11 | 3 |
| Schoenberg, Arnold | String Quartet, No.3, Op.30 | 1927 | 0 | 9 | 8 | 2 | 5 | 10 | 11 | 4 | 3 | 6 | 1 | 7 |
| Schoenberg, Arnold | String Quartet, No.4, Op.37 | 1936 | 0 | 11 | 7 | 8 | 3 | 1 | 2 | 10 | 6 | 5 | 4 | 9 |
| Schoenberg, Arnold | String Trio, Op.45 | 1946 | 0 | 8 | 1 | 7 | 2 | 11 | 9 | 6 | 4 | 5 | 3 | 10 |
| Schoenberg, Arnold | Suite for Piano, Op.25 | 1921-23 | 0 | 1 | 3 | 9 | 2 | 11 | 4 | 10 | 7 | 8 | 5 | 6 |
| Schoenberg, Arnold | Suite, Op.29 | 1925 | 0 | 4 | 3 | 7 | 11 | 8 | 9 | 6 | 5 | 1 | 2 | 10 |
| Schoenberg, Arnold | Three Satires for Mixed Chorus, No.1, Op.28, No.1 | 1925 | 0 | 4 | 7 | 1 | 9 | 11 | 5 | 3 | 2 | 6 | 8 | 10 |
| Schoenberg, Arnold | Three Satires for Mixed Chorus, No.3, Op.28, No.3 | 1925,26 | 0 | 1 | 11 | 3 | 9 | 5 | 2 | 4 | 10 | 6 | 8 | 7 |
| Schoenberg, Arnold | Three Songs, No.1, "Sommermud", Op.48 | 1933 | 0 | 1 | 11 | 5 | 2 | 4 | 3 | 9 | 10 | 6 | 8 | 7 |
| Schoenberg, Arnold | Three Songs, No.2, "Tot", Op.48 | 1933 | 0 | 1 | 7 | 11 | 8 | 2 | 6 | 5 | 10 | 9 | 3 | 4 |
| Schoenberg, Arnold | Three Songs, No.3, "Madchenlied", Op.48 | 1933 | 0 | 6 | 8 | 10 | 2 | 4 | 9 | 5 | 3 | 11 | 7 | 1 |
| Schoenberg, Arnold | Three Times a Thousand Years, Op.50a | 1949 | 0 | 2 | 11 | 9 | 10 | 4 | 3 | 7 | 5 | 6 | 8 | 1 |
| Schoenberg, Arnold | Two Piano Pieces, No.1, Op.33a | 1928 | 0 | 7 | 2 | 1 | 11 | 8 | 3 | 5 | 9 | 10 | 4 | 6 |
| Schoenberg, Arnold | Two Piano Pieces, No.2, Op.33b | 1931 | 0 | 2 | 6 | 4 | 10 | 9 | 7 | 11 | 8 | 5 | 1 | 3 |
| Schoenberg, Arnold | Variations for Orchestra, Op.31 | 1926-28 | 0 | 6 | 8 | 5 | 7 | 11 | 4 | 3 | 9 | 10 | 1 | 2 |
| Schoenberg, Arnold | Violin Concerto, Op.36 | 1934,36 | 0 | 1 | 6 | 2 | 7 | 9 | 3 | 4 | 10 | 11 | 5 | 8 |
| Schoenberg, Arnold | Violin Phantasy, Op.47 | 1949 | 0 | 11 | 3 | 1 | 7 | 9 | 6 | 2 | 10 | 5 | 8 | 4 |
| Schoenberg, Arnold | Von Heute Auf Morgen, Op.32 | 1929 | 0 | 1 | 7 | 11 | 9 | 3 | 6 | 5 | 2 | 10 | 8 | 4 |
| Schoenberg, Arnold | Wind Quintet, Op.26 | 1923-24 | 0 | 4 | 6 | 8 | 10 | 9 | 7 | 11 | 1 | 3 | 5 | 2 |
| Schollum, Robert | Oktett in acht skizzen, Op.63 | 1959 | 0 | 9 | 2 | 3 | 10 | 11 | 8 | 7 | 4 | 6 | 5 | 1 |
| Schreiner, Thomas | Stück für drei Violinen | 1992/6/7 | 0 | 2 | 1 | 7 | 4 | 10 | 9 | 6 | 8 | 5 | 3 | 11 |
| Schuller, Gunther | Transformation | 1957 | 0 | 2 | 4 | 3 | 8 | 11 | 9 | 6 | 5 | 10 | 7 | 1 |
| Schwantner, Joseph | "New Morning for the World" | 1982 | 0 | 11 | 7 | 3 | 6 | 10 | 2 | 1 | 9 | 5 | 4 | 8 |
| Schwantner, Joseph | ...and the mountains rising nowhere | 1977 | 0 | 11 | 8 | 7 | 4 | 3 | 2 | 1 | 10 | 9 | 6 | 5 |
| Schwantner, Joseph | Elixir (Consortium VIII) | 1975 | 0 | 8 | 4 | 3 | 7 | 11 | 10 | 6 | 9 | 5 | 1 | 2 |
| Schwantner, Joseph | Elixir (Consortium VIII), m.22 | 1975 | 0 | 1 | 4 | 5 | 8 | 9 | 6 | 7 | 10 | 11 | 2 | 3 |
| Schwantner, Joseph | In Aeternum (Derived Row) | 1973 | 0 | 3 | 11 | 2 | 10 | 1 | 7 | 4 | 8 | 5 | 9 | 6 |
| Schwantner, Joseph | In Aeternum (Principal Row) | 1973 | 0 | 4 | 11 | 6 | 10 | 5 | 1 | 9 | 2 | 7 | 3 | 8 |
| Schwantner, Joseph | Modus Caelestis (A) | 1972 | 0 | 6 | 7 | 1 | 11 | 5 | 4 | 10 | 8 | 2 | 3 | 9 |
| Schwantner, Joseph | Modus Caelestis (R) | 1972 | 0 | 6 | 7 | 2 | 4 | 1 | 9 | 11 | 3 | 5 | 8 | 10 |
| Schwantner, Joseph | Modus Caelestis (m. 39) | 1972 | 0 | 6 | 11 | 10 | 5 | 9 | 4 | 8 | 3 | 2 | 7 | 1 |
| Schwantner, Joseph | Wild Angels of the Open Hills, 2, "Angels of the Shadowed Ancient Land," m. 11 | 1977 | 0 | 11 | 3 | 2 | 10 | 9 | 5 | 4 | 1 | 7 | 8 | 6 |
| Schwantner, Joseph | Wild Angels of the Open Hills, 2, "Angels of the Shadowed Ancient Land," m. 21 | 1977 | 0 | 8 | 9 | 11 | 3 | 7 | 6 | 5 | 2 | 4 | 10 | 1 |
| Searle, Humphrey | Toccata alla Passacaglia, Op.31 | 1957 | 0 | 5 | 6 | 1 | 10 | 7 | 9 | 8 | 3 | 2 | 4 | 11 |
| Seiber, Mátyás | Concert Piece for Violin and Piano | 1953-54 | 0 | 1 | 7 | 6 | 11 | 10 | 4 | 5 | 9 | 8 | 2 | 3 |
| Seiber, Mátyás | Sonata for Violin and Piano | 1960 | 0 | 1 | 11 | 10 | 7 | 6 | 8 | 9 | 4 | 3 | 5 | 2 |
| Seiber, Mátyás | String Quartet, No.2 | 1934-35 | 0 | 2 | 3 | 1 | 4 | 11 | 5 | 10 | 7 | 9 | 8 | 6 |
| Seiber, Mátyás | String Quartet, No.2, mvt 3 | 1934-35 | 0 | 2 | 3 | 1 | 4 | 9 | 5 | 11 | 10 | 7 | 6 | 8 |
| Seiber, Mátyás | Ulysses | 1950 | 0 | 3 | 4 | 7 | 8 | 11 | 1 | 10 | 9 | 6 | 5 | 2 |
| Sengstschmid, Johann | Meditation für Orgel, Op.43a | 1980 | 0 | 6 | 3 | 1 | 10 | 8 | 5 | 2 | 11 | 9 | 7 | 4 |
| Sengstschmid, Johann | Scherzo für Blockflötenquartett, Op.28 | 1967 | 0 | 7 | 9 | 4 | 6 | 1 | 8 | 2 | 11 | 5 | 3 | 10 |
| Sessions, Roger | Piano Sonata, No.3, mvt 2 | 1965 | 0 | 1 | 5 | 4 | 8 | 2 | 11 | 10 | 6 | 7 | 3 | 9 |
| Sessions, Roger | Piano Sonata, No.3, mvt.1 | 1965 | 0 | 9 | 1 | 10 | 4 | 11 | 8 | 5 | 3 | 6 | 2 | 7 |
| Sessions, Roger | When Lilacs Last in the Dooryard Bloom'd | 1970 | 0 | 2 | 4 | 10 | 5 | 8 | 9 | 1 | 11 | 7 | 6 | 3 |
| Shapey, Ralph | String Quartet, No.9 | 1995 | 0 | 8 | 9 | 3 | 5 | 1 | 2 | 6 | 4 | 10 | 11 | 7 |
| Shostakovich, Dmitri | String Quartet, No.12, Opening | 1968 | 0 | 5 | 11 | 10 | 2 | 7 | 6 | 3 | 4 | 9 | 8 | 1 |
| Shostakovich, Dmitri | String Quartet, No.13 B-flat minor (Op.138) | 1970/8/10 | 0 | 3 | 8 | 7 | 11 | 2 | 6 | 5 | 4 | 10 | 9 | 1 |
| Shostakovich, Dmitri | Symphony, No.14, mov. I | 1969 | 0 | 11 | 9 | 4 | 3 | 10 | 8 | 7 | 5 | 6 | 1 | 2 |
| Shostakovich, Dmitri | Symphony, No.14, mov. III | 1969 | 0 | 5 | 2 | 7 | 10 | 1 | 11 | 4 | 6 | 8 | 9 | 3 |
| Slonimsky, Nicholas | No. 1214a Thirds (Twelve-Tone Patterns) | 1947 | 0 | 4 | 8 | 11 | 3 | 7 | 6 | 10 | 2 | 5 | 9 | 1 |
| Slonimsky, Nicholas | No. 1215a Fourths (Twelve-Tone Patterns) | 1947 | 0 | 5 | 10 | 3 | 8 | 1 | 7 | 2 | 9 | 4 | 11 | 6 |
| Slonimsky, Nicholas | No. 1216a Foutths (Twelve-Tone Patterns) | 1947 | 0 | 5 | 10 | 3 | 7 | 2 | 9 | 4 | 8 | 1 | 6 | 11 |
| Slonimsky, Nicholas | No. 1217a Fourths (Twelve-Tone Patterns) | 1947 | 0 | 5 | 10 | 3 | 11 | 6 | 1 | 8 | 4 | 9 | 2 | 7 |
| Slonimsky, Nicholas | No. 1218a Fourths (Twelve-Tone Patterns) | 1947 | 0 | 5 | 10 | 3 | 8 | 1 | 6 | 11 | 4 | 9 | 2 | 7 |
| Slonimsky, Nicholas | No. 1219a Fourths (Twelve-Tone Patterns) | 1947 | 0 | 5 | 2 | 7 | 4 | 9 | 6 | 11 | 8 | 1 | 10 | 3 |
| Slonimsky, Nicholas | No. 1220a Fifths (Twelve-Tone Patterns) | 1947 | 0 | 7 | 2 | 9 | 4 | 11 | 6 | 1 | 8 | 3 | 10 | 5 |
| Slonimsky, Nicholas | No. 1221a Fifths (Twelve-Tone Patterns) | 1947 | 0 | 7 | 2 | 9 | 4 | 11 | 6 | 1 | 8 | 3 | 10 | 5 |
| Slonimsky, Nicholas | No. 1222aFifths (Twelve-Tone Patterns) | 1947 | 0 | 7 | 2 | 9 | 4 | 11 | 6 | 1 | 8 | 3 | 10 | 5 |
| Slonimsky, Nicholas | No. 1223a Sixths (Twelve-Tone Patterns) | 1947 | 0 | 8 | 4 | 1 | 5 | 9 | 6 | 2 | 10 | 7 | 11 | 3 |
| Slonimsky, Nicholas | No. 1224a Sixths (Twelve-Tone Patterns) | 1947 | 0 | 9 | 6 | 3 | 7 | 10 | 1 | 4 | 8 | 5 | 2 | 11 |
| Slonimsky, Nicholas | No. 1225a Sixths (Twelve-Tone Patterns) | 1947 | 0 | 8 | 4 | 7 | 11 | 3 | 6 | 2 | 10 | 1 | 5 | 9 |
| Slonimsky, Nicholas | No. 1226a Minor Sevenths (Twelve-Tone Patterns) | 1947 | 0 | 10 | 8 | 2 | 4 | 6 | 1 | 11 | 9 | 3 | 5 | 7 |
| Slonimsky, Nicholas | No. 1227a Minor Sevenths (Twelve-Tone Patterns) | 1947 | 0 | 10 | 4 | 2 | 8 | 6 | 1 | 11 | 9 | 7 | 5 | 3 |
| Slonimsky, Nicholas | No. 1228a Minor Sevenths (Twelve-Tone Patterns) | 1947 | 0 | 10 | 2 | 4 | 8 | 6 | 11 | 1 | 5 | 3 | 7 | 9 |
| Slonimsky, Nicholas | No. 1229a Major Sevenths (Twelve-Tone Patterns) | 1947 | 0 | 11 | 10 | 9 | 8 | 7 | 1 | 2 | 3 | 4 | 5 | 6 |
| Slonimsky, Nicholas | No. 1230a Major Sevenths (Twelve-Tone Patterns) | 1947 | 0 | 11 | 3 | 4 | 8 | 7 | 1 | 2 | 6 | 5 | 9 | 10 |
| Slonimsky, Nicholas | No. 1231a Major Sevenths (Twelve-Tone Patterns) | 1947 | 0 | 11 | 4 | 3 | 8 | 7 | 1 | 2 | 9 | 10 | 5 | 6 |
| Slonimsky, Nicholas | No. 1232a (Twelve-Tone Spirals) | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 3 | 8 | 4 | 7 | 5 | 6 |
| Slonimsky, Nicholas | No. 1233a (Twelve-Tone Spirals) | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 3 | 8 | 4 | 7 | 5 | 6 |
| Slonimsky, Nicholas | No. 1234a (Twelve-Tone Spirals) | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 3 | 8 | 4 | 7 | 5 | 6 |
| Slonimsky, Nicholas | No. 1235a (Twelve-Tone Spirals) | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 3 | 8 | 4 | 7 | 5 | 6 |
| Slonimsky, Nicholas | No. 1236a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) | 1947 | 0 | 11 | 9 | 2 | 4 | 7 | 5 | 6 | 8 | 3 | 1 | 10 |
| Slonimsky, Nicholas | No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) | 1947 | 0 | 11 | 9 | 7 | 2 | 4 | 6 | 5 | 3 | 1 | 8 | 10 |
| Slonimsky, Nicholas | No. 1238a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) | 1947 | 0 | 9 | 7 | 5 | 3 | 2 | 4 | 6 | 8 | 1 | 10 | 11 |
| Slonimsky, Nicholas | No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) | 1947 | 0 | 11 | 2 | 9 | 4 | 7 | 6 | 5 | 8 | 3 | 10 | 1 |
| Slonimsky, Nicholas | No. 1240a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals) | 1947 | 0 | 11 | 9 | 2 | 4 | 7 | 5 | 3 | 6 | 8 | 1 | 10 |
| Slonimsky, Nicholas | No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals) | 1947 | 0 | 9 | 6 | 3 | 11 | 5 | 2 | 8 | 7 | 10 | 1 | 4 |
| Slonimsky, Nicholas | No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals) | 1947 | 0 | 8 | 4 | 11 | 3 | 7 | 1 | 9 | 5 | 10 | 2 | 6 |
| Slonimsky, Nicholas | No. 1243a Crossing Sixths (Crossing Intervals) | 1947 | 0 | 1 | 9 | 4 | 6 | 7 | 3 | 10 | 11 | 2 | 8 | 5 |
| Slonimsky, Nicholas | No. 1244a Crossing Sixths (Crossing Intervals) | 1947 | 0 | 3 | 8 | 7 | 4 | 11 | 1 | 2 | 10 | 5 | 6 | 9 |
| Slonimsky, Nicholas | No. 1245a Crossing Fifths (Crossing Intervals) | 1947 | 0 | 5 | 7 | 10 | 2 | 3 | 9 | 8 | 4 | 1 | 11 | 6 |
| Slonimsky, Nicholas | No. 1246a Crossing Fourths (Crossing Intervals) | 1947 | 0 | 7 | 5 | 2 | 10 | 9 | 3 | 4 | 8 | 11 | 1 | 6 |
| Slonimsky, Nicholas | No. 1247a Crossing Thirds (Crossing Intervals) | 1947 | 0 | 3 | 4 | 11 | 7 | 8 | 10 | 5 | 2 | 1 | 6 | 9 |
| Slonimsky, Nicholas | No. 1248a Crossing Thirds (Crossing Intervals) | 1947 | 0 | 5 | 4 | 1 | 8 | 9 | 11 | 6 | 3 | 2 | 7 | 10 |
| Slonimsky, Nicholas | No. 1249a Crossing Thirds (Crossing Intervals) | 1947 | 0 | 11 | 3 | 8 | 6 | 5 | 9 | 2 | 1 | 10 | 4 | 7 |
| Slonimsky, Nicholas | No. 1250a Crossing Seconds (Crossing Intervals) | 1947 | 0 | 11 | 2 | 9 | 4 | 7 | 6 | 5 | 8 | 3 | 10 | 1 |
| Slonimsky, Nicholas | No. 1251a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 1 | 6 | 9 | 2 | 5 | 8 | 11 | 4 |
| Slonimsky, Nicholas | No. 1251b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 5 | 3 | 11 | 6 | 2 | 10 | 7 | 4 | 1 | 9 |
| Slonimsky, Nicholas | No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 1 | 5 | 9 | 2 | 6 | 8 | 11 | 4 |
| Slonimsky, Nicholas | No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 5 | 3 | 10 | 6 | 2 | 11 | 7 | 4 | 1 | 9 |
| Slonimsky, Nicholas | No. 1253a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 1 | 5 | 8 | 11 | 3 | 6 | 9 | 2 |
| Slonimsky, Nicholas | No. 1253b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 3 | 1 | 9 | 6 | 4 | 11 | 7 | 5 | 2 | 10 |
| Slonimsky, Nicholas | No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 2 | 5 | 8 | 11 | 3 | 6 | 9 | 1 |
| Slonimsky, Nicholas | No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 3 | 1 | 10 | 6 | 4 | 11 | 7 | 5 | 2 | 9 |
| Slonimsky, Nicholas | No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 1 | 6 | 9 | 2 | 5 | 8 | 11 | 3 |
| Slonimsky, Nicholas | No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 3 | 2 | 9 | 6 | 5 | 1 | 10 | 7 | 4 | 11 |
| Slonimsky, Nicholas | No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 2 | 5 | 8 | 11 | 4 | 6 | 9 | 1 |
| Slonimsky, Nicholas | No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 9 | 4 | 2 | 11 | 7 | 5 | 1 | 8 | 6 | 3 | 10 |
| Slonimsky, Nicholas | No. 1257a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 3 | 7 | 10 | 1 | 6 | 9 | 2 | 5 |
| Slonimsky, Nicholas | No. 1257b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 4 | 3 | 11 | 7 | 5 | 2 | 10 | 6 | 1 | 9 |
| Slonimsky, Nicholas | No. 1258a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 2 | 6 | 9 | 1 | 5 | 8 | 11 | 4 |
| Slonimsky, Nicholas | No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 5 | 3 | 11 | 7 | 2 | 10 | 6 | 4 | 1 | 9 |
| Slonimsky, Nicholas | No. 1259a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 2 | 6 | 9 | 1 | 5 | 7 | 10 | 3 |
| Slonimsky, Nicholas | No. 1259b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 4 | 2 | 10 | 7 | 5 | 1 | 9 | 6 | 3 | 11 |
| Slonimsky, Nicholas | No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 2 | 6 | 9 | 1 | 5 | 8 | 11 | 3 |
| Slonimsky, Nicholas | No. 1260b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 3 | 2 | 10 | 6 | 5 | 1 | 9 | 7 | 4 | 11 |
| Slonimsky, Nicholas | No. 1261a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 2 | 5 | 9 | 1 | 6 | 7 | 10 | 3 |
| Slonimsky, Nicholas | No. 1261b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 4 | 1 | 10 | 7 | 5 | 2 | 9 | 6 | 3 | 11 |
| Slonimsky, Nicholas | No. 1262a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 3 | 6 | 11 | 2 | 8 | 9 | 1 | 5 |
| Slonimsky, Nicholas | No. 1262b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 9 | 5 | 3 | 11 | 8 | 4 | 1 | 7 | 6 | 2 | 10 |
| Slonimsky, Nicholas | No. 1263a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 2 | 6 | 9 | 1 | 4 | 8 | 11 | 5 |
| Slonimsky, Nicholas | No. 1263b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 5 | 3 | 11 | 7 | 6 | 2 | 9 | 4 | 1 | 10 |
| Slonimsky, Nicholas | No. 1264a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 1 | 5 | 8 | 11 | 4 | 7 | 10 | 2 |
| Slonimsky, Nicholas | No. 1264b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 9 | 3 | 2 | 10 | 6 | 5 | 1 | 8 | 7 | 4 | 11 |
| Slonimsky, Nicholas | No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 1 | 4 | 7 | 10 | 2 | 5 | 8 | 11 |
| Slonimsky, Nicholas | No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 1 | 4 | 7 | 10 | 2 | 5 | 8 | 11 |
| Slonimsky, Nicholas | No. 1265b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 9 | 3 | 1 | 10 | 6 | 4 | 11 | 7 | 5 | 2 | 8 |
| Slonimsky, Nicholas | No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 2 | 5 | 8 | 11 | 4 | 7 | 10 | 1 |
| Slonimsky, Nicholas | No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 9 | 3 | 2 | 11 | 6 | 5 | 1 | 8 | 7 | 4 | 10 |
| Slonimsky, Nicholas | No. 1267a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 1 | 4 | 8 | 11 | 5 | 6 | 9 | 2 |
| Slonimsky, Nicholas | No. 1267b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 9 | 4 | 1 | 10 | 7 | 5 | 2 | 8 | 6 | 3 | 11 |
| Slonimsky, Nicholas | No. 1268a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 1 | 5 | 8 | 11 | 2 | 6 | 9 | 3 |
| Slonimsky, Nicholas | No. 1268b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 3 | 1 | 9 | 6 | 4 | 10 | 7 | 5 | 2 | 11 |
| Slonimsky, Nicholas | No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 9 | 1 | 5 | 6 | 10 | 2 | 3 | 7 | 11 |
| Slonimsky, Nicholas | No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 4 | 3 | 11 | 7 | 6 | 2 | 10 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 10 | 2 | 6 | 7 | 11 | 3 | 5 | 9 | 1 |
| Slonimsky, Nicholas | No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 4 | 2 | 10 | 6 | 3 | 11 | 7 | 5 | 1 | 9 |
| Slonimsky, Nicholas | No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 3 | 7 | 10 | 2 | 6 | 9 | 1 | 5 |
| Slonimsky, Nicholas | No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 8 | 4 | 1 | 9 | 5 | 2 | 10 | 6 | 3 | 11 | 7 |
| Slonimsky, Nicholas | No. 1272a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 1 | 6 | 9 | 5 | 2 | 11 | 8 | 4 |
| Slonimsky, Nicholas | No. 1272b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 6 | 1 | 2 | 5 | 9 | 8 | 4 | 11 |
| Slonimsky, Nicholas | No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 1 | 5 | 9 | 6 | 2 | 11 | 8 | 4 |
| Slonimsky, Nicholas | No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 5 | 1 | 2 | 6 | 9 | 8 | 4 | 11 |
| Slonimsky, Nicholas | No. 1274a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 1 | 5 | 9 | 6 | 2 | 11 | 8 | 3 |
| Slonimsky, Nicholas | No. 1274b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 5 | 1 | 2 | 6 | 9 | 8 | 3 | 11 |
| Slonimsky, Nicholas | No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 2 | 5 | 9 | 6 | 1 | 11 | 8 | 3 |
| Slonimsky, Nicholas | No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 5 | 2 | 1 | 6 | 9 | 8 | 3 | 11 |
| Slonimsky, Nicholas | No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 1 | 6 | 9 | 5 | 2 | 11 | 8 | 3 |
| Slonimsky, Nicholas | No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 6 | 1 | 2 | 5 | 9 | 8 | 3 | 11 |
| Slonimsky, Nicholas | No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 2 | 5 | 8 | 4 | 11 | 9 | 6 | 1 |
| Slonimsky, Nicholas | No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 5 | 2 | 4 | 8 | 11 | 9 | 6 | 1 |
| Slonimsky, Nicholas | No. 1278a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 3 | 7 | 10 | 6 | 1 | 9 | 5 | 2 |
| Slonimsky, Nicholas | No. 1278b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 7 | 3 | 6 | 10 | 1 | 9 | 5 | 2 |
| Slonimsky, Nicholas | No. 1279a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 2 | 6 | 9 | 5 | 1 | 11 | 8 | 4 |
| Slonimsky, Nicholas | No. 1279b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 6 | 2 | 1 | 5 | 9 | 8 | 4 | 11 |
| Slonimsky, Nicholas | No. 1280a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 2 | 6 | 9 | 5 | 1 | 10 | 7 | 3 |
| Slonimsky, Nicholas | No. 1280b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 6 | 2 | 5 | 9 | 1 | 10 | 7 | 3 |
| Slonimsky, Nicholas | No. 1281a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 2 | 6 | 9 | 5 | 1 | 11 | 8 | 3 |
| Slonimsky, Nicholas | No. 1281b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 6 | 2 | 1 | 5 | 9 | 8 | 3 | 11 |
| Slonimsky, Nicholas | No. 1282a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 2 | 5 | 9 | 6 | 1 | 10 | 7 | 3 |
| Slonimsky, Nicholas | No. 1282b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 5 | 2 | 6 | 9 | 1 | 10 | 7 | 3 |
| Slonimsky, Nicholas | No. 1283a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 3 | 6 | 8 | 2 | 11 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 1283b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 6 | 3 | 11 | 2 | 8 | 5 | 1 | 9 |
| Slonimsky, Nicholas | No. 1284a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 2 | 6 | 9 | 4 | 1 | 11 | 8 | 5 |
| Slonimsky, Nicholas | No. 1284b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 6 | 2 | 1 | 4 | 9 | 8 | 5 | 11 |
| Slonimsky, Nicholas | No. 1285a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 1 | 5 | 8 | 4 | 11 | 10 | 7 | 2 |
| Slonimsky, Nicholas | No. 1285b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 5 | 1 | 11 | 4 | 8 | 7 | 2 | 10 |
| Slonimsky, Nicholas | No. 1286a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 1 | 4 | 7 | 2 | 10 | 8 | 5 | 11 |
| Slonimsky, Nicholas | No. 1286b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 4 | 1 | 10 | 2 | 7 | 8 | 5 | 11 |
| Slonimsky, Nicholas | No. 1287a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 2 | 5 | 8 | 4 | 11 | 10 | 7 | 1 |
| Slonimsky, Nicholas | No. 1287b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 6 | 9 | 5 | 2 | 11 | 4 | 8 | 7 | 1 | 10 |
| Slonimsky, Nicholas | No. 1288a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 1 | 4 | 8 | 5 | 11 | 9 | 6 | 2 |
| Slonimsky, Nicholas | No. 1288b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 3 | 7 | 10 | 4 | 1 | 11 | 5 | 8 | 6 | 2 | 9 |
| Slonimsky, Nicholas | No. 1289a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 1 | 5 | 8 | 2 | 11 | 9 | 6 | 3 |
| Slonimsky, Nicholas | No. 1289b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 7 | 10 | 5 | 1 | 11 | 2 | 8 | 9 | 6 | 3 |
| Slonimsky, Nicholas | No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 9 | 1 | 5 | 6 | 2 | 10 | 7 | 3 | 11 |
| Slonimsky, Nicholas | No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 9 | 5 | 1 | 10 | 2 | 6 | 7 | 3 | 11 |
| Slonimsky, Nicholas | No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 10 | 2 | 6 | 7 | 3 | 11 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 10 | 6 | 2 | 11 | 3 | 7 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 3 | 7 | 10 | 6 | 2 | 1 | 9 | 5 |
| Slonimsky, Nicholas | No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads) | 1947 | 0 | 4 | 8 | 11 | 7 | 3 | 2 | 6 | 10 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 2 | 4 | 5 | 7 | 9 | 6 | 8 | 10 | 11 | 1 | 3 |
| Slonimsky, Nicholas | No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 3 | 1 | 11 | 10 | 8 | 6 | 9 | 7 | 5 | 4 | 2 |
| Slonimsky, Nicholas | No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 9 | 4 | 7 | 5 | 2 | 6 | 3 | 10 | 1 | 11 | 8 |
| Slonimsky, Nicholas | No. 1294b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 8 | 11 | 1 | 10 | 3 | 6 | 2 | 5 | 7 | 4 | 9 |
| Slonimsky, Nicholas | No. 1295a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 2 | 5 | 4 | 3 | 1 | 6 | 8 | 11 | 10 | 9 | 7 |
| Slonimsky, Nicholas | No. 1295b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 7 | 9 | 10 | 11 | 8 | 6 | 1 | 3 | 4 | 5 | 2 |
| Slonimsky, Nicholas | No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 7 | 8 | 3 | 4 | 11 | 6 | 1 | 2 | 9 | 10 | 5 |
| Slonimsky, Nicholas | No. 1296b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 5 | 10 | 9 | 2 | 1 | 6 | 11 | 4 | 3 | 8 | 7 |
| Slonimsky, Nicholas | No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 11 | 9 | 7 | 2 | 4 | 6 | 5 | 3 | 1 | 8 | 10 |
| Slonimsky, Nicholas | No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 10 | 8 | 1 | 3 | 5 | 6 | 4 | 2 | 7 | 9 | 11 |
| Slonimsky, Nicholas | No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 6 | 5 | 7 | 4 | 8 | 3 |
| Slonimsky, Nicholas | No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 3 | 8 | 4 | 7 | 5 | 6 | 9 | 2 | 10 | 1 | 11 |
| Slonimsky, Nicholas | No. 1299a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 9 | 2 | 7 | 4 | 5 | 6 | 3 | 8 | 1 | 10 | 11 |
| Slonimsky, Nicholas | No. 1299b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 11 | 10 | 1 | 8 | 3 | 6 | 5 | 4 | 7 | 2 | 9 |
| Slonimsky, Nicholas | No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 6 | 5 | 7 | 4 | 8 | 3 |
| Slonimsky, Nicholas | No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns) | 1947 | 0 | 3 | 8 | 4 | 7 | 5 | 6 | 9 | 2 | 10 | 1 | 11 |
| Slonimsky, Nicholas | No. 1301 Invertible Dodecaphonic Progressions - With all Different Intervals | 1947 | 0 | 1 | 4 | 8 | 3 | 5 | 11 | 9 | 2 | 10 | 7 | 6 |
| Slonimsky, Nicholas | No. 1302 Invertible Dodecaphonic Progressions - With all Different Intervals | 1947 | 0 | 1 | 4 | 2 | 9 | 5 | 11 | 3 | 8 | 10 | 7 | 6 |
| Slonimsky, Nicholas | No. 1303 Invertible Dodecaphonic Progressions - With all Different Intervals | 1947 | 0 | 2 | 3 | 7 | 10 | 5 | 11 | 4 | 1 | 9 | 8 | 6 |
| Slonimsky, Nicholas | No. 1304 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Triad) | 1947 | 0 | 3 | 7 | 8 | 10 | 5 | 11 | 4 | 2 | 1 | 9 | 6 |
| Slonimsky, Nicholas | No. 1305 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Sixth-Chord) | 1947 | 0 | 3 | 8 | 10 | 11 | 7 | 1 | 5 | 4 | 2 | 9 | 6 |
| Slonimsky, Nicholas | No. 1306 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Triad) | 1947 | 0 | 4 | 7 | 8 | 3 | 5 | 11 | 9 | 2 | 1 | 10 | 6 |
| Slonimsky, Nicholas | No. 1307 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Sixth-Chord) | 1947 | 0 | 4 | 9 | 8 | 11 | 1 | 7 | 5 | 2 | 3 | 10 | 6 |
| Slonimsky, Nicholas | No. 1308 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Minor Six-Four Chord) | 1947 | 0 | 5 | 8 | 10 | 9 | 1 | 7 | 3 | 4 | 2 | 11 | 6 |
| Slonimsky, Nicholas | No. 1309 Invertible Dodecaphonic Progressions - With all Different Intervals. (On a Major Six-Four Chord) | 1947 | 0 | 5 | 9 | 8 | 10 | 1 | 7 | 4 | 2 | 3 | 11 | 6 |
| Slonimsky, Nicholas | No. 1310 Invertible Dodecaphonic Progressions - With all Different Intervals | 1947 | 0 | 5 | 1 | 4 | 2 | 3 | 9 | 8 | 10 | 7 | 11 | 6 |
| Slonimsky, Nicholas | No. 1311 Invertible Dodecaphonic Progressions - With all Different Intervals | 1947 | 0 | 7 | 9 | 10 | 2 | 5 | 11 | 8 | 4 | 3 | 1 | 6 |
| Slonimsky, Nicholas | No. 1312 Invertible Dodecaphonic Progressions - With all Different Intervals | 1947 | 0 | 7 | 10 | 2 | 3 | 5 | 11 | 9 | 8 | 4 | 1 | 6 |
| Slonimsky, Nicholas | No. 1313 Invertible Dodecaphonic Progressions - With all Different Intervals | 1947 | 0 | 7 | 11 | 2 | 4 | 3 | 9 | 10 | 8 | 5 | 1 | 6 |
| Slonimsky, Nicholas | No. 1314 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes) | 1947 | 0 | 2 | 7 | 4 | 5 | 9 | 3 | 11 | 10 | 1 | 8 | 6 |
| Slonimsky, Nicholas | No. 1315 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes) | 1947 | 0 | 4 | 5 | 2 | 7 | 9 | 3 | 1 | 8 | 11 | 10 | 6 |
| Slonimsky, Nicholas | No. 1316 Invertible Dodecaphonic Progressions - With all Different Intervals. (White-Key Row of Six Notes) | 1947 | 0 | 7 | 4 | 5 | 9 | 2 | 8 | 3 | 11 | 10 | 1 | 6 |
| Slonimsky, Nicholas | No. 1317 Invertible Dodecaphonic Progressions - With all Different Intervals. (Mother Chord) | 1947 | 0 | 11 | 7 | 4 | 2 | 9 | 3 | 8 | 10 | 1 | 5 | 6 |
| Slonimsky, Nicholas | No. 1318 Invertible Dodecaphonic Progressions - With all Different Intervals. (Grandmother Chord) | 1947 | 0 | 11 | 1 | 10 | 2 | 9 | 3 | 8 | 4 | 7 | 5 | 6 |
| Slonimsky, Nicholas | No. 216 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 5 | 10 | 7 | 4 | 9 | 2 | 11 | 8 | 1 | 6 | 3 |
| Slonimsky, Nicholas | No. 221 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 6 | 11 | 9 | 4 | 10 | 3 | 1 | 8 | 2 | 7 | 5 |
| Slonimsky, Nicholas | No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 6 | 5 | 11 | 4 | 10 | 9 | 3 | 8 | 2 | 1 | 7 |
| Slonimsky, Nicholas | No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 11 | 10 | 9 | 4 | 3 | 2 | 1 | 8 | 7 | 6 | 5 |
| Slonimsky, Nicholas | No. 262 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 11 | 10 | 5 | 4 | 3 | 2 | 9 | 8 | 7 | 6 | 1 |
| Slonimsky, Nicholas | No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 10 | 9 | 7 | 4 | 2 | 1 | 11 | 8 | 6 | 5 | 3 |
| Slonimsky, Nicholas | No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 10 | 7 | 5 | 4 | 2 | 11 | 9 | 8 | 6 | 3 | 1 |
| Slonimsky, Nicholas | No. 340 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 11 | 2 | 9 | 4 | 3 | 6 | 1 | 8 | 7 | 10 | 5 |
| Slonimsky, Nicholas | No. 348 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 10 | 1 | 7 | 4 | 2 | 5 | 11 | 8 | 6 | 9 | 3 |
| Slonimsky, Nicholas | No. 359 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 10 | 3 | 9 | 4 | 2 | 7 | 1 | 8 | 6 | 11 | 5 |
| Slonimsky, Nicholas | No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 7 | 1 | 6 | 4 | 11 | 5 | 10 | 8 | 3 | 9 | 2 |
| Slonimsky, Nicholas | No. 371 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 7 | 2 | 5 | 4 | 11 | 6 | 9 | 8 | 3 | 10 | 1 |
| Slonimsky, Nicholas | No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 3 | 9 | 6 | 4 | 7 | 1 | 10 | 8 | 11 | 5 | 2 |
| Slonimsky, Nicholas | No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 9 | 3 | 6 | 4 | 1 | 7 | 10 | 8 | 5 | 11 | 2 |
| Slonimsky, Nicholas | No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 3 | 9 | 6 | 4 | 7 | 1 | 10 | 8 | 11 | 5 | 2 |
| Slonimsky, Nicholas | No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts) | 1947 | 0 | 9 | 3 | 6 | 4 | 1 | 7 | 10 | 8 | 5 | 11 | 2 |
| Slonimsky, Nicholas | No. 405 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 7 | 5 | 3 | 10 | 8 | 6 | 1 | 11 | 9 | 4 | 2 |
| Slonimsky, Nicholas | No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 8 | 4 | 3 | 11 | 7 | 6 | 2 | 10 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 8 | 7 | 3 | 11 | 10 | 6 | 2 | 1 | 9 | 5 | 4 |
| Slonimsky, Nicholas | No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 10 | 5 | 3 | 1 | 8 | 6 | 4 | 11 | 9 | 7 | 2 |
| Slonimsky, Nicholas | No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 11 | 4 | 3 | 2 | 7 | 6 | 5 | 10 | 9 | 8 | 1 |
| Slonimsky, Nicholas | No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 11 | 7 | 3 | 2 | 10 | 6 | 5 | 1 | 9 | 8 | 4 |
| Slonimsky, Nicholas | No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 11 | 10 | 3 | 2 | 1 | 6 | 5 | 4 | 9 | 8 | 7 |
| Slonimsky, Nicholas | No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 11 | 7 | 3 | 2 | 10 | 6 | 5 | 1 | 9 | 8 | 4 |
| Slonimsky, Nicholas | No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 10 | 8 | 3 | 1 | 11 | 6 | 4 | 2 | 9 | 7 | 5 |
| Slonimsky, Nicholas | No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 8 | 7 | 3 | 11 | 10 | 6 | 2 | 1 | 9 | 5 | 4 |
| Slonimsky, Nicholas | No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 8 | 4 | 3 | 11 | 7 | 6 | 2 | 10 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 482 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 11 | 1 | 3 | 2 | 4 | 6 | 5 | 7 | 9 | 8 | 10 |
| Slonimsky, Nicholas | No. 485 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 10 | 2 | 3 | 1 | 5 | 6 | 4 | 8 | 9 | 7 | 11 |
| Slonimsky, Nicholas | No. 493 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 1 | 5 | 3 | 4 | 8 | 6 | 7 | 11 | 9 | 10 | 2 |
| Slonimsky, Nicholas | No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 2 | 4 | 3 | 5 | 7 | 6 | 8 | 10 | 9 | 11 | 1 |
| Slonimsky, Nicholas | No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 2 | 7 | 3 | 5 | 10 | 6 | 8 | 1 | 9 | 11 | 4 |
| Slonimsky, Nicholas | No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 11 | 4 | 3 | 2 | 7 | 6 | 5 | 10 | 9 | 8 | 1 |
| Slonimsky, Nicholas | No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 11 | 7 | 3 | 2 | 10 | 6 | 5 | 1 | 9 | 8 | 4 |
| Slonimsky, Nicholas | No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 10 | 5 | 3 | 1 | 8 | 6 | 4 | 11 | 9 | 7 | 2 |
| Slonimsky, Nicholas | No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 10 | 8 | 3 | 1 | 11 | 6 | 4 | 2 | 9 | 7 | 5 |
| Slonimsky, Nicholas | No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts) | 1947 | 0 | 8 | 4 | 3 | 11 | 7 | 6 | 2 | 10 | 9 | 5 | 1 |
| Slonimsky, Nicholas | No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) | 1947 | 0 | 3 | 2 | 5 | 4 | 7 | 6 | 9 | 8 | 11 | 10 | 1 |
| Slonimsky, Nicholas | No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) | 1947 | 0 | 5 | 2 | 7 | 4 | 9 | 6 | 11 | 8 | 1 | 10 | 3 |
| Slonimsky, Nicholas | No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) | 1947 | 0 | 7 | 2 | 9 | 4 | 11 | 6 | 1 | 8 | 3 | 10 | 5 |
| Slonimsky, Nicholas | No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) | 1947 | 0 | 9 | 2 | 11 | 4 | 1 | 6 | 3 | 8 | 5 | 10 | 7 |
| Slonimsky, Nicholas | No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) | 1947 | 0 | 11 | 2 | 1 | 4 | 3 | 6 | 5 | 8 | 7 | 10 | 9 |
| Slonimsky, Nicholas | No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts) | 1947 | 0 | 11 | 2 | 1 | 4 | 3 | 6 | 5 | 8 | 7 | 10 | 9 |
| Slonimsky, Nicholas | No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 1 | 3 | 2 | 4 | 5 | 7 | 6 | 8 | 9 | 11 | 10 |
| Slonimsky, Nicholas | No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 11 | 9 | 10 | 4 | 3 | 1 | 2 | 8 | 7 | 5 | 6 |
| Slonimsky, Nicholas | No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 1 | 2 | 5 | 4 | 3 | 6 | 7 | 8 | 11 | 10 | 9 |
| Slonimsky, Nicholas | No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 11 | 10 | 7 | 8 | 9 | 6 | 5 | 4 | 1 | 2 | 3 |
| Slonimsky, Nicholas | No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 1 | 2 | 3 | 7 | 6 | 5 | 4 | 8 | 9 | 10 | 11 |
| Slonimsky, Nicholas | No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 1 | 2 | 3 | 4 | 5 | 11 | 10 | 9 | 8 | 7 | 6 |
| Slonimsky, Nicholas | No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 6 | 7 | 8 | 9 | 10 | 11 | 5 | 4 | 3 | 2 | 1 |
| Slonimsky, Nicholas | No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 6 | 7 | 8 | 9 | 10 | 11 | 5 | 4 | 3 | 2 | 1 |
| Slonimsky, Nicholas | No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 1 | 11 | 10 | 8 | 9 | 7 | 6 | 4 | 5 | 3 | 2 |
| Slonimsky, Nicholas | No. 646 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 1 | 11 | 6 | 8 | 9 | 7 | 2 | 4 | 5 | 3 | 10 |
| Slonimsky, Nicholas | No. 647 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 2 | 11 | 5 | 8 | 10 | 7 | 1 | 4 | 6 | 3 | 9 |
| Slonimsky, Nicholas | No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 |
| Slonimsky, Nicholas | No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts) | 1947 | 0 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1 |
| Slonimsky, Nicholas | No. 685 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts) | 1947 | 0 | 1 | 3 | 6 | 8 | 9 | 11 | 2 | 4 | 5 | 7 | 10 |
| Slonimsky, Nicholas | No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts) | 1947 | 0 | 2 | 3 | 5 | 8 | 10 | 11 | 1 | 4 | 6 | 7 | 9 |
| Slonimsky, Nicholas | No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts) | 1947 | 0 | 2 | 5 | 7 | 8 | 10 | 1 | 3 | 4 | 6 | 9 | 11 |
| Slonimsky, Nicholas | No. 734 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts) | 1947 | 0 | 5 | 11 | 10 | 8 | 1 | 7 | 6 | 4 | 9 | 3 | 2 |
| Slonimsky, Nicholas | No. 735 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts) | 1947 | 0 | 6 | 9 | 11 | 8 | 2 | 5 | 7 | 4 | 10 | 1 | 3 |
| Slonimsky, Nicholas | No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts) | 1947 | 0 | 2 | 7 | 9 | 8 | 10 | 3 | 5 | 4 | 6 | 11 | 1 |
| Slonimsky, Nicholas | No. 746 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 1 | 5 | 9 | 10 | 2 | 6 | 7 | 11 | 3 | 4 | 8 |
| Slonimsky, Nicholas | No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 2 | 7 | 9 | 11 | 4 | 6 | 8 | 1 | 3 | 5 | 10 |
| Slonimsky, Nicholas | No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 4 | 8 | 9 | 1 | 5 | 6 | 10 | 2 | 3 | 7 | 11 |
| Slonimsky, Nicholas | No. 754 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 5 | 7 | 9 | 2 | 4 | 6 | 11 | 1 | 3 | 8 | 10 |
| Slonimsky, Nicholas | No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1 |
| Slonimsky, Nicholas | No. 794 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 10 | 11 | 9 | 7 | 8 | 6 | 4 | 5 | 3 | 1 | 2 |
| Slonimsky, Nicholas | No. 795 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 8 | 1 | 9 | 5 | 10 | 6 | 2 | 7 | 3 | 11 | 4 |
| Slonimsky, Nicholas | No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts) | 1947 | 0 | 2 | 7 | 9 | 11 | 4 | 6 | 8 | 1 | 3 | 5 | 10 |
| Slonimsky, Nicholas | No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) | 1947 | 0 | 3 | 6 | 9 | 10 | 1 | 4 | 7 | 8 | 11 | 2 | 5 |
| Slonimsky, Nicholas | No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) | 1947 | 0 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1 |
| Slonimsky, Nicholas | No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) | 1947 | 0 | 1 | 10 | 11 | 8 | 9 | 6 | 7 | 4 | 5 | 2 | 3 |
| Slonimsky, Nicholas | No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) | 1947 | 0 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1 |
| Slonimsky, Nicholas | No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) | 1947 | 0 | 6 | 5 | 11 | 10 | 4 | 3 | 9 | 8 | 2 | 1 | 7 |
| Slonimsky, Nicholas | No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) | 1947 | 0 | 4 | 8 | 5 | 9 | 1 | 10 | 2 | 6 | 3 | 7 | 11 |
| Slonimsky, Nicholas | No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts) | 1947 | 0 | 9 | 3 | 6 | 5 | 2 | 8 | 11 | 10 | 7 | 1 | 4 |
| Slonimsky, Nicholas | No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts) | 1947 | 0 | 10 | 2 | 8 | 4 | 6 | 5 | 3 | 7 | 1 | 9 | 11 |
| Slonimsky, Nicholas | No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts) | 1947 | 0 | 8 | 4 | 7 | 3 | 11 | 2 | 10 | 6 | 9 | 5 | 1 |
| Smith, Hale | Contours for Orchestra | 1961 | 0 | 5 | 6 | 4 | 10 | 11 | 7 | 2 | 1 | 3 | 9 | 8 |
| Smith, Hale | Evocation | 1965 | 0 | 1 | 7 | 2 | 9 | 5 | 8 | 3 | 10 | 11 | 4 | 6 |
| Spinner, Leopold | Cantata, Op.11 | 1955-57 | 0 | 9 | 1 | 10 | 2 | 3 | 11 | 5 | 6 | 7 | 4 | 8 |
| Spinner, Leopold | Chamber Symphony, Op.28 | 1975-79 | 0 | 11 | 10 | 6 | 4 | 5 | 2 | 1 | 3 | 7 | 8 | 9 |
| Spinner, Leopold | Concert for Piano and Orchestra, Op.4 | 1947 | 0 | 2 | 1 | 9 | 11 | 3 | 4 | 7 | 5 | 6 | 10 | 8 |
| Spinner, Leopold | Concerto for Orchestra, Op.12 | 1956-57 | 0 | 1 | 10 | 7 | 9 | 8 | 11 | 2 | 4 | 3 | 6 | 5 |
| Spinner, Leopold | Die Nacht, Op.29 | 1978-79 | 0 | 4 | 1 | 2 | 5 | 6 | 7 | 10 | 8 | 9 | 11 | 3 |
| Spinner, Leopold | Drei Lieder, Op.15 | 1959 | 0 | 2 | 3 | 9 | 6 | 10 | 8 | 4 | 7 | 5 | 1 | 11 |
| Spinner, Leopold | Drei Lieder, Op.16 | 1960 | 0 | 9 | 8 | 5 | 4 | 3 | 6 | 7 | 10 | 1 | 2 | 11 |
| Spinner, Leopold | Fantasy for Piano, Op.9 | 1953-54 | 0 | 1 | 4 | 5 | 2 | 3 | 8 | 9 | 6 | 7 | 10 | 11 |
| Spinner, Leopold | Fünf Lieder, Op.25 | 1973 | 0 | 9 | 11 | 2 | 1 | 5 | 7 | 6 | 10 | 8 | 4 | 3 |
| Spinner, Leopold | Fünf Lieder, Op.8 | 1953 | 0 | 3 | 4 | 7 | 8 | 5 | 11 | 9 | 10 | 2 | 6 | 1 |
| Spinner, Leopold | Ich lieb' eine Blume for Four-part mixed Choir | 1936 | 0 | 11 | 2 | 4 | 9 | 7 | 1 | 3 | 10 | 8 | 5 | 6 |
| Spinner, Leopold | Inventions for Piano, Op.13 | 1958 | 0 | 11 | 2 | 1 | 3 | 6 | 5 | 8 | 10 | 9 | 7 | 4 |
| Spinner, Leopold | Lieder for Voice, Clarinet, Violin, and Cello | 1936 | 0 | 7 | 6 | 3 | 11 | 9 | 2 | 1 | 4 | 8 | 10 | 5 |
| Spinner, Leopold | Ouverture for Orchestra | 1944 | 0 | 4 | 3 | 5 | 1 | 7 | 11 | 6 | 10 | 8 | 2 | 9 |
| Spinner, Leopold | Ouverture for Orchestra, Op.5 | 1948-49 | 0 | 11 | 2 | 10 | 8 | 1 | 7 | 5 | 6 | 9 | 3 | 4 |
| Spinner, Leopold | Prelude and Variations for Orchestra, Op.18 | 1960-62 | 0 | 9 | 10 | 7 | 8 | 4 | 5 | 6 | 2 | 3 | 1 | 11 |
| Spinner, Leopold | Quintet, Op.14 | 1959-63 | 0 | 6 | 4 | 2 | 8 | 5 | 1 | 9 | 10 | 11 | 7 | 3 |
| Spinner, Leopold | Ricercata, Op.21 | 1964-65 | 0 | 11 | 8 | 10 | 2 | 1 | 4 | 3 | 7 | 9 | 6 | 5 |
| Spinner, Leopold | Schilflieder, Op.27 | 1974-75 | 0 | 3 | 1 | 10 | 11 | 7 | 5 | 6 | 2 | 4 | 8 | 9 |
| Spinner, Leopold | Sonata for Clarinet and Piano, Op.17 | 1961 | 0 | 3 | 4 | 1 | 2 | 5 | 11 | 8 | 7 | 10 | 9 | 6 |
| Spinner, Leopold | Sonata for Piano, Op.3 | 1942-45 | 0 | 9 | 8 | 6 | 7 | 10 | 1 | 4 | 5 | 3 | 2 | 11 |
| Spinner, Leopold | Sonata for Violin and Piano, Op.1 | 1936 | 0 | 7 | 6 | 1 | 3 | 8 | 5 | 10 | 2 | 9 | 4 | 11 |
| Spinner, Leopold | Sonatina for Cello and Piano, Op.26 | 1972-73 | 0 | 1 | 11 | 2 | 4 | 3 | 9 | 10 | 8 | 5 | 7 | 6 |
| Spinner, Leopold | Sonatina for Piano, Op.22 | 1966-69 | 0 | 3 | 2 | 1 | 9 | 10 | 11 | 8 | 5 | 4 | 7 | 6 |
| Spinner, Leopold | Sonatina for Wind Instruments, Op.23 | 1971 | 0 | 9 | 1 | 5 | 4 | 2 | 8 | 10 | 11 | 7 | 3 | 6 |
| Spinner, Leopold | String Quartet, No.2, Op.7 | 1952 | 0 | 3 | 4 | 7 | 8 | 11 | 1 | 10 | 9 | 6 | 5 | 2 |
| Spinner, Leopold | String Quartet, Op.2 | 1941 | 0 | 1 | 7 | 6 | 11 | 10 | 4 | 5 | 8 | 9 | 3 | 2 |
| Spinner, Leopold | Suite for Clarinet and Piano, Op.10 | 1955-56 | 0 | 4 | 1 | 6 | 5 | 2 | 8 | 10 | 7 | 9 | 11 | 3 |
| Spinner, Leopold | Trio for Clarinet, Cello and Piano | 1935 | 0 | 1 | 7 | 6 | 5 | 11 | 10 | 3 | 4 | 2 | 9 | 8 |
| Spinner, Leopold | Trio for Violin, Cello, and Piano, Op.6 | 1950 | 0 | 1 | 7 | 4 | 10 | 9 | 6 | 5 | 11 | 8 | 2 | 3 |
| Spinner, Leopold | Variations for Violin and Piano, Op.19 | 1962 | 0 | 8 | 9 | 1 | 2 | 4 | 3 | 5 | 6 | 10 | 11 | 7 |
| Spinner, Leopold | Zwei Lieder | 1935-36 | 0 | 1 | 3 | 6 | 5 | 2 | 4 | 8 | 9 | 7 | 11 | 10 |
| Spinner, Leopold | Zwei Lieder, Op.24 | 1970-71 | 0 | 11 | 1 | 4 | 3 | 7 | 5 | 6 | 9 | 8 | 10 | 2 |
| Spinner, Leopold | Zwei kleine Stücke for Violin and Piano | 1934 | 0 | 9 | 2 | 1 | 8 | 5 | 4 | 10 | 7 | 11 | 3 | 6 |
| Steinbauer, Othmar | Violinsonate, No.1, Op.15 | 0 | 5 | 2 | 10 | 7 | 3 | 11 | 8 | 4 | 1 | 6 | 9 | |
| Stockhausen, Karlheinz | 'Mantra' | 1970 | 0 | 2 | 11 | 7 | 8 | 5 | 10 | 6 | 4 | 3 | 1 | 9 |
| Stockhausen, Karlheinz | Choral | 1950 | 0 | 1 | 10 | 6 | 8 | 3 | 5 | 2 | 4 | 11 | 9 | 7 |
| Stockhausen, Karlheinz | Gruppen | 1955-57 | 0 | 8 | 1 | 10 | 9 | 11 | 5 | 3 | 4 | 7 | 2 | 6 |
| Stockhausen, Karlheinz | Klavierstück "V.5 or Pre-VI" (row of original 1954 version) | 1954-55 | 0 | 8 | 1 | 11 | 10 | 7 | 5 | 9 | 4 | 6 | 3 | 2 |
| Stockhausen, Karlheinz | Klavierstück IV row 3 | 1952 | 0 | 7 | 1 | 10 | 11 | 9 | 5 | 8 | 4 | 3 | 2 | 6 |
| Stockhausen, Karlheinz | Klavierstück IV, row 1 | 1952 | 0 | 11 | 4 | 10 | 9 | 5 | 8 | 6 | 2 | 1 | 7 | 3 |
| Stockhausen, Karlheinz | Klavierstück IV, row 2 | 1952 | 0 | 3 | 5 | 1 | 2 | 6 | 4 | 10 | 7 | 8 | 11 | 9 |
| Stockhausen, Karlheinz | Klavierstück IX | 1954-55 | 0 | 8 | 1 | 10 | 9 | 11 | 5 | 3 | 4 | 7 | 2 | 6 |
| Stockhausen, Karlheinz | Klavierstück VII | 1954-55 | 0 | 8 | 1 | 10 | 9 | 11 | 5 | 3 | 4 | 7 | 2 | 6 |
| Stockhausen, Karlheinz | Klavierstück VIII | 1954-55 | 0 | 8 | 1 | 11 | 10 | 7 | 5 | 9 | 4 | 6 | 3 | 2 |
| Stockhausen, Karlheinz | Klavierstück X | 1954-55 | 0 | 8 | 1 | 10 | 9 | 11 | 5 | 3 | 4 | 7 | 2 | 6 |
| Stockhausen, Karlheinz | Kreuzspiel | 1951 | 0 | 10 | 9 | 11 | 7 | 2 | 8 | 1 | 4 | 6 | 5 | 3 |
| Stockhausen, Karlheinz | Licht, Eve formula | 1977-2003 | 0 | 4 | 3 | 2 | 5 | 6 | 10 | 11 | 9 | 1 | 7 | 8 |
| Stockhausen, Karlheinz | Plus-Minus | 1963,74 | 0 | 1 | 7 | 9 | 8 | 6 | 3 | 10 | 2 | 5 | 11 | 4 |
| Stockhausen, Karlheinz | Tierkreis, Aquarius | 1974-75 | 0 | 3 | 5 | 4 | 11 | 10 | 9 | 8 | 7 | 6 | 2 | 1 |
| Stockhausen, Karlheinz | Tierkreis, Aries | 1974-75 | 0 | 3 | 2 | 9 | 7 | 8 | 11 | 6 | 1 | 5 | 4 | 10 |
| Stockhausen, Karlheinz | Tierkreis, Cancer | 1974-75 | 0 | 7 | 11 | 10 | 9 | 8 | 3 | 6 | 4 | 1 | 5 | 2 |
| Stockhausen, Karlheinz | Tierkreis, Capricorn | 1974-75 | 0 | 9 | 2 | 8 | 7 | 5 | 6 | 1 | 3 | 4 | 10 | 11 |
| Stockhausen, Karlheinz | Tierkreis, Gemini | 1974-75 | 0 | 4 | 5 | 10 | 7 | 6 | 1 | 8 | 11 | 2 | 9 | 3 |
| Stockhausen, Karlheinz | Tierkreis, Leo | 1974-75 | 0 | 5 | 11 | 6 | 3 | 2 | 8 | 7 | 9 | 10 | 4 | 1 |
| Stockhausen, Karlheinz | Tierkreis, Sagittarius | 1974-75 | 0 | 6 | 5 | 2 | 3 | 4 | 7 | 8 | 9 | 10 | 11 | 1 |
| Stockhausen, Karlheinz | Tierkreis, Scorpio | 1974-75 | 0 | 4 | 3 | 11 | 7 | 8 | 10 | 9 | 2 | 5 | 1 | 6 |
| Strauss, Richard | 'Also sprach Zarathustra', Op.30 | 1896/8/24 | 0 | 11 | 6 | 2 | 3 | 7 | 10 | 9 | 4 | 1 | 5 | 8 |
| Stravinsky, Igor | A Sermon, a Narrative and a Prayer | 1961 | 0 | 1 | 9 | 11 | 10 | 7 | 8 | 3 | 4 | 6 | 5 | 2 |
| Stravinsky, Igor | Abraham & Isaac | 1963 | 0 | 1 | 3 | 5 | 6 | 2 | 4 | 8 | 7 | 9 | 11 | 10 |
| Stravinsky, Igor | Agon, "Double Pas-de-Deux" | 1953-57 | 0 | 11 | 1 | 2 | 9 | 8 | 10 | 7 | 5 | 6 | 4 | 3 |
| Stravinsky, Igor | Agon, "Pas de deux", "Four trios" | 1953-57 | 0 | 1 | 4 | 3 | 2 | 5 | 6 | 9 | 8 | 11 | 10 | 7 |
| Stravinsky, Igor | Anthem "The dove descending breaks the air" | 1962 | 0 | 4 | 2 | 5 | 7 | 8 | 10 | 9 | 11 | 1 | 6 | 3 |
| Stravinsky, Igor | Canticum Sacrum, II | 1955 | 0 | 11 | 9 | 6 | 10 | 8 | 7 | 5 | 2 | 4 | 3 | 1 |
| Stravinsky, Igor | Canticum Sacrum, II & IV | 1955 | 0 | 11 | 1 | 3 | 4 | 2 | 7 | 6 | 9 | 5 | 8 | 10 |
| Stravinsky, Igor | Double Canon "Raoul Dufy in Memoriam" | 1959 | 0 | 11 | 3 | 2 | 1 | 8 | 6 | 9 | 10 | 7 | 5 | 4 |
| Stravinsky, Igor | Elegy for J.F.K. | 1964 | 0 | 6 | 4 | 2 | 8 | 9 | 3 | 1 | 11 | 10 | 7 | 5 |
| Stravinsky, Igor | Epitaphium "für das Grabmal des Prinzen Max Egon zu Fürstenberg" | 1959 | 0 | 9 | 2 | 3 | 11 | 10 | 5 | 4 | 1 | 6 | 7 | 8 |
| Stravinsky, Igor | Fanfare for a New Theater | 1964 | 0 | 11 | 1 | 3 | 4 | 2 | 5 | 7 | 6 | 8 | 10 | 9 |
| Stravinsky, Igor | Introitus "T. S. Eliot in Memoriam" | 1965 | 0 | 5 | 6 | 4 | 8 | 9 | 3 | 2 | 1 | 10 | 11 | 7 |
| Stravinsky, Igor | Movements | 1958-59 | 0 | 1 | 7 | 5 | 6 | 11 | 9 | 8 | 10 | 3 | 4 | 2 |
| Stravinsky, Igor | Requiem Canticles, 1st series | 1966 | 0 | 2 | 10 | 11 | 1 | 8 | 6 | 7 | 9 | 4 | 3 | 5 |
| Stravinsky, Igor | Requiem Canticles, 2nd series | 1966 | 0 | 7 | 6 | 4 | 5 | 9 | 8 | 10 | 3 | 1 | 11 | 2 |
| Stravinsky, Igor | The Flood | 1962 | 0 | 10 | 11 | 5 | 2 | 4 | 3 | 1 | 9 | 8 | 6 | 7 |
| Stravinsky, Igor | The Owl and the Pussy Cat | 1966 | 0 | 2 | 9 | 11 | 8 | 6 | 5 | 7 | 10 | 1 | 4 | 3 |
| Stravinsky, Igor | Threni: id est lamentationes Jeremiae prophetae | 1958 | 0 | 5 | 4 | 7 | 10 | 6 | 11 | 8 | 1 | 9 | 2 | 3 |
| Stravinsky, Igor | Variations "Aldous Huxley in Memoriam" | 1963-64 | 0 | 10 | 7 | 9 | 2 | 8 | 6 | 11 | 1 | 5 | 4 | 3 |
| Talma, Louise | Passacaglia and Fugue | 1955 | 0 | 4 | 2 | 9 | 11 | 7 | 8 | 3 | 1 | 6 | 5 | 10 |
| Talma, Louise | Piano Sonata 2, mvt 1 | 1955 | 0 | 11 | 2 | 4 | 1 | 5 | 7 | 3 | 8 | 10 | 6 | 9 |
| Talma, Louise | Piano Sonata 2, mvt 4, first row | 1955 | 0 | 4 | 8 | 2 | 5 | 10 | 1 | 11 | 6 | 9 | 7 | 3 |
| Talma, Louise | Piano Sonata 2, mvt 4, second row | 1955 | 0 | 9 | 4 | 1 | 3 | 8 | 5 | 7 | 2 | 11 | 10 | 6 |
| Talma, Louise | Seven Episodes for flute, viola and piano | 1986-87 | 0 | 9 | 11 | 4 | 6 | 3 | 8 | 1 | 10 | 2 | 5 | 7 |
| Talma, Louise | Six Etudes, Etude 1 | 1953-54 | 0 | 3 | 6 | 8 | 10 | 2 | 5 | 7 | 9 | 1 | 11 | 4 |
| Talma, Louise | Six Etudes, Etude 2 | 1953-54 | 0 | 3 | 9 | 5 | 11 | 2 | 8 | 4 | 10 | 6 | 1 | 7 |
| Talma, Louise | Six Etudes, Etude 3 | 1954 | 0 | 8 | 11 | 9 | 4 | 6 | 3 | 5 | 2 | 1 | 7 | 10 |
| Talma, Louise | Six Etudes, Etude 4 | 1953-54 | 0 | 1 | 5 | 9 | 4 | 8 | 7 | 6 | 11 | 2 | 10 | 3 |
| Talma, Louise | Six Etudes, Etude 5 | 1953-54 | 0 | 4 | 6 | 11 | 8 | 3 | 9 | 1 | 5 | 7 | 2 | 10 |
| Talma, Louise | Six Etudes, Etude 6 | 1953-54 | 0 | 8 | 6 | 9 | 4 | 5 | 2 | 1 | 3 | 10 | 7 | 11 |
| Talma, Louise | Soundshots, "Whirring Pin Wheels" | 1974 | 0 | 2 | 5 | 1 | 10 | 11 | 7 | 8 | 9 | 6 | 3 | 4 |
| Talma, Louise | Three Bagatelles, Bagatelle 1 | 1955 | 0 | 1 | 3 | 5 | 10 | 4 | 9 | 7 | 2 | 6 | 11 | 8 |
| Talma, Louise | Three Bagatelles, Bagatelle 2 | 1955 | 0 | 8 | 1 | 2 | 7 | 4 | 10 | 11 | 3 | 6 | 9 | 5 |
| Talma, Louise | Three Bagatelles, Bagatelle 3 | 1955 | 0 | 3 | 4 | 1 | 5 | 8 | 10 | 7 | 2 | 11 | 6 | 9 |
| Toufektsis, Orestis | MIKRO-ALLAXI (EpiEnteka II), für 15 Musiker | 2006 | 0 | 8 | 3 | 7 | 2 | 4 | 10 | 11 | 1 | 6 | 9 | 5 |
| Tranchell, Peter | Dodecafonia [no.6 for piano] | 1950 | 0 | 1 | 3 | 4 | 5 | 7 | 8 | 10 | 11 | 2 | 6 | 9 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 1A | 1950s? | 0 | 10 | 9 | 1 | 4 | 8 | 7 | 2 | 5 | 11 | 3 | 6 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 2A | 1950s? | 0 | 11 | 9 | 5 | 6 | 7 | 10 | 8 | 3 | 2 | 1 | 4 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 3 | 1950s? | 0 | 10 | 8 | 4 | 3 | 6 | 5 | 11 | 9 | 1 | 2 | 7 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 4 | 1950s? | 0 | 7 | 6 | 1 | 3 | 4 | 2 | 11 | 9 | 5 | 10 | 8 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 5 | 1950s? | 0 | 4 | 3 | 10 | 6 | 9 | 1 | 5 | 2 | 8 | 11 | 7 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 6 | 1950s? | 0 | 8 | 3 | 6 | 4 | 9 | 10 | 5 | 7 | 1 | 11 | 2 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 7 | 1950s? | 0 | 2 | 11 | 8 | 5 | 3 | 10 | 9 | 1 | 7 | 6 | 4 |
| Tranchell, Peter | Piano piece for Carl Dawson (unfinished), 8 | 1950s? | 0 | 4 | 3 | 11 | 6 | 8 | 2 | 9 | 10 | 7 | 1 | 5 |
| Tranchell, Peter | Septet : [for] 2 violins, oboe, clarinet, horn, bassoon, cello : fifth dodecafonia | 1940s? | 0 | 2 | 1 | 10 | 3 | 4 | 11 | 6 | 5 | 9 | 8 | 7 |
| Tranchell, Peter | Twice a Kiss sketch 1 | 1950/03/18 | 0 | 9 | 1 | 2 | 4 | 8 | 5 | 7 | 10 | 6 | 3 | 11 |
| Tranchell, Peter | Twice a Kiss sketch 2 | 1950/03/18 | 0 | 9 | 1 | 2 | 4 | 8 | 3 | 11 | 5 | 6 | 7 | 10 |
| Tranchell, Peter | Twice a Kiss sketch 3 | 1950/03/18 | 0 | 1 | 2 | 4 | 8 | 9 | 7 | 5 | 3 | 6 | 10 | 11 |
| Urbanner, Erich | Adagio | 1966 | 0 | 3 | 1 | 11 | 10 | 9 | 8 | 7 | 6 | 4 | 2 | 5 |
| Volkonsky, Andrei | Musica Stricta, mvt 2, row A | 1956-57 | 0 | 6 | 8 | 9 | 11 | 10 | 1 | 7 | 2 | 3 | 5 | 4 |
| Volkonsky, Andrei | Musica Stricta, mvt 2, row B | 1956-57 | 0 | 3 | 1 | 4 | 11 | 6 | 5 | 10 | 7 | 2 | 8 | 9 |
| Volkonsky, Andrei | Musica Stricta, mvt 2, row C | 1956-57 | 0 | 10 | 11 | 9 | 4 | 5 | 7 | 2 | 1 | 3 | 6 | 8 |
| Volkonsky, Andrei | Musica Stricta, mvt 2, row D | 1956-57 | 0 | 4 | 9 | 2 | 8 | 10 | 11 | 1 | 3 | 7 | 5 | 6 |
| Volkonsky, Andrei | Musica Stricta, mvt 3, row E | 1956-57 | 0 | 4 | 9 | 5 | 10 | 1 | 2 | 6 | 7 | 8 | 11 | 3 |
| Volkonsky, Andrei | Musica Stricta, mvt 3, row F | 1956-57 | 0 | 1 | 9 | 3 | 5 | 6 | 7 | 11 | 10 | 8 | 4 | 2 |
| Volkonsky, Andrei | Musica Stricta, mvt 4, row G | 1956-57 | 0 | 6 | 5 | 4 | 3 | 2 | 1 | 11 | 9 | 10 | 8 | 7 |
| Volkonsky, Andrei | Musica Stricta, mvt 4, row H | 1956-57 | 0 | 6 | 4 | 9 | 8 | 2 | 7 | 1 | 11 | 5 | 10 | 3 |
| Walker, George | Spatials | 1961 | 0 | 3 | 9 | 11 | 2 | 8 | 7 | 5 | 4 | 1 | 10 | 6 |
| Walton, William | Symphony, No.2 | 1957-60 | 0 | 3 | 7 | 8 | 2 | 11 | 6 | 5 | 9 | 10 | 4 | 1 |
| Wang, Jian-Zhong | Five Pieces for Piano no. 1, "Pastorale" | 0 | 3 | 5 | 6 | 1 | 8 | 9 | 7 | 10 | 11 | 2 | 4 | |
| Wang, Jian-Zhong | Five Pieces for Piano no. 1, "Pastorale" (variant) | 0 | 3 | 5 | 7 | 4 | 2 | 11 | 9 | 6 | 8 | 10 | 1 | |
| Wang, Xi-Lin | A Dilapidated Tombstone | 0 | 4 | 6 | 3 | 2 | 10 | 11 | 5 | 8 | 9 | 7 | 1 | |
| Weber, Ben | Fantasia (Variations), Op.25 | 1946 | 0 | 1 | 5 | 9 | 10 | 2 | 6 | 11 | 7 | 4 | 3 | 8 |
| Weber, Ben | Five Bagatelles for Piano, Op.2, mvt ii | 1939 | 0 | 1 | 2 | 9 | 6 | 7 | 4 | 8 | 5 | 11 | 10 | 3 |
| Weber, Ben | Five Bagatelles for Piano, Op.2, mvt iii | 1939 | 0 | 4 | 10 | 1 | 5 | 9 | 6 | 11 | 3 | 8 | 2 | 7 |
| Weber, Ben | Five Bagatelles for Piano, Op.2, mvt iv | 1939 | 0 | 6 | 8 | 3 | 4 | 5 | 2 | 7 | 9 | 1 | 10 | 11 |
| Weber, Ben | Five Bagatelles for Piano, Op.2, mvt v | 1939 | 0 | 9 | 1 | 8 | 2 | 7 | 3 | 5 | 6 | 4 | 11 | 10 |
| Weber, Ben | Humoreske, Op.49 | 1958 | 0 | 2 | 4 | 5 | 7 | 10 | 1 | 11 | 9 | 8 | 6 | 3 |
| Weber, Ben | Intermezzo | 1972 | 0 | 4 | 11 | 9 | 8 | 3 | 6 | 1 | 2 | 5 | 10 | 7 |
| Weber, Ben | Lyric Piece, Op.40a | 1953-54 | 0 | 1 | 5 | 4 | 10 | 2 | 8 | 6 | 3 | 9 | 7 | 11 |
| Webern, Anton | 2 Lieder, "Weiss Wie Lilien", Op.19, No.1 | 1925-26 | 0 | 3 | 11 | 10 | 8 | 2 | 1 | 6 | 7 | 4 | 9 | 5 |
| Webern, Anton | 2 Lieder, "Ziehn Die Schafe", Op.19, No.2 | 1925-26 | 0 | 8 | 1 | 10 | 11 | 4 | 3 | 9 | 7 | 6 | 2 | 5 |
| Webern, Anton | 3 Lieder, "Ave, Regina Coelorum", Op.18, No.3 | 1925 | 0 | 11 | 3 | 2 | 1 | 7 | 6 | 10 | 9 | 8 | 5 | 4 |
| Webern, Anton | 3 Lieder, "Erlösung", Op.18, No.2 | 1925 | 0 | 3 | 11 | 2 | 10 | 1 | 9 | 5 | 8 | 4 | 7 | 6 |
| Webern, Anton | 3 Lieder, "Schatzerl Klein", Op.18, No.1 | 1925 | 0 | 11 | 5 | 8 | 10 | 9 | 3 | 4 | 1 | 7 | 2 | 6 |
| Webern, Anton | 3 Volkstexte, "Armer Sunder, Du", Op.17, No.1 | 1924-25 | 0 | 11 | 6 | 7 | 4 | 5 | 8 | 9 | 10 | 1 | 2 | 3 |
| Webern, Anton | 3 Volkstexte, "Heiland, Unsere Missetaten...", Op.17, No.3 | 1925 | 0 | 9 | 8 | 7 | 11 | 10 | 4 | 5 | 6 | 3 | 2 | 1 |
| Webern, Anton | 3 Volkstexte, "Liebste Jungfrau", Op.17, No.2 | 1924-25 | 0 | 11 | 10 | 6 | 7 | 1 | 2 | 5 | 4 | 3 | 8 | 9 |
| Webern, Anton | Cantata I, Op.29 | 1938-39 | 0 | 8 | 11 | 10 | 2 | 1 | 4 | 3 | 7 | 6 | 9 | 5 |
| Webern, Anton | Cantata II, Op.31 | 1941-43 | 0 | 3 | 11 | 10 | 2 | 9 | 1 | 5 | 4 | 8 | 7 | 6 |
| Webern, Anton | Concerto for Nine Instruments (Konzert), Op.24 | 1931-34 | 0 | 11 | 3 | 4 | 8 | 7 | 9 | 5 | 6 | 1 | 2 | 10 |
| Webern, Anton | Das Augenlicht, Op.26 | 1935 | 0 | 2 | 1 | 4 | 3 | 7 | 8 | 5 | 9 | 6 | 10 | 11 |
| Webern, Anton | Kinderstück | 1924 | 0 | 1 | 9 | 8 | 7 | 10 | 11 | 6 | 5 | 4 | 3 | 2 |
| Webern, Anton | Klavierstück | 1925 | 0 | 1 | 2 | 11 | 10 | 4 | 5 | 6 | 9 | 8 | 7 | 3 |
| Webern, Anton | Op.32 (un-finished), initial sketch | 1945 | 0 | 1 | 9 | 11 | 3 | 2 | 7 | 6 | 10 | 8 | 4 | 5 |
| Webern, Anton | Op.32 (un-finished), later sketch | 1945 | 0 | 1 | 2 | 11 | 10 | 9 | 5 | 4 | 3 | 6 | 7 | 8 |
| Webern, Anton | Quartet for Violin, Clarinet, Tenor Sax, And Piano, Op.22 | 1928-30 | 0 | 9 | 8 | 11 | 10 | 2 | 3 | 4 | 5 | 7 | 1 | 6 |
| Webern, Anton | String Quartet, Op.28 | 1937-38 | 0 | 11 | 2 | 1 | 5 | 6 | 3 | 4 | 8 | 7 | 10 | 9 |
| Webern, Anton | String Trio, Op.20 | 1926-27 | 0 | 11 | 6 | 5 | 10 | 9 | 1 | 2 | 7 | 8 | 4 | 3 |
| Webern, Anton | Symphony, Op.21 | 1927-28 | 0 | 3 | 2 | 1 | 5 | 4 | 10 | 11 | 7 | 8 | 9 | 6 |
| Webern, Anton | Three Songs on Texts by Hildegard Jone, Op.25 | 1934 | 0 | 9 | 8 | 11 | 6 | 10 | 7 | 4 | 3 | 5 | 2 | 1 |
| Webern, Anton | Three Songs, Op.23 | 1933-34 | 0 | 7 | 11 | 8 | 2 | 10 | 6 | 9 | 5 | 4 | 1 | 3 |
| Webern, Anton | Variations for Orchestra, Op.30 | 1940 | 0 | 1 | 4 | 3 | 2 | 5 | 6 | 9 | 8 | 7 | 10 | 11 |
| Webern, Anton | Variations for Piano, Op.27 | 1936 | 0 | 8 | 7 | 11 | 10 | 9 | 3 | 1 | 4 | 2 | 6 | 5 |
| Weiss, Adolph | Prelude for Piano, No.11 | 1927 | 0 | 6 | 4 | 11 | 1 | 3 | 10 | 8 | 9 | 7 | 5 | 2 |
| Westergaard, Peter | Mr. and Mrs. Discobbolos | 1966 | 0 | 2 | 1 | 4 | 3 | 5 | 8 | 6 | 10 | 7 | 11 | 9 |
| Wilson, Olly | Piece for Four' | 1966 | 0 | 8 | 9 | 4 | 2 | 6 | 7 | 11 | 10 | 3 | 5 | 1 |
| Wolpe, Stefan | Form for Piano | 1959 | 0 | 9 | 2 | 1 | 11 | 8 | 10 | 6 | 5 | 7 | 3 | 4 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.1 - Study on Tritones | 1935-36 | 0 | 6 | 7 | 1 | 2 | 8 | 11 | 5 | 10 | 4 | 9 | 3 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.2 - Study on Thirds | 1935-36 | 0 | 11 | 9 | 8 | 10 | 7 | 6 | 5 | 3 | 2 | 4 | 1 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 1 | 1935-36 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 10 | 1935-36 | 0 | 10 | 1 | 11 | 4 | 2 | 5 | 3 | 8 | 6 | 9 | 7 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 11 | 1935-36 | 0 | 11 | 2 | 1 | 4 | 3 | 6 | 5 | 8 | 7 | 10 | 9 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 2 | 1935-36 | 0 | 2 | 4 | 6 | 8 | 10 | 11 | 1 | 3 | 5 | 7 | 9 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 3 | 1935-36 | 0 | 3 | 1 | 4 | 2 | 5 | 6 | 9 | 7 | 10 | 8 | 11 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 4 | 1935-36 | 0 | 4 | 8 | 2 | 6 | 10 | 3 | 7 | 11 | 5 | 9 | 1 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 5 | 1935-36 | 0 | 5 | 2 | 7 | 4 | 9 | 6 | 11 | 8 | 1 | 10 | 3 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 6 | 1935-36 | 0 | 6 | 1 | 7 | 2 | 8 | 3 | 9 | 4 | 10 | 5 | 11 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 7 | 1935-36 | 0 | 7 | 2 | 9 | 4 | 11 | 6 | 1 | 8 | 3 | 10 | 5 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 8 | 1935-36 | 0 | 8 | 4 | 1 | 9 | 5 | 2 | 10 | 6 | 3 | 11 | 7 |
| Wolpe, Stefan | Four Studies on Basic Rows, No.4, "Basic Row" 9 | 1935-36 | 0 | 9 | 1 | 10 | 2 | 11 | 6 | 3 | 7 | 4 | 8 | 5 |
| Wuorinen, Charles | Flute Variations II | 1968 | 0 | 1 | 3 | 2 | 5 | 4 | 9 | 10 | 6 | 8 | 7 | 11 |
| Wuorinen, Charles | Piano Concerto, No.3 | 1983 | 0 | 5 | 2 | 1 | 11 | 3 | 10 | 9 | 4 | 6 | 8 | 7 |
| Wuorinen, Charles | Reliquary for Igor Stravinsky | 1975 | 0 | 11 | 7 | 5 | 6 | 8 | 2 | 4 | 9 | 3 | 1 | 10 |
| Wuorinen, Charles | Second Sonata, Source set | 1976 | 0 | 2 | 10 | 3 | 5 | 7 | 6 | 4 | 1 | 11 | 9 | 8 |
| Wuorinen, Charles | Second Sonata, Voice 2 | 1976 | 0 | 2 | 10 | 9 | 11 | 1 | 6 | 4 | 7 | 5 | 3 | 8 |
| Wuorinen, Charles | Second Sonata, Voice 3 | 1976 | 0 | 2 | 4 | 3 | 5 | 1 | 9 | 7 | 11 | 10 | 8 | 6 |
| Wuorinen, Charles | Sonata for Piano | 1969 | 0 | 3 | 2 | 4 | 5 | 1 | 11 | 8 | 9 | 7 | 6 | 10 |
| Wuorinen, Charles | Third Piano Sonata | 1986 | 0 | 7 | 5 | 2 | 10 | 9 | 3 | 4 | 8 | 11 | 1 | 6 |
| Yi, Chen | Near Distance | 1988 | 0 | 1 | 10 | 3 | 4 | 6 | 8 | 9 | 11 | 5 | 7 | 2 |
| Yi, Chen | Symphony, No.2 | 1993 | 0 | 6 | 2 | 3 | 7 | 9 | 10 | 4 | 5 | 11 | 8 | 1 |
| Yi, Chen | Woodwind Quintet | 1987 | 0 | 11 | 1 | 7 | 9 | 8 | 10 | 4 | 6 | 5 | 2 | 3 |
| Yun, Isang | Funf Stücke für Klavier, Stück 1, Row 1 | 1958 | 0 | 4 | 2 | 6 | 5 | 8 | 7 | 9 | 3 | 1 | 10 | 11 |
| Yun, Isang | Funf Stücke für Klavier, Stück 1, Row 2 | 1958 | 0 | 11 | 10 | 4 | 2 | 1 | 3 | 6 | 5 | 9 | 7 | 8 |
| Yun, Isang | Funf Stücke für Klavier, Stück 2 | 1958 | 0 | 9 | 8 | 4 | 6 | 7 | 10 | 1 | 3 | 5 | 2 | 11 |
| Yun, Isang | Funf Stücke für Klavier, Stück 3, Row 1 | 1958 | 0 | 11 | 1 | 9 | 10 | 7 | 5 | 6 | 8 | 2 | 3 | 4 |
| Yun, Isang | Funf Stücke für Klavier, Stück 3, Row 2 | 1958 | 0 | 4 | 2 | 8 | 5 | 6 | 7 | 9 | 3 | 11 | 10 | 1 |
| Yun, Isang | Funf Stücke für Klavier, Stück 4 | 1958 | 0 | 1 | 7 | 8 | 11 | 3 | 4 | 9 | 5 | 2 | 6 | 10 |
| Yun, Isang | Funf Stücke für Klavier, Stück 5 | 1958 | 0 | 11 | 6 | 3 | 2 | 10 | 9 | 1 | 5 | 4 | 8 | 7 |
| Yun, Isang | Garak | 1963 | 0 | 3 | 6 | 1 | 4 | 5 | 7 | 10 | 9 | 11 | 8 | 2 |
| Yun, Isang | Gasa | 1963 | 0 | 11 | 7 | 8 | 6 | 5 | 2 | 9 | 10 | 1 | 3 | 4 |
| Yun, Isang | Piri for solo oboe | 1971 | 0 | 1 | 7 | 4 | 5 | 11 | 10 | 6 | 8 | 2 | 3 | 9 |
| Yun, Isang | Riul für Klarinette und Klavier | 1968 | 0 | 5 | 6 | 9 | 8 | 4 | 3 | 7 | 1 | 2 | 11 | 10 |
| Zappa, Frank | Brown Shoes Don't Make It | 1967 | 0 | 11 | 3 | 2 | 9 | 1 | 7 | 8 | 4 | 10 | 5 | 6 |
| Zappa, Frank | Waltz | 1958/12/22 | 0 | 11 | 3 | 2 | 9 | 1 | 7 | 8 | 4 | 10 | 5 | 6 |
| Zenk, Ludwig | Abend in Lans, Op.3, No.2 | 1934 | 0 | 1 | 6 | 4 | 5 | 2 | 7 | 8 | 3 | 10 | 11 | 9 |
| Zenk, Ludwig | Adagio for Orchestra | 1935 | 0 | 3 | 11 | 8 | 6 | 2 | 7 | 5 | 9 | 4 | 1 | 10 |
| Zenk, Ludwig | An einen Springbrunnnen, Op.6, No.1 | 1935 | 0 | 2 | 3 | 7 | 6 | 10 | 9 | 1 | 5 | 11 | 4 | 8 |
| Zenk, Ludwig | Piano Sonata, No.2, Op.4 | 1935-37 | 0 | 11 | 6 | 8 | 7 | 10 | 5 | 4 | 9 | 2 | 1 | 3 |
| Zenk, Ludwig | Piano Sonata, Op.1 | 1932-33 | 0 | 1 | 8 | 4 | 6 | 5 | 2 | 10 | 9 | 3 | 11 | 7 |
| Zenk, Ludwig | Tränen, Op.5, No.4 | 1935 | 0 | 8 | 7 | 4 | 5 | 11 | 10 | 2 | 3 | 6 | 1 | 9 |
| Zhou, Jin-Min | Piano Quintet, Scherzo | 0 | 10 | 5 | 4 | 6 | 11 | 7 | 9 | 2 | 3 | 1 | 8 | |
| Zillig, Wilfried | Das Opfer | 1937 | 0 | 11 | 3 | 4 | 8 | 7 | 10 | 9 | 1 | 2 | 6 | 5 |
| Zillig, Wilfried | Die Windsbraut | 1940 | 0 | 3 | 7 | 9 | 10 | 2 | 5 | 11 | 1 | 4 | 6 | 8 |
| Zimmerman, Bernd Alois | Perspektiven | 1955-56 | 0 | 2 | 10 | 8 | 4 | 6 | 3 | 1 | 5 | 7 | 11 | 9 |
| Zimmermann, Bernd Alois | 'Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne' | 1970 | 0 | 1 | 11 | 2 | 10 | 3 | 9 | 4 | 8 | 5 | 7 | 6 |
| hauer, Josef Matthias | Zwölftonspiel für Oechester. 28. 9. 1954 | 1954/9/28 | 0 | 5 | 7 | 4 | 6 | 1 | 9 | 3 | 8 | 11 | 10 | 2 |
Musical Notation
Rows in the Repertoire by FourScoreAndMore
Anthology
The following sections interpret that list somewhat, looking for the presence of certain properties. For a longer introduction to what these properties mean, please see the Row Properties chapter.
Re-used Rows
We begin with rows used more than once in this collection. This takes account of transposition (by comparing P0 forms), but not inversion or retrograde equivalence. This list is short and largely limited to “famous” rows like the so-called “mother” chord (Berg, Ginastera, Klein) and cases of homage such as the Boulez-Messiaen and Payne-Lutyens pairs.
- [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]: Babbitt, Milton: Composition for Four Instruments; Schwantner, Joseph: In Aeternum (Derived Row)
- [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5]: Babbitt, Milton: Relata I; Babbitt, Milton: Relata II
- [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]: Babbitt, Milton: Semi-simple variations; Stockhausen, Karlheinz: Gruppen; Stockhausen, Karlheinz: Klavierstück IX; Stockhausen, Karlheinz: Klavierstück VII; Stockhausen, Karlheinz: Klavierstück X
- [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]: Babbitt, Milton: String Quartet, No.2; Morris, Robert: Roundelay, row 5
- [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]: Bach, Johann Sebastian: Chromatische Fantasie; Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2
- [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2]: Baker, David: “Status Symbol” from “The Black Experience”; Seiber, Mátyás: Ulysses; Spinner, Leopold: String Quartet, No.2, Op.7
- [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]: Barber, Samuel: Piano Sonata, Op.26; Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals)
- [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]: Berg, Alban: Lyric Suite, Primary Row / mvt I; Berg, Alban: Schliesse mir die Augen Beide; Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III; Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1; Klein, Fritz Heinrich: Variationen, Op.14; Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord)
- [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]: Berg, Alban: Lyric Suite, mvt I; Eisler, Hanns: Der Zweck der Musik; Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
- [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]: Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude; Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente; Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016; Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1
- [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8]: Boulez, Pierre: Structures Ia; Messiaen, Olivier: Mode de valeurs et d’intensités, Series 1
- [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]: Britten, Benjamin: The Turn of the Screw; Lackner, Peter: Kanon T2 à 6; Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5
- [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]: Carter, Elliott: String Quartet, No.2 (sketch) 2; Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
- [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6]: Dallapiccola, Luigi: Canti di Liberazione; Dallapiccola, Luigi: Quaderno musicale di Annalibera; Dallapiccola, Luigi: Variazioni per orchestra
- [0, 6, 11, 10, 1, 3, 5, 8, 7, 2, 4, 9]: Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.1; Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.1 (first row)
- [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]: Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46; Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11
- [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]: Fine, Vivian: Chaconne for piano; Ginastera, Alberto: Quintet, Op.29, Row Class VII S; Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord)
- [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5]: Florey, Hans: Griechisch-lateinisches Quadrat der Ordnung 4 mit Fuge in Klangnotation; Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen; Hauer, Josef Matthias: Zwölftonmusik [Zwölftonspiel] für Klavier zu vier Händen. Februar 1959 (Fragment)
- [0, 1, 4, 6, 5, 3, 11, 10, 9, 7, 8, 2]: Florey, Hans: Kanonvariationen; Hauer, Josef Matthias: 1. canonic Example from the theoretical work ‘Zwölftontechnik’
- [0, 4, 6, 3, 8, 9, 7, 2, 1, 5, 11, 10]: Florey, Hans: Kleiner Doppelkanon; Florey, Hans: Magisches Quadrat der Ordnung 3
- [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11]: Florey, Hans: Magischer Würfel mit 6 Spiegelpunkten; Florey, Hans: Sechs Kanonzyklen einunddesselben magischen Quadrates
- [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]: Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano; Lang, Bernhard: Der Reigen; Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals
- [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7]: Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2; Ginastera, Alberto: Violin Concerto, Op.30
- [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10]: Ginastera, Alberto: Quintet, Op.29, Row Class III 2; Ginastera, Alberto: Quintet, Op.29, Row Class VII 2
- [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1; Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts); Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts); Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
- [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2; Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
- [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 3; Slonimsky, Nicholas: No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
- [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5; Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts)
- [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]: Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6; Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns)
- [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7]: Gotham, Mark: Move On!; Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5
- [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5]: Hauer, Josef Matthias: ‘Salambo’, opera after Gustave Flaubert;, Op.60; Lackner, Peter: Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008; Matthias, Josef: Salambo, Op.60
- [0, 9, 6, 11, 4, 1, 10, 5, 2, 8, 3, 7]: Hauer, Josef Matthias: Hausmusik [Zwölftonspiel] für Klavier zu vier Händen. September 1958; Hauer, Josef Matthias: Schulmusik für zwei Klaviere. 3. Oktober 1958; Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für Violine, Bratsche und Klavier zu vier Händen. 6. September 1958; Hauer, Josef Matthias: Zwölftonspiel 22. Mai 1958; für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen; Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen
- [0, 5, 7, 3, 9, 6, 11, 2, 8, 4, 1, 10]: Hauer, Josef Matthias: Nomos; Hauer, Josef Matthias: Nomos, Op.19 (bb.1-36)
- [0, 9, 8, 5, 10, 2, 11, 6, 3, 7, 4, 1]: Hauer, Josef Matthias: Zwölftonspiel 26. August 1948; für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel für Violine allein mit einer Zwölftonreihe von Dr. Ernst Weidinger
- [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1]: Hauer, Josef Matthias: Zwölftonspiel 28. August 1948; für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine (Flöte) und Klavier; Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine und Klavier; 2. Fassung; Hauer, Josef Matthias: Zwölftonspiel für Violine und Cembalo [Klavier]. 27. August 1948
- [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5]: Hauer, Josef Matthias: Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier; Hauer, Josef Matthias: Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier
- [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5]: Hauer, Josef Matthias: Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier; Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier; Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello (‘Ins Räumliche übertragen’). 3. September 1953; Hauer, Josef Matthias: Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953
- [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8]: Hauer, Josef Matthias: Zwölftonspiel für Klavier. 11. Juni 1955; Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. Mai 1955
- [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2]: Hauer, Josef Matthias: Zwölftonspiel für Orchester. 28. 9. 1954; hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954
- [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]: Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1; Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
- [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5]: Krenek, Ernst: Studies in Counterpoint; Krenek, Ernst: Studies in Counterpoint (i); Krenek, Ernst: Suite, Op.84 for solo cello
- [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]: Krenek, Ernst: Studies in Counterpoint (ii); Krenek, Ernst: Symeon, der Stylit
- [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8]: Lackner, Peter: ‘Der Winter’; Lackner, Peter: Kanon für Klavierquartett. 27. April 1991
- [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]: Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott.; Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004
- [0, 3, 5, 11, 7, 10, 1, 8, 4, 9, 6, 2]: Lackner, Peter: ‘Lied des Harfenmädchens’ für Frauenstimme und Klavier; Lackner, Peter: ‘Lied des Harfenmädchens II’ für Flöte, Klarinette, Posaune, Violine, Cello und Klavier
- [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6]: Lackner, Peter: ‘Ständchen’ für zwei Violinen und zwei Bratschen. 1913,2013; Lackner, Peter: Kanon für Violine, Bratsche und Klavier; Lackner, Peter: Kanon á 4
- [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8]: Lackner, Peter: ‘Wo ist der Freund’ (erstes Lied aus dem Zyklus ‘Wilde Erdbeeren’ für Singstimme und Klavier); Lackner, Peter: Moebius-Band für Flöte, Violine, Violoncello und Klavier; Lackner, Peter: Moebius-Band für sechs Violinen
- [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]: Lackner, Peter: 2. Kanonzyklus; Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999
- [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2]: Lackner, Peter: 3. Kanonzyklus; Lackner, Peter: Kanon für Klavier
- [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8]: Lackner, Peter: 4. Kanonzyklus; Lackner, Peter: Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier; Lackner, Peter: Kanon für Klavier. April 2000
- [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]: Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008; Lackner, Peter: Kanon für Streichquartett. 22.September 2003
- [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4]: Lackner, Peter: Kanon T3 à 4; Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
- [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8]: Lackner, Peter: Kanon für Cello und Klavier; Lackner, Peter: Kanon für Klavier. 5. April 1989; Lackner, Peter: Kanon für Violine und Violoncello
- [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3]: Lackner, Peter: Kanon für Klavier zu vier Händen. Frühling 1984; Lackner, Peter: Kanon für zwei Violinen und Klavier. Frühjahr 1984
- [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5]: Lackner, Peter: Kanon für acht Instrumente. Dezember 1991, März 2007; Lackner, Peter: Kanon für drei Bratschen
- [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]: Liszt, Franz: Eine Faust Symphonie; Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1; Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
- [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]: Luo, Zhong-Rong: Chang’e; Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals); Wuorinen, Charles: Third Piano Sonata
- [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4]: Luo, Zhong-Rong: Dusk, row 1; Luo, Zhong-Rong: Evening
- [0, 2, 5, 7, 4, 11, 6, 8, 1, 3, 9, 10]: Luo, Zhong-Rong: Sonatina, mvt 2; Luo, Zhong-Rong: String Quartet, No.3, row 2
- [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]: Lutosławski, Witold: Musique Funébre (Funeral Music); Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76; Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
- [0, 6, 11, 10, 8, 7, 9, 1, 3, 2, 4, 5]: Lutyens, Elisabeth: The Valley of Hatsu’se; Payne, Antony: Miniature Variations on a Theme of E.L.
- [0, 7, 2, 3, 6, 9, 10, 1, 4, 5, 8, 11]: Maderna, Bruno: Quartetto; Maderna, Bruno: Streichquartett (Basisreihe 1)
- [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]: Messiaen, Olivier: Livre d’orgue; Nono, Luigi: Canti per tredeci; Nono, Luigi: Cori di Didone; Nono, Luigi: Il canto sospeso; Nono, Luigi: La terra e la compagna (sketch), Series 1; Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’
- [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]: Morris, Robert: Knot Lilacs; Morris, Robert: Not Lilacs; Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals
- [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]: Nono, Luigi: Ha venido; Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6
- [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10]: Nono, Luigi: Intolleranza, Tenor 2; Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
- [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2]: Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg; Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2)
- [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]: Sande, Henrik: 4032 Töne für Klavier sechshändig; Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns); Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7
- [0, 2, 3, 6, 7, 11, 1, 9, 4, 8, 5, 10]: Santoro, Claudio: Invenções a duas vozes (Two-Part inventions); Santoro, Claudio: Sonata 1942
- [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]: Schnittke, Alfred: Concerto Grosso, No.3, monogram 1; Schnittke, Alfred: Concerto Grosso, No.3
- [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]: Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row; Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts)
- [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10]: Slonimsky, Nicholas: No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
- [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1]: Slonimsky, Nicholas: No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals); Slonimsky, Nicholas: No. 1250a Crossing Seconds (Crossing Intervals)
- [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]: Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads)
- [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]: Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts)
- [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]: Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads); Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8
- [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3]: Slonimsky, Nicholas: No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns); Slonimsky, Nicholas: No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
- [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11]: Slonimsky, Nicholas: No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns); Slonimsky, Nicholas: No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns)
- [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2]: Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts); Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts)
- [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2]: Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts); Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts)
- [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4]: Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts)
- [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2]: Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
- [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1]: Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
- [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4]: Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
- [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]: Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts); Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts)
- [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1]: Slonimsky, Nicholas: No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts); Slonimsky, Nicholas: No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts)
- [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10]: Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts); Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts)
- [0, 8, 1, 11, 10, 7, 5, 9, 4, 6, 3, 2]: Stockhausen, Karlheinz: Klavierstück “V.5 or Pre-VI” (row of original 1954 version); Stockhausen, Karlheinz: Klavierstück VIII
- [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6]: Zappa, Frank: Brown Shoes Don’t Make It; Zappa, Frank: Waltz
All-Interval
All-interval rows go through all 11 different intervals (1, 2, 3, … 11) between neighbouring pitches in the row.
- Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6]
- Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6]
- Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6]
- Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Babbitt, Milton: Sounds and Words, [0, 9, 2, 4, 8, 3, 11, 10, 1, 7, 5, 6]
- Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]
- Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6]
- Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6]
- Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Carter, Elliott: A Symphony of Three Orchestras, [0, 8, 7, 10, 4, 5, 2, 9, 11, 3, 1, 6]
- Carter, Elliott: Caténaires, [0, 8, 5, 3, 7, 9, 10, 4, 11, 2, 1, 6]
- Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6]
- Carter, Elliott: String Quartet, No.3, [0, 11, 2, 9, 5, 3, 4, 8, 10, 7, 1, 6]
- Dallapiccola, Luigi: Piccola musica notturna, [0, 9, 1, 3, 4, 11, 2, 8, 7, 5, 10, 6]
- Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
- Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6]
- Krenek, Ernst: Studies in Counterpoint (ii), [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]
- Krenek, Ernst: Symeon, der Stylit, [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6]
- Krenek, Ernst: Symphonic Piece for string Orchestra, Op.86, [0, 3, 4, 10, 2, 9, 11, 8, 7, 5, 1, 6]
- Krenek, Ernst: Zwölf Variationen in Drei Sätzen, Op.79, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 8, 6]
- Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6]
- Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
- Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6]
- Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6]
- Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
- Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
- Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
- Morris, Robert: Roundelay, row 5, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6]
- Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6]
- Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6]
- Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
- Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6]
- Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
- Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6]
- Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6]
- Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6]
- Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6]
- Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6]
- Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6]
- Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6]
- Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
- Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6]
- Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6]
- Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6]
- Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6]
- Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6]
- Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
- Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
Self Retrograde
We turn now to classes of row symmetry, beginning with self retrograde rows for which the prime form is transposition-equivalent to its retrograde. The section after this one deals with retrograde inversion symmetry, and rotational symmetry is included as part of the following sections on derived rows (starting with “6x Same Dyad”).
- Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]
- Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6]
- Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6]
- Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6]
- Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6]
- Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6]
- Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6]
- Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6]
- Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6]
- Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]
- Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6]
- Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
- Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]
- Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6]
- Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6]
- Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6]
- Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]
- Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6]
- Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6]
- Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6]
- Lackner, Peter: Kanon für Violine, Viola und Akkordeon. 11. Juni 2007, [0, 11, 1, 2, 3, 10, 4, 9, 8, 7, 5, 6]
- Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6]
- Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6]
- Lackner, Peter: Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993, [0, 1, 2, 10, 3, 5, 11, 9, 4, 8, 7, 6]
- Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6]
- Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6]
- Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
- Lang, Bernhard: Hemma (Music Theatre Hemma Klagenfurt 2015), [0, 5, 10, 2, 3, 1, 7, 9, 8, 4, 11, 6]
- Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6]
- Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6]
- Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
- Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
- Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
- Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
- Riegebauer, Sigrid: Toccata, [0, 3, 1, 2, 11, 10, 4, 5, 8, 7, 9, 6]
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6]
- Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, [0, 2, 3, 1, 4, 5, 11, 10, 7, 9, 8, 6]
- Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6]
- Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6]
- Seiber, Mátyás: String Quartet, No.2, [0, 2, 3, 1, 4, 11, 5, 10, 7, 9, 8, 6]
- Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6]
- Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6]
- Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6]
- Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6]
- Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6]
- Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
- Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6]
- Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6]
- Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6]
- Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6]
- Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6]
- Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6]
- Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6]
- Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6]
- Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6]
- Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6]
- Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6]
- Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6]
- Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6]
- Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6]
- Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6]
- Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6]
- Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6]
- Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6]
- Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6]
- Spinner, Leopold: Ich lieb’ eine Blume for Four-part mixed Choir, [0, 11, 2, 4, 9, 7, 1, 3, 10, 8, 5, 6]
- Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6]
- Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6]
- Spinner, Leopold: Sonatina for Wind Instruments, Op.23, [0, 9, 1, 5, 4, 2, 8, 10, 11, 7, 3, 6]
- Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6]
- Webern, Anton: Symphony, Op.21, [0, 3, 2, 1, 5, 4, 10, 11, 7, 8, 9, 6]
- Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6]
- Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6]
Self Retrograde Inversion
These rows have a palindromic interval succession meaning that the prime is transposition-equivalent to its retrograde-inversion.
- Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]
- Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7]
- Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1]
- Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
- Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5]
- Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3]
- Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
- Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
- Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5]
- Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
- Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11]
- Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9]
- Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9]
- Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5]
- Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7]
- Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5]
- Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7]
- Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
- Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
- Fano, Michel: Sonata for Two Pianos, [0, 6, 10, 7, 9, 8, 3, 2, 4, 1, 5, 11]
- Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11]
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1]
- Ginastera, Alberto: Quintet, Op.29, Row Class III 1, [0, 11, 1, 8, 2, 7, 10, 3, 9, 4, 6, 5]
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9]
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11]
- Hartmann, Karl Amadeus: Symphony, No.4, [0, 1, 3, 2, 11, 4, 5, 10, 7, 6, 8, 9]
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 3, [0, 1, 4, 6, 8, 10, 5, 7, 9, 11, 2, 3]
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 6, [0, 2, 4, 6, 7, 10, 5, 8, 9, 11, 1, 3]
- Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5]
- Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]
- Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
- Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]
- Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
- Lackner, Peter: Kanon für Klavier. 15. Juni 1992, [0, 10, 3, 8, 6, 5, 2, 1, 11, 4, 9, 7]
- Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7]
- Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3]
- Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
- Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1]
- Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5]
- Lackner, Peter: TACET (drittes Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 4, 7, 10, 6, 1, 3]
- Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11]
- Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1]
- Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
- Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7]
- Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
- Maderna, Bruno: Improvvisazione N. 1, [0, 11, 4, 8, 3, 2, 7, 6, 1, 5, 10, 9]
- Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]
- Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5]
- Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5]
- Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1]
- Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7]
- Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
- Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7]
- Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
- Schnittke, Alfred: Concerto, No.2 for Violin and Chamber Orchestra, [0, 11, 1, 2, 10, 3, 4, 9, 5, 6, 8, 7]
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5]
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 1, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]
- Schnittke, Alfred: Concerto Grosso, No.3, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7]
- Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 1, [0, 3, 6, 10, 2, 11, 8, 5, 9, 1, 4, 7]
- Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1]
- Schnittke, Alfred: Viola Concerto, [0, 11, 5, 2, 1, 6, 3, 8, 7, 4, 10, 9]
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9]
- Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5]
- Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5]
- Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3]
- Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9]
- Schwantner, Joseph: Modus Caelestis (m. 39), [0, 6, 11, 10, 5, 9, 4, 8, 3, 2, 7, 1]
- Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1]
- Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11]
- Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7]
- Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7]
- Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
- Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
- Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
- Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
- Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11]
- Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1]
- Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3]
- Slonimsky, Nicholas: No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 2, 10, 6, 4, 1, 9]
- Slonimsky, Nicholas: No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 1, 5, 8, 11, 3]
- Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]
- Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11]
- Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1]
- Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]
- Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
- Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1]
- Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9]
- Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5]
- Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]
- Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3]
- Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5]
- Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7]
- Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5]
- Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3]
- Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1]
- Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
- Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7]
- Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]
- Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
- Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1]
- Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5]
- Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1]
- Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1]
- Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
- Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
- Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7]
- Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
- Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
- Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11]
- Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
- Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
- Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9]
- Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11]
- Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1]
- Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11]
- Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
- Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5]
- Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
- Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3]
- Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1]
- Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7]
- Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11]
- Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1]
- Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11]
- Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5]
- Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11]
- Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3]
- Spinner, Leopold: Variations for Violin and Piano, Op.19, [0, 8, 9, 1, 2, 4, 3, 5, 6, 10, 11, 7]
- Urbanner, Erich: Adagio, [0, 3, 1, 11, 10, 9, 8, 7, 6, 4, 2, 5]
- Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1]
- Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5]
- Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9]
- Webern, Anton: Variations for Orchestra, Op.30, [0, 1, 4, 3, 2, 5, 6, 9, 8, 7, 10, 11]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7]
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5]
- Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5]
6x Same Dyad (interval)
These next four sections set out cases where the discrete sub-segments of a row all form the same pitch class set. The pitch class set in question is given after the row in prime form and rows which are also self-rotational are identified (with the self-rotational interval pattern). This first section presents cases of 6x the same dyad (pitches 1-2, 3-4, 5-6, 7-8, 9-10, and 11-12).
- Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 3)
- Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 3)
- Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3)
- Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
- Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], pc set (0, 5)
- Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
- Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
- Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2)
- Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 6)
- Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 6)
- Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
- Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], pc set (0, 1)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], pc set (0, 6)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 5)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.14, [0, 2, 5, 7, 8, 10, 11, 9, 6, 4, 3, 1], pc set (0, 2)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.29, [0, 1, 6, 7, 8, 9, 11, 10, 5, 4, 3, 2], pc set (0, 1)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.31, [0, 1, 2, 3, 6, 7, 11, 10, 9, 8, 5, 4], pc set (0, 1)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1)
- Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1)
- Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 5)
- Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
- Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
- Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], pc set (0, 5)
- Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 3)
- Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
- Lackner, Peter: Moebiusband I für zwei Melodieinstrumente, [0, 6, 8, 2, 7, 1, 11, 5, 3, 9, 4, 10], pc set (0, 6)
- Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 6)
- Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 6)
- Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
- Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1)
- Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], pc set (0, 6), self-rotational interval pattern 6-7-
- Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5], pc set (0, 6), self-rotational interval pattern 6-1-
- Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], pc set (0, 2)
- Nono, Luigi: Intolleranza, Soprano 1, [0, 3, 4, 7, 8, 5, 6, 9, 10, 1, 2, 11], pc set (0, 3)
- Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1], pc set (0, 6), self-rotational interval pattern 6-5-
- Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1)
- Nono, Luigi: La terra e la compagna (sketch), Series 2, [0, 6, 1, 7, 11, 5, 2, 8, 10, 4, 3, 9], pc set (0, 6)
- Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 3)
- Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], pc set (0, 2)
- Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1)
- Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3)
- Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1)
- Reynolds, Roger: Ambages, [0, 1, 4, 5, 7, 6, 8, 9, 10, 11, 2, 3], pc set (0, 1)
- Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1)
- Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
- Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1)
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1)
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1)
- Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 2, [0, 3, 7, 10, 2, 11, 6, 9, 1, 4, 8, 5], pc set (0, 3)
- Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3)
- Schnittke, Alfred: String Quartet, No.4, mvt 2, m.40, [0, 5, 10, 3, 2, 7, 8, 1, 6, 11, 4, 9], pc set (0, 5)
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1)
- Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1)
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1)
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1)
- Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1)
- Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1)
- Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 3)
- Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 6)
- Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1)
- Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
- Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 5)
- Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 5)
- Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 5)
- Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7], pc set (0, 5), self-rotational interval pattern 5-5-
- Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
- Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
- Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
- Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
- Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 3)
- Slonimsky, Nicholas: No. 1227a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 4, 2, 8, 6, 1, 11, 9, 7, 5, 3], pc set (0, 2)
- Slonimsky, Nicholas: No. 1228a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 2, 4, 8, 6, 11, 1, 5, 3, 7, 9], pc set (0, 2)
- Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1)
- Slonimsky, Nicholas: No. 1230a Major Sevenths (Twelve-Tone Patterns), [0, 11, 3, 4, 8, 7, 1, 2, 6, 5, 9, 10], pc set (0, 1)
- Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1)
- Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3)
- Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3)
- Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3)
- Slonimsky, Nicholas: No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 4, 7, 5, 2, 6, 3, 10, 1, 11, 8], pc set (0, 3)
- Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 5)
- Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 6)
- Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], pc set (0, 1)
- Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], pc set (0, 2)
- Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], pc set (0, 2)
- Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 5)
- Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3)
- Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3)
- Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3)
- Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3)
- Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1], pc set (0, 3), self-rotational interval pattern 3-11-
- Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
- Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
- Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7], pc set (0, 3), self-rotational interval pattern 9-5-
- Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
- Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
- Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1)
- Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], pc set (0, 1)
- Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1)
- Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1)
- Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], pc set (0, 1)
- Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
- Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
- Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], pc set (0, 2)
- Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], pc set (0, 2)
- Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], pc set (0, 2)
- Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
- Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3)
- Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
- Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3], pc set (0, 1), self-rotational interval pattern 1-9-
- Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], pc set (0, 1), self-rotational interval pattern 11-11-
- Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], pc set (0, 6), self-rotational interval pattern 6-11-
- Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], pc set (0, 3)
- Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11], pc set (0, 1)
- Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 3)
- Spinner, Leopold: Sonata for Violin and Piano, Op.1, [0, 7, 6, 1, 3, 8, 5, 10, 2, 9, 4, 11], pc set (0, 5)
- Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 3)
- Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1)
- Talma, Louise: Three Bagatelles, Bagatelle 3, [0, 3, 4, 1, 5, 8, 10, 7, 2, 11, 6, 9], pc set (0, 3)
- Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1)
- Webern, Anton: String Trio, Op.20, [0, 11, 6, 5, 10, 9, 1, 2, 7, 8, 4, 3], pc set (0, 1)
- Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 6)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], pc set (0, 1), self-rotational interval pattern 1-1-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], pc set (0, 2)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], pc set (0, 1), self-rotational interval pattern 11-3-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 3)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], pc set (0, 5), self-rotational interval pattern 5-9-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], pc set (0, 6), self-rotational interval pattern 6-7-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], pc set (0, 5), self-rotational interval pattern 7-7-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 3)
- Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1)
- Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2)
4x Same Trichord
Now for cases of 4x the same trichord (pitches 1-3, 4-6, 7-9 and 10-12).
- Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], pc set (0, 4, 8)
- Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 4)
- Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], pc set (0, 1, 3)
- Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 1, 3)
- Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], pc set (0, 1, 4)
- Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], pc set (0, 1, 4)
- Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
- Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 4, 8)
- Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], pc set (0, 2, 5)
- Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], pc set (0, 2, 4)
- Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
- Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], pc set (0, 2, 4)
- Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], pc set (0, 2, 4)
- Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], pc set (0, 1, 2)
- Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-7-
- Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
- Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2, 4)
- Cordero, Roque: Sonata breve, [0, 1, 4, 11, 10, 7, 5, 8, 9, 6, 3, 2], pc set (0, 1, 4)
- Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], pc set (0, 1, 4)
- Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 2, 6)
- Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
- Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
- Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 6)
- Denisov, Edison: Five Etudes for Solo Bassoon, row G, [0, 11, 5, 10, 4, 3, 9, 8, 2, 1, 6, 7], pc set (0, 1, 6)
- Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6)
- Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 6)
- Dessau, Paul: Les Voix, [0, 11, 6, 8, 9, 3, 4, 10, 5, 7, 2, 1], pc set (0, 1, 6)
- Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
- Eisler, Hanns: Gegen den Krieg, Op.55, [0, 3, 2, 5, 4, 7, 6, 8, 9, 10, 1, 11], pc set (0, 1, 3)
- Finney, Ross Lee: Fantasy in Two Movements for solo violin, [0, 1, 3, 5, 4, 2, 11, 10, 8, 6, 7, 9], pc set (0, 1, 3)
- Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 3)
- Ginastera, Alberto: Cantata para América Mágica, Op.27, [0, 7, 6, 5, 10, 11, 8, 1, 2, 9, 4, 3], pc set (0, 1, 6)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 1, [0, 1, 6, 7, 8, 2, 10, 11, 5, 4, 9, 3], pc set (0, 1, 6)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 3)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 5, [0, 1, 7, 6, 5, 11, 2, 8, 9, 10, 4, 3], pc set (0, 1, 6)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11], pc set (0, 1, 2)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 5)
- Ginastera, Alberto: Violin Concerto, Op.30, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 3)
- Gotham, Mark: Move On!, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 4)
- Harrison, Lou: Untitled Piano Piece, [0, 10, 4, 3, 9, 7, 2, 8, 6, 1, 11, 5], pc set (0, 2, 6)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.362-365), [0, 7, 5, 3, 10, 8, 4, 2, 9, 6, 11, 1], pc set (0, 2, 7)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.15, [0, 1, 3, 6, 7, 9, 11, 10, 8, 5, 4, 2], pc set (0, 1, 3)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.18, [0, 3, 4, 6, 9, 10, 11, 8, 7, 5, 2, 1], pc set (0, 1, 4)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1, 4)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.30, [0, 1, 2, 6, 7, 8, 11, 10, 9, 5, 4, 3], pc set (0, 1, 2)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2, 4)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2)
- Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 1, 3)
- Ives, Charles: On the Antipodes, [0, 3, 11, 8, 4, 7, 10, 9, 6, 2, 5, 1], pc set (0, 1, 4)
- Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6], pc set (0, 1, 4)
- Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5], pc set (0, 1, 4)
- Lackner, Peter: ‘An alle Außerirdischen’. Kanon für drei Singstimmen, Kontrabaß und Klavier, [0, 4, 9, 7, 11, 2, 5, 1, 8, 10, 6, 3], pc set (0, 3, 7)
- Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4)
- Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4)
- Lackner, Peter: Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier, [0, 8, 3, 5, 1, 10, 7, 11, 4, 2, 6, 9], pc set (0, 3, 7)
- Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4)
- Lackner, Peter: Kanon T3 à 4, [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], pc set (0, 2, 7), self-rotational interval pattern 2-5-8-
- Lackner, Peter: Kanon T6 á 2, [0, 10, 8, 3, 1, 5, 6, 4, 2, 9, 7, 11], pc set (0, 2, 4)
- Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6], pc set (0, 1, 2)
- Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 3, 7)
- Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4)
- Lackner, Peter: Kanon für Klavierquartett, [0, 8, 6, 11, 3, 9, 1, 5, 7, 2, 10, 4], pc set (0, 2, 6)
- Lackner, Peter: Kanon für Klavierquartett. 27. Juni 1991, [0, 2, 6, 9, 11, 3, 7, 5, 1, 10, 8, 4], pc set (0, 2, 6)
- Lackner, Peter: Kanon für Klaviertrio, [0, 2, 4, 9, 5, 7, 3, 1, 11, 6, 10, 8], pc set (0, 2, 4)
- Lackner, Peter: Kanon für Orgel, zweimanualiges Cembalo oder Klavier, [0, 7, 2, 11, 4, 9, 6, 8, 1, 5, 3, 10], pc set (0, 2, 7)
- Lackner, Peter: Kanon für Orgel. 21. November 1994, 4. Februar 1995, [0, 8, 5, 1, 4, 9, 2, 11, 7, 3, 10, 6], pc set (0, 3, 7)
- Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7], pc set (0, 4, 8)
- Lackner, Peter: Kanon für Schwegel und zwei Geigen, [0, 6, 4, 2, 10, 8, 9, 3, 5, 7, 11, 1], pc set (0, 2, 6)
- Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4)
- Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6], pc set (0, 1, 3)
- Lackner, Peter: Kanon für drei Violinen I, II August 1998, [0, 2, 10, 4, 8, 6, 1, 9, 11, 5, 3, 7], pc set (0, 2, 4)
- Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1], pc set (0, 2, 5)
- Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6], pc set (0, 2, 5)
- Lackner, Peter: Kanon für zwei Violinen, [0, 7, 4, 5, 9, 2, 3, 8, 11, 10, 6, 1], pc set (0, 3, 7)
- Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6], pc set (0, 2, 4)
- Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4)
- Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 2, 6)
- Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6], pc set (0, 2, 4)
- Lang, Bernhard: ‘Der Golem’ nach Gustav Meyrinck, [0, 4, 7, 8, 11, 3, 5, 2, 9, 1, 10, 6], pc set (0, 3, 7)
- Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11], pc set (0, 1, 4)
- Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 6)
- Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
- Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 2, [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 10, 5], pc set (0, 2, 7)
- Lutyens, Elisabeth: Motet (Excerota Tractati Logico-Philosophici), Op.27, [0, 11, 3, 7, 8, 4, 2, 6, 5, 1, 9, 10], pc set (0, 1, 4)
- Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1, 4)
- Moevs, Robert: Musica da Camera, [0, 1, 11, 3, 4, 2, 9, 10, 8, 7, 5, 6], pc set (0, 1, 2)
- Morris, Robert: Sung Song, [0, 3, 7, 6, 9, 2, 10, 5, 1, 8, 4, 11], pc set (0, 3, 7)
- Nono, Luigi: Incontri, [0, 2, 3, 8, 9, 6, 4, 5, 7, 11, 1, 10], pc set (0, 1, 3)
- Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4)
- Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
- Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1, 3)
- Rochberg, George: Sonata-Fantasia, [0, 11, 10, 4, 5, 6, 9, 8, 7, 1, 2, 3], pc set (0, 1, 2)
- Sande, Henrik: ‘Volkslied’ für zwei Singstimmen und Klavier. 24. 12. 2015, [0, 2, 4, 5, 7, 9, 10, 8, 6, 3, 1, 11], pc set (0, 2, 4)
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1, 3)
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 3)
- Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2)
- Schoenberg, Arnold: Die Jakobsleiter, [0, 1, 4, 3, 7, 6, 11, 2, 10, 9, 5, 8], pc set (0, 1, 4)
- Schoenberg, Arnold: Modern Psalms, The First Psalm, Op.50c, [0, 11, 8, 4, 7, 3, 1, 5, 2, 6, 9, 10], pc set (0, 1, 4)
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1, 4)
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4)
- Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5], pc set (0, 1, 3)
- Schoenberg, Arnold: Suite, Op.29, [0, 4, 3, 7, 11, 8, 9, 6, 5, 1, 2, 10], pc set (0, 1, 4)
- Schoenberg, Arnold: Three Songs, No.3, “Madchenlied”, Op.48, [0, 6, 8, 10, 2, 4, 9, 5, 3, 11, 7, 1], pc set (0, 2, 6)
- Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1, 4)
- Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1, 4)
- Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 4)
- Schwantner, Joseph: In Aeternum (Principal Row), [0, 4, 11, 6, 10, 5, 1, 9, 2, 7, 3, 8], pc set (0, 1, 5)
- Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
- Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 2, 7)
- Slonimsky, Nicholas: No. 1223a Sixths (Twelve-Tone Patterns), [0, 8, 4, 1, 5, 9, 6, 2, 10, 7, 11, 3], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1225a Sixths (Twelve-Tone Patterns), [0, 8, 4, 7, 11, 3, 6, 2, 10, 1, 5, 9], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1226a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 8, 2, 4, 6, 1, 11, 9, 3, 5, 7], pc set (0, 2, 4)
- Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1, 2)
- Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 5)
- Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1251a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 2, 5, 8, 11, 4], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1251b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 6, 2, 10, 7, 4, 1, 9], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 2, 6, 8, 11, 4], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 10, 6, 2, 11, 7, 4, 1, 9], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1253a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 11, 3, 6, 9, 2], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1253b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 9, 6, 4, 11, 7, 5, 2, 10], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 10, 6, 4, 11, 7, 5, 2, 9], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 9, 6, 5, 1, 10, 7, 4, 11], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 11, 4, 6, 9, 1], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 2, 11, 7, 5, 1, 8, 6, 3, 10], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-1-
- Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
- Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], pc set (0, 4, 8), self-rotational interval pattern 4-4-3-
- Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], pc set (0, 4, 8), self-rotational interval pattern 8-8-9-
- Slonimsky, Nicholas: No. 1272a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 5, 2, 11, 8, 4], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1272b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 1, 2, 5, 9, 8, 4, 11], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 6, 2, 11, 8, 4], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 1, 2, 6, 9, 8, 4, 11], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1274a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 9, 6, 2, 11, 8, 3], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1274b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 1, 2, 6, 9, 8, 3, 11], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 9, 6, 1, 11, 8, 3], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 2, 1, 6, 9, 8, 3, 11], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 5, 2, 11, 8, 3], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 1, 2, 5, 9, 8, 3, 11], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 4, 11, 9, 6, 1], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 2, 4, 8, 11, 9, 6, 1], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 2, 10, 7, 3, 11], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 5, 1, 10, 2, 6, 7, 3, 11], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 3, 11, 9, 5, 1], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 6, 2, 11, 3, 7, 9, 5, 1], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 2, 1, 9, 5], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 2, 6, 10, 9, 5, 1], pc set (0, 4, 8)
- Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4)
- Slonimsky, Nicholas: No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 1, 11, 10, 8, 6, 9, 7, 5, 4, 2], pc set (0, 1, 3)
- Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 1, 5)
- Slonimsky, Nicholas: No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 10, 8, 1, 3, 5, 6, 4, 2, 7, 9, 11], pc set (0, 2, 4)
- Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6], pc set (0, 3, 7)
- Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 1, 6)
- Slonimsky, Nicholas: No. 405 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 7, 5, 3, 10, 8, 6, 1, 11, 9, 4, 2], pc set (0, 2, 7), self-rotational interval pattern 7-10-10-
- Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
- Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], pc set (0, 1, 5), self-rotational interval pattern 8-11-8-
- Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], pc set (0, 2, 7), self-rotational interval pattern 10-7-10-
- Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], pc set (0, 1, 5), self-rotational interval pattern 11-5-11-
- Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
- Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7], pc set (0, 1, 2), self-rotational interval pattern 11-11-5-
- Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
- Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], pc set (0, 2, 4), self-rotational interval pattern 10-10-7-
- Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], pc set (0, 1, 5), self-rotational interval pattern 8-11-8-
- Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
- Slonimsky, Nicholas: No. 482 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 1, 3, 2, 4, 6, 5, 7, 9, 8, 10], pc set (0, 1, 2), self-rotational interval pattern 11-2-2-
- Slonimsky, Nicholas: No. 485 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 2, 3, 1, 5, 6, 4, 8, 9, 7, 11], pc set (0, 2, 4), self-rotational interval pattern 10-4-1-
- Slonimsky, Nicholas: No. 493 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 1, 5, 3, 4, 8, 6, 7, 11, 9, 10, 2], pc set (0, 1, 5), self-rotational interval pattern 1-4-10-
- Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1], pc set (0, 2, 4), self-rotational interval pattern 2-2-11-
- Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], pc set (0, 2, 7), self-rotational interval pattern 2-5-8-
- Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], pc set (0, 1, 5), self-rotational interval pattern 11-5-11-
- Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], pc set (0, 1, 5), self-rotational interval pattern 11-8-8-
- Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], pc set (0, 2, 7), self-rotational interval pattern 10-7-10-
- Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], pc set (0, 2, 4), self-rotational interval pattern 10-10-7-
- Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-11-
- Slonimsky, Nicholas: No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 5, 4, 3, 6, 7, 8, 11, 10, 9], pc set (0, 1, 2)
- Slonimsky, Nicholas: No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 7, 8, 9, 6, 5, 4, 1, 2, 3], pc set (0, 1, 2)
- Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2)
- Slonimsky, Nicholas: No. 746 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 1, 5, 9, 10, 2, 6, 7, 11, 3, 4, 8], pc set (0, 1, 5), self-rotational interval pattern 1-4-4-
- Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], pc set (0, 2, 7), self-rotational interval pattern 2-5-2-
- Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-1-
- Slonimsky, Nicholas: No. 754 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 5, 7, 9, 2, 4, 6, 11, 1, 3, 8, 10], pc set (0, 2, 7), self-rotational interval pattern 5-2-2-
- Slonimsky, Nicholas: No. 794 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 10, 11, 9, 7, 8, 6, 4, 5, 3, 1, 2], pc set (0, 1, 2), self-rotational interval pattern 10-1-10-
- Slonimsky, Nicholas: No. 795 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 8, 1, 9, 5, 10, 6, 2, 7, 3, 11, 4], pc set (0, 1, 5), self-rotational interval pattern 8-5-8-
- Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], pc set (0, 2, 7), self-rotational interval pattern 2-5-2-
- Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11], pc set (0, 4, 8), self-rotational interval pattern 4-4-9-
- Slonimsky, Nicholas: No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts), [0, 10, 2, 8, 4, 6, 5, 3, 7, 1, 9, 11], pc set (0, 2, 4)
- Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1], pc set (0, 4, 8), self-rotational interval pattern 8-8-3-
- Smith, Hale: Contours for Orchestra, [0, 5, 6, 4, 10, 11, 7, 2, 1, 3, 9, 8], pc set (0, 1, 6)
- Spinner, Leopold: Chamber Symphony, Op.28, [0, 11, 10, 6, 4, 5, 2, 1, 3, 7, 8, 9], pc set (0, 1, 2)
- Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5], pc set (0, 1, 4)
- Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 1, 4)
- Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11], pc set (0, 1, 4)
- Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6], pc set (0, 1, 2)
- Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4)
- Spinner, Leopold: Trio for Clarinet, Cello and Piano, [0, 1, 7, 6, 5, 11, 10, 3, 4, 2, 9, 8], pc set (0, 1, 6)
- Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3], pc set (0, 1, 6)
- Stravinsky, Igor: Fanfare for a New Theater, [0, 11, 1, 3, 4, 2, 5, 7, 6, 8, 10, 9], pc set (0, 1, 2)
- Talma, Louise: Six Etudes, Etude 4, [0, 1, 5, 9, 4, 8, 7, 6, 11, 2, 10, 3], pc set (0, 1, 5)
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 4)
- Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1], pc set (0, 2, 5)
- Weber, Ben: Fantasia (Variations), Op.25, [0, 1, 5, 9, 10, 2, 6, 11, 7, 4, 3, 8], pc set (0, 1, 5)
- Webern, Anton: Op.32 (un-finished), initial sketch, [0, 1, 9, 11, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 4)
- Webern, Anton: Op.32 (un-finished), later sketch, [0, 1, 2, 11, 10, 9, 5, 4, 3, 6, 7, 8], pc set (0, 1, 2)
- Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5], pc set (0, 1, 4)
- Webern, Anton: Concerto for Nine Instruments (Konzert), Op.24, [0, 11, 3, 4, 8, 7, 9, 5, 6, 1, 2, 10], pc set (0, 1, 4)
- Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 1, 6)
- Wolpe, Stefan: Four Studies on Basic Rows, No.2 – Study on Thirds, [0, 11, 9, 8, 10, 7, 6, 5, 3, 2, 4, 1], pc set (0, 1, 3)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2, 4)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 1, 3)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1], pc set (0, 4, 8)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], pc set (0, 4, 8), self-rotational interval pattern 8-8-9-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 1, 4)
- Wuorinen, Charles: Second Sonata, Voice 3, [0, 2, 4, 3, 5, 1, 9, 7, 11, 10, 8, 6], pc set (0, 2, 4)
- Zhou, Jin-Min: Piano Quintet, Scherzo, [0, 10, 5, 4, 6, 11, 7, 9, 2, 3, 1, 8], pc set (0, 2, 7)
- Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1, 4)
- Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2, 4)
3x Same Tetrachord
Next up we have cases of 3x the same tetrachord (pitches 1-4, 5-8, and 8-12).
- Argento, Dominick: A Water Bird Talk, Bird Row, [0, 7, 2, 1, 10, 9, 3, 8, 5, 4, 11, 6], pc set (0, 1, 2, 7)
- Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], pc set (0, 1, 2, 3)
- Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-2-
- Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], pc set (0, 1, 6, 7), self-rotational interval pattern 5-1-5-5-
- Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], pc set (0, 1, 2, 3)
- Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], pc set (0, 1, 2, 3)
- David, Johann Nepomuk: Sonata for violin, Op.58, No.1, [0, 2, 3, 9, 11, 10, 5, 8, 1, 6, 4, 7], pc set (0, 1, 3, 6)
- Denisov, Edison: Five Etudes for Solo Bassoon, row A, [0, 6, 1, 7, 8, 3, 2, 9, 10, 5, 11, 4], pc set (0, 1, 6, 7)
- Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
- Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
- Denisov, Edison: Five Etudes for Solo Bassoon, row D, [0, 6, 1, 7, 8, 3, 2, 9, 10, 11, 5, 4], pc set (0, 1, 6, 7)
- Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 6, 7)
- Denisov, Edison: Five Etudes for Solo Bassoon, row F, [0, 6, 1, 7, 3, 2, 8, 9, 10, 5, 11, 4], pc set (0, 1, 6, 7)
- Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 6, 7)
- Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 6, 7)
- Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 2, 3)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 3, [0, 5, 6, 11, 2, 1, 8, 7, 10, 4, 9, 3], pc set (0, 1, 6, 7)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1], pc set (0, 1, 2, 3)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], pc set (0, 1, 6, 7), self-rotational interval pattern 1-6-11-2-
- Ginastera, Alberto: Sonata for Cello and Piano, Op.49, [0, 3, 2, 1, 10, 11, 8, 9, 5, 4, 7, 6], pc set (0, 1, 2, 3)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], pc set (0, 1, 6, 7), self-rotational interval pattern 6-5-6-3-
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-5-
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 1, 6, 7), self-rotational interval pattern 7-6-5-10-
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen; mit einer Zwölftonreihe von Dr. Fritz Racek, [0, 2, 9, 11, 4, 3, 6, 1, 10, 8, 5, 7], pc set (0, 2, 3, 5)
- Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1, 2, 3)
- Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 2, 3, 5)
- Jelinek, Hanns: Zwölftonwerk, Op.15, [0, 10, 5, 7, 3, 6, 1, 8, 11, 9, 2, 4], pc set (0, 2, 5, 7)
- Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 1, 6, 7)
- Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], pc set (0, 2, 5, 7), self-rotational interval pattern 5-2-7-2-
- Lang, Bernhard: HIOB Musiktheater für Orchester, Chor und Solisten, [0, 9, 11, 10, 5, 8, 6, 7, 2, 3, 1, 4], pc set (0, 1, 2, 3)
- Li, Bao-Shu: Träumerei of Jiuzhai Gou, [0, 5, 7, 2, 4, 11, 9, 6, 3, 1, 8, 10], pc set (0, 2, 5, 7)
- Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 6, 7)
- Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7], pc set (0, 2, 5, 7)
- Morris, Robert: Beautiful Beast, [0, 1, 3, 6, 5, 10, 7, 4, 9, 8, 11, 2], pc set (0, 1, 3, 6)
- Morris, Robert: On the Go, [0, 9, 2, 3, 5, 8, 10, 11, 1, 4, 7, 6], pc set (0, 1, 3, 6)
- Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], pc set (0, 2, 5, 7), self-rotational interval pattern 2-5-2-7-
- Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 1-2-11-2-
- Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 3, 6, 9)
- Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], pc set (0, 2, 5, 7), self-rotational interval pattern 10-7-10-5-
- Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-2-
- Pärt, Arvo: Symphony, No.2, [0, 3, 1, 2, 4, 7, 5, 6, 8, 11, 9, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 3-10-1-2-
- Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1, 6, 7)
- Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1, 2, 3)
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1, 2, 3)
- Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-1-
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 2, 3)
- Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2, 3)
- Schnittke, Alfred: Violin Sonata 2, [0, 10, 11, 9, 6, 8, 7, 5, 4, 1, 2, 3], pc set (0, 1, 2, 3)
- Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 1, 6, 7)
- Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1, 6, 7)
- Seiber, Mátyás: Sonata for Violin and Piano, [0, 1, 11, 10, 7, 6, 8, 9, 4, 3, 5, 2], pc set (0, 1, 2, 3)
- Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 2, 5, 7)
- Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 2, 5, 7)
- Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 3, 6, 9)
- Slonimsky, Nicholas: No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 9, 6, 3, 11, 5, 2, 8, 7, 10, 1, 4], pc set (0, 3, 6, 9)
- Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-4-
- Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-4-
- Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-5-
- Slonimsky, Nicholas: No. 216 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 5, 10, 7, 4, 9, 2, 11, 8, 1, 6, 3], pc set (0, 2, 5, 7), self-rotational interval pattern 5-5-9-9-
- Slonimsky, Nicholas: No. 221 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 11, 9, 4, 10, 3, 1, 8, 2, 7, 5], pc set (0, 1, 3, 6), self-rotational interval pattern 6-5-10-7-
- Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], pc set (0, 1, 6, 7), self-rotational interval pattern 6-11-6-5-
- Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], pc set (0, 1, 2, 3), self-rotational interval pattern 11-11-11-7-
- Slonimsky, Nicholas: No. 262 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 5, 4, 3, 2, 9, 8, 7, 6, 1], pc set (0, 1, 2, 7), self-rotational interval pattern 11-11-7-11-
- Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], pc set (0, 2, 3, 5), self-rotational interval pattern 10-11-10-9-
- Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 10-9-10-11-
- Slonimsky, Nicholas: No. 340 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 2, 9, 4, 3, 6, 1, 8, 7, 10, 5], pc set (0, 2, 3, 5), self-rotational interval pattern 11-3-7-7-
- Slonimsky, Nicholas: No. 348 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 1, 7, 4, 2, 5, 11, 8, 6, 9, 3], pc set (0, 1, 3, 6), self-rotational interval pattern 10-3-6-9-
- Slonimsky, Nicholas: No. 359 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 3, 9, 4, 2, 7, 1, 8, 6, 11, 5], pc set (0, 1, 3, 6), self-rotational interval pattern 10-5-6-7-
- Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], pc set (0, 1, 6, 7), self-rotational interval pattern 7-6-5-10-
- Slonimsky, Nicholas: No. 371 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 2, 5, 4, 11, 6, 9, 8, 3, 10, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 7-7-3-11-
- Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 3-6-9-10-
- Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-10-
- Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 3-6-9-10-
- Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-10-
- Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], pc set (0, 1, 2, 3), self-rotational interval pattern 1-2-11-2-
- Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], pc set (0, 1, 2, 3), self-rotational interval pattern 11-10-1-6-
- Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1, 2, 3)
- Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], pc set (0, 1, 2, 3), self-rotational interval pattern 1-10-11-10-
- Slonimsky, Nicholas: No. 646 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 6, 8, 9, 7, 2, 4, 5, 3, 10], pc set (0, 1, 2, 7), self-rotational interval pattern 1-10-7-2-
- Slonimsky, Nicholas: No. 647 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 2, 11, 5, 8, 10, 7, 1, 4, 6, 3, 9], pc set (0, 1, 3, 6), self-rotational interval pattern 2-9-6-3-
- Slonimsky, Nicholas: No. 685 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 1, 3, 6, 8, 9, 11, 2, 4, 5, 7, 10], pc set (0, 1, 3, 6), self-rotational interval pattern 1-2-3-2-
- Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], pc set (0, 2, 3, 5), self-rotational interval pattern 2-1-2-3-
- Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], pc set (0, 2, 5, 7), self-rotational interval pattern 2-3-2-1-
- Slonimsky, Nicholas: No. 734 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 5, 11, 10, 8, 1, 7, 6, 4, 9, 3, 2], pc set (0, 1, 2, 7), self-rotational interval pattern 5-6-11-10-
- Slonimsky, Nicholas: No. 735 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 6, 9, 11, 8, 2, 5, 7, 4, 10, 1, 3], pc set (0, 1, 3, 6), self-rotational interval pattern 6-3-2-9-
- Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], pc set (0, 2, 5, 7), self-rotational interval pattern 2-5-2-11-
- Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], pc set (0, 3, 6, 9), self-rotational interval pattern 3-3-3-1-
- Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], pc set (0, 3, 6, 9), self-rotational interval pattern 9-6-3-11-
- Spinner, Leopold: Sonatina for Piano, Op.22, [0, 3, 2, 1, 9, 10, 11, 8, 5, 4, 7, 6], pc set (0, 1, 2, 3)
- Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1, 6, 7)
- Stravinsky, Igor: Agon, “Double Pas-de-Deux”, [0, 11, 1, 2, 9, 8, 10, 7, 5, 6, 4, 3], pc set (0, 1, 2, 3)
- Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1, 2, 3)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], pc set (0, 1, 2, 3), self-rotational interval pattern 10-3-10-5-
- Yun, Isang: Garak, [0, 3, 6, 1, 4, 5, 7, 10, 9, 11, 8, 2], pc set (0, 1, 3, 6)
2x Same Hexachord
Finally, we have the relatively common condition of 2x the same hexachord (pitches 1-6 and 7-12).
- Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], pc set (0, 1, 4, 5, 8, 9)
- Argento, Dominick: A Water Bird Talk, Lecturer Row, [0, 9, 5, 10, 2, 6, 3, 11, 8, 4, 1, 7], pc set (0, 1, 3, 5, 8, 9)
- Argento, Dominick: From the Diary of Virginia Woolf, [0, 7, 6, 2, 11, 5, 3, 1, 8, 9, 4, 10], pc set (0, 1, 2, 5, 7, 8)
- Atterberg, Kurt: Symphony 9 [Bbm], Op.54, ‘Sinfonia visionaria’, [0, 1, 5, 6, 7, 4, 8, 11, 10, 9, 2, 3], pc set (0, 1, 2, 3, 6, 7)
- Babbitt, Milton: All Set, [0, 4, 5, 11, 6, 10, 7, 3, 1, 2, 9, 8], pc set (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: Arie da Capo, [0, 7, 8, 6, 2, 1, 10, 5, 11, 9, 4, 3], pc set (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Synthesizer, [0, 9, 1, 8, 4, 5, 7, 2, 3, 6, 10, 11], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Tenor and Six Instruments, [0, 11, 7, 5, 6, 1, 4, 3, 10, 8, 2, 9], pc set (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: Composition for Twelve Instruments, [0, 1, 4, 9, 5, 8, 3, 10, 2, 11, 6, 7], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Viola and Piano, [0, 3, 4, 8, 11, 7, 9, 2, 1, 5, 10, 6], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6], pc set (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6], pc set (0, 2, 4, 5, 7, 9)
- Babbitt, Milton: Groupwise, [0, 5, 4, 6, 10, 11, 2, 9, 3, 1, 8, 7], pc set (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: My Complements to Roger, [0, 3, 7, 8, 11, 4, 2, 6, 1, 9, 10, 5], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: My Ends Are My Beginnings, [0, 11, 4, 8, 7, 3, 5, 6, 9, 2, 10, 1], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Paraphrases, [0, 11, 3, 10, 8, 1, 7, 5, 4, 6, 2, 9], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Relata I, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], pc set (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Relata II, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], pc set (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: String Quartet, No.3, [0, 11, 6, 7, 5, 1, 10, 2, 9, 3, 4, 8], pc set (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: String Quartet, No.4, [0, 2, 9, 7, 11, 10, 1, 8, 4, 3, 5, 6], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Tableaux, [0, 11, 4, 6, 10, 5, 2, 1, 7, 9, 8, 3], pc set (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: The Crowded Air, [0, 8, 5, 7, 10, 6, 11, 1, 9, 3, 2, 4], pc set (0, 1, 2, 3, 5, 7)
- Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Two Sonnets of Gerard Manley Hopkins, [0, 2, 3, 4, 7, 5, 11, 6, 10, 9, 8, 1], pc set (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Vision and Prayer, [0, 11, 8, 3, 7, 4, 10, 9, 2, 6, 1, 5], pc set (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], pc set (0, 1, 2, 3, 4, 5)
- Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4, 5, 8, 9)
- Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 1, 4, 5, 8, 9)
- Bartók, Béla: Violin Concerto, No.2, mvt 1, [0, 2, 8, 1, 9, 4, 10, 6, 3, 7, 11, 5], pc set (0, 1, 4, 5, 6, 8)
- Bartók, Béla: Violin Concerto, No.2, mvt 3, [0, 8, 2, 9, 1, 4, 10, 7, 6, 3, 11, 5], pc set (0, 1, 4, 5, 6, 8)
- Beecroft, Norma: Improvvisazioni Concertanti, No.1, [0, 1, 11, 9, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 2, 3, 4, 6)
- Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], pc set (0, 1, 3, 6, 7, 9)
- Berg, Alban: Altenberg Lieder, [0, 1, 11, 10, 2, 9, 3, 8, 7, 6, 5, 4], pc set (0, 1, 2, 3, 4, 5)
- Berg, Alban: Lulu, Lulu (title character) row, [0, 2, 3, 5, 7, 9, 1, 10, 11, 4, 6, 8], pc set (0, 2, 3, 5, 7, 9)
- Berg, Alban: Lulu, Primary / Main / Basic Row, [0, 4, 5, 2, 7, 9, 6, 8, 11, 10, 3, 1], pc set (0, 2, 4, 5, 7, 9)
- Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], pc set (0, 1, 2, 3, 4, 5)
- Berg, Alban: Lulu, Schoolboy row, [0, 2, 6, 10, 4, 7, 8, 3, 5, 9, 11, 1], pc set (0, 1, 3, 5, 7, 9)
- Berg, Alban: Lulu, permutation of main row, [0, 4, 2, 7, 9, 6, 8, 11, 3, 1, 5, 10], pc set (0, 2, 3, 5, 7, 9)
- Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], pc set (0, 2, 4, 6, 8, 10)
- Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
- Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-1-2-2-9-
- Berg, Alban: Lyric Suite, mvt III, [0, 11, 7, 1, 2, 9, 3, 8, 10, 4, 5, 6], pc set (0, 1, 2, 3, 5, 7)
- Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-3-2-2-7-
- Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
- Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3], pc set (0, 1, 2, 3, 4, 6)
- Berio, Luciano: Chamber Music, [0, 9, 3, 5, 7, 10, 2, 11, 4, 6, 8, 1], pc set (0, 2, 3, 5, 7, 9)
- Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], pc set (0, 1, 2, 3, 4, 5)
- Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], pc set (0, 1, 2, 3, 4, 5)
- Bischof, Rainer: ‘Und so sink ich leise in mich selbst hinein’. Österreichischer Liederzyklus für Mezzosopran und Violine, Op.17, [0, 6, 5, 11, 4, 9, 3, 2, 8, 7, 1, 10], pc set (0, 1, 2, 5, 7, 8)
- Boulez, Pierre: 2nd Piano Sonata, mvt II, Section 1, [0, 2, 1, 11, 3, 9, 8, 10, 7, 6, 5, 4], pc set (0, 1, 2, 3, 4, 6)
- Boulez, Pierre: Le Soleil des eaux, series I, [0, 6, 10, 2, 5, 1, 7, 11, 3, 4, 8, 9], pc set (0, 1, 4, 5, 6, 8)
- Boulez, Pierre: Le Soleil des eaux, series II, [0, 6, 10, 2, 5, 1, 4, 7, 11, 8, 3, 9], pc set (0, 1, 4, 5, 6, 8)
- Boulez, Pierre: Le Soleil des eaux, series III, [0, 11, 7, 2, 6, 5, 4, 8, 10, 1, 3, 9], pc set (0, 1, 2, 5, 7, 8)
- Boulez, Pierre: Notations, [0, 2, 7, 6, 1, 8, 4, 9, 5, 11, 10, 3], pc set (0, 1, 2, 6, 7, 8)
- Boulez, Pierre: Pli selon pli, [0, 1, 8, 6, 7, 9, 4, 5, 11, 3, 2, 10], pc set (0, 1, 2, 3, 6, 7)
- Boulez, Pierre: Structures Ia, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], pc set (0, 1, 2, 3, 6, 7)
- Cage, John: Sonata for Clarinet, [0, 1, 10, 11, 9, 7, 6, 5, 4, 8, 3, 2], pc set (0, 1, 2, 3, 4, 6)
- Cage, John: Sonata for Clarinet, mvt 2, [0, 11, 9, 10, 8, 6, 5, 4, 3, 7, 2, 1], pc set (0, 1, 2, 3, 4, 6)
- Cage, John: Two pieces for Piano, [0, 11, 8, 3, 4, 2, 9, 7, 1, 5, 10, 6], pc set (0, 1, 2, 4, 5, 8)
- Carlos, Juan: Canciones y Baladas, Balada II, [0, 4, 10, 6, 3, 8, 7, 2, 5, 9, 1, 11], pc set (0, 1, 3, 5, 7, 9)
- Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6], pc set (0, 1, 3, 4, 5, 8)
- Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 2-2-2-2-2-3-
- Coltrane, John: Miles Mode, [0, 3, 5, 2, 7, 9, 10, 8, 1, 11, 6, 4], pc set (0, 2, 3, 5, 7, 9)
- Copland, Aaron: Inscape, (“Y form” or “Row 1”), [0, 4, 3, 11, 2, 7, 6, 8, 10, 9, 5, 1], pc set (0, 1, 3, 4, 5, 8)
- Cordero, Roque: Concerto for Violin, mvt 2A, [0, 11, 6, 4, 7, 8, 5, 9, 3, 10, 1, 2], pc set (0, 1, 4, 5, 6, 8)
- Cordero, Roque: Soliloquios, [0, 1, 5, 11, 3, 2, 9, 8, 4, 10, 6, 7], pc set (0, 1, 2, 3, 4, 6)
- Cordero, Roque: Violin Concerto mvt 1-3, [0, 11, 6, 4, 8, 7, 5, 1, 3, 2, 10, 9], pc set (0, 1, 4, 5, 6, 8)
- Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], pc set (0, 1, 2, 3, 4, 6)
- Dallapiccola, Luigi: ‘Intermezzo’ from the ‘Ciaccona’ (of ‘Ciaccona, intermezzo e adagio’), [0, 5, 6, 3, 8, 9, 7, 11, 10, 2, 1, 4], pc set (0, 1, 3, 4, 6, 9)
- Dallapiccola, Luigi: Canti di Liberationi, No.2, [0, 5, 8, 3, 1, 9, 10, 4, 2, 11, 7, 6], pc set (0, 1, 3, 5, 8, 9)
- Dallapiccola, Luigi: Canti di Liberazione, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
- Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9], pc set (0, 1, 3, 6, 7, 9)
- Dallapiccola, Luigi: Commiato, [0, 6, 5, 3, 9, 11, 10, 8, 7, 1, 2, 4], pc set (0, 1, 3, 6, 7, 9)
- Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9], pc set (0, 2, 3, 4, 6, 8)
- Dallapiccola, Luigi: Il Prigioniero, “Hope”, [0, 1, 2, 3, 11, 5, 4, 10, 6, 7, 9, 8], pc set (0, 1, 2, 3, 4, 6)
- Dallapiccola, Luigi: Il prigioniero, “Prayer”, [0, 3, 6, 11, 9, 2, 1, 7, 8, 4, 5, 10], pc set (0, 1, 3, 4, 6, 9)
- Dallapiccola, Luigi: Liriche greche c: Sex Carmina Alcaei, [0, 3, 5, 6, 2, 9, 8, 7, 4, 1, 10, 11], pc set (0, 1, 3, 4, 6, 9)
- Dallapiccola, Luigi: Quaderno musicale di Annalibera, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
- Dallapiccola, Luigi: Quattro liriche di Antonio Machado, i, iv, [0, 3, 5, 6, 8, 9, 11, 10, 7, 4, 2, 1], pc set (0, 1, 3, 4, 6, 9)
- Dallapiccola, Luigi: Requiescant, [0, 2, 1, 3, 4, 6, 7, 9, 8, 10, 5, 11], pc set (0, 1, 2, 3, 4, 6)
- Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5], pc set (0, 1, 2, 3, 6, 7)
- Dallapiccola, Luigi: Tempus, ‘Exhortatio’, [0, 11, 9, 3, 5, 6, 4, 7, 8, 2, 1, 10], pc set (0, 1, 3, 6, 7, 9)
- Dallapiccola, Luigi: Tempus, ‘Ploratus’, [0, 1, 7, 6, 10, 4, 3, 2, 5, 11, 9, 8], pc set (0, 1, 3, 6, 7, 9)
- Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], pc set (0, 1, 2, 3, 6, 7)
- Dallapiccola, Luigi: Variazioni per orchestra, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], pc set (0, 1, 3, 5, 8, 9)
- Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.2, [0, 7, 11, 1, 3, 5, 8, 6, 4, 9, 10, 2], pc set (0, 1, 2, 4, 6, 8)
- Davies, Peter Maxwell: Sonata for Trumpet and Piano, Op.1, [0, 7, 6, 2, 11, 10, 8, 9, 1, 5, 3, 4], pc set (0, 1, 4, 5, 6, 8)
- Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 6-4-6-4-6-1-
- Denisov, Edison: Five Etudes for Solo Bassoon, row A, [0, 6, 1, 7, 8, 3, 2, 9, 10, 5, 11, 4], pc set (0, 1, 2, 5, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row D, [0, 6, 1, 7, 8, 3, 2, 9, 10, 11, 5, 4], pc set (0, 1, 2, 5, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], pc set (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row F, [0, 6, 1, 7, 3, 2, 8, 9, 10, 5, 11, 4], pc set (0, 1, 2, 3, 6, 7)
- Denisov, Edison: Five Etudes for Solo Bassoon, row I, [0, 6, 1, 7, 2, 8, 3, 10, 5, 11, 9, 4], pc set (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], pc set (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Octet for Winds, mvt 2, row A, [0, 1, 3, 2, 4, 5, 8, 7, 6, 11, 9, 10], pc set (0, 1, 2, 3, 4, 5)
- Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], pc set (0, 1, 2, 6, 7, 8)
- Dessau, Paul: >Guernica< for piano, [0, 7, 6, 2, 10, 11, 5, 9, 1, 3, 4, 8], pc set (0, 1, 4, 5, 6, 8)
- Dessau, Paul: Les Voix, [0, 11, 6, 8, 9, 3, 4, 10, 5, 7, 2, 1], pc set (0, 1, 3, 4, 6, 9)
- Eder, Helmut: Concerto for violin and orchestra, Op.32, [0, 9, 6, 2, 11, 3, 8, 1, 7, 5, 10, 4], pc set (0, 1, 3, 4, 6, 9)
- Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-1-2-2-9-
- Eisler, Hanns: Deutsche Symphonie, mvt 5, [0, 1, 3, 5, 8, 9, 6, 11, 10, 4, 2, 7], pc set (0, 1, 3, 5, 8, 9)
- Eisler, Hanns: Deutsche Symphonie, mvt 8, [0, 3, 1, 11, 2, 10, 8, 9, 6, 7, 5, 4], pc set (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Deutsche Symphonie, mvt 9, [0, 4, 1, 10, 8, 6, 3, 11, 9, 2, 5, 7], pc set (0, 1, 3, 5, 7, 9)
- Eisler, Hanns: Deutsche Symphonie, mvts 1, 10, [0, 10, 6, 1, 11, 7, 5, 8, 9, 3, 4, 2], pc set (0, 1, 2, 3, 6, 7)
- Eisler, Hanns: Five Pieces for Orchestra, mvt 3, [0, 3, 2, 1, 5, 4, 6, 9, 8, 11, 10, 7], pc set (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Five Pieces for Orchestra, mvt 4, [0, 10, 9, 8, 6, 7, 3, 4, 5, 11, 1, 2], pc set (0, 1, 2, 3, 4, 6)
- Eisler, Hanns: Five Pieces for Orchestra, mvt 5, [0, 2, 6, 4, 10, 9, 11, 1, 7, 5, 8, 3], pc set (0, 1, 3, 5, 7, 9)
- Eisler, Hanns: Gegen den Krieg, Op.55, [0, 3, 2, 5, 4, 7, 6, 8, 9, 10, 1, 11], pc set (0, 2, 3, 4, 5, 7)
- Eisler, Hanns: Man lebt von einem Tage zu dem andern (“Kantate im Exil”), [0, 10, 11, 3, 1, 8, 7, 4, 2, 6, 9, 5], pc set (0, 2, 3, 4, 5, 7)
- Eisler, Hanns: Palmström, Op.5, No.5, [0, 10, 11, 9, 8, 1, 7, 6, 5, 3, 4, 2], pc set (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 1, [0, 4, 6, 3, 2, 1, 9, 10, 7, 8, 5, 11], pc set (0, 1, 2, 3, 4, 6)
- Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 2, [0, 4, 3, 2, 6, 1, 9, 10, 7, 8, 5, 11], pc set (0, 1, 2, 3, 4, 6)
- Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 5, [0, 3, 2, 4, 6, 1, 9, 10, 7, 8, 5, 11], pc set (0, 1, 2, 3, 4, 6)
- Eisler, Hanns: String Quartet, [0, 9, 3, 2, 11, 1, 4, 5, 10, 7, 8, 6], pc set (0, 1, 2, 3, 4, 6)
- Eisler, Hanns: Suite for Orchestra, No.1, mvt 4, [0, 4, 2, 3, 1, 11, 7, 10, 9, 8, 6, 5], pc set (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Variations for Piano, [0, 3, 10, 6, 5, 8, 1, 11, 2, 4, 7, 9], pc set (0, 2, 3, 5, 7, 9)
- Eisler, Hanns: Zwei Elegien, No.2 (An die Überlebenden), [0, 1, 4, 3, 2, 6, 8, 11, 10, 9, 5, 7], pc set (0, 1, 2, 3, 4, 6)
- Evans, Bill: Twelve Tone Tune, [0, 10, 2, 3, 1, 11, 4, 6, 9, 8, 5, 7], pc set (0, 1, 2, 3, 4, 5)
- Evans, Bill: Twelve Tone Tune Two, [0, 9, 11, 1, 10, 3, 2, 6, 4, 5, 8, 7], pc set (0, 1, 2, 3, 4, 6)
- Fano, Michel: Sonata for Two Pianos, [0, 6, 10, 7, 9, 8, 3, 2, 4, 1, 5, 11], pc set (0, 1, 2, 3, 4, 6)
- Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Fine, Vivian: Four Songs, No.2, “Comfort To A Youth That Had Lost His Love”, [0, 1, 2, 6, 9, 10, 11, 3, 5, 4, 7, 8], pc set (0, 1, 2, 4, 5, 8)
- Finney, Ross Lee: Concerto for Alto Sax, [0, 1, 3, 4, 6, 9, 11, 10, 8, 7, 5, 2], pc set (0, 1, 3, 4, 6, 9)
- Finney, Ross Lee: Fantasy in Two Movements for solo violin, [0, 1, 3, 5, 4, 2, 11, 10, 8, 6, 7, 9], pc set (0, 1, 2, 3, 4, 5)
- Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 1-2-11-2-1-1-
- Florey, Hans: Die Aussicht, [0, 9, 11, 8, 2, 10, 5, 6, 7, 4, 3, 1], pc set (0, 1, 2, 3, 4, 6)
- Florey, Hans: Hexaeder für Klavier, [0, 9, 4, 8, 5, 10, 11, 3, 2, 6, 1, 7], pc set (0, 1, 4, 5, 6, 8)
- Florey, Hans: Hälfte des Lebens, [0, 3, 4, 1, 7, 11, 6, 9, 10, 8, 2, 5], pc set (0, 1, 2, 4, 5, 8)
- Florey, Hans: I Ging, [0, 7, 2, 10, 11, 6, 5, 1, 9, 8, 4, 3], pc set (0, 1, 4, 5, 6, 8)
- Florey, Hans: Magischer Würfel mit 6 Spiegelpunkten, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], pc set (0, 1, 3, 6, 7, 9)
- Florey, Hans: Sechs Kanonzyklen einunddesselben magischen Quadrates, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], pc set (0, 1, 3, 6, 7, 9)
- Florey, Hans: Triptychon, [0, 8, 9, 3, 7, 2, 1, 10, 5, 6, 11, 4], pc set (0, 1, 2, 5, 7, 8)
- Florey, Hans: Zwölftonspiel für Streichquartett. 3. Dezember 1965, [0, 10, 2, 5, 3, 4, 1, 8, 9, 6, 7, 11], pc set (0, 1, 2, 3, 5, 7)
- Gerhard, Roberto: Capriccio for Solo Flute, [0, 11, 9, 3, 1, 10, 8, 6, 4, 7, 2, 5], pc set (0, 1, 2, 3, 4, 6)
- Gerhard, Roberto: Chaconne for Unaccompanied Violin, [0, 11, 4, 2, 1, 3, 9, 10, 8, 6, 5, 7], pc set (0, 1, 2, 3, 4, 5)
- Gerhard, Roberto: Hymnody, [0, 10, 11, 8, 2, 9, 4, 5, 1, 6, 7, 3], pc set (0, 1, 2, 3, 4, 6)
- Gerhard, Roberto: Libra, [0, 6, 1, 7, 2, 8, 4, 9, 5, 10, 11, 3], pc set (0, 1, 2, 6, 7, 8)
- Gerhard, Roberto: String Quartet, [0, 7, 8, 2, 6, 10, 9, 11, 4, 5, 1, 3], pc set (0, 1, 2, 4, 6, 8)
- Gerhard, Roberto: String Quartet, No.2, [0, 1, 5, 2, 8, 7, 10, 9, 6, 11, 4, 3], pc set (0, 1, 2, 5, 7, 8)
- Gerhard, Roberto: The Plague, [0, 1, 9, 11, 8, 10, 4, 5, 6, 2, 3, 7], pc set (0, 1, 2, 3, 4, 5)
- Gerhard, Roberto: Three Impromptus, [0, 8, 1, 10, 4, 6, 7, 5, 3, 2, 9, 11], pc set (0, 1, 3, 5, 7, 9)
- Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], pc set (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 1, [0, 1, 6, 7, 8, 2, 10, 11, 5, 4, 9, 3], pc set (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-3-1-1-9-5-
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 3, [0, 5, 6, 11, 2, 1, 8, 7, 10, 4, 9, 3], pc set (0, 1, 2, 3, 6, 7)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1], pc set (0, 1, 2, 3, 6, 7)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 5, [0, 1, 7, 6, 5, 11, 2, 8, 9, 10, 4, 3], pc set (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 7, [0, 1, 8, 2, 7, 6, 5, 11, 9, 10, 4, 3], pc set (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Quintet, Op.29, Row Class III 1, [0, 11, 1, 8, 2, 7, 10, 3, 9, 4, 6, 5], pc set (0, 1, 2, 3, 6, 7)
- Ginastera, Alberto: Quintet, Op.29, Row Class III 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], pc set (0, 1, 2, 3, 6, 7)
- Ginastera, Alberto: Quintet, Op.29, Row Class V, [0, 5, 4, 7, 3, 2, 6, 9, 8, 1, 10, 11], pc set (0, 2, 3, 4, 5, 7)
- Ginastera, Alberto: Quintet, Op.29, Row Class VII 1, [0, 9, 10, 11, 4, 3, 6, 2, 1, 5, 8, 7], pc set (0, 1, 2, 3, 6, 7)
- Ginastera, Alberto: Quintet, Op.29, Row Class VII 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], pc set (0, 1, 2, 3, 6, 7)
- Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Quintet, Op.29, mvt.III, [0, 7, 3, 10, 2, 6, 9, 1, 4, 8, 11, 5], pc set (0, 1, 3, 5, 8, 9)
- Ginastera, Alberto: Sonata for Cello and Piano, Op.49, [0, 3, 2, 1, 10, 11, 8, 9, 5, 4, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 3, [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], pc set (0, 1, 3, 4, 6, 9)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11], pc set (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 4, 5, 8, 9)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 7, [0, 9, 10, 11, 8, 7, 6, 3, 4, 5, 2, 1], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 9-1-1-9-11-11-
- Ginastera, Alberto: Turbae ad Passionem Gregorianam, Op.43, mvt II, [0, 5, 1, 7, 6, 11, 8, 2, 3, 4, 9, 10], pc set (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Violin Concerto, Op.30, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-3-1-1-9-5-
- Goehr, Alexander: Piano Trio, Op.20, [0, 6, 7, 4, 3, 8, 5, 9, 11, 2, 10, 1], pc set (0, 1, 2, 4, 5, 8)
- Goeyvaerts, Karel: Violin concerto, No.2, [0, 11, 7, 1, 2, 9, 10, 8, 5, 6, 3, 4], pc set (0, 1, 2, 3, 5, 7)
- Gotham, Mark: 4x4x4x4, row 3, [0, 2, 6, 10, 7, 4, 11, 9, 8, 3, 5, 1], pc set (0, 1, 3, 5, 7, 9)
- Gotham, Mark: 4x4x4x4, row 4, [0, 2, 6, 10, 1, 4, 5, 3, 8, 9, 11, 7], pc set (0, 2, 3, 4, 6, 8)
- Gotham, Mark: Move On!, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 3, 6, 7, 9)
- Hamel, Peter Michael: ‘Klangspirale’ für 13 Spieler oder drei Orchestergruppen, [0, 10, 5, 9, 3, 4, 1, 6, 8, 11, 2, 7], pc set (0, 1, 2, 5, 7, 8)
- Hartmann, Karl Amadeus: Symphony, No.4, [0, 1, 3, 2, 11, 4, 5, 10, 7, 6, 8, 9], pc set (0, 1, 2, 3, 4, 5)
- Hauer, Jose Matthias: XXXII. Zwölftonspiel; für Violine, Bratsche und Cello, [0, 2, 6, 1, 10, 9, 5, 8, 11, 7, 4, 3], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: ‘Atonale Musik’. Klavierstücke 1922., Op.20, [0, 7, 4, 9, 5, 8, 3, 11, 2, 6, 1, 10], pc set (0, 1, 3, 4, 5, 8)
- Hauer, Josef Matthias: ‘Der Menschen Weg’, Op.67, [0, 8, 5, 4, 10, 2, 7, 9, 1, 3, 11, 6], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: ‘Die schwarze Spinne’, Op.62, [0, 4, 10, 1, 5, 8, 11, 2, 7, 9, 6, 3], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: ‘Emilie vor ihrem Brauttag’ (Friedrich Hölderlin) für Altsolo und Orchester, Op.58, [0, 8, 3, 4, 11, 6, 9, 10, 2, 1, 5, 7], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: ‘Salambo’, opera after Gustave Flaubert;, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: ‘Tanz tibetanischer Mönche’ im langsamen 3/4 Takt) [Zwölftonspiel]. 8. September 1956, [0, 7, 8, 6, 3, 1, 11, 2, 10, 5, 9, 4], pc set (0, 1, 2, 5, 7, 8)
- Hauer, Josef Matthias: ‘Wandlungen’ (chamber-oratorio for stage or concert, for six solo-voices, choir and orchestra; after words of Friedrich Hölderlin), Op.53, [0, 5, 11, 4, 10, 1, 6, 8, 9, 3, 7, 2], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: Baustein, [0, 8, 11, 1, 6, 10, 4, 2, 3, 5, 9, 7], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Fünfte Tanzfantasie für kleines Orchester, Opus 66, [0, 10, 4, 7, 8, 11, 6, 2, 5, 9, 3, 1], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Harmonie – Melodie – Rhythmus – in kristallischer Bindung – im vierfachen Kontrapunkt [Zwölftonspiel] für Zwölftonorchester, [0, 2, 10, 9, 6, 5, 1, 4, 7, 11, 8, 3], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Hausmusik [Zwölftonspiel] für zwei Violinen und Klavier, [0, 1, 5, 3, 7, 10, 9, 6, 11, 4, 2, 8], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Kammermusik [Zwölftonspiel] für Flöte, Oboe, Baßklarinette, Fagott, zwei Violinen, Bratsche, Cello und Klavier zu vier Händen. 24. Jänner 1957, [0, 9, 3, 7, 5, 10, 1, 6, 11, 4, 2, 8], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op.25 ;, No.10, [0, 6, 11, 10, 9, 5, 2, 3, 7, 1, 4, 8], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für Orchester. 10. Jänner 1957, [0, 8, 10, 2, 3, 6, 1, 9, 7, 4, 11, 5], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen, [0, 6, 2, 11, 10, 7, 3, 4, 5, 9, 1, 8], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.106-108), [0, 10, 6, 1, 7, 4, 9, 5, 3, 8, 11, 2], pc set (0, 1, 3, 6, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.117-118), [0, 4, 5, 11, 7, 10, 3, 9, 6, 2, 1, 8], pc set (0, 1, 2, 5, 7, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.119-120), [0, 10, 8, 6, 5, 7, 9, 2, 3, 1, 11, 4], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.123-124), [0, 8, 11, 5, 3, 7, 4, 9, 1, 6, 10, 2], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.125-126), [0, 11, 1, 10, 6, 8, 9, 5, 7, 3, 2, 4], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.134-137), [0, 2, 1, 4, 5, 9, 6, 8, 10, 7, 11, 3], pc set (0, 1, 3, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.138-140), [0, 3, 4, 2, 5, 6, 8, 7, 10, 11, 1, 9], pc set (0, 1, 2, 3, 4, 6)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.139-141), [0, 2, 10, 1, 11, 9, 8, 5, 6, 4, 7, 3], pc set (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.141-143), [0, 10, 11, 3, 5, 6, 7, 2, 1, 4, 8, 9], pc set (0, 1, 2, 5, 7, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.142-143), [0, 11, 10, 1, 5, 3, 8, 6, 9, 4, 7, 2], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.143-145), [0, 9, 10, 2, 1, 11, 4, 6, 7, 5, 8, 3], pc set (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.159-161), [0, 5, 1, 8, 10, 4, 6, 7, 3, 9, 11, 2], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.171-174), [0, 7, 1, 3, 9, 6, 8, 11, 10, 5, 4, 2], pc set (0, 1, 3, 6, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.175-178), [0, 10, 1, 2, 6, 5, 3, 4, 8, 9, 7, 11], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.192-193), [0, 9, 6, 2, 8, 4, 7, 10, 1, 3, 5, 11], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.196-197), [0, 2, 8, 6, 11, 5, 4, 10, 7, 3, 1, 9], pc set (0, 1, 3, 6, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.213-216), [0, 2, 6, 1, 10, 4, 5, 8, 11, 7, 3, 9], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.224-228), [0, 1, 9, 3, 4, 5, 10, 11, 6, 2, 8, 7], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.228-230), [0, 2, 9, 6, 5, 10, 7, 3, 8, 1, 4, 11], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.231-233), [0, 6, 10, 3, 2, 8, 9, 5, 4, 1, 11, 7], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.234-237), [0, 11, 3, 1, 7, 4, 9, 6, 5, 10, 2, 8], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.241-243), [0, 2, 8, 1, 4, 9, 5, 6, 3, 11, 10, 7], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.257-262), [0, 7, 3, 8, 4, 2, 9, 1, 11, 6, 10, 5], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.262-263), [0, 11, 2, 5, 1, 6, 9, 7, 10, 3, 4, 8], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.272-276), [0, 1, 5, 3, 7, 2, 8, 10, 4, 6, 11, 9], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.284-287), [0, 1, 11, 7, 6, 4, 10, 5, 2, 8, 3, 9], pc set (0, 1, 2, 5, 7, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.288-291), [0, 2, 10, 7, 4, 6, 11, 3, 5, 1, 8, 9], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.292-294), [0, 9, 2, 6, 3, 5, 10, 1, 11, 7, 4, 8], pc set (0, 1, 3, 4, 6, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.325-328), [0, 5, 4, 2, 7, 6, 3, 11, 1, 8, 10, 9], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.328-332), [0, 3, 2, 7, 6, 10, 9, 11, 8, 5, 1, 4], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.331-334), [0, 4, 3, 2, 1, 11, 7, 10, 5, 6, 8, 9], pc set (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.362-365), [0, 7, 5, 3, 10, 8, 4, 2, 9, 6, 11, 1], pc set (0, 2, 4, 5, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.366-371), [0, 5, 1, 7, 3, 2, 4, 8, 11, 6, 10, 9], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.372-375), [0, 8, 6, 1, 10, 11, 5, 9, 7, 4, 3, 2], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.387-390), [0, 3, 7, 4, 10, 1, 11, 9, 6, 8, 2, 5], pc set (0, 1, 3, 4, 6, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.403-409), [0, 11, 2, 10, 8, 1, 5, 3, 4, 6, 7, 9], pc set (0, 1, 2, 3, 4, 6)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.422-425), [0, 6, 4, 2, 10, 9, 8, 5, 11, 7, 1, 3], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.425-427), [0, 8, 10, 7, 4, 2, 3, 5, 6, 11, 1, 9], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.430-432), [0, 6, 8, 10, 9, 2, 7, 1, 3, 4, 5, 11], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.438-441), [0, 1, 10, 8, 9, 4, 3, 5, 7, 11, 6, 2], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.441-445), [0, 1, 9, 8, 10, 4, 6, 5, 7, 2, 3, 11], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.451-453), [0, 2, 4, 1, 6, 11, 3, 8, 9, 7, 5, 10], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.452-455), [0, 5, 7, 8, 1, 2, 3, 4, 6, 11, 10, 9], pc set (0, 1, 2, 5, 7, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.457-458), [0, 3, 4, 5, 8, 1, 6, 11, 9, 10, 2, 7], pc set (0, 1, 3, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.463-464), [0, 4, 6, 7, 3, 9, 1, 10, 8, 11, 5, 2], pc set (0, 1, 3, 4, 6, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.479-483), [0, 6, 10, 9, 7, 8, 11, 4, 5, 3, 2, 1], pc set (0, 1, 2, 3, 4, 6)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.494-496), [0, 7, 8, 5, 6, 11, 2, 3, 9, 4, 1, 10], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.50-53), [0, 2, 10, 4, 5, 3, 6, 7, 1, 8, 9, 11], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.501-503), [0, 5, 7, 1, 3, 2, 6, 10, 11, 8, 9, 4], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.503-507), [0, 10, 1, 2, 3, 5, 7, 11, 4, 8, 9, 6], pc set (0, 2, 3, 4, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.511-514), [0, 10, 1, 4, 6, 2, 9, 7, 11, 8, 5, 3], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.517-521), [0, 2, 10, 11, 6, 4, 5, 1, 3, 9, 8, 7], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.528-531), [0, 6, 7, 5, 8, 10, 9, 11, 4, 2, 1, 3], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.60-63), [0, 4, 1, 2, 9, 8, 10, 5, 11, 3, 6, 7], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.72-73), [0, 1, 7, 11, 4, 3, 9, 6, 5, 2, 10, 8], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.73-78), [0, 8, 7, 2, 4, 11, 1, 3, 6, 5, 10, 9], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.84-87), [0, 10, 1, 11, 5, 3, 2, 6, 7, 8, 9, 4], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.93-94), [0, 1, 10, 8, 6, 2, 9, 4, 11, 7, 5, 3], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (row 1), [0, 8, 9, 5, 4, 6, 10, 11, 7, 1, 2, 3], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Nomos, Op.19 (row 2), [0, 6, 10, 4, 3, 2, 8, 7, 11, 9, 5, 1], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Paraphonie [Zwölftonspiel] für Bratsche und Klavier, [0, 4, 10, 5, 8, 1, 11, 7, 2, 9, 6, 3], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Romantische Phantasie für Orchester, [0, 10, 8, 5, 1, 9, 4, 11, 3, 7, 6, 2], pc set (0, 1, 3, 4, 5, 8)
- Hauer, Josef Matthias: Sakraler Tanz [Zwölftonspiel] für Orchester, [0, 3, 10, 8, 5, 2, 9, 1, 11, 6, 4, 7], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Sechste Suite für Orchester, Op.47, [0, 9, 6, 2, 8, 3, 10, 11, 7, 4, 5, 1], pc set (0, 1, 3, 6, 7, 9)
- Hauer, Josef Matthias: Symphonische Stücke für Streichorchester, Klavier und Harmonium, Op.49, [0, 4, 6, 3, 2, 8, 1, 11, 10, 7, 9, 5], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Tanz im langsamen 3/4 Takt [Zwölftonspiel] für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen, [0, 3, 10, 2, 11, 6, 8, 7, 4, 9, 1, 5], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: VIII. Zwölftonspiel für Orchester. Juni 1943, [0, 5, 10, 8, 4, 2, 11, 9, 3, 1, 7, 6], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Violinkonzert, Op.54 (9. März – 6. April 1928), [0, 7, 6, 8, 4, 11, 1, 10, 5, 9, 2, 3], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: XXI. Zwölftonspiel für Orchester; mit einer Zwöfftonreihe, die in sechs Tropen steht, und vom Kulturreferenten der Stadt Wien Dr. Viktor Matejka gewählt wurde. Erster Teil 2,4-Takt (Halbe = 50) mit achttaktigen Perioden; zweiter Teil im 3/4 Takt (punktierte Halbe = 40) mit sechstaktigen Perioden, [0, 3, 4, 9, 11, 10, 1, 7, 6, 2, 5, 8], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: XXII. Zwölftonspiel für Klavier, [0, 2, 11, 6, 7, 10, 1, 3, 8, 4, 9, 5], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: XXIII. Zwölftonspiel für Klavierquintett, [0, 4, 11, 9, 10, 2, 6, 3, 7, 5, 8, 1], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: XXIV. Zwölftonspiel für Klavier, [0, 2, 9, 3, 8, 1, 4, 7, 11, 5, 6, 10], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: XXIX. Zwölftonspiel für Cembalo; mit der Sokolowski-Reihe zu Bachs Geburtstag, [0, 11, 2, 1, 4, 3, 10, 5, 8, 9, 6, 7], pc set (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (2/2), [0, 7, 4, 3, 11, 2, 5, 1, 10, 9, 6, 8], pc set (0, 1, 3, 4, 5, 8)
- Hauer, Josef Matthias: Zwölftonspiel (Weihnachten 1947) für Klarinette, Violine, Bratsche, Cello und Klavier, [0, 6, 2, 10, 8, 3, 11, 4, 9, 7, 5, 1], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel 10. Juli 1957; für Klavier zu vier Händen, [0, 8, 10, 6, 2, 11, 1, 3, 9, 4, 7, 5], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, zwei Violinen, Viola, Violoncello & Klavier vierhändig, [0, 6, 4, 8, 3, 11, 9, 2, 7, 1, 10, 5], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Zwölftonspiel 2. Juni 1948 für Streichquartett und Klavier, [0, 3, 10, 6, 2, 11, 1, 4, 7, 9, 5, 8], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Zwölftonspiel 26. Juli 1957, für Flöte, Oboe, Bassklarinette, Fagott und Streichquartett, [0, 4, 1, 6, 8, 2, 10, 7, 3, 9, 11, 5], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel 3. Mai 1958; für Streichsextett, [0, 4, 10, 3, 7, 1, 8, 2, 11, 6, 9, 5], pc set (0, 1, 3, 4, 6, 9)
- Hauer, Josef Matthias: Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel 7. April 1957; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen, [0, 6, 2, 9, 10, 4, 11, 3, 7, 1, 5, 8], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel Jänner 1957; für zwei Violinen, Bratsche und Cello, [0, 10, 6, 2, 8, 3, 5, 7, 9, 4, 1, 11], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel Oktober 1956; für Klavier zu vier Händen, [0, 9, 6, 2, 8, 3, 10, 5, 1, 11, 7, 4], pc set (0, 1, 3, 6, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Gitarre. 24. 7. 1949, [0, 6, 10, 2, 5, 9, 1, 4, 7, 3, 11, 8], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 11. Juni 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 17. Juli 1952, [0, 6, 4, 9, 2, 10, 7, 11, 1, 8, 5, 3], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 2. Juni 1955, [0, 10, 2, 7, 3, 6, 4, 8, 1, 9, 11, 5], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 24. Dezember 1946, [0, 1, 2, 6, 10, 5, 11, 4, 3, 9, 7, 8], pc set (0, 1, 4, 5, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 7. Juni 1955, [0, 4, 10, 7, 11, 8, 3, 1, 5, 6, 2, 9], pc set (0, 1, 2, 4, 5, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. März 1953, [0, 6, 8, 7, 5, 10, 2, 3, 11, 4, 9, 1], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, Violine, Bratsche, Cello und Kontrabaß (melischer Entwurf vom 29.8.1954), [0, 4, 2, 7, 9, 6, 8, 3, 11, 5, 10, 1], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 10. Juli 1952, [0, 10, 6, 8, 9, 7, 11, 3, 1, 5, 2, 4], pc set (0, 1, 2, 3, 4, 6)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 8. Juli 1952, [0, 2, 10, 6, 8, 7, 5, 9, 11, 3, 1, 4], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello. 19. Oktober 1954, [0, 6, 11, 2, 1, 5, 3, 8, 10, 7, 9, 4], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 13. März 1952, [0, 5, 9, 10, 8, 1, 4, 3, 6, 7, 11, 2], pc set (0, 1, 3, 4, 5, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 24. Juni 1952, [0, 6, 10, 7, 9, 3, 4, 1, 8, 5, 11, 2], pc set (0, 1, 3, 4, 6, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 26. Juni 1952, [0, 6, 2, 10, 9, 5, 3, 4, 8, 7, 11, 1], pc set (0, 1, 3, 5, 8, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 30. Juni 1952, I, [0, 2, 10, 4, 11, 8, 1, 7, 5, 3, 6, 9], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. Mai 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Akkordeon (Hausorchester), [0, 7, 2, 9, 6, 4, 11, 3, 10, 8, 1, 5], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Streichquartett, [0, 7, 2, 10, 6, 8, 3, 11, 9, 4, 1, 5], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 8, 9, 6, 10, 4, 11, 1, 2, 5, 3, 7], pc set (0, 2, 3, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Orchester. September 1957, [0, 8, 6, 10, 5, 7, 2, 4, 1, 9, 11, 3], pc set (0, 1, 2, 3, 5, 7)
- Hauer, Josef Matthias: Zwölftonspiel für Violine, Cello und Klavier zu vier Händen, [0, 10, 6, 1, 8, 3, 11, 7, 2, 5, 9, 4], pc set (0, 2, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier. 3. April 1955, [0, 2, 6, 4, 9, 10, 5, 3, 7, 8, 11, 1], pc set (0, 1, 3, 5, 7, 9)
- Hauer, Josef Matthias: Zwölftonspiel für Orchester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, [0, 2, 3, 11, 1, 10, 8, 6, 4, 9, 7, 5], pc set (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier. 16. April 1958, [0, 3, 8, 2, 9, 1, 11, 5, 7, 4, 6, 10], pc set (0, 1, 2, 3, 6, 7)
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello (‘Ins Räumliche übertragen’). 3. September 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
- Hauer, Josef Matthias: Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], pc set (0, 1, 2, 4, 6, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.10, [0, 4, 6, 7, 8, 10, 9, 5, 3, 2, 1, 11], pc set (0, 2, 3, 4, 6, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.11, [0, 4, 5, 6, 8, 9, 7, 3, 2, 1, 11, 10], pc set (0, 1, 2, 4, 5, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.12, [0, 3, 6, 7, 9, 10, 11, 8, 5, 4, 2, 1], pc set (0, 1, 3, 4, 6, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.13, [0, 3, 5, 7, 8, 10, 9, 6, 4, 2, 1, 11], pc set (0, 2, 4, 5, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.14, [0, 2, 5, 7, 8, 10, 11, 9, 6, 4, 3, 1], pc set (0, 2, 3, 5, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.15, [0, 1, 3, 6, 7, 9, 11, 10, 8, 5, 4, 2], pc set (0, 1, 3, 6, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.16, [0, 1, 3, 5, 7, 10, 9, 8, 6, 4, 2, 11], pc set (0, 2, 3, 5, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.17, [0, 1, 3, 5, 8, 9, 7, 6, 4, 2, 11, 10], pc set (0, 1, 3, 5, 8, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.18, [0, 3, 4, 6, 9, 10, 11, 8, 7, 5, 2, 1], pc set (0, 1, 3, 6, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], pc set (0, 1, 4, 5, 8, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.2, [0, 1, 2, 3, 4, 10, 9, 8, 7, 6, 5, 11], pc set (0, 1, 2, 3, 4, 6)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.20, [0, 1, 2, 5, 7, 8, 11, 10, 9, 6, 4, 3], pc set (0, 1, 2, 5, 7, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.21, [0, 1, 2, 5, 6, 10, 9, 8, 7, 4, 3, 11], pc set (0, 1, 4, 5, 6, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.22, [0, 1, 2, 4, 8, 9, 7, 6, 5, 3, 11, 10], pc set (0, 1, 4, 5, 6, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.23, [0, 3, 4, 5, 9, 10, 11, 8, 7, 6, 2, 1], pc set (0, 1, 2, 5, 7, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.24, [0, 3, 4, 7, 8, 10, 9, 6, 5, 2, 1, 11], pc set (0, 1, 3, 5, 8, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.25, [0, 3, 5, 6, 8, 9, 7, 4, 2, 1, 11, 10], pc set (0, 1, 3, 4, 6, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.26, [0, 3, 4, 6, 7, 8, 5, 2, 1, 11, 10, 9], pc set (0, 1, 2, 4, 5, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.27, [0, 2, 4, 5, 6, 7, 3, 1, 11, 10, 9, 8], pc set (0, 1, 2, 3, 5, 7)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.28, [0, 5, 7, 8, 9, 10, 11, 6, 4, 3, 2, 1], pc set (0, 2, 3, 4, 5, 7)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.29, [0, 1, 6, 7, 8, 9, 11, 10, 5, 4, 3, 2], pc set (0, 1, 2, 3, 6, 7)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.3, [0, 2, 3, 4, 5, 10, 11, 9, 8, 7, 6, 1], pc set (0, 1, 2, 3, 5, 7)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.30, [0, 1, 2, 6, 7, 8, 11, 10, 9, 5, 4, 3], pc set (0, 1, 2, 6, 7, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.31, [0, 1, 2, 3, 6, 7, 11, 10, 9, 8, 5, 4], pc set (0, 1, 2, 3, 6, 7)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.32, [0, 1, 2, 3, 4, 6, 11, 10, 9, 8, 7, 5], pc set (0, 1, 2, 3, 4, 6)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.4, [0, 2, 3, 4, 8, 10, 9, 7, 6, 5, 1, 11], pc set (0, 1, 2, 4, 6, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.5, [0, 2, 4, 5, 8, 10, 11, 9, 7, 6, 3, 1], pc set (0, 1, 3, 5, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], pc set (0, 2, 4, 6, 8, 10)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.7, [0, 2, 4, 6, 8, 9, 7, 5, 3, 1, 11, 10], pc set (0, 1, 3, 5, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.8, [0, 2, 4, 6, 7, 8, 5, 3, 1, 11, 10, 9], pc set (0, 1, 2, 4, 6, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.9, [0, 4, 6, 8, 9, 10, 11, 7, 5, 3, 2, 1], pc set (0, 2, 3, 4, 6, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], pc set (0, 1, 2, 3, 6, 7)
- Hendler, Maximilian: aus den fünf Liedern nach Texten von Karl Hans Haysen für Singstimme und Klavier : ‘Erkenntnis’, Op.45-2, [0, 9, 2, 4, 7, 11, 8, 10, 5, 1, 6, 3], pc set (0, 2, 4, 5, 7, 9)
- Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], pc set (0, 2, 3, 4, 5, 7)
- Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 1, [0, 6, 5, 7, 8, 11, 9, 10, 3, 4, 2, 1], pc set (0, 1, 2, 3, 6, 7)
- Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 3, [0, 3, 1, 2, 4, 10, 9, 11, 7, 8, 6, 5], pc set (0, 1, 2, 3, 4, 6)
- Ives, Charles: On the Antipodes, [0, 3, 11, 8, 4, 7, 10, 9, 6, 2, 5, 1], pc set (0, 1, 4, 5, 8, 9)
- Ives, Charles: Tone Roads, No.3, [0, 11, 1, 3, 2, 10, 5, 8, 4, 7, 6, 9], pc set (0, 1, 2, 3, 4, 5)
- Johnston, Ben: String Quartet, No.6, [0, 5, 10, 9, 3, 7, 11, 6, 1, 2, 8, 4], pc set (0, 2, 3, 5, 7, 9)
- Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Kahn, Erich Itor: Bagatelle für Rene Leibowitz, [0, 1, 2, 4, 6, 3, 10, 11, 5, 7, 9, 8], pc set (0, 1, 2, 3, 4, 6)
- Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], pc set (0, 1, 2, 5, 7, 8)
- Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
- Klein, Fritz Heinrich: Die Maschine. Eine extonale Selbstsatire von Heautontimorumenus., Op.1 (Das Maschinen-Thema), [0, 5, 7, 9, 3, 2, 11, 6, 8, 10, 4, 1], pc set (0, 2, 3, 5, 7, 9)
- Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
- Klenau, Paul von: Elisabeth von England, [0, 2, 8, 11, 7, 1, 4, 10, 3, 6, 5, 9], pc set (0, 1, 2, 3, 6, 7)
- Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/A”, [0, 2, 7, 4, 3, 5, 6, 1, 11, 8, 10, 9], pc set (0, 2, 3, 4, 5, 7)
- Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/B”, [0, 2, 3, 1, 4, 5, 7, 8, 6, 9, 10, 11], pc set (0, 1, 2, 3, 4, 5)
- Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/C”, [0, 9, 11, 10, 7, 2, 6, 3, 5, 4, 1, 8], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 9-2-11-9-7-4-
- Kokkonen, Joonas: Woodwind Quintet, mov. 1, rows “I/A” and “I/B”, [0, 2, 11, 9, 10, 1, 3, 6, 4, 5, 7, 8], pc set (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: Eight Piano Pieces, [0, 10, 1, 7, 6, 11, 5, 8, 3, 9, 2, 4], pc set (0, 1, 2, 3, 6, 7)
- Krenek, Ernst: Karl V, King Francis Row, [0, 10, 5, 6, 11, 3, 9, 4, 2, 7, 1, 8], pc set (0, 1, 2, 5, 7, 8)
- Krenek, Ernst: Kette, Kreis, und Spiegel (Circle, Chain and Mirror), Op.160, [0, 5, 6, 9, 8, 4, 10, 7, 11, 3, 1, 2], pc set (0, 1, 2, 4, 5, 8)
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 1, [0, 2, 4, 5, 8, 10, 6, 7, 9, 11, 1, 3], pc set (0, 1, 3, 5, 7, 9)
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 2, [0, 2, 3, 6, 8, 10, 5, 7, 9, 11, 1, 4], pc set (0, 1, 3, 5, 7, 9)
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 3, [0, 1, 4, 6, 8, 10, 5, 7, 9, 11, 2, 3], pc set (0, 1, 3, 5, 7, 9)
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 4, [0, 3, 5, 7, 9, 11, 6, 8, 10, 1, 2, 4], pc set (0, 1, 3, 5, 7, 9)
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 5, [0, 2, 4, 6, 8, 9, 5, 7, 10, 11, 1, 3], pc set (0, 1, 3, 5, 7, 9)
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 6, [0, 2, 4, 6, 7, 10, 5, 8, 9, 11, 1, 3], pc set (0, 1, 3, 5, 7, 9)
- Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6], pc set (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: Sechs Vermessene, Op.168, [0, 3, 1, 6, 2, 4, 10, 5, 9, 7, 8, 11], pc set (0, 1, 2, 3, 4, 6)
- Krenek, Ernst: Sestina, Op.161, [0, 8, 11, 10, 4, 6, 7, 1, 5, 3, 9, 2], pc set (0, 1, 2, 4, 6, 8)
- Krenek, Ernst: Sonata, No.3, Op.92, No.4, [0, 10, 5, 8, 3, 2, 6, 7, 1, 9, 11, 4], pc set (0, 2, 3, 5, 7, 9)
- Krenek, Ernst: String Quartet, No.6, Op.78, [0, 10, 11, 8, 1, 9, 3, 7, 2, 4, 6, 5], pc set (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: Studies in Counterpoint, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], pc set (0, 1, 2, 3, 6, 7)
- Krenek, Ernst: Studies in Counterpoint (i), [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], pc set (0, 1, 2, 3, 6, 7)
- Krenek, Ernst: Studies in Counterpoint (ii), [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], pc set (0, 1, 2, 3, 6, 7)
- Krenek, Ernst: Suite, Op.84 for solo cello, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], pc set (0, 1, 2, 3, 6, 7)
- Krenek, Ernst: Symeon, der Stylit, [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], pc set (0, 1, 2, 3, 6, 7)
- Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5], pc set (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: Zwölf Variationen in Drei Satzen, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 6, 8], pc set (0, 2, 3, 4, 5, 7)
- Krenek, Ernst: Zwölf Variationen in Drei Sätzen, Op.79, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 8, 6], pc set (0, 2, 3, 4, 5, 7)
- Krenek, Ernst: concert for organ and string-orchestra, Op.230, [0, 11, 8, 4, 3, 6, 7, 5, 2, 9, 10, 1], pc set (0, 1, 3, 5, 8, 9)
- Kukuck, Felicitas: ‘Der Gottesknecht’: 6. Kantate, [0, 11, 10, 1, 2, 3, 8, 9, 6, 5, 7, 4], pc set (0, 1, 2, 3, 4, 5)
- Kukuck, Felicitas: ‘Wo bist Du Trost’; motet, [0, 11, 10, 7, 6, 1, 2, 5, 4, 3, 9, 8], pc set (0, 1, 2, 3, 6, 7)
- Lackner, Peter: ‘An alle Außerirdischen’. Kanon für drei Singstimmen, Kontrabaß und Klavier, [0, 4, 9, 7, 11, 2, 5, 1, 8, 10, 6, 3], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: ‘Davongeflogene Seelen’ für Singstimme, Violoncello und Klavier, [0, 10, 4, 7, 6, 1, 9, 11, 5, 2, 3, 8], pc set (0, 1, 3, 6, 7, 9)
- Lackner, Peter: ‘Der Winter’, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], pc set (0, 1, 3, 6, 7, 9)
- Lackner, Peter: ‘Es fiel ein Reif in der Frühlingsnacht’ für Singstimme und ein Melodie-Instrument, [0, 9, 4, 7, 2, 5, 1, 8, 10, 11, 3, 6], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4, 6, 8, 10)
- Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6], pc set (0, 2, 3, 4, 5, 7)
- Lackner, Peter: ‘Hexentanz’ für Violine und Klavier, [0, 3, 5, 7, 8, 4, 1, 10, 11, 2, 6, 9], pc set (0, 1, 3, 4, 5, 8)
- Lackner, Peter: ‘INKE TAN MAGROV’ für Singstimme und Klavier, [0, 6, 5, 10, 8, 3, 7, 1, 2, 9, 11, 4], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: ‘Ständchen’ für zwei Violinen und zwei Bratschen. 1913,2013, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: ‘Venus-Quadrat’ für Violine und Klavier, [0, 7, 2, 5, 9, 10, 11, 6, 8, 4, 3, 1], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: ‘Wo ist der Freund’ (erstes Lied aus dem Zyklus ‘Wilde Erdbeeren’ für Singstimme und Klavier), [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: 1. Kanonzyklus, [0, 7, 5, 9, 1, 3, 11, 8, 4, 6, 10, 2], pc set (0, 1, 3, 5, 7, 9)
- Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: 3. Kanonzyklus, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: 4. Kanonzyklus, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], pc set (0, 1, 2, 4, 6, 8)
- Lackner, Peter: 5. Kanonzyklus, [0, 7, 11, 9, 1, 3, 5, 8, 10, 6, 2, 4], pc set (0, 2, 3, 4, 6, 8)
- Lackner, Peter: AGNI MEI (Kanon für Klavier. 5. Juni 2015), [0, 4, 10, 11, 1, 2, 8, 7, 3, 6, 9, 5], pc set (0, 1, 2, 3, 4, 6)
- Lackner, Peter: Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier, [0, 8, 3, 5, 1, 10, 7, 11, 4, 2, 6, 9], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Florianische Reihe, [0, 3, 9, 7, 4, 11, 5, 2, 8, 6, 1, 10], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: INKE TAN MAGROV für Singstimme und Klavier (zweites Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 3, 1, 6, 10, 7, 4], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon-Polska für zwei Bratschen. 6. Juni 1993, [0, 6, 3, 1, 10, 8, 5, 11, 2, 4, 7, 9], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon T6 á 2, [0, 10, 8, 3, 1, 5, 6, 4, 2, 9, 7, 11], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 10-10-7-10-4-1-
- Lackner, Peter: Kanon für B. L., 7. Oktober 2017, [0, 9, 10, 5, 3, 7, 11, 2, 1, 6, 8, 4], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6], pc set (0, 1, 2, 3, 4, 5)
- Lackner, Peter: Kanon für Cello und Klavier, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], pc set (0, 1, 2, 4, 6, 8)
- Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Hammerklavier. März 2016, [0, 2, 1, 5, 7, 3, 11, 9, 10, 6, 4, 8], pc set (0, 1, 2, 3, 5, 7)
- Lackner, Peter: Kanon für Kammerorchester, [0, 9, 11, 6, 2, 4, 7, 10, 8, 1, 5, 3], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon für Klavier, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon für Klavier. 15. Juni 1992, [0, 10, 3, 8, 6, 5, 2, 1, 11, 4, 9, 7], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon für Klavier. 21. Juni 1998, [0, 7, 6, 5, 1, 4, 3, 8, 9, 10, 2, 11], pc set (0, 1, 2, 3, 6, 7)
- Lackner, Peter: Kanon für Klavier. 26. Juni 1983, [0, 7, 5, 9, 4, 8, 6, 1, 11, 3, 10, 2], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 7-10-4-7-4-10-
- Lackner, Peter: Kanon für Klavier. 27. Juni, 26. September 2002, [0, 9, 4, 1, 2, 8, 7, 10, 3, 6, 5, 11], pc set (0, 1, 4, 5, 6, 8)
- Lackner, Peter: Kanon für Klavier. 5. April 1989, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für Klavier. April 2000, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], pc set (0, 1, 2, 4, 6, 8)
- Lackner, Peter: Kanon für Klavier zu vier Händen, [0, 10, 5, 3, 7, 8, 6, 4, 11, 9, 1, 2], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 10-7-10-4-1-10-
- Lackner, Peter: Kanon für Klavier zu vier Händen. 12. Juni 1996, [0, 4, 2, 8, 11, 10, 5, 1, 3, 9, 6, 7], pc set (0, 2, 3, 4, 6, 8)
- Lackner, Peter: Kanon für Klavier zu vier Händen. Frühling 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: Kanon für Klavierquartett, [0, 8, 6, 11, 3, 9, 1, 5, 7, 2, 10, 4], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: Kanon für Klavierquartett. 27. April 1991, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], pc set (0, 1, 3, 6, 7, 9)
- Lackner, Peter: Kanon für Klavierquartett. 27. Juni 1991, [0, 2, 6, 9, 11, 3, 7, 5, 1, 10, 8, 4], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: Kanon für Klaviertrio, [0, 2, 4, 9, 5, 7, 3, 1, 11, 6, 10, 8], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Orgel, zweimanualiges Cembalo oder Klavier, [0, 7, 2, 11, 4, 9, 6, 8, 1, 5, 3, 10], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Orgel. 21. November 1994, 4. Februar 1995, [0, 8, 5, 1, 4, 9, 2, 11, 7, 3, 10, 6], pc set (0, 1, 4, 5, 8, 9)
- Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 8-8-6-8-8-3-
- Lackner, Peter: Kanon für Schwegel und zwei Geigen, [0, 6, 4, 2, 10, 8, 9, 3, 5, 7, 11, 1], pc set (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für Schwegelpfeife in A und Geige, [0, 9, 7, 2, 10, 4, 3, 6, 8, 1, 5, 11], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon für Streichquartett, [0, 9, 3, 5, 1, 11, 7, 10, 4, 2, 6, 8], pc set (0, 2, 3, 4, 6, 8)
- Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], pc set (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für Streichquartett. 3. Jänner 1990, [0, 6, 4, 8, 11, 3, 1, 7, 9, 5, 2, 10], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für Streichquartett und Orgel. 21. November 1993, [0, 10, 2, 5, 4, 7, 1, 11, 3, 9, 8, 6], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon für Tenor-Hackbrett. 19. März 2014, [0, 8, 4, 6, 9, 1, 11, 3, 7, 5, 2, 10], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für Violine, Bratsche und Klavier, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für Violine, Viola und Akkordeon. 11. Juni 2007, [0, 11, 1, 2, 3, 10, 4, 9, 8, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6], pc set (0, 2, 3, 4, 5, 7)
- Lackner, Peter: Kanon für Violine und Violoncello, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für acht Instrumente. Dezember 1991, März 2007, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], pc set (0, 1, 2, 4, 5, 8)
- Lackner, Peter: Kanon für drei Bratschen, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], pc set (0, 1, 2, 4, 5, 8)
- Lackner, Peter: Kanon für drei Violinen I, II August 1998, [0, 2, 10, 4, 8, 6, 1, 9, 11, 5, 3, 7], pc set (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für sechs Instrumente. 16. März 2009, [0, 7, 6, 3, 2, 10, 1, 8, 11, 5, 4, 9], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für sechs Posaunen. Herbst 1996, [0, 9, 1, 6, 4, 8, 11, 2, 10, 7, 5, 3], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1], pc set (0, 1, 3, 6, 7, 9)
- Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993, [0, 1, 2, 10, 3, 5, 11, 9, 4, 8, 7, 6], pc set (0, 2, 3, 4, 5, 7)
- Lackner, Peter: Kanon für zwei Violinen, [0, 7, 4, 5, 9, 2, 3, 8, 11, 10, 6, 1], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6], pc set (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], pc set (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für zwei Violinen und Klavier. Frühjahr 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: Kanon à 3, [0, 11, 6, 10, 2, 7, 3, 4, 9, 5, 1, 8], pc set (0, 1, 4, 5, 6, 8)
- Lackner, Peter: Kanon à 4 – ‘Für Harald Fripertinger zum 50. Geburtstag’, [0, 10, 3, 6, 5, 8, 1, 11, 9, 4, 7, 2], pc set (0, 2, 3, 5, 7, 9)
- Lackner, Peter: Kanon á 4, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
- Lackner, Peter: Kanon á 5 für Klaus Chudoba, [0, 2, 10, 8, 6, 11, 3, 1, 5, 7, 9, 4], pc set (0, 2, 3, 4, 6, 8)
- Lackner, Peter: Moebius-Band für Flöte, Violine, Violoncello und Klavier, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: Moebius-Band für sechs Violinen, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: Moebiusband I für zwei Melodieinstrumente, [0, 6, 8, 2, 7, 1, 11, 5, 3, 9, 4, 10], pc set (0, 1, 2, 6, 7, 8)
- Lackner, Peter: Moebiusband für Violine und Klavier (Chinesenfolter I), [0, 2, 4, 6, 10, 5, 1, 11, 9, 7, 3, 8], pc set (0, 1, 2, 4, 6, 8)
- Lackner, Peter: Reihenspiel für Orgel, [0, 9, 6, 11, 5, 4, 10, 7, 2, 1, 8, 3], pc set (0, 1, 2, 5, 7, 8)
- Lackner, Peter: Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], pc set (0, 2, 3, 4, 6, 8)
- Lackner, Peter: Sponsions-Kanon, [0, 4, 1, 10, 3, 7, 9, 5, 8, 11, 6, 2], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: TACET (drittes Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 4, 7, 10, 6, 1, 3], pc set (0, 1, 3, 4, 6, 9)
- Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], pc set (0, 2, 4, 6, 8, 10)
- Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6], pc set (0, 2, 4, 5, 7, 9)
- Lang, Bernhard: ‘Der Golem’ nach Gustav Meyrinck, [0, 4, 7, 8, 11, 3, 5, 2, 9, 1, 10, 6], pc set (0, 1, 4, 5, 8, 9)
- Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], pc set (0, 1, 2, 3, 4, 5)
- Lang, Bernhard: Hemma (Music Theatre Hemma Klagenfurt 2015), [0, 5, 10, 2, 3, 1, 7, 9, 8, 4, 11, 6], pc set (0, 2, 3, 4, 5, 7)
- Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6], pc set (0, 1, 3, 4, 5, 8)
- Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6], pc set (0, 2, 3, 4, 5, 7)
- Leibowitz, René: String Quartet, No.3, Op.26, [0, 8, 9, 7, 6, 1, 2, 5, 4, 10, 11, 3], pc set (0, 1, 2, 3, 6, 7)
- Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11], pc set (0, 1, 2, 3, 4, 5)
- Lewin, David: Just a Minute, Roger, [0, 11, 4, 5, 7, 3, 2, 6, 8, 1, 10, 9], pc set (0, 1, 4, 5, 6, 8)
- Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], pc set (0, 1, 2, 6, 7, 8), self-rotational interval pattern 6-11-6-11-6-5-
- Lu, Shi-Lin: A Family of Red-Crowned Cranes, [0, 2, 9, 7, 4, 6, 11, 8, 1, 3, 10, 5], pc set (0, 2, 3, 5, 7, 9)
- Lu, Yen: A Bird Flying By, [0, 6, 3, 4, 8, 7, 11, 5, 10, 2, 9, 1], pc set (0, 1, 2, 4, 5, 8)
- Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], pc set (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Dusk, row 1, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], pc set (0, 2, 3, 5, 7, 9)
- Luo, Zhong-Rong: Dusk, row 2, [0, 3, 7, 5, 8, 10, 1, 11, 6, 2, 4, 9], pc set (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Evening, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], pc set (0, 2, 3, 5, 7, 9)
- Luo, Zhong-Rong: Morning Glory, [0, 2, 5, 9, 7, 10, 3, 11, 1, 4, 6, 8], pc set (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Picking lotus flowers at the riverside, [0, 2, 5, 7, 10, 3, 1, 4, 6, 9, 11, 8], pc set (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Sonatina, mvt 3, [0, 2, 7, 4, 11, 8, 5, 9, 10, 1, 3, 6], pc set (0, 1, 3, 5, 8, 9)
- Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7], pc set (0, 2, 3, 5, 7, 9)
- Luo, Zhong-Rong: String Quartet, No.3, row 1, [0, 2, 4, 7, 5, 10, 8, 1, 6, 3, 9, 11], pc set (0, 2, 3, 5, 7, 9)
- Luo, Zhong-Rong: String Quartet, No.3, row 3, [0, 2, 7, 9, 11, 1, 3, 6, 10, 4, 5, 8], pc set (0, 1, 2, 3, 5, 7)
- Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 1, [0, 2, 5, 10, 6, 1, 3, 8, 11, 9, 7, 4], pc set (0, 1, 4, 5, 6, 8)
- Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 2, [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 10, 5], pc set (0, 2, 4, 5, 7, 9)
- Lutyens, Elisabeth: Essence Of Our Happinesses, Op.69, mvt II, Part I, [0, 11, 1, 10, 2, 3, 8, 9, 5, 6, 4, 7], pc set (0, 1, 2, 3, 4, 5)
- Lutyens, Elisabeth: Five Little Pieces for Clarinet and Piano, [0, 8, 4, 1, 10, 2, 9, 3, 5, 6, 11, 7], pc set (0, 2, 3, 4, 6, 8)
- Lutyens, Elisabeth: Islands, Op.80, [0, 11, 7, 3, 8, 10, 9, 6, 4, 5, 1, 2], pc set (0, 1, 3, 4, 5, 8)
- Lutyens, Elisabeth: Motet (Excerota Tractati Logico-Philosophici), Op.27, [0, 11, 3, 7, 8, 4, 2, 6, 5, 1, 9, 10], pc set (0, 1, 4, 5, 8, 9)
- Lutyens, Elisabeth: Présages, Op.53, [0, 1, 11, 2, 10, 8, 5, 3, 4, 7, 9, 6], pc set (0, 1, 2, 3, 4, 6)
- Lutyens, Elisabeth: Quincunx, Op.44, [0, 6, 11, 1, 5, 2, 7, 3, 4, 9, 10, 8], pc set (0, 1, 2, 3, 6, 7)
- Lutyens, Elisabeth: The Numbered, Altered Primary Row (swap pitches 2 and 3), [0, 11, 10, 1, 2, 9, 3, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Lutyens, Elisabeth: The Numbered, Primary Row, [0, 10, 11, 1, 2, 9, 3, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Maderna, Bruno: Improvvisazione N. 1, [0, 11, 4, 8, 3, 2, 7, 6, 1, 5, 10, 9], pc set (0, 1, 2, 4, 5, 8)
- Maderna, Bruno: Musica su due dimensioni, [0, 2, 9, 4, 6, 11, 8, 10, 1, 3, 5, 7], pc set (0, 2, 3, 5, 7, 9)
- Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], pc set (0, 1, 4, 5, 8, 9)
- Mamlok, Ursula: Panta Rhei, [0, 7, 4, 11, 8, 3, 10, 9, 6, 2, 5, 1], pc set (0, 1, 4, 5, 8, 9)
- Mamlok, Ursula: Panta Rhei, secondary row (mvt 4, Piano), [0, 11, 8, 3, 4, 7, 2, 1, 6, 9, 10, 5], pc set (0, 1, 4, 5, 8, 9)
- Martin, Frank: Petite complainte, [0, 11, 10, 6, 2, 4, 5, 9, 8, 7, 3, 1], pc set (0, 1, 2, 4, 6, 8)
- Martino, Donald: Fantasy Variations, [0, 3, 1, 10, 2, 8, 11, 5, 6, 9, 7, 4], pc set (0, 1, 2, 3, 5, 7)
- Martino, Donald: Notturno (Row B), [0, 7, 11, 10, 9, 8, 2, 1, 6, 3, 4, 5], pc set (0, 1, 2, 3, 4, 5)
- Matthias, Hauer Josef: Zwölftonspiel für Holzbläser, Streicher und Klavier. April 1951, [0, 4, 9, 11, 7, 2, 3, 6, 8, 10, 5, 1], pc set (0, 2, 4, 5, 7, 9)
- Matthias, Josef: Salambo, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], pc set (0, 2, 3, 4, 6, 8)
- Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Messiaen, Olivier: Mode de valeurs et d’intensités, Series 1, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], pc set (0, 1, 2, 3, 6, 7)
- Mittendorfer, Josef: aleatoric row, [0, 2, 7, 1, 8, 6, 10, 5, 4, 11, 3, 9], pc set (0, 1, 2, 6, 7, 8)
- Moevs, Robert: Musica da Camera, [0, 1, 11, 3, 4, 2, 9, 10, 8, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Morris, Robert: By Far, [0, 1, 4, 11, 3, 2, 6, 7, 5, 10, 8, 9], pc set (0, 1, 2, 3, 4, 5)
- Morris, Robert: Canonic Variations, [0, 3, 11, 1, 4, 8, 5, 6, 9, 10, 2, 7], pc set (0, 1, 3, 4, 5, 8)
- Morris, Robert: Clash, [0, 3, 11, 10, 8, 1, 7, 9, 2, 6, 4, 5], pc set (0, 2, 3, 4, 5, 7)
- Morris, Robert: Concerto for Piano and Strings, [0, 1, 6, 11, 7, 5, 10, 8, 4, 3, 2, 9], pc set (0, 1, 2, 6, 7, 8)
- Morris, Robert: Cuts, [0, 10, 11, 7, 3, 8, 6, 9, 4, 5, 1, 2], pc set (0, 1, 3, 4, 5, 8)
- Morris, Robert: Entanglements, [0, 3, 10, 5, 11, 6, 1, 7, 9, 2, 8, 4], pc set (0, 1, 2, 5, 7, 8)
- Morris, Robert: Exchanges, [0, 4, 3, 1, 9, 5, 8, 6, 2, 10, 11, 7], pc set (0, 1, 2, 4, 5, 8)
- Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
- Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
- Morris, Robert: Pari Passu, row 1, [0, 6, 10, 11, 2, 3, 9, 1, 7, 8, 4, 5], pc set (0, 1, 2, 4, 5, 8)
- Morris, Robert: Refrains, [0, 3, 4, 2, 6, 10, 1, 8, 11, 7, 5, 9], pc set (0, 2, 3, 4, 6, 8)
- Morris, Robert: Roundelay, row 1, [0, 7, 4, 11, 9, 2, 6, 3, 10, 5, 8, 1], pc set (0, 2, 4, 5, 7, 9)
- Morris, Robert: Roundelay, row 2, [0, 5, 9, 7, 8, 10, 4, 11, 1, 6, 2, 3], pc set (0, 2, 3, 4, 5, 7)
- Morris, Robert: Roundelay, row 3, [0, 10, 9, 3, 4, 6, 8, 11, 2, 7, 1, 5], pc set (0, 1, 3, 6, 7, 9)
- Morris, Robert: Roundelay, row 4, [0, 3, 11, 10, 7, 2, 6, 9, 5, 4, 1, 8], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-8-11-9-7-4-
- Morris, Robert: Roundelay, row 5, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Morris, Robert: Roundelay, row 6, [0, 10, 5, 11, 4, 6, 8, 7, 2, 3, 9, 1], pc set (0, 1, 2, 6, 7, 8)
- Morris, Robert: Something New, [0, 9, 4, 8, 11, 7, 3, 6, 10, 5, 2, 1], pc set (0, 1, 3, 4, 5, 8)
- Morris, Robert: Strange Flowers, Occasional Storms, [0, 1, 8, 3, 5, 4, 10, 6, 9, 7, 11, 2], pc set (0, 1, 3, 4, 5, 8)
- Morris, Robert: Terrane, [0, 11, 1, 3, 2, 5, 6, 4, 9, 7, 8, 10], pc set (0, 1, 2, 3, 4, 6)
- Morris, Robert: Three Musicians, [0, 9, 7, 6, 8, 1, 11, 2, 4, 5, 3, 10], pc set (0, 1, 2, 3, 6, 7)
- Morris, Robert: Tournament for 12 trombones, [0, 7, 6, 4, 11, 8, 5, 9, 1, 3, 2, 10], pc set (0, 1, 4, 5, 6, 8)
- Morris, Robert: Tête‐à‐Tête, [0, 3, 11, 10, 1, 8, 2, 6, 9, 5, 4, 7], pc set (0, 2, 3, 4, 5, 7)
- Morris, Robert: …gradually…, [0, 1, 8, 3, 5, 4, 6, 7, 9, 11, 2, 10], pc set (0, 1, 3, 4, 5, 8)
- Nichols, Jeff: …its darkening opposite, or Set Portrait in a Convex Mirror, [0, 4, 8, 7, 11, 2, 3, 6, 1, 9, 10, 5], pc set (0, 1, 3, 5, 8, 9)
- Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Nono, Luigi: Composizione per orchestra, No.1, [0, 1, 7, 6, 2, 8, 4, 3, 5, 10, 11, 9], pc set (0, 1, 2, 6, 7, 8)
- Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Nono, Luigi: Incontri, [0, 2, 3, 8, 9, 6, 4, 5, 7, 11, 1, 10], pc set (0, 1, 3, 6, 7, 9)
- Nono, Luigi: Intolleranza, Soprano 1, [0, 3, 4, 7, 8, 5, 6, 9, 10, 1, 2, 11], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-1-3-1-9-1-
- Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Nono, Luigi: La terra e la compagna (sketch), Series 2, [0, 6, 1, 7, 11, 5, 2, 8, 10, 4, 3, 9], pc set (0, 1, 2, 6, 7, 8)
- Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], pc set (0, 1, 3, 4, 6, 9)
- Nono, Luigi: La terra e la compagna (sketch), Series 5, [0, 7, 2, 4, 9, 10, 5, 1, 6, 11, 8, 3], pc set (0, 2, 3, 5, 7, 9)
- Nono, Luigi: La terra e la compagna (sketch), Series 7, [0, 5, 3, 10, 7, 1, 8, 9, 2, 6, 11, 4], pc set (0, 2, 3, 5, 7, 9)
- Nono, Luigi: La terra e la compagna (sketch), Series 8, [0, 4, 5, 11, 3, 6, 10, 2, 7, 9, 1, 8], pc set (0, 1, 2, 3, 6, 7)
- Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4, 5, 8, 9)
- Papaioannou, Yannis: Songs of the Lake, No.1, [0, 8, 5, 7, 6, 11, 2, 10, 1, 3, 9, 4], pc set (0, 1, 2, 3, 6, 7)
- Papaioannou, Yannis: Songs of the Lake, No.2, [0, 7, 4, 6, 5, 1, 9, 2, 8, 10, 3, 11], pc set (0, 1, 2, 3, 6, 7)
- Papaioannou, Yannis: Songs of the Lake, No.4, [0, 5, 11, 9, 6, 10, 7, 2, 3, 1, 4, 8], pc set (0, 1, 2, 3, 6, 7)
- Papaioannou, Yannis: Suite, “XP”, [0, 4, 2, 1, 6, 8, 3, 9, 7, 10, 5, 11], pc set (0, 1, 2, 4, 6, 8)
- Papaioannou, Yannis: Suite, “YP”, [0, 10, 9, 8, 1, 4, 5, 7, 3, 6, 2, 11], pc set (0, 1, 2, 4, 5, 8)
- Pentland, Barbara: String Quartet, No.3, [0, 11, 3, 6, 5, 9, 10, 8, 1, 2, 7, 4], pc set (0, 1, 3, 6, 7, 9)
- Perle, George: First string quartet, [0, 1, 3, 6, 10, 9, 8, 7, 4, 5, 11, 2], pc set (0, 1, 3, 4, 6, 9)
- Pousseur, Henri: Trois Chants Sacrés, [0, 10, 11, 4, 1, 5, 9, 6, 3, 7, 2, 8], pc set (0, 1, 2, 3, 6, 7)
- Preßl, Hermann Markus: ‘A 5’ für Bassklarinette, Vibraphon und drei Bratschen, [0, 6, 5, 8, 10, 7, 3, 2, 4, 9, 1, 11], pc set (0, 1, 2, 3, 5, 7)
- Preßl, Hermann Markus: Finstersonnen, [0, 3, 9, 6, 11, 5, 1, 2, 7, 8, 10, 4], pc set (0, 1, 3, 6, 7, 9)
- Preßl, Hermann Markus: N. N. 50; ‘Die Zeremonie des Abschieds’, [0, 9, 4, 2, 7, 5, 8, 1, 6, 3, 11, 10], pc set (0, 2, 4, 5, 7, 9)
- Preßl, Herrmann Markus: Fier Fafeln für Fier Fiolen, [0, 7, 8, 11, 9, 4, 6, 10, 1, 5, 3, 2], pc set (0, 1, 3, 4, 5, 8)
- Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], pc set (0, 1, 2, 3, 4, 5)
- Pärt, Arvo: Perpetuum Mobile, [0, 11, 10, 5, 6, 9, 7, 1, 2, 8, 3, 4], pc set (0, 1, 2, 3, 6, 7)
- Pärt, Arvo: Symphony, No.1, [0, 1, 2, 7, 6, 3, 5, 11, 10, 4, 9, 8], pc set (0, 1, 2, 3, 6, 7)
- Reynolds, Roger: Ambages, [0, 1, 4, 5, 7, 6, 8, 9, 10, 11, 2, 3], pc set (0, 1, 2, 3, 6, 7)
- Riegebauer, Sigrid: Toccata, [0, 3, 1, 2, 11, 10, 4, 5, 8, 7, 9, 6], pc set (0, 1, 2, 3, 4, 5)
- Rochberg, George: Sonata-Fantasia, [0, 11, 10, 4, 5, 6, 9, 8, 7, 1, 2, 3], pc set (0, 1, 2, 6, 7, 8), self-rotational interval pattern 11-11-6-1-1-3-
- Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], pc set (0, 1, 2, 3, 6, 7)
- Rochberg, George: Symphony, No.2, [0, 8, 1, 4, 9, 5, 6, 2, 3, 10, 11, 7], pc set (0, 1, 4, 5, 8, 9)
- Sande, Henrik: ‘Volkslied’ für zwei Singstimmen und Klavier. 24. 12. 2015, [0, 2, 4, 5, 7, 9, 10, 8, 6, 3, 1, 11], pc set (0, 2, 4, 5, 7, 9)
- Santoro, Claudio: Peças para Piano, [0, 11, 4, 5, 1, 9, 2, 3, 7, 8, 6, 10], pc set (0, 1, 4, 5, 6, 8)
- Santoro, Claudio: Preludes 18-20, [0, 9, 1, 3, 2, 8, 10, 4, 6, 5, 7, 11], pc set (0, 1, 2, 3, 6, 7)
- Santoro, Claudio: Six Piano Pieces, [0, 10, 4, 1, 11, 2, 5, 6, 3, 9, 7, 8], pc set (0, 1, 2, 3, 4, 6)
- Santoro, Claudio: Sonata, No.1, [0, 10, 3, 8, 11, 1, 2, 9, 7, 4, 5, 6], pc set (0, 2, 3, 4, 5, 7)
- Schnittke, Alfred: Concerto, No.2 for Violin and Chamber Orchestra, [0, 11, 1, 2, 10, 3, 4, 9, 5, 6, 8, 7], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], pc set (0, 1, 2, 3, 6, 7)
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 7, [0, 3, 11, 9, 10, 1, 4, 2, 7, 8, 5, 6], pc set (0, 1, 2, 3, 4, 6)
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 8, [0, 11, 7, 9, 10, 8, 6, 5, 3, 4, 1, 2], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 1, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], pc set (0, 1, 3, 5, 8, 9)
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Concerto Grosso, No.3, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], pc set (0, 1, 3, 5, 8, 9)
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 1, [0, 3, 6, 10, 2, 11, 8, 5, 9, 1, 4, 7], pc set (0, 1, 2, 4, 5, 8)
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 2, [0, 3, 7, 10, 2, 11, 6, 9, 1, 4, 8, 5], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-4-3-4-9-7-
- Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, [0, 2, 3, 1, 4, 5, 11, 10, 7, 9, 8, 6], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.4, [0, 11, 10, 1, 3, 2, 4, 9, 8, 6, 5, 7], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.4, mvt 2, m.40, [0, 5, 10, 3, 2, 7, 8, 1, 6, 11, 4, 9], pc set (0, 2, 4, 5, 7, 9)
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.122, [0, 1, 11, 2, 10, 3, 4, 9, 8, 7, 6, 5], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-10-1-10-11-11-
- Schnittke, Alfred: Symphony, No.7, mvt 3, row X, [0, 1, 10, 11, 2, 3, 9, 4, 5, 8, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], pc set (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Viola Concerto, [0, 11, 5, 2, 1, 6, 3, 8, 7, 4, 10, 9], pc set (0, 1, 2, 3, 6, 7)
- Schnittke, Alfred: Violin Sonata 2, [0, 10, 11, 9, 6, 8, 7, 5, 4, 1, 2, 3], pc set (0, 1, 2, 3, 4, 6)
- Schoenberg, Arnold: A Survivor From Warsaw, Op.46, [0, 1, 6, 2, 10, 9, 5, 4, 11, 3, 7, 8], pc set (0, 1, 2, 4, 5, 8)
- Schoenberg, Arnold: A Survivor From Warsaw, Op.46 (alternative), [0, 1, 6, 2, 10, 9, 4, 7, 3, 8, 11, 5], pc set (0, 1, 2, 4, 5, 8)
- Schoenberg, Arnold: Accompaniment to a Film Scene, Op.34, [0, 3, 11, 1, 10, 9, 6, 8, 7, 5, 2, 4], pc set (0, 1, 2, 3, 4, 6)
- Schoenberg, Arnold: Fantasy for Piano Four Hands, II (fragment), [0, 3, 6, 1, 7, 8, 2, 5, 11, 4, 10, 9], pc set (0, 1, 2, 5, 7, 8)
- Schoenberg, Arnold: Fantasy for Piano Four Hands, I, [0, 4, 2, 5, 3, 7, 11, 10, 1, 8, 9, 6], pc set (0, 2, 3, 4, 5, 7)
- Schoenberg, Arnold: Fantasy for Violin and Piano, Op.47, [0, 11, 3, 1, 7, 9, 5, 6, 2, 4, 10, 8], pc set (0, 2, 3, 4, 6, 8)
- Schoenberg, Arnold: Five Piano Pieces, Op.23, No.5, [0, 8, 10, 6, 7, 5, 9, 1, 3, 2, 11, 4], pc set (0, 1, 2, 3, 5, 7)
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.1, Op.27, No.1, [0, 11, 8, 2, 1, 7, 9, 10, 4, 3, 5, 6], pc set (0, 1, 2, 3, 6, 7)
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.2, Op.27, No.2, [0, 11, 4, 10, 2, 8, 3, 7, 6, 5, 9, 1], pc set (0, 2, 3, 4, 6, 8)
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.3, Op.27, No.3, [0, 11, 7, 9, 10, 8, 4, 5, 1, 3, 2, 6], pc set (0, 1, 2, 3, 4, 5)
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.4, Op.27, No.4, [0, 2, 9, 5, 7, 3, 10, 11, 1, 8, 4, 6], pc set (0, 2, 3, 5, 7, 9)
- Schoenberg, Arnold: Modern Psalms, The First Psalm, Op.50c, [0, 11, 8, 4, 7, 3, 1, 5, 2, 6, 9, 10], pc set (0, 1, 4, 5, 8, 9)
- Schoenberg, Arnold: Moses und Aron, [0, 1, 7, 5, 6, 4, 10, 8, 9, 11, 2, 3], pc set (0, 1, 2, 3, 6, 7)
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 11-4-1-4-11-7-
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], pc set (0, 1, 4, 5, 8, 9)
- Schoenberg, Arnold: Piano Concerto, Op.42, [0, 7, 11, 2, 1, 9, 3, 5, 10, 6, 8, 4], pc set (0, 1, 2, 3, 5, 7)
- Schoenberg, Arnold: Prelude To A Suite From “Genesis”, Op.44, [0, 8, 4, 7, 6, 2, 1, 10, 3, 5, 11, 9], pc set (0, 1, 2, 4, 6, 8)
- Schoenberg, Arnold: Psalm 130, De Profundis (unfinished), Op.50B, [0, 6, 5, 1, 11, 7, 4, 8, 9, 3, 2, 10], pc set (0, 1, 2, 6, 7, 8)
- Schoenberg, Arnold: Serenade, mvt 4, “Sonett”, Op.24, [0, 10, 11, 7, 8, 9, 4, 2, 5, 1, 3, 6], pc set (0, 1, 2, 3, 4, 5)
- Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5], pc set (0, 1, 3, 6, 7, 9)
- Schoenberg, Arnold: Six Pieces for Male Chorus, No.1, Op.35, [0, 9, 1, 3, 2, 11, 6, 8, 7, 4, 10, 5], pc set (0, 1, 2, 3, 4, 6)
- Schoenberg, Arnold: Six Pieces for Male Chorus, No.2, Op.35, [0, 3, 1, 7, 6, 8, 11, 5, 4, 9, 10, 2], pc set (0, 1, 2, 5, 7, 8)
- Schoenberg, Arnold: Six Pieces for Male Chorus, No.5, Op.35, [0, 6, 9, 1, 2, 10, 7, 3, 11, 5, 4, 8], pc set (0, 1, 2, 4, 5, 8)
- Schoenberg, Arnold: Sonata For Organ, [0, 6, 10, 2, 8, 1, 7, 5, 9, 4, 11, 3], pc set (0, 1, 2, 4, 6, 8)
- Schoenberg, Arnold: String Quartet, No.4, Op.37, [0, 11, 7, 8, 3, 1, 2, 10, 6, 5, 4, 9], pc set (0, 1, 4, 5, 6, 8)
- Schoenberg, Arnold: String Trio, Op.45, [0, 8, 1, 7, 2, 11, 9, 6, 4, 5, 3, 10], pc set (0, 1, 2, 3, 6, 7)
- Schoenberg, Arnold: Suite, Op.29, [0, 4, 3, 7, 11, 8, 9, 6, 5, 1, 2, 10], pc set (0, 1, 4, 5, 8, 9)
- Schoenberg, Arnold: Suite for Piano, Op.25, [0, 1, 3, 9, 2, 11, 4, 10, 7, 8, 5, 6], pc set (0, 1, 2, 3, 4, 6)
- Schoenberg, Arnold: Three Satires for Mixed Chorus, No.3, Op.28, No.3, [0, 1, 11, 3, 9, 5, 2, 4, 10, 6, 8, 7], pc set (0, 2, 3, 4, 6, 8)
- Schoenberg, Arnold: Three Songs, No.2, “Tot”, Op.48, [0, 1, 7, 11, 8, 2, 6, 5, 10, 9, 3, 4], pc set (0, 1, 2, 3, 6, 7)
- Schoenberg, Arnold: Three Songs, No.3, “Madchenlied”, Op.48, [0, 6, 8, 10, 2, 4, 9, 5, 3, 11, 7, 1], pc set (0, 2, 4, 6, 8, 10)
- Schoenberg, Arnold: Three Times a Thousand Years, Op.50a, [0, 2, 11, 9, 10, 4, 3, 7, 5, 6, 8, 1], pc set (0, 1, 2, 3, 5, 7)
- Schoenberg, Arnold: Two Piano Pieces, No.1, Op.33a, [0, 7, 2, 1, 11, 8, 3, 5, 9, 10, 4, 6], pc set (0, 1, 2, 3, 6, 7)
- Schoenberg, Arnold: Two Piano Pieces, No.2, Op.33b, [0, 2, 6, 4, 10, 9, 7, 11, 8, 5, 1, 3], pc set (0, 1, 3, 5, 7, 9)
- Schoenberg, Arnold: Variations for Orchestra, Op.31, [0, 6, 8, 5, 7, 11, 4, 3, 9, 10, 1, 2], pc set (0, 1, 2, 3, 6, 7)
- Schoenberg, Arnold: Violin Concerto, Op.36, [0, 1, 6, 2, 7, 9, 3, 4, 10, 11, 5, 8], pc set (0, 1, 2, 5, 7, 8)
- Schoenberg, Arnold: Violin Phantasy, Op.47, [0, 11, 3, 1, 7, 9, 6, 2, 10, 5, 8, 4], pc set (0, 2, 3, 4, 6, 8)
- Schoenberg, Arnold: Von Heute Auf Morgen, Op.32, [0, 1, 7, 11, 9, 3, 6, 5, 2, 10, 8, 4], pc set (0, 2, 3, 4, 6, 8)
- Schoenberg, Arnold: Wind Quintet, Op.26, [0, 4, 6, 8, 10, 9, 7, 11, 1, 3, 5, 2], pc set (0, 2, 3, 4, 6, 8)
- Schuller, Gunther: Transformation, [0, 2, 4, 3, 8, 11, 9, 6, 5, 10, 7, 1], pc set (0, 1, 2, 4, 5, 8)
- Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 11-9-11-9-11-11-
- Schwantner, Joseph: Elixir (Consortium VIII), [0, 8, 4, 3, 7, 11, 10, 6, 9, 5, 1, 2], pc set (0, 1, 4, 5, 8, 9)
- Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 1-3-1-3-1-9-
- Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], pc set (0, 1, 2, 3, 4, 5)
- Schwantner, Joseph: In Aeternum (Principal Row), [0, 4, 11, 6, 10, 5, 1, 9, 2, 7, 3, 8], pc set (0, 1, 2, 6, 7, 8)
- Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], pc set (0, 1, 2, 6, 7, 8)
- Schwantner, Joseph: Modus Caelestis (m. 39), [0, 6, 11, 10, 5, 9, 4, 8, 3, 2, 7, 1], pc set (0, 1, 2, 3, 6, 7)
- Schwantner, Joseph: Wild Angels of the Open Hills, 2, “Angels of the Shadowed Ancient Land,” m. 21, [0, 8, 9, 11, 3, 7, 6, 5, 2, 4, 10, 1], pc set (0, 1, 2, 4, 5, 8)
- Searle, Humphrey: Toccata alla Passacaglia, Op.31, [0, 5, 6, 1, 10, 7, 9, 8, 3, 2, 4, 11], pc set (0, 1, 2, 5, 7, 8)
- Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], pc set (0, 1, 2, 3, 6, 7)
- Seiber, Mátyás: Sonata for Violin and Piano, [0, 1, 11, 10, 7, 6, 8, 9, 4, 3, 5, 2], pc set (0, 1, 2, 3, 6, 7)
- Seiber, Mátyás: String Quartet, No.2, [0, 2, 3, 1, 4, 11, 5, 10, 7, 9, 8, 6], pc set (0, 1, 2, 3, 4, 5)
- Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4, 5, 8, 9)
- Sengstschmid, Johann: Meditation für Orgel, Op.43a, [0, 6, 3, 1, 10, 8, 5, 2, 11, 9, 7, 4], pc set (0, 2, 3, 5, 7, 9)
- Sessions, Roger: Piano Sonata, No.3, mvt 2, [0, 1, 5, 4, 8, 2, 11, 10, 6, 7, 3, 9], pc set (0, 1, 2, 4, 5, 8)
- Sessions, Roger: When Lilacs Last in the Dooryard Bloom’d, [0, 2, 4, 10, 5, 8, 9, 1, 11, 7, 6, 3], pc set (0, 1, 3, 5, 7, 9)
- Shapey, Ralph: String Quartet, No.9, [0, 8, 9, 3, 5, 1, 2, 6, 4, 10, 11, 7], pc set (0, 1, 3, 5, 8, 9)
- Shostakovich, Dmitri: Symphony, No.14, mov. I, [0, 11, 9, 4, 3, 10, 8, 7, 5, 6, 1, 2], pc set (0, 1, 2, 3, 6, 7)
- Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 4-4-3-4-4-11-
- Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], pc set (0, 1, 2, 5, 7, 8)
- Slonimsky, Nicholas: No. 1223a Sixths (Twelve-Tone Patterns), [0, 8, 4, 1, 5, 9, 6, 2, 10, 7, 11, 3], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 8-8-9-4-4-9-
- Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1225a Sixths (Twelve-Tone Patterns), [0, 8, 4, 7, 11, 3, 6, 2, 10, 1, 5, 9], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 8-8-3-4-4-3-
- Slonimsky, Nicholas: No. 1226a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 8, 2, 4, 6, 1, 11, 9, 3, 5, 7], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 10-10-6-2-2-7-
- Slonimsky, Nicholas: No. 1227a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 4, 2, 8, 6, 1, 11, 9, 7, 5, 3], pc set (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1228a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 2, 4, 8, 6, 11, 1, 5, 3, 7, 9], pc set (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1230a Major Sevenths (Twelve-Tone Patterns), [0, 11, 3, 4, 8, 7, 1, 2, 6, 5, 9, 10], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1236a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 6, 8, 3, 1, 10], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-10-10-7-2-2-
- Slonimsky, Nicholas: No. 1238a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 9, 7, 5, 3, 2, 4, 6, 8, 1, 10, 11], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-3-7-7-3-11-
- Slonimsky, Nicholas: No. 1240a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 3, 6, 8, 1, 10], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 9, 6, 3, 11, 5, 2, 8, 7, 10, 1, 4], pc set (0, 1, 3, 6, 7, 9)
- Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1244a Crossing Sixths (Crossing Intervals), [0, 3, 8, 7, 4, 11, 1, 2, 10, 5, 6, 9], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1247a Crossing Thirds (Crossing Intervals), [0, 3, 4, 11, 7, 8, 10, 5, 2, 1, 6, 9], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1248a Crossing Thirds (Crossing Intervals), [0, 5, 4, 1, 8, 9, 11, 6, 3, 2, 7, 10], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1250a Crossing Seconds (Crossing Intervals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-3-7-7-3-11-
- Slonimsky, Nicholas: No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 2, 6, 8, 11, 4], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 10, 6, 2, 11, 7, 4, 1, 9], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 10, 6, 4, 11, 7, 5, 2, 9], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3], pc set (0, 1, 3, 6, 7, 9)
- Slonimsky, Nicholas: No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 9, 6, 5, 1, 10, 7, 4, 11], pc set (0, 1, 3, 6, 7, 9)
- Slonimsky, Nicholas: No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 11, 4, 6, 9, 1], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 2, 11, 7, 5, 1, 8, 6, 3, 10], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1257a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 1, 6, 9, 2, 5], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1257b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 5, 2, 10, 6, 1, 9], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1258a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 5, 8, 11, 4], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 2, 10, 6, 4, 1, 9], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1259a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 1, 5, 7, 10, 3], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1259b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 7, 5, 1, 9, 6, 3, 11], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 1, 5, 8, 11, 3], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1260b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 10, 6, 5, 1, 9, 7, 4, 11], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1263a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 4, 8, 11, 5], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1263b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 6, 2, 9, 4, 1, 10], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1265b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 1, 10, 6, 4, 11, 7, 5, 2, 8], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1267a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 11, 5, 6, 9, 2], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1267b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 1, 10, 7, 5, 2, 8, 6, 3, 11], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 4-4-2-4-4-1-
- Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 8-8-10-8-8-9-
- Slonimsky, Nicholas: No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 6, 2, 11, 8, 4], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 1, 2, 6, 9, 8, 4, 11], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 9, 6, 1, 11, 8, 3], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 2, 1, 6, 9, 8, 3, 11], pc set (0, 2, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 5, 2, 11, 8, 3], pc set (0, 1, 3, 6, 7, 9)
- Slonimsky, Nicholas: No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 1, 2, 5, 9, 8, 3, 11], pc set (0, 1, 3, 6, 7, 9)
- Slonimsky, Nicholas: No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 4, 11, 9, 6, 1], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 2, 4, 8, 11, 9, 6, 1], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1278a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 1, 9, 5, 2], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1278b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 6, 10, 1, 9, 5, 2], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1279a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 5, 1, 11, 8, 4], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1279b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 5, 9, 8, 4, 11], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1280a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 5, 1, 10, 7, 3], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1280b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 6, 2, 5, 9, 1, 10, 7, 3], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1281a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 5, 1, 11, 8, 3], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1281b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 2, 1, 5, 9, 8, 3, 11], pc set (0, 1, 3, 5, 7, 9)
- Slonimsky, Nicholas: No. 1284a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 4, 1, 11, 8, 5], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1284b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 4, 9, 8, 5, 11], pc set (0, 1, 3, 5, 8, 9)
- Slonimsky, Nicholas: No. 1286a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 2, 10, 8, 5, 11], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1286b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 4, 1, 10, 2, 7, 8, 5, 11], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1287a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 4, 11, 10, 7, 1], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1287b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 5, 2, 11, 4, 8, 7, 1, 10], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1288a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 5, 11, 9, 6, 2], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1288b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 4, 1, 11, 5, 8, 6, 2, 9], pc set (0, 1, 3, 4, 6, 9)
- Slonimsky, Nicholas: No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 2, 10, 7, 3, 11], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 5, 1, 10, 2, 6, 7, 3, 11], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 4-4-1-8-8-9-
- Slonimsky, Nicholas: No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 3, 11, 9, 5, 1], pc set (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 6, 2, 11, 3, 7, 9, 5, 1], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 4-4-2-8-8-9-
- Slonimsky, Nicholas: No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 2, 1, 9, 5], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 2, 6, 10, 9, 5, 1], pc set (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 2-2-1-2-2-9-
- Slonimsky, Nicholas: No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 1, 11, 10, 8, 6, 9, 7, 5, 4, 2], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 3-10-10-11-10-10-
- Slonimsky, Nicholas: No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 4, 7, 5, 2, 6, 3, 10, 1, 11, 8], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 9-7-3-10-9-4-
- Slonimsky, Nicholas: No. 1294b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 8, 11, 1, 10, 3, 6, 2, 5, 7, 4, 9], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 8-3-2-9-5-3-
- Slonimsky, Nicholas: No. 1295a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 5, 4, 3, 1, 6, 8, 11, 10, 9, 7], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 2-3-11-11-10-5-
- Slonimsky, Nicholas: No. 1295b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 9, 10, 11, 8, 6, 1, 3, 4, 5, 2], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 7-2-1-1-9-10-
- Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 7-1-7-1-7-7-
- Slonimsky, Nicholas: No. 1296b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 5, 10, 9, 2, 1, 6, 11, 4, 3, 8, 7], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 5-5-11-5-11-5-
- Slonimsky, Nicholas: No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 11-10-10-7-2-2-
- Slonimsky, Nicholas: No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 10, 8, 1, 3, 5, 6, 4, 2, 7, 9, 11], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 10-10-5-2-2-1-
- Slonimsky, Nicholas: No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-2-9-4-7-9-
- Slonimsky, Nicholas: No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-5-8-3-10-1-
- Slonimsky, Nicholas: No. 1299a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 2, 7, 4, 5, 6, 3, 8, 1, 10, 11], pc set (0, 2, 4, 5, 7, 9), self-rotational interval pattern 9-5-5-9-1-1-
- Slonimsky, Nicholas: No. 1299b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 10, 1, 8, 3, 6, 5, 4, 7, 2, 9], pc set (0, 2, 3, 4, 5, 7), self-rotational interval pattern 11-11-3-7-7-3-
- Slonimsky, Nicholas: No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-2-9-4-7-9-
- Slonimsky, Nicholas: No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], pc set (0, 1, 3, 4, 5, 8), self-rotational interval pattern 3-5-8-3-10-1-
- Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6], pc set (0, 1, 3, 4, 5, 8)
- Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], pc set (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 5, 4, 3, 6, 7, 8, 11, 10, 9], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 1-1-3-11-11-3-
- Slonimsky, Nicholas: No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 7, 8, 9, 6, 5, 4, 1, 2, 3], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-11-9-1-1-9-
- Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], pc set (0, 1, 2, 3, 6, 7)
- Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], pc set (0, 1, 2, 3, 4, 6)
- Slonimsky, Nicholas: No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], pc set (0, 1, 2, 3, 4, 6)
- Slonimsky, Nicholas: No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts), [0, 10, 2, 8, 4, 6, 5, 3, 7, 1, 9, 11], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 10-4-6-8-2-11-
- Smith, Hale: Contours for Orchestra, [0, 5, 6, 4, 10, 11, 7, 2, 1, 3, 9, 8], pc set (0, 1, 2, 6, 7, 8)
- Spinner, Leopold: Chamber Symphony, Op.28, [0, 11, 10, 6, 4, 5, 2, 1, 3, 7, 8, 9], pc set (0, 1, 2, 6, 7, 8)
- Spinner, Leopold: Concert for Piano and Orchestra, Op.4, [0, 2, 1, 9, 11, 3, 4, 7, 5, 6, 10, 8], pc set (0, 1, 2, 3, 4, 6)
- Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11], pc set (0, 1, 2, 3, 4, 5)
- Spinner, Leopold: Fünf Lieder, Op.8, [0, 3, 4, 7, 8, 5, 11, 9, 10, 2, 6, 1], pc set (0, 1, 3, 4, 5, 8)
- Spinner, Leopold: Ich lieb’ eine Blume for Four-part mixed Choir, [0, 11, 2, 4, 9, 7, 1, 3, 10, 8, 5, 6], pc set (0, 2, 4, 5, 7, 9)
- Spinner, Leopold: Ouverture for Orchestra, Op.5, [0, 11, 2, 10, 8, 1, 7, 5, 6, 9, 3, 4], pc set (0, 1, 2, 3, 4, 6)
- Spinner, Leopold: Quintet, Op.14, [0, 6, 4, 2, 8, 5, 1, 9, 10, 11, 7, 3], pc set (0, 2, 3, 4, 6, 8)
- Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5], pc set (0, 1, 2, 3, 4, 6)
- Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], pc set (0, 1, 2, 3, 4, 5)
- Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11], pc set (0, 1, 2, 3, 4, 6)
- Spinner, Leopold: Sonata for Violin and Piano, Op.1, [0, 7, 6, 1, 3, 8, 5, 10, 2, 9, 4, 11], pc set (0, 1, 2, 5, 7, 8)
- Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Spinner, Leopold: Sonatina for Wind Instruments, Op.23, [0, 9, 1, 5, 4, 2, 8, 10, 11, 7, 3, 6], pc set (0, 1, 3, 4, 5, 8)
- Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], pc set (0, 1, 4, 5, 8, 9)
- Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], pc set (0, 1, 2, 3, 6, 7)
- Spinner, Leopold: Trio for Clarinet, Cello and Piano, [0, 1, 7, 6, 5, 11, 10, 3, 4, 2, 9, 8], pc set (0, 1, 2, 6, 7, 8)
- Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3], pc set (0, 1, 3, 4, 6, 9)
- Spinner, Leopold: Variations for Violin and Piano, Op.19, [0, 8, 9, 1, 2, 4, 3, 5, 6, 10, 11, 7], pc set (0, 1, 4, 5, 6, 8)
- Spinner, Leopold: Zwei Lieder, Op.24, [0, 11, 1, 4, 3, 7, 5, 6, 9, 8, 10, 2], pc set (0, 1, 2, 4, 5, 8)
- Steinbauer, Othmar: Violinsonate, No.1, Op.15, [0, 5, 2, 10, 7, 3, 11, 8, 4, 1, 6, 9], pc set (0, 2, 4, 5, 7, 9)
- Stockhausen, Karlheinz: Choral, [0, 1, 10, 6, 8, 3, 5, 2, 4, 11, 9, 7], pc set (0, 2, 3, 5, 7, 9)
- Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Klavierstück IV row 3, [0, 7, 1, 10, 11, 9, 5, 8, 4, 3, 2, 6], pc set (0, 1, 2, 3, 4, 6)
- Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], pc set (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Kreuzspiel, [0, 10, 9, 11, 7, 2, 8, 1, 4, 6, 5, 3], pc set (0, 2, 3, 4, 5, 7)
- Stockhausen, Karlheinz: Licht, Eve formula, [0, 4, 3, 2, 5, 6, 10, 11, 9, 1, 7, 8], pc set (0, 1, 2, 3, 4, 6)
- Stockhausen, Karlheinz: Plus-Minus, [0, 1, 7, 9, 8, 6, 3, 10, 2, 5, 11, 4], pc set (0, 1, 2, 3, 6, 7)
- Stockhausen, Karlheinz: Tierkreis, Aries, [0, 3, 2, 9, 7, 8, 11, 6, 1, 5, 4, 10], pc set (0, 1, 2, 5, 7, 8)
- Stockhausen, Karlheinz: Tierkreis, Cancer, [0, 7, 11, 10, 9, 8, 3, 6, 4, 1, 5, 2], pc set (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Tierkreis, Sagittarius, [0, 6, 5, 2, 3, 4, 7, 8, 9, 10, 11, 1], pc set (0, 1, 2, 3, 4, 6)
- Stockhausen, Karlheinz: Tierkreis, Scorpio, [0, 4, 3, 11, 7, 8, 10, 9, 2, 5, 1, 6], pc set (0, 1, 4, 5, 8, 9)
- Stravinsky, Igor: A Sermon, a Narrative and a Prayer, [0, 1, 9, 11, 10, 7, 8, 3, 4, 6, 5, 2], pc set (0, 1, 2, 3, 4, 6)
- Stravinsky, Igor: Agon, “Pas de deux”, “Four trios”, [0, 1, 4, 3, 2, 5, 6, 9, 8, 11, 10, 7], pc set (0, 1, 2, 3, 4, 5)
- Stravinsky, Igor: Canticum Sacrum, II, [0, 11, 9, 6, 10, 8, 7, 5, 2, 4, 3, 1], pc set (0, 1, 2, 3, 4, 6)
- Stravinsky, Igor: Canticum Sacrum, II & IV, [0, 11, 1, 3, 4, 2, 7, 6, 9, 5, 8, 10], pc set (0, 1, 2, 3, 4, 5)
- Stravinsky, Igor: Elegy for J.F.K., [0, 6, 4, 2, 8, 9, 3, 1, 11, 10, 7, 5], pc set (0, 1, 3, 5, 7, 9)
- Stravinsky, Igor: Fanfare for a New Theater, [0, 11, 1, 3, 4, 2, 5, 7, 6, 8, 10, 9], pc set (0, 1, 2, 3, 4, 5)
- Stravinsky, Igor: Introitus “T. S. Eliot in Memoriam”, [0, 5, 6, 4, 8, 9, 3, 2, 1, 10, 11, 7], pc set (0, 1, 2, 4, 5, 8)
- Stravinsky, Igor: Movements, [0, 1, 7, 5, 6, 11, 9, 8, 10, 3, 4, 2], pc set (0, 1, 2, 6, 7, 8)
- Stravinsky, Igor: Requiem Canticles, 1st series, [0, 2, 10, 11, 1, 8, 6, 7, 9, 4, 3, 5], pc set (0, 1, 2, 3, 4, 6)
- Stravinsky, Igor: Variations “Aldous Huxley in Memoriam”, [0, 10, 7, 9, 2, 8, 6, 11, 1, 5, 4, 3], pc set (0, 1, 2, 3, 5, 7)
- Talma, Louise: Passacaglia and Fugue, [0, 4, 2, 9, 11, 7, 8, 3, 1, 6, 5, 10], pc set (0, 2, 4, 5, 7, 9)
- Talma, Louise: Piano Sonata 2, mvt 4, first row, [0, 4, 8, 2, 5, 10, 1, 11, 6, 9, 7, 3], pc set (0, 1, 3, 5, 7, 9)
- Talma, Louise: Six Etudes, Etude 1, [0, 3, 6, 8, 10, 2, 5, 7, 9, 1, 11, 4], pc set (0, 1, 3, 5, 7, 9)
- Talma, Louise: Six Etudes, Etude 4, [0, 1, 5, 9, 4, 8, 7, 6, 11, 2, 10, 3], pc set (0, 1, 4, 5, 8, 9)
- Talma, Louise: Six Etudes, Etude 5, [0, 4, 6, 11, 8, 3, 9, 1, 5, 7, 2, 10], pc set (0, 1, 3, 5, 8, 9)
- Talma, Louise: Six Etudes, Etude 6, [0, 8, 6, 9, 4, 5, 2, 1, 3, 10, 7, 11], pc set (0, 1, 2, 4, 5, 8)
- Talma, Louise: Three Bagatelles, Bagatelle 3, [0, 3, 4, 1, 5, 8, 10, 7, 2, 11, 6, 9], pc set (0, 1, 3, 4, 5, 8)
- Toufektsis, Orestis: MIKRO-ALLAXI (EpiEnteka II), für 15 Musiker, [0, 8, 3, 7, 2, 4, 10, 11, 1, 6, 9, 5], pc set (0, 1, 4, 5, 6, 8)
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 1A, [0, 10, 9, 1, 4, 8, 7, 2, 5, 11, 3, 6], pc set (0, 1, 2, 4, 5, 8)
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 3, [0, 10, 8, 4, 3, 6, 5, 11, 9, 1, 2, 7], pc set (0, 1, 3, 5, 7, 9)
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], pc set (0, 1, 3, 6, 7, 9)
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 7, [0, 2, 11, 8, 5, 3, 10, 9, 1, 7, 6, 4], pc set (0, 1, 3, 4, 6, 9)
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 8, [0, 4, 3, 11, 6, 8, 2, 9, 10, 7, 1, 5], pc set (0, 1, 3, 5, 8, 9)
- Tranchell, Peter: Septet : [for] 2 violins, oboe, clarinet, horn, bassoon, cello : fifth dodecafonia, [0, 2, 1, 10, 3, 4, 11, 6, 5, 9, 8, 7], pc set (0, 1, 2, 3, 4, 6)
- Tranchell, Peter: Twice a Kiss sketch 1, [0, 9, 1, 2, 4, 8, 5, 7, 10, 6, 3, 11], pc set (0, 1, 4, 5, 6, 8)
- Tranchell, Peter: Twice a Kiss sketch 2, [0, 9, 1, 2, 4, 8, 3, 11, 5, 6, 7, 10], pc set (0, 1, 4, 5, 6, 8)
- Tranchell, Peter: Twice a Kiss sketch 3, [0, 1, 2, 4, 8, 9, 7, 5, 3, 6, 10, 11], pc set (0, 1, 4, 5, 6, 8)
- Urbanner, Erich: Adagio, [0, 3, 1, 11, 10, 9, 8, 7, 6, 4, 2, 5], pc set (0, 1, 2, 3, 4, 6)
- Volkonsky, Andrei: Musica Stricta, mvt 2, row A, [0, 6, 8, 9, 11, 10, 1, 7, 2, 3, 5, 4], pc set (0, 1, 2, 3, 4, 6)
- Volkonsky, Andrei: Musica Stricta, mvt 2, row D, [0, 4, 9, 2, 8, 10, 11, 1, 3, 7, 5, 6], pc set (0, 1, 2, 4, 6, 8)
- Volkonsky, Andrei: Musica Stricta, mvt 4, row G, [0, 6, 5, 4, 3, 2, 1, 11, 9, 10, 8, 7], pc set (0, 1, 2, 3, 4, 6)
- Volkonsky, Andrei: Musica Stricta, mvt 4, row H, [0, 6, 4, 9, 8, 2, 7, 1, 11, 5, 10, 3], pc set (0, 1, 3, 5, 7, 9)
- Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1], pc set (0, 2, 3, 4, 5, 7)
- Wang, Xi-Lin: A Dilapidated Tombstone, [0, 4, 6, 3, 2, 10, 11, 5, 8, 9, 7, 1], pc set (0, 2, 3, 4, 6, 8)
- Weber, Ben: Fantasia (Variations), Op.25, [0, 1, 5, 9, 10, 2, 6, 11, 7, 4, 3, 8], pc set (0, 1, 3, 4, 5, 8)
- Weber, Ben: Five Bagatelles for Piano, Op.2, mvt ii, [0, 1, 2, 9, 6, 7, 4, 8, 5, 11, 10, 3], pc set (0, 1, 2, 5, 7, 8)
- Weber, Ben: Humoreske, Op.49, [0, 2, 4, 5, 7, 10, 1, 11, 9, 8, 6, 3], pc set (0, 2, 3, 5, 7, 9)
- Webern, Anton: Op.32 (un-finished), initial sketch, [0, 1, 9, 11, 3, 2, 7, 6, 10, 8, 4, 5], pc set (0, 1, 2, 3, 4, 6)
- Webern, Anton: Op.32 (un-finished), later sketch, [0, 1, 2, 11, 10, 9, 5, 4, 3, 6, 7, 8], pc set (0, 1, 2, 3, 4, 5)
- Webern, Anton: 3 Lieder, “Erlösung”, Op.18, No.2, [0, 3, 11, 2, 10, 1, 9, 5, 8, 4, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- Webern, Anton: 3 Volkstexte, “Heiland, Unsere Missetaten…”, Op.17, No.3, [0, 9, 8, 7, 11, 10, 4, 5, 6, 3, 2, 1], pc set (0, 1, 2, 3, 4, 5)
- Webern, Anton: 3 Volkstexte, “Liebste Jungfrau”, Op.17, No.2, [0, 11, 10, 6, 7, 1, 2, 5, 4, 3, 8, 9], pc set (0, 1, 2, 3, 6, 7)
- Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5], pc set (0, 1, 2, 3, 4, 6)
- Webern, Anton: Concerto for Nine Instruments (Konzert), Op.24, [0, 11, 3, 4, 8, 7, 9, 5, 6, 1, 2, 10], pc set (0, 1, 4, 5, 8, 9)
- Webern, Anton: Klavierstück, [0, 1, 2, 11, 10, 4, 5, 6, 9, 8, 7, 3], pc set (0, 1, 2, 3, 4, 6)
- Webern, Anton: Quartet for Violin, Clarinet, Tenor Sax, And Piano, Op.22, [0, 9, 8, 11, 10, 2, 3, 4, 5, 7, 1, 6], pc set (0, 1, 2, 3, 4, 6)
- Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], pc set (0, 1, 2, 3, 6, 7)
- Webern, Anton: String Trio, Op.20, [0, 11, 6, 5, 10, 9, 1, 2, 7, 8, 4, 3], pc set (0, 1, 2, 3, 6, 7)
- Webern, Anton: Symphony, Op.21, [0, 3, 2, 1, 5, 4, 10, 11, 7, 8, 9, 6], pc set (0, 1, 2, 3, 4, 5)
- Webern, Anton: Three Songs on Texts by Hildegard Jone, Op.25, [0, 9, 8, 11, 6, 10, 7, 4, 3, 5, 2, 1], pc set (0, 1, 2, 3, 4, 6)
- Webern, Anton: Variations for Orchestra, Op.30, [0, 1, 4, 3, 2, 5, 6, 9, 8, 7, 10, 11], pc set (0, 1, 2, 3, 4, 5)
- Webern, Anton: Variations for Piano, Op.27, [0, 8, 7, 11, 10, 9, 3, 1, 4, 2, 6, 5], pc set (0, 1, 2, 3, 4, 5)
- Westergaard, Peter: Mr. and Mrs. Discobbolos, [0, 2, 1, 4, 3, 5, 8, 6, 10, 7, 11, 9], pc set (0, 1, 2, 3, 4, 5)
- Wilson, Olly: Piece for Four’, [0, 8, 9, 4, 2, 6, 7, 11, 10, 3, 5, 1], pc set (0, 1, 3, 5, 7, 9)
- Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], pc set (0, 1, 2, 6, 7, 8)
- Wolpe, Stefan: Four Studies on Basic Rows, No.2 – Study on Thirds, [0, 11, 9, 8, 10, 7, 6, 5, 3, 2, 4, 1], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 11-10-11-2-9-11-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 2-2-2-2-2-1-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 3-10-3-10-3-1-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1], pc set (0, 2, 4, 6, 8, 10), self-rotational interval pattern 4-4-6-4-4-5-
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], pc set (0, 1, 2, 3, 4, 5), self-rotational interval pattern 9-4-9-4-9-7-
- Wuorinen, Charles: Flute Variations II, [0, 1, 3, 2, 5, 4, 9, 10, 6, 8, 7, 11], pc set (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Piano Concerto, No.3, [0, 5, 2, 1, 11, 3, 10, 9, 4, 6, 8, 7], pc set (0, 1, 2, 3, 4, 6)
- Wuorinen, Charles: Reliquary for Igor Stravinsky, [0, 11, 7, 5, 6, 8, 2, 4, 9, 3, 1, 10], pc set (0, 1, 2, 3, 6, 7)
- Wuorinen, Charles: Second Sonata, Source set, [0, 2, 10, 3, 5, 7, 6, 4, 1, 11, 9, 8], pc set (0, 2, 4, 5, 7, 9)
- Wuorinen, Charles: Second Sonata, Voice 2, [0, 2, 10, 9, 11, 1, 6, 4, 7, 5, 3, 8], pc set (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Second Sonata, Voice 3, [0, 2, 4, 3, 5, 1, 9, 7, 11, 10, 8, 6], pc set (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Sonata for Piano, [0, 3, 2, 4, 5, 1, 11, 8, 9, 7, 6, 10], pc set (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], pc set (0, 2, 4, 5, 7, 9)
- Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 1, [0, 4, 2, 6, 5, 8, 7, 9, 3, 1, 10, 11], pc set (0, 2, 3, 4, 6, 8)
- Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 2, [0, 11, 10, 4, 2, 1, 3, 6, 5, 9, 7, 8], pc set (0, 1, 2, 3, 4, 6)
- Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 1, [0, 11, 1, 9, 10, 7, 5, 6, 8, 2, 3, 4], pc set (0, 1, 2, 3, 4, 6)
- Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 2, [0, 4, 2, 8, 5, 6, 7, 9, 3, 11, 10, 1], pc set (0, 2, 3, 4, 6, 8)
- Yun, Isang: Funf Stücke für Klavier, Stück 4, [0, 1, 7, 8, 11, 3, 4, 9, 5, 2, 6, 10], pc set (0, 1, 4, 5, 6, 8)
- Yun, Isang: Funf Stücke für Klavier, Stück 5, [0, 11, 6, 3, 2, 10, 9, 1, 5, 4, 8, 7], pc set (0, 1, 2, 4, 5, 8)
- Yun, Isang: Gasa, [0, 11, 7, 8, 6, 5, 2, 9, 10, 1, 3, 4], pc set (0, 1, 2, 3, 6, 7)
- Yun, Isang: Riul für Klarinette und Klavier, [0, 5, 6, 9, 8, 4, 3, 7, 1, 2, 11, 10], pc set (0, 1, 2, 4, 5, 8)
- Zappa, Frank: Brown Shoes Don’t Make It, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], pc set (0, 1, 2, 3, 4, 6)
- Zappa, Frank: Waltz, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], pc set (0, 1, 2, 3, 4, 6)
- Zenk, Ludwig: An einen Springbrunnnen, Op.6, No.1, [0, 2, 3, 7, 6, 10, 9, 1, 5, 11, 4, 8], pc set (0, 1, 3, 5, 8, 9)
- Zenk, Ludwig: Piano Sonata, Op.1, [0, 1, 8, 4, 6, 5, 2, 10, 9, 3, 11, 7], pc set (0, 1, 4, 5, 6, 8)
- Zhou, Jin-Min: Piano Quintet, Scherzo, [0, 10, 5, 4, 6, 11, 7, 9, 2, 3, 1, 8], pc set (0, 1, 2, 6, 7, 8)
- Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], pc set (0, 1, 4, 5, 8, 9), self-rotational interval pattern 11-4-1-4-11-3-
- Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], pc set (0, 2, 4, 6, 8, 10)
- Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], pc set (0, 1, 2, 3, 4, 5)
- hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], pc set (0, 1, 2, 3, 6, 7)
Transposition Combinatorial
When two rows are combinatorial, the first hexachord of each complements the other meaning that they make up the total chromatic together. This list gives rows in this section that are combinatorial by transposition, i.e. combinatoriality holds between P0 and at least one transposition of P. The transposition(s) are given after the row. In this case, there is only one transposition-combinatorial hexachord, and only one interval, so they are all P0-P6
- Carter, Elliott: Night Fantasies, [0, 10, 3, 11, 8, 7, 1, 2, 5, 9, 4, 6], P0-P6
- Copland, Aaron: Inscape, (“Y form” or “Row 1”), [0, 4, 3, 11, 2, 7, 6, 8, 10, 9, 5, 1], P0-P6
- Hauer, Josef Matthias: ‘Atonale Musik’. Klavierstücke 1922., Op.20, [0, 7, 4, 9, 5, 8, 3, 11, 2, 6, 1, 10], P0-P6
- Hauer, Josef Matthias: Nomos, Op.19 (bb.134-137), [0, 2, 1, 4, 5, 9, 6, 8, 10, 7, 11, 3], P0-P6
- Hauer, Josef Matthias: Nomos, Op.19 (bb.457-458), [0, 3, 4, 5, 8, 1, 6, 11, 9, 10, 2, 7], P0-P6
- Hauer, Josef Matthias: Romantische Phantasie für Orchester, [0, 10, 8, 5, 1, 9, 4, 11, 3, 7, 6, 2], P0-P6
- Hauer, Josef Matthias: XXXII. Zwölftonspiel für Violine, zwei Bratschen und Cello (2/2), [0, 7, 4, 3, 11, 2, 5, 1, 10, 9, 6, 8], P0-P6
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 13. März 1952, [0, 5, 9, 10, 8, 1, 4, 3, 6, 7, 11, 2], P0-P6
- Lackner, Peter: ‘Hexentanz’ für Violine und Klavier, [0, 3, 5, 7, 8, 4, 1, 10, 11, 2, 6, 9], P0-P6
- Lackner, Peter: Kanon für Klavier. 26. Juni 1983, [0, 7, 5, 9, 4, 8, 6, 1, 11, 3, 10, 2], P0-P6
- Lang, Bernhard: Monadologie XIII a; ‘The Saucy Maid’, [0, 1, 5, 2, 4, 9, 3, 10, 8, 11, 7, 6], P0-P6
- Lutyens, Elisabeth: Islands, Op.80, [0, 11, 7, 3, 8, 10, 9, 6, 4, 5, 1, 2], P0-P6
- Morris, Robert: Canonic Variations, [0, 3, 11, 1, 4, 8, 5, 6, 9, 10, 2, 7], P0-P6
- Morris, Robert: Cuts, [0, 10, 11, 7, 3, 8, 6, 9, 4, 5, 1, 2], P0-P6
- Morris, Robert: Knot Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], P0-P6
- Morris, Robert: Not Lilacs, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], P0-P6
- Morris, Robert: Roundelay, row 4, [0, 3, 11, 10, 7, 2, 6, 9, 5, 4, 1, 8], P0-P6
- Morris, Robert: Something New, [0, 9, 4, 8, 11, 7, 3, 6, 10, 5, 2, 1], P0-P6
- Morris, Robert: Strange Flowers, Occasional Storms, [0, 1, 8, 3, 5, 4, 10, 6, 9, 7, 11, 2], P0-P6
- Morris, Robert: …gradually…, [0, 1, 8, 3, 5, 4, 6, 7, 9, 11, 2, 10], P0-P6
- Nono, Luigi: Intolleranza, Soprano 1, [0, 3, 4, 7, 8, 5, 6, 9, 10, 1, 2, 11], P0-P6
- Preßl, Herrmann Markus: Fier Fafeln für Fier Fiolen, [0, 7, 8, 11, 9, 4, 6, 10, 1, 5, 3, 2], P0-P6
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 2, [0, 3, 7, 10, 2, 11, 6, 9, 1, 4, 8, 5], P0-P6
- Slonimsky, Nicholas: No. 1296b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 5, 10, 9, 2, 1, 6, 11, 4, 3, 8, 7], P0-P6
- Slonimsky, Nicholas: No. 1298b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], P0-P6
- Slonimsky, Nicholas: No. 1300b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 8, 4, 7, 5, 6, 9, 2, 10, 1, 11], P0-P6
- Slonimsky, Nicholas: No. 1301 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 8, 3, 5, 11, 9, 2, 10, 7, 6], P0-P6
- Slonimsky, Nicholas: No. 1302 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 1, 4, 2, 9, 5, 11, 3, 8, 10, 7, 6], P0-P6
- Slonimsky, Nicholas: No. 1305 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Sixth-Chord), [0, 3, 8, 10, 11, 7, 1, 5, 4, 2, 9, 6], P0-P6
- Slonimsky, Nicholas: No. 1306 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Triad), [0, 4, 7, 8, 3, 5, 11, 9, 2, 1, 10, 6], P0-P6
- Slonimsky, Nicholas: No. 1307 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Sixth-Chord), [0, 4, 9, 8, 11, 1, 7, 5, 2, 3, 10, 6], P0-P6
- Slonimsky, Nicholas: No. 1308 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Six-Four Chord), [0, 5, 8, 10, 9, 1, 7, 3, 4, 2, 11, 6], P0-P6
- Slonimsky, Nicholas: No. 1309 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Major Six-Four Chord), [0, 5, 9, 8, 10, 1, 7, 4, 2, 3, 11, 6], P0-P6
- Slonimsky, Nicholas: No. 1313 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 11, 2, 4, 3, 9, 10, 8, 5, 1, 6], P0-P6
- Slonimsky, Nicholas: No. 410 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], P0-P6
- Slonimsky, Nicholas: No. 417 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], P0-P6
- Slonimsky, Nicholas: No. 420 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], P0-P6
- Slonimsky, Nicholas: No. 456 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], P0-P6
- Slonimsky, Nicholas: No. 466 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 7, 3, 11, 10, 6, 2, 1, 9, 5, 4], P0-P6
- Slonimsky, Nicholas: No. 493 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 1, 5, 3, 4, 8, 6, 7, 11, 9, 10, 2], P0-P6
- Slonimsky, Nicholas: No. 500 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 4, 3, 2, 7, 6, 5, 10, 9, 8, 1], P0-P6
- Slonimsky, Nicholas: No. 503 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 7, 3, 2, 10, 6, 5, 1, 9, 8, 4], P0-P6
- Slonimsky, Nicholas: No. 746 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 1, 5, 9, 10, 2, 6, 7, 11, 3, 4, 8], P0-P6
- Slonimsky, Nicholas: No. 795 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 8, 1, 9, 5, 10, 6, 2, 7, 3, 11, 4], P0-P6
- Spinner, Leopold: Fünf Lieder, Op.8, [0, 3, 4, 7, 8, 5, 11, 9, 10, 2, 6, 1], P0-P6
- Spinner, Leopold: Sonatina for Wind Instruments, Op.23, [0, 9, 1, 5, 4, 2, 8, 10, 11, 7, 3, 6], P0-P6
- Talma, Louise: Three Bagatelles, Bagatelle 3, [0, 3, 4, 1, 5, 8, 10, 7, 2, 11, 6, 9], P0-P6
- Weber, Ben: Fantasia (Variations), Op.25, [0, 1, 5, 9, 10, 2, 6, 11, 7, 4, 3, 8], P0-P6
Inversion Combinatorial
These rows are combinatorial by inversion. There are 13 such hexachords and some are combinatorial in more that one transposition, so the specific forms are given in the form P0-IX, or P0-IX,Y in the case of more than one match.
- Argento, Dominick: A Water Bird Talk, Lecturer Row, [0, 9, 5, 10, 2, 6, 3, 11, 8, 4, 1, 7], P0-I1
- Argento, Dominick: From the Diary of Virginia Woolf, [0, 7, 6, 2, 11, 5, 3, 1, 8, 9, 4, 10], P0-I3
- Atterberg, Kurt: Symphony 9 [Bbm], Op.54, ‘Sinfonia visionaria’, [0, 1, 5, 6, 7, 4, 8, 11, 10, 9, 2, 3], P0-I3
- Babbitt, Milton: The Crowded Air, [0, 8, 5, 7, 10, 6, 11, 1, 9, 3, 2, 4], P0-I9
- Bach, Johann Sebastian: Chromatische Fantasie, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], P0-I7
- Bartók, Béla: String Quartet, No.4, [0, 5, 6, 11, 4, 9, 10, 3, 8, 1, 2, 7], P0-I7
- Bartók, Béla: Violin Concerto, No.2, mvt 1, [0, 2, 8, 1, 9, 4, 10, 6, 3, 7, 11, 5], P0-I7
- Bartók, Béla: Violin Concerto, No.2, mvt 3, [0, 8, 2, 9, 1, 4, 10, 7, 6, 3, 11, 5], P0-I7
- Beecroft, Norma: Improvvisazioni Concertanti, No.1, [0, 1, 11, 9, 3, 2, 7, 6, 10, 8, 4, 5], P0-I7
- Bennett, Richard Rodney: Five Studies for Piano, [0, 3, 5, 6, 11, 9, 4, 2, 7, 8, 10, 1], P0-I1,7
- Berg, Alban: Lulu, Lulu (title character) row, [0, 2, 3, 5, 7, 9, 1, 10, 11, 4, 6, 8], P0-I1
- Berg, Alban: Lulu, Schoolboy row, [0, 2, 6, 10, 4, 7, 8, 3, 5, 9, 11, 1], P0-I3
- Berg, Alban: Lulu, permutation of main row, [0, 4, 2, 7, 9, 6, 8, 11, 3, 1, 5, 10], P0-I5
- Berg, Alban: Lyric Suite, mvt III, [0, 11, 7, 1, 2, 9, 3, 8, 10, 4, 5, 6], P0-I5
- Berger, Arthur: Chamber Music for Thirteen Players, [0, 1, 11, 7, 10, 9, 6, 5, 8, 4, 2, 3], P0-I3
- Berio, Luciano: Chamber Music, [0, 9, 3, 5, 7, 10, 2, 11, 4, 6, 8, 1], P0-I11
- Bischof, Rainer: ‘Und so sink ich leise in mich selbst hinein’. Österreichischer Liederzyklus für Mezzosopran und Violine, Op.17, [0, 6, 5, 11, 4, 9, 3, 2, 8, 7, 1, 10], P0-I7
- Boulez, Pierre: 2nd Piano Sonata, mvt II, Section 1, [0, 2, 1, 11, 3, 9, 8, 10, 7, 6, 5, 4], P0-I7
- Boulez, Pierre: Le Soleil des eaux, series I, [0, 6, 10, 2, 5, 1, 7, 11, 3, 4, 8, 9], P0-I9
- Boulez, Pierre: Le Soleil des eaux, series II, [0, 6, 10, 2, 5, 1, 4, 7, 11, 8, 3, 9], P0-I9
- Boulez, Pierre: Le Soleil des eaux, series III, [0, 11, 7, 2, 6, 5, 4, 8, 10, 1, 3, 9], P0-I3
- Boulez, Pierre: Pli selon pli, [0, 1, 8, 6, 7, 9, 4, 5, 11, 3, 2, 10], P0-I11
- Boulez, Pierre: Structures Ia, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], P0-I1
- Cage, John: Sonata for Clarinet, [0, 1, 10, 11, 9, 7, 6, 5, 4, 8, 3, 2], P0-I3
- Cage, John: Sonata for Clarinet, mvt 2, [0, 11, 9, 10, 8, 6, 5, 4, 3, 7, 2, 1], P0-I1
- Cage, John: Two pieces for Piano, [0, 11, 8, 3, 4, 2, 9, 7, 1, 5, 10, 6], P0-I9
- Carlos, Juan: Canciones y Baladas, Balada II, [0, 4, 10, 6, 3, 8, 7, 2, 5, 9, 1, 11], P0-I5
- Coltrane, John: Miles Mode, [0, 3, 5, 2, 7, 9, 10, 8, 1, 11, 6, 4], P0-I1
- Cordero, Roque: Concerto for Violin, mvt 2A, [0, 11, 6, 4, 7, 8, 5, 9, 3, 10, 1, 2], P0-I9
- Cordero, Roque: Soliloquios, [0, 1, 5, 11, 3, 2, 9, 8, 4, 10, 6, 7], P0-I9
- Cordero, Roque: Violin Concerto mvt 1-3, [0, 11, 6, 4, 8, 7, 5, 1, 3, 2, 10, 9], P0-I9
- Crosse, Gordon: Elegy for Small Orchestra, Op.1, [0, 11, 3, 1, 9, 10, 5, 6, 2, 4, 8, 7], P0-I5
- Dallapiccola, Luigi: ‘Intermezzo’ from the ‘Ciaccona’ (of ‘Ciaccona, intermezzo e adagio’), [0, 5, 6, 3, 8, 9, 7, 11, 10, 2, 1, 4], P0-I7
- Dallapiccola, Luigi: Canti di Liberationi, No.2, [0, 5, 8, 3, 1, 9, 10, 4, 2, 11, 7, 6], P0-I7
- Dallapiccola, Luigi: Canti di Liberazione, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], P0-I7
- Dallapiccola, Luigi: Cinque canti, [0, 11, 5, 8, 6, 2, 7, 3, 1, 4, 10, 9], P0-I3,9
- Dallapiccola, Luigi: Commiato, [0, 6, 5, 3, 9, 11, 10, 8, 7, 1, 2, 4], P0-I1,7
- Dallapiccola, Luigi: Dialoghi, [0, 1, 10, 2, 6, 4, 5, 3, 7, 11, 8, 9], P0-I9
- Dallapiccola, Luigi: Il Prigioniero, “Hope”, [0, 1, 2, 3, 11, 5, 4, 10, 6, 7, 9, 8], P0-I9
- Dallapiccola, Luigi: Il prigioniero, “Prayer”, [0, 3, 6, 11, 9, 2, 1, 7, 8, 4, 5, 10], P0-I7
- Dallapiccola, Luigi: Liriche greche c: Sex Carmina Alcaei, [0, 3, 5, 6, 2, 9, 8, 7, 4, 1, 10, 11], P0-I1
- Dallapiccola, Luigi: Quaderno musicale di Annalibera, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], P0-I7
- Dallapiccola, Luigi: Quattro liriche di Antonio Machado, i, iv, [0, 3, 5, 6, 8, 9, 11, 10, 7, 4, 2, 1], P0-I7
- Dallapiccola, Luigi: Requiescant, [0, 2, 1, 3, 4, 6, 7, 9, 8, 10, 5, 11], P0-I11
- Dallapiccola, Luigi: Requiescant (alternative view), [0, 2, 1, 7, 11, 8, 9, 6, 10, 4, 3, 5], P0-I5
- Dallapiccola, Luigi: Tempus, ‘Exhortatio’, [0, 11, 9, 3, 5, 6, 4, 7, 8, 2, 1, 10], P0-I1,7
- Dallapiccola, Luigi: Tempus, ‘Ploratus’, [0, 1, 7, 6, 10, 4, 3, 2, 5, 11, 9, 8], P0-I3,9
- Dallapiccola, Luigi: Ulisse [opera], [0, 2, 1, 3, 9, 8, 11, 10, 4, 6, 5, 7], P0-I7
- Dallapiccola, Luigi: Variazioni per orchestra, [0, 1, 5, 8, 10, 4, 3, 7, 9, 2, 11, 6], P0-I7
- Davies, Peter Maxwell: Five Pieces for Piano, Op.2, No.2, [0, 7, 11, 1, 3, 5, 8, 6, 4, 9, 10, 2], P0-I9
- Davies, Peter Maxwell: Sonata for Trumpet and Piano, Op.1, [0, 7, 6, 2, 11, 10, 8, 9, 1, 5, 3, 4], P0-I3
- Denisov, Edison: Five Etudes for Solo Bassoon, row A, [0, 6, 1, 7, 8, 3, 2, 9, 10, 5, 11, 4], P0-I5
- Denisov, Edison: Five Etudes for Solo Bassoon, row D, [0, 6, 1, 7, 8, 3, 2, 9, 10, 11, 5, 4], P0-I5
- Denisov, Edison: Five Etudes for Solo Bassoon, row F, [0, 6, 1, 7, 3, 2, 8, 9, 10, 5, 11, 4], P0-I11
- Dessau, Paul: >Guernica< for piano, [0, 7, 6, 2, 10, 11, 5, 9, 1, 3, 4, 8], P0-I3
- Dessau, Paul: Les Voix, [0, 11, 6, 8, 9, 3, 4, 10, 5, 7, 2, 1], P0-I1
- Eder, Helmut: Concerto for violin and orchestra, Op.32, [0, 9, 6, 2, 11, 3, 8, 1, 7, 5, 10, 4], P0-I7
- Eisler, Hanns: Deutsche Symphonie, mvt 5, [0, 1, 3, 5, 8, 9, 6, 11, 10, 4, 2, 7], P0-I7
- Eisler, Hanns: Deutsche Symphonie, mvt 9, [0, 4, 1, 10, 8, 6, 3, 11, 9, 2, 5, 7], P0-I3
- Eisler, Hanns: Deutsche Symphonie, mvts 1, 10, [0, 10, 6, 1, 11, 7, 5, 8, 9, 3, 4, 2], P0-I3
- Eisler, Hanns: Five Pieces for Orchestra, mvt 4, [0, 10, 9, 8, 6, 7, 3, 4, 5, 11, 1, 2], P0-I11
- Eisler, Hanns: Five Pieces for Orchestra, mvt 5, [0, 2, 6, 4, 10, 9, 11, 1, 7, 5, 8, 3], P0-I5
- Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 1, [0, 4, 6, 3, 2, 1, 9, 10, 7, 8, 5, 11], P0-I11
- Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 2, [0, 4, 3, 2, 6, 1, 9, 10, 7, 8, 5, 11], P0-I11
- Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 5, [0, 3, 2, 4, 6, 1, 9, 10, 7, 8, 5, 11], P0-I11
- Eisler, Hanns: String Quartet, [0, 9, 3, 2, 11, 1, 4, 5, 10, 7, 8, 6], P0-I7
- Eisler, Hanns: Variations for Piano, [0, 3, 10, 6, 5, 8, 1, 11, 2, 4, 7, 9], P0-I7
- Eisler, Hanns: Zwei Elegien, No.2 (An die Überlebenden), [0, 1, 4, 3, 2, 6, 8, 11, 10, 9, 5, 7], P0-I11
- Evans, Bill: Twelve Tone Tune Two, [0, 9, 11, 1, 10, 3, 2, 6, 4, 5, 8, 7], P0-I5
- Fano, Michel: Sonata for Two Pianos, [0, 6, 10, 7, 9, 8, 3, 2, 4, 1, 5, 11], P0-I11
- Fine, Vivian: Four Songs, No.2, “Comfort To A Youth That Had Lost His Love”, [0, 1, 2, 6, 9, 10, 11, 3, 5, 4, 7, 8], P0-I5
- Finney, Ross Lee: Concerto for Alto Sax, [0, 1, 3, 4, 6, 9, 11, 10, 8, 7, 5, 2], P0-I11
- Florey, Hans: Die Aussicht, [0, 9, 11, 8, 2, 10, 5, 6, 7, 4, 3, 1], P0-I3
- Florey, Hans: Hexaeder für Klavier, [0, 9, 4, 8, 5, 10, 11, 3, 2, 6, 1, 7], P0-I11
- Florey, Hans: Hälfte des Lebens, [0, 3, 4, 1, 7, 11, 6, 9, 10, 8, 2, 5], P0-I9
- Florey, Hans: I Ging, [0, 7, 2, 10, 11, 6, 5, 1, 9, 8, 4, 3], P0-I3
- Florey, Hans: Magischer Würfel mit 6 Spiegelpunkten, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], P0-I3,9
- Florey, Hans: Sechs Kanonzyklen einunddesselben magischen Quadrates, [0, 10, 1, 7, 4, 6, 5, 8, 3, 9, 2, 11], P0-I3,9
- Florey, Hans: Triptychon, [0, 8, 9, 3, 7, 2, 1, 10, 5, 6, 11, 4], P0-I1
- Florey, Hans: Zwölftonspiel für Streichquartett. 3. Dezember 1965, [0, 10, 2, 5, 3, 4, 1, 8, 9, 6, 7, 11], P0-I11
- Gerhard, Roberto: Capriccio for Solo Flute, [0, 11, 9, 3, 1, 10, 8, 6, 4, 7, 2, 5], P0-I5
- Gerhard, Roberto: Hymnody, [0, 10, 11, 8, 2, 9, 4, 5, 1, 6, 7, 3], P0-I3
- Gerhard, Roberto: String Quartet, [0, 7, 8, 2, 6, 10, 9, 11, 4, 5, 1, 3], P0-I11
- Gerhard, Roberto: String Quartet, No.2, [0, 1, 5, 2, 8, 7, 10, 9, 6, 11, 4, 3], P0-I11
- Gerhard, Roberto: Three Impromptus, [0, 8, 1, 10, 4, 6, 7, 5, 3, 2, 9, 11], P0-I3
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 3, [0, 5, 6, 11, 2, 1, 8, 7, 10, 4, 9, 3], P0-I9
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 4, [0, 9, 10, 11, 6, 5, 8, 7, 2, 3, 4, 1], P0-I1
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 8, [0, 1, 7, 6, 8, 9, 3, 2, 4, 5, 11, 10], P0-I11
- Ginastera, Alberto: Quintet, Op.29, Row Class III 1, [0, 11, 1, 8, 2, 7, 10, 3, 9, 4, 6, 5], P0-I5
- Ginastera, Alberto: Quintet, Op.29, Row Class III 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], P0-I5
- Ginastera, Alberto: Quintet, Op.29, Row Class VII 1, [0, 9, 10, 11, 4, 3, 6, 2, 1, 5, 8, 7], P0-I5
- Ginastera, Alberto: Quintet, Op.29, Row Class VII 2, [0, 11, 1, 8, 2, 7, 5, 6, 4, 9, 3, 10], P0-I5
- Ginastera, Alberto: Quintet, Op.29, mvt.III, [0, 7, 3, 10, 2, 6, 9, 1, 4, 8, 11, 5], P0-I11
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III S, [0, 6, 11, 5, 8, 2, 7, 1, 4, 10, 3, 9], P0-I3,9
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 2, [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], P0-I1
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 3, [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], P0-I7
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 5, [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], P0-I9
- Goehr, Alexander: Piano Trio, Op.20, [0, 6, 7, 4, 3, 8, 5, 9, 11, 2, 10, 1], P0-I5
- Goeyvaerts, Karel: Violin concerto, No.2, [0, 11, 7, 1, 2, 9, 10, 8, 5, 6, 3, 4], P0-I5
- Gotham, Mark: 4x4x4x4, row 3, [0, 2, 6, 10, 7, 4, 11, 9, 8, 3, 5, 1], P0-I3
- Gotham, Mark: 4x4x4x4, row 4, [0, 2, 6, 10, 1, 4, 5, 3, 8, 9, 11, 7], P0-I9
- Gotham, Mark: Move On!, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], P0-I5,11
- Hamel, Peter Michael: ‘Klangspirale’ für 13 Spieler oder drei Orchestergruppen, [0, 10, 5, 9, 3, 4, 1, 6, 8, 11, 2, 7], P0-I11
- Hauer, Jose Matthias: XXXII. Zwölftonspiel; für Violine, Bratsche und Cello, [0, 2, 6, 1, 10, 9, 5, 8, 11, 7, 4, 3], P0-I5
- Hauer, Josef Matthias: ‘Der Menschen Weg’, Op.67, [0, 8, 5, 4, 10, 2, 7, 9, 1, 3, 11, 6], P0-I11
- Hauer, Josef Matthias: ‘Die schwarze Spinne’, Op.62, [0, 4, 10, 1, 5, 8, 11, 2, 7, 9, 6, 3], P0-I7
- Hauer, Josef Matthias: ‘Emilie vor ihrem Brauttag’ (Friedrich Hölderlin) für Altsolo und Orchester, Op.58, [0, 8, 3, 4, 11, 6, 9, 10, 2, 1, 5, 7], P0-I1
- Hauer, Josef Matthias: ‘Salambo’, opera after Gustave Flaubert;, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], P0-I1
- Hauer, Josef Matthias: ‘Tanz tibetanischer Mönche’ im langsamen 3/4 Takt) [Zwölftonspiel]. 8. September 1956, [0, 7, 8, 6, 3, 1, 11, 2, 10, 5, 9, 4], P0-I5
- Hauer, Josef Matthias: ‘Wandlungen’ (chamber-oratorio for stage or concert, for six solo-voices, choir and orchestra; after words of Friedrich Hölderlin), Op.53, [0, 5, 11, 4, 10, 1, 6, 8, 9, 3, 7, 2], P0-I7
- Hauer, Josef Matthias: Baustein, [0, 8, 11, 1, 6, 10, 4, 2, 3, 5, 9, 7], P0-I3
- Hauer, Josef Matthias: Fünfte Tanzfantasie für kleines Orchester, Opus 66, [0, 10, 4, 7, 8, 11, 6, 2, 5, 9, 3, 1], P0-I1
- Hauer, Josef Matthias: Harmonie – Melodie – Rhythmus – in kristallischer Bindung – im vierfachen Kontrapunkt [Zwölftonspiel] für Zwölftonorchester, [0, 2, 10, 9, 6, 5, 1, 4, 7, 11, 8, 3], P0-I1
- Hauer, Josef Matthias: Hausmusik [Zwölftonspiel] für zwei Violinen und Klavier, [0, 1, 5, 3, 7, 10, 9, 6, 11, 4, 2, 8], P0-I9
- Hauer, Josef Matthias: Kammermusik [Zwölftonspiel] für Flöte, Oboe, Baßklarinette, Fagott, zwei Violinen, Bratsche, Cello und Klavier zu vier Händen. 24. Jänner 1957, [0, 9, 3, 7, 5, 10, 1, 6, 11, 4, 2, 8], P0-I11
- Hauer, Josef Matthias: Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin, Op.25 ;, No.10, [0, 6, 11, 10, 9, 5, 2, 3, 7, 1, 4, 8], P0-I1
- Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für Orchester. 10. Jänner 1957, [0, 8, 10, 2, 3, 6, 1, 9, 7, 4, 11, 5], P0-I7
- Hauer, Josef Matthias: Langsamer Walzer [Zwölftonspiel] für zwei Violinen, Bratsche, Cello und Klavier zu zwei Händen, [0, 6, 2, 11, 10, 7, 3, 4, 5, 9, 1, 8], P0-I3
- Hauer, Josef Matthias: Nomos, Op.19 (bb.106-108), [0, 10, 6, 1, 7, 4, 9, 5, 3, 8, 11, 2], P0-I3,9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.117-118), [0, 4, 5, 11, 7, 10, 3, 9, 6, 2, 1, 8], P0-I1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.119-120), [0, 10, 8, 6, 5, 7, 9, 2, 3, 1, 11, 4], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.123-124), [0, 8, 11, 5, 3, 7, 4, 9, 1, 6, 10, 2], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.125-126), [0, 11, 1, 10, 6, 8, 9, 5, 7, 3, 2, 4], P0-I3
- Hauer, Josef Matthias: Nomos, Op.19 (bb.138-140), [0, 3, 4, 2, 5, 6, 8, 7, 10, 11, 1, 9], P0-I1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.141-143), [0, 10, 11, 3, 5, 6, 7, 2, 1, 4, 8, 9], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.142-143), [0, 11, 10, 1, 5, 3, 8, 6, 9, 4, 7, 2], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.159-161), [0, 5, 1, 8, 10, 4, 6, 7, 3, 9, 11, 2], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.171-174), [0, 7, 1, 3, 9, 6, 8, 11, 10, 5, 4, 2], P0-I5,11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.175-178), [0, 10, 1, 2, 6, 5, 3, 4, 8, 9, 7, 11], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.192-193), [0, 9, 6, 2, 8, 4, 7, 10, 1, 3, 5, 11], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.196-197), [0, 2, 8, 6, 11, 5, 4, 10, 7, 3, 1, 9], P0-I3,9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.213-216), [0, 2, 6, 1, 10, 4, 5, 8, 11, 7, 3, 9], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.224-228), [0, 1, 9, 3, 4, 5, 10, 11, 6, 2, 8, 7], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.228-230), [0, 2, 9, 6, 5, 10, 7, 3, 8, 1, 4, 11], P0-I1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.231-233), [0, 6, 10, 3, 2, 8, 9, 5, 4, 1, 11, 7], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.234-237), [0, 11, 3, 1, 7, 4, 9, 6, 5, 10, 2, 8], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.241-243), [0, 2, 8, 1, 4, 9, 5, 6, 3, 11, 10, 7], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.257-262), [0, 7, 3, 8, 4, 2, 9, 1, 11, 6, 10, 5], P0-I1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.262-263), [0, 11, 2, 5, 1, 6, 9, 7, 10, 3, 4, 8], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.272-276), [0, 1, 5, 3, 7, 2, 8, 10, 4, 6, 11, 9], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.284-287), [0, 1, 11, 7, 6, 4, 10, 5, 2, 8, 3, 9], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.288-291), [0, 2, 10, 7, 4, 6, 11, 3, 5, 1, 8, 9], P0-I3
- Hauer, Josef Matthias: Nomos, Op.19 (bb.292-294), [0, 9, 2, 6, 3, 5, 10, 1, 11, 7, 4, 8], P0-I1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.325-328), [0, 5, 4, 2, 7, 6, 3, 11, 1, 8, 10, 9], P0-I3
- Hauer, Josef Matthias: Nomos, Op.19 (bb.328-332), [0, 3, 2, 7, 6, 10, 9, 11, 8, 5, 1, 4], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.366-371), [0, 5, 1, 7, 3, 2, 4, 8, 11, 6, 10, 9], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.372-375), [0, 8, 6, 1, 10, 11, 5, 9, 7, 4, 3, 2], P0-I3
- Hauer, Josef Matthias: Nomos, Op.19 (bb.387-390), [0, 3, 7, 4, 10, 1, 11, 9, 6, 8, 2, 5], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.403-409), [0, 11, 2, 10, 8, 1, 5, 3, 4, 6, 7, 9], P0-I5
- Hauer, Josef Matthias: Nomos, Op.19 (bb.422-425), [0, 6, 4, 2, 10, 9, 8, 5, 11, 7, 1, 3], P0-I5
- Hauer, Josef Matthias: Nomos, Op.19 (bb.425-427), [0, 8, 10, 7, 4, 2, 3, 5, 6, 11, 1, 9], P0-I1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.430-432), [0, 6, 8, 10, 9, 2, 7, 1, 3, 4, 5, 11], P0-I1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.438-441), [0, 1, 10, 8, 9, 4, 3, 5, 7, 11, 6, 2], P0-I3
- Hauer, Josef Matthias: Nomos, Op.19 (bb.441-445), [0, 1, 9, 8, 10, 4, 6, 5, 7, 2, 3, 11], P0-I3
- Hauer, Josef Matthias: Nomos, Op.19 (bb.451-453), [0, 2, 4, 1, 6, 11, 3, 8, 9, 7, 5, 10], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.452-455), [0, 5, 7, 8, 1, 2, 3, 4, 6, 11, 10, 9], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.463-464), [0, 4, 6, 7, 3, 9, 1, 10, 8, 11, 5, 2], P0-I5
- Hauer, Josef Matthias: Nomos, Op.19 (bb.479-483), [0, 6, 10, 9, 7, 8, 11, 4, 5, 3, 2, 1], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.494-496), [0, 7, 8, 5, 6, 11, 2, 3, 9, 4, 1, 10], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.50-53), [0, 2, 10, 4, 5, 3, 6, 7, 1, 8, 9, 11], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.501-503), [0, 5, 7, 1, 3, 2, 6, 10, 11, 8, 9, 4], P0-I11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.511-514), [0, 10, 1, 4, 6, 2, 9, 7, 11, 8, 5, 3], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.517-521), [0, 2, 10, 11, 6, 4, 5, 1, 3, 9, 8, 7], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.528-531), [0, 6, 7, 5, 8, 10, 9, 11, 4, 2, 1, 3], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.60-63), [0, 4, 1, 2, 9, 8, 10, 5, 11, 3, 6, 7], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.72-73), [0, 1, 7, 11, 4, 3, 9, 6, 5, 2, 10, 8], P0-I9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.73-78), [0, 8, 7, 2, 4, 11, 1, 3, 6, 5, 10, 9], P0-I5
- Hauer, Josef Matthias: Nomos, Op.19 (bb.84-87), [0, 10, 1, 11, 5, 3, 2, 6, 7, 8, 9, 4], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.93-94), [0, 1, 10, 8, 6, 2, 9, 4, 11, 7, 5, 3], P0-I5
- Hauer, Josef Matthias: Nomos, Op.19 (row 1), [0, 8, 9, 5, 4, 6, 10, 11, 7, 1, 2, 3], P0-I7
- Hauer, Josef Matthias: Nomos, Op.19 (row 2), [0, 6, 10, 4, 3, 2, 8, 7, 11, 9, 5, 1], P0-I11
- Hauer, Josef Matthias: Paraphonie [Zwölftonspiel] für Bratsche und Klavier, [0, 4, 10, 5, 8, 1, 11, 7, 2, 9, 6, 3], P0-I7
- Hauer, Josef Matthias: Sakraler Tanz [Zwölftonspiel] für Orchester, [0, 3, 10, 8, 5, 2, 9, 1, 11, 6, 4, 7], P0-I9
- Hauer, Josef Matthias: Sechste Suite für Orchester, Op.47, [0, 9, 6, 2, 8, 3, 10, 11, 7, 4, 5, 1], P0-I1,7
- Hauer, Josef Matthias: Symphonische Stücke für Streichorchester, Klavier und Harmonium, Op.49, [0, 4, 6, 3, 2, 8, 1, 11, 10, 7, 9, 5], P0-I1
- Hauer, Josef Matthias: Tanz im langsamen 3/4 Takt [Zwölftonspiel] für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen, [0, 3, 10, 2, 11, 6, 8, 7, 4, 9, 1, 5], P0-I7
- Hauer, Josef Matthias: VIII. Zwölftonspiel für Orchester. Juni 1943, [0, 5, 10, 8, 4, 2, 11, 9, 3, 1, 7, 6], P0-I11
- Hauer, Josef Matthias: Violinkonzert, Op.54 (9. März – 6. April 1928), [0, 7, 6, 8, 4, 11, 1, 10, 5, 9, 2, 3], P0-I9
- Hauer, Josef Matthias: XXI. Zwölftonspiel für Orchester; mit einer Zwöfftonreihe, die in sechs Tropen steht, und vom Kulturreferenten der Stadt Wien Dr. Viktor Matejka gewählt wurde. Erster Teil 2,4-Takt (Halbe = 50) mit achttaktigen Perioden; zweiter Teil im 3/4 Takt (punktierte Halbe = 40) mit sechstaktigen Perioden, [0, 3, 4, 9, 11, 10, 1, 7, 6, 2, 5, 8], P0-I5
- Hauer, Josef Matthias: XXII. Zwölftonspiel für Klavier, [0, 2, 11, 6, 7, 10, 1, 3, 8, 4, 9, 5], P0-I3
- Hauer, Josef Matthias: XXIII. Zwölftonspiel für Klavierquintett, [0, 4, 11, 9, 10, 2, 6, 3, 7, 5, 8, 1], P0-I5
- Hauer, Josef Matthias: XXIV. Zwölftonspiel für Klavier, [0, 2, 9, 3, 8, 1, 4, 7, 11, 5, 6, 10], P0-I7
- Hauer, Josef Matthias: Zwölftonspiel (Weihnachten 1947) für Klarinette, Violine, Bratsche, Cello und Klavier, [0, 6, 2, 10, 8, 3, 11, 4, 9, 7, 5, 1], P0-I7
- Hauer, Josef Matthias: Zwölftonspiel 10. Juli 1957; für Klavier zu vier Händen, [0, 8, 10, 6, 2, 11, 1, 3, 9, 4, 7, 5], P0-I3
- Hauer, Josef Matthias: Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, zwei Violinen, Viola, Violoncello & Klavier vierhändig, [0, 6, 4, 8, 3, 11, 9, 2, 7, 1, 10, 5], P0-I1
- Hauer, Josef Matthias: Zwölftonspiel 2. Juni 1948 für Streichquartett und Klavier, [0, 3, 10, 6, 2, 11, 1, 4, 7, 9, 5, 8], P0-I7
- Hauer, Josef Matthias: Zwölftonspiel 26. Juli 1957, für Flöte, Oboe, Bassklarinette, Fagott und Streichquartett, [0, 4, 1, 6, 8, 2, 10, 7, 3, 9, 11, 5], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel 3. Mai 1958; für Streichsextett, [0, 4, 10, 3, 7, 1, 8, 2, 11, 6, 9, 5], P0-I9
- Hauer, Josef Matthias: Zwölftonspiel 5. September 1957; für Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel 7. April 1957; für zwei Violinen, Bratsche, Cello und Klavier zu vier Händen, [0, 6, 2, 9, 10, 4, 11, 3, 7, 1, 5, 8], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel 9. September 1957; für vier Solostimmen [S, A, T, B], Violine, Bratsche und Klavier, [0, 4, 2, 9, 10, 6, 11, 1, 7, 3, 8, 5], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel Jänner 1957; für zwei Violinen, Bratsche und Cello, [0, 10, 6, 2, 8, 3, 5, 7, 9, 4, 1, 11], P0-I7
- Hauer, Josef Matthias: Zwölftonspiel Oktober 1956; für Klavier zu vier Händen, [0, 9, 6, 2, 8, 3, 10, 5, 1, 11, 7, 4], P0-I1,7
- Hauer, Josef Matthias: Zwölftonspiel für Flöte, Horn, Violine, Bratsche, Cello und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Gitarre. 24. 7. 1949, [0, 6, 10, 2, 5, 9, 1, 4, 7, 3, 11, 8], P0-I1
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 11. Juni 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], P0-I7
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 17. Juli 1952, [0, 6, 4, 9, 2, 10, 7, 11, 1, 8, 5, 3], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 2. Juni 1955, [0, 10, 2, 7, 3, 6, 4, 8, 1, 9, 11, 5], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 24. Dezember 1946, [0, 1, 2, 6, 10, 5, 11, 4, 3, 9, 7, 8], P0-I9
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. 7. Juni 1955, [0, 4, 10, 7, 11, 8, 3, 1, 5, 6, 2, 9], P0-I1
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. März 1953, [0, 6, 8, 7, 5, 10, 2, 3, 11, 4, 9, 1], P0-I9
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, Violine, Bratsche, Cello und Kontrabaß (melischer Entwurf vom 29.8.1954), [0, 4, 2, 7, 9, 6, 8, 3, 11, 5, 10, 1], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 10. Juli 1952, [0, 10, 6, 8, 9, 7, 11, 3, 1, 5, 2, 4], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, mit einer Zwölftonreihe von Nikolaus Fheodoroff. 8. Juli 1952, [0, 2, 10, 6, 8, 7, 5, 9, 11, 3, 1, 4], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen, zwei Violinen, Bratsche und Cello. 19. Oktober 1954, [0, 6, 11, 2, 1, 5, 3, 8, 10, 7, 9, 4], P0-I9
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 24. Juni 1952, [0, 6, 10, 7, 9, 3, 4, 1, 8, 5, 11, 2], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 26. Juni 1952, [0, 6, 2, 10, 9, 5, 3, 4, 8, 7, 11, 1], P0-I1
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. 30. Juni 1952, I, [0, 2, 10, 4, 11, 8, 1, 7, 5, 3, 6, 9], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen. Mai 1955, [0, 6, 11, 4, 2, 9, 3, 1, 5, 7, 10, 8], P0-I7
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Akkordeon (Hausorchester), [0, 7, 2, 9, 6, 4, 11, 3, 10, 8, 1, 5], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu vier Händen und Streichquartett, [0, 7, 2, 10, 6, 8, 3, 11, 9, 4, 1, 5], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 8, 9, 6, 10, 4, 11, 1, 2, 5, 3, 7], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Orchester. September 1957, [0, 8, 6, 10, 5, 7, 2, 4, 1, 9, 11, 3], P0-I9
- Hauer, Josef Matthias: Zwölftonspiel für Violine, Cello und Klavier zu vier Händen, [0, 10, 6, 1, 8, 3, 11, 7, 2, 5, 9, 4], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier. 3. April 1955, [0, 2, 6, 4, 9, 10, 5, 3, 7, 8, 11, 1], P0-I5
- Hauer, Josef Matthias: Zwölftonspiel für Orchester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], P0-I3
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier. 16. April 1958, [0, 3, 8, 2, 9, 1, 11, 5, 7, 4, 6, 10], P0-I7
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello (‘Ins Räumliche übertragen’). 3. September 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
- Hauer, Josef Matthias: Zwölftonspiel in drei Teilen für zwei Violinen, Bratsche und Cello. 31. Juli 1953, [0, 10, 7, 2, 8, 6, 3, 4, 9, 11, 1, 5], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.10, [0, 4, 6, 7, 8, 10, 9, 5, 3, 2, 1, 11], P0-I9
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.11, [0, 4, 5, 6, 8, 9, 7, 3, 2, 1, 11, 10], P0-I7
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.12, [0, 3, 6, 7, 9, 10, 11, 8, 5, 4, 2, 1], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.14, [0, 2, 5, 7, 8, 10, 11, 9, 6, 4, 3, 1], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.15, [0, 1, 3, 6, 7, 9, 11, 10, 8, 5, 4, 2], P0-I5,11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.16, [0, 1, 3, 5, 7, 10, 9, 8, 6, 4, 2, 11], P0-I9
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.17, [0, 1, 3, 5, 8, 9, 7, 6, 4, 2, 11, 10], P0-I7
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.18, [0, 3, 4, 6, 9, 10, 11, 8, 7, 5, 2, 1], P0-I5,11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.2, [0, 1, 2, 3, 4, 10, 9, 8, 7, 6, 5, 11], P0-I9
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.20, [0, 1, 2, 5, 7, 8, 11, 10, 9, 6, 4, 3], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.21, [0, 1, 2, 5, 6, 10, 9, 8, 7, 4, 3, 11], P0-I9
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.22, [0, 1, 2, 4, 8, 9, 7, 6, 5, 3, 11, 10], P0-I7
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.23, [0, 3, 4, 5, 9, 10, 11, 8, 7, 6, 2, 1], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.24, [0, 3, 4, 7, 8, 10, 9, 6, 5, 2, 1, 11], P0-I9
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.25, [0, 3, 5, 6, 8, 9, 7, 4, 2, 1, 11, 10], P0-I7
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.26, [0, 3, 4, 6, 7, 8, 5, 2, 1, 11, 10, 9], P0-I5
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.27, [0, 2, 4, 5, 6, 7, 3, 1, 11, 10, 9, 8], P0-I3
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.29, [0, 1, 6, 7, 8, 9, 11, 10, 5, 4, 3, 2], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.3, [0, 2, 3, 4, 5, 10, 11, 9, 8, 7, 6, 1], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.31, [0, 1, 2, 3, 6, 7, 11, 10, 9, 8, 5, 4], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.32, [0, 1, 2, 3, 4, 6, 11, 10, 9, 8, 7, 5], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.4, [0, 2, 3, 4, 8, 10, 9, 7, 6, 5, 1, 11], P0-I9
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.5, [0, 2, 4, 5, 8, 10, 11, 9, 7, 6, 3, 1], P0-I11
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.7, [0, 2, 4, 6, 8, 9, 7, 5, 3, 1, 11, 10], P0-I7
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.8, [0, 2, 4, 6, 7, 8, 5, 3, 1, 11, 10, 9], P0-I5
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.9, [0, 4, 6, 8, 9, 10, 11, 7, 5, 3, 2, 1], P0-I11
- Hendler, Maximilian: aus den fünf Liedern nach Texten von Elisabeth Pöschl : ‘Sonnenaufgang’ für Singstimme und Klavier, Op.44-1, [0, 11, 2, 1, 5, 6, 4, 3, 8, 7, 9, 10], P0-I9
- Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 1, [0, 6, 5, 7, 8, 11, 9, 10, 3, 4, 2, 1], P0-I9
- Husa, Karel: Poème for Viola and Chamber Orchestra, mvt 3, [0, 3, 1, 2, 4, 10, 9, 11, 7, 8, 6, 5], P0-I9
- Johnston, Ben: String Quartet, No.6, [0, 5, 10, 9, 3, 7, 11, 6, 1, 2, 8, 4], P0-I11
- Kahn, Erich Itor: Bagatelle für Rene Leibowitz, [0, 1, 2, 4, 6, 3, 10, 11, 5, 7, 9, 8], P0-I11
- Kalodiki, Georgia: Six Sketches for piano, [0, 7, 6, 1, 2, 9, 8, 3, 4, 11, 5, 10], P0-I5
- Klein, Fritz Heinrich: Die Maschine. Eine extonale Selbstsatire von Heautontimorumenus., Op.1 (Das Maschinen-Thema), [0, 5, 7, 9, 3, 2, 11, 6, 8, 10, 4, 1], P0-I1
- Klenau, Paul von: Elisabeth von England, [0, 2, 8, 11, 7, 1, 4, 10, 3, 6, 5, 9], P0-I5
- Krenek, Ernst: Eight Piano Pieces, [0, 10, 1, 7, 6, 11, 5, 8, 3, 9, 2, 4], P0-I3
- Krenek, Ernst: Karl V, King Francis Row, [0, 10, 5, 6, 11, 3, 9, 4, 2, 7, 1, 8], P0-I7
- Krenek, Ernst: Kette, Kreis, und Spiegel (Circle, Chain and Mirror), Op.160, [0, 5, 6, 9, 8, 4, 10, 7, 11, 3, 1, 2], P0-I7
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 1, [0, 2, 4, 5, 8, 10, 6, 7, 9, 11, 1, 3], P0-I11
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 2, [0, 2, 3, 6, 8, 10, 5, 7, 9, 11, 1, 4], P0-I7
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 3, [0, 1, 4, 6, 8, 10, 5, 7, 9, 11, 2, 3], P0-I3
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 4, [0, 3, 5, 7, 9, 11, 6, 8, 10, 1, 2, 4], P0-I1
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 5, [0, 2, 4, 6, 8, 9, 5, 7, 10, 11, 1, 3], P0-I7
- Krenek, Ernst: Lamentatio Jeremiae Prophetae, Op.93, row 6, [0, 2, 4, 6, 7, 10, 5, 8, 9, 11, 1, 3], P0-I3
- Krenek, Ernst: Sechs Vermessene, Op.168, [0, 3, 1, 6, 2, 4, 10, 5, 9, 7, 8, 11], P0-I11
- Krenek, Ernst: Sestina, Op.161, [0, 8, 11, 10, 4, 6, 7, 1, 5, 3, 9, 2], P0-I1
- Krenek, Ernst: Sonata, No.3, Op.92, No.4, [0, 10, 5, 8, 3, 2, 6, 7, 1, 9, 11, 4], P0-I9
- Krenek, Ernst: Studies in Counterpoint, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], P0-I5
- Krenek, Ernst: Studies in Counterpoint (i), [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], P0-I5
- Krenek, Ernst: Studies in Counterpoint (ii), [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], P0-I5
- Krenek, Ernst: Suite, Op.84 for solo cello, [0, 4, 3, 11, 10, 9, 1, 7, 8, 6, 2, 5], P0-I5
- Krenek, Ernst: Symeon, der Stylit, [0, 3, 10, 4, 9, 11, 8, 7, 5, 1, 2, 6], P0-I5
- Krenek, Ernst: concert for organ and string-orchestra, Op.230, [0, 11, 8, 4, 3, 6, 7, 5, 2, 9, 10, 1], P0-I1
- Kukuck, Felicitas: ‘Wo bist Du Trost’; motet, [0, 11, 10, 7, 6, 1, 2, 5, 4, 3, 9, 8], P0-I3
- Lackner, Peter: ‘Davongeflogene Seelen’ für Singstimme, Violoncello und Klavier, [0, 10, 4, 7, 6, 1, 9, 11, 5, 2, 3, 8], P0-I3,9
- Lackner, Peter: ‘Der Winter’, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], P0-I1,7
- Lackner, Peter: ‘INKE TAN MAGROV’ für Singstimme und Klavier, [0, 6, 5, 10, 8, 3, 7, 1, 2, 9, 11, 4], P0-I7
- Lackner, Peter: ‘Ständchen’ für zwei Violinen und zwei Bratschen. 1913,2013, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], P0-I5
- Lackner, Peter: ‘Wo ist der Freund’ (erstes Lied aus dem Zyklus ‘Wilde Erdbeeren’ für Singstimme und Klavier), [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], P0-I7
- Lackner, Peter: 1. Kanonzyklus, [0, 7, 5, 9, 1, 3, 11, 8, 4, 6, 10, 2], P0-I11
- Lackner, Peter: 3. Kanonzyklus, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], P0-I5
- Lackner, Peter: 4. Kanonzyklus, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], P0-I9
- Lackner, Peter: 5. Kanonzyklus, [0, 7, 11, 9, 1, 3, 5, 8, 10, 6, 2, 4], P0-I5
- Lackner, Peter: AGNI MEI (Kanon für Klavier. 5. Juni 2015), [0, 4, 10, 11, 1, 2, 8, 7, 3, 6, 9, 5], P0-I7
- Lackner, Peter: Florianische Reihe, [0, 3, 9, 7, 4, 11, 5, 2, 8, 6, 1, 10], P0-I5
- Lackner, Peter: INKE TAN MAGROV für Singstimme und Klavier (zweites Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 3, 1, 6, 10, 7, 4], P0-I3
- Lackner, Peter: Kanon-Polska für zwei Bratschen. 6. Juni 1993, [0, 6, 3, 1, 10, 8, 5, 11, 2, 4, 7, 9], P0-I5
- Lackner, Peter: Kanon für B. L., 7. Oktober 2017, [0, 9, 10, 5, 3, 7, 11, 2, 1, 6, 8, 4], P0-I11
- Lackner, Peter: Kanon für Cello und Klavier, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], P0-I1
- Lackner, Peter: Kanon für Flöte, Akkordeon, zwei Violinen, Bratsche und Klavier, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], P0-I9
- Lackner, Peter: Kanon für Hammerklavier. März 2016, [0, 2, 1, 5, 7, 3, 11, 9, 10, 6, 4, 8], P0-I11
- Lackner, Peter: Kanon für Kammerorchester, [0, 9, 11, 6, 2, 4, 7, 10, 8, 1, 5, 3], P0-I7
- Lackner, Peter: Kanon für Klavier, [0, 6, 8, 10, 1, 3, 5, 11, 9, 7, 4, 2], P0-I5
- Lackner, Peter: Kanon für Klavier. 15. Juni 1992, [0, 10, 3, 8, 6, 5, 2, 1, 11, 4, 9, 7], P0-I7
- Lackner, Peter: Kanon für Klavier. 21. Juni 1998, [0, 7, 6, 5, 1, 4, 3, 8, 9, 10, 2, 11], P0-I3
- Lackner, Peter: Kanon für Klavier. 27. Juni, 26. September 2002, [0, 9, 4, 1, 2, 8, 7, 10, 3, 6, 5, 11], P0-I7
- Lackner, Peter: Kanon für Klavier. 5. April 1989, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], P0-I1
- Lackner, Peter: Kanon für Klavier. April 2000, [0, 5, 3, 7, 11, 1, 9, 4, 6, 2, 10, 8], P0-I9
- Lackner, Peter: Kanon für Klavier zu vier Händen. 12. Juni 1996, [0, 4, 2, 8, 11, 10, 5, 1, 3, 9, 6, 7], P0-I5
- Lackner, Peter: Kanon für Klavier zu vier Händen. Frühling 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], P0-I3
- Lackner, Peter: Kanon für Klavierquartett, [0, 8, 6, 11, 3, 9, 1, 5, 7, 2, 10, 4], P0-I1
- Lackner, Peter: Kanon für Klavierquartett. 27. April 1991, [0, 6, 3, 5, 9, 11, 7, 1, 4, 2, 10, 8], P0-I1,7
- Lackner, Peter: Kanon für Klavierquartett. 27. Juni 1991, [0, 2, 6, 9, 11, 3, 7, 5, 1, 10, 8, 4], P0-I7
- Lackner, Peter: Kanon für Schwegelpfeife in A und Geige, [0, 9, 7, 2, 10, 4, 3, 6, 8, 1, 5, 11], P0-I3
- Lackner, Peter: Kanon für Streichquartett, [0, 9, 3, 5, 1, 11, 7, 10, 4, 2, 6, 8], P0-I7
- Lackner, Peter: Kanon für Streichquartett. 3. Jänner 1990, [0, 6, 4, 8, 11, 3, 1, 7, 9, 5, 2, 10], P0-I1
- Lackner, Peter: Kanon für Streichquartett und Orgel. 21. November 1993, [0, 10, 2, 5, 4, 7, 1, 11, 3, 9, 8, 6], P0-I1
- Lackner, Peter: Kanon für Tenor-Hackbrett. 19. März 2014, [0, 8, 4, 6, 9, 1, 11, 3, 7, 5, 2, 10], P0-I11
- Lackner, Peter: Kanon für Violine, Bratsche und Klavier, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], P0-I5
- Lackner, Peter: Kanon für Violine und Violoncello, [0, 2, 9, 10, 6, 5, 1, 11, 4, 3, 7, 8], P0-I1
- Lackner, Peter: Kanon für acht Instrumente. Dezember 1991, März 2007, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], P0-I7
- Lackner, Peter: Kanon für drei Bratschen, [0, 11, 3, 10, 6, 2, 7, 8, 4, 9, 1, 5], P0-I7
- Lackner, Peter: Kanon für sechs Instrumente. 16. März 2009, [0, 7, 6, 3, 2, 10, 1, 8, 11, 5, 4, 9], P0-I11
- Lackner, Peter: Kanon für sechs Posaunen. Herbst 1996, [0, 9, 1, 6, 4, 8, 11, 2, 10, 7, 5, 3], P0-I11
- Lackner, Peter: Kanon für zwei Gitarren. September 2001, [0, 5, 3, 9, 11, 6, 7, 2, 4, 10, 8, 1], P0-I1,7
- Lackner, Peter: Kanon für zwei Violinen und Klavier. Frühjahr 1984, [0, 1, 10, 7, 9, 4, 5, 11, 8, 6, 2, 3], P0-I3
- Lackner, Peter: Kanon à 3, [0, 11, 6, 10, 2, 7, 3, 4, 9, 5, 1, 8], P0-I3
- Lackner, Peter: Kanon à 4 – ‘Für Harald Fripertinger zum 50. Geburtstag’, [0, 10, 3, 6, 5, 8, 1, 11, 9, 4, 7, 2], P0-I7
- Lackner, Peter: Kanon á 4, [0, 4, 2, 8, 11, 7, 10, 5, 9, 1, 3, 6], P0-I5
- Lackner, Peter: Kanon á 5 für Klaus Chudoba, [0, 2, 10, 8, 6, 11, 3, 1, 5, 7, 9, 4], P0-I3
- Lackner, Peter: Moebius-Band für Flöte, Violine, Violoncello und Klavier, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], P0-I7
- Lackner, Peter: Moebius-Band für sechs Violinen, [0, 3, 6, 2, 9, 11, 7, 4, 1, 5, 10, 8], P0-I7
- Lackner, Peter: Moebiusband für Violine und Klavier (Chinesenfolter I), [0, 2, 4, 6, 10, 5, 1, 11, 9, 7, 3, 8], P0-I1
- Lackner, Peter: Reihenspiel für Orgel, [0, 9, 6, 11, 5, 4, 10, 7, 2, 1, 8, 3], P0-I7
- Lackner, Peter: Salambo-Kanon (à 4); Bad Aussee, 2. Februar 2008, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], P0-I1
- Lackner, Peter: Sponsions-Kanon, [0, 4, 1, 10, 3, 7, 9, 5, 8, 11, 6, 2], P0-I9
- Lackner, Peter: TACET (drittes Lied aus dem Zyklus ‘Wilde Erdbeeren’), [0, 2, 9, 5, 8, 11, 4, 7, 10, 6, 1, 3], P0-I3
- Leibowitz, René: String Quartet, No.3, Op.26, [0, 8, 9, 7, 6, 1, 2, 5, 4, 10, 11, 3], P0-I11
- Lewin, David: Just a Minute, Roger, [0, 11, 4, 5, 7, 3, 2, 6, 8, 1, 10, 9], P0-I1
- Lu, Shi-Lin: A Family of Red-Crowned Cranes, [0, 2, 9, 7, 4, 6, 11, 8, 1, 3, 10, 5], P0-I5
- Lu, Yen: A Bird Flying By, [0, 6, 3, 4, 8, 7, 11, 5, 10, 2, 9, 1], P0-I5
- Luo, Zhong-Rong: Dusk, row 1, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], P0-I11
- Luo, Zhong-Rong: Evening, [0, 2, 7, 5, 10, 8, 6, 3, 1, 11, 9, 4], P0-I11
- Luo, Zhong-Rong: Sonatina, mvt 3, [0, 2, 7, 4, 11, 8, 5, 9, 10, 1, 3, 6], P0-I5
- Luo, Zhong-Rong: String Quartet, No.2, [0, 3, 5, 10, 6, 8, 11, 1, 9, 2, 4, 7], P0-I7
- Luo, Zhong-Rong: String Quartet, No.3, row 1, [0, 2, 4, 7, 5, 10, 8, 1, 6, 3, 9, 11], P0-I1
- Luo, Zhong-Rong: String Quartet, No.3, row 3, [0, 2, 7, 9, 11, 1, 3, 6, 10, 4, 5, 8], P0-I5
- Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 1, [0, 2, 5, 10, 6, 1, 3, 8, 11, 9, 7, 4], P0-I9
- Lutyens, Elisabeth: Five Little Pieces for Clarinet and Piano, [0, 8, 4, 1, 10, 2, 9, 3, 5, 6, 11, 7], P0-I7
- Lutyens, Elisabeth: Présages, Op.53, [0, 1, 11, 2, 10, 8, 5, 3, 4, 7, 9, 6], P0-I5
- Lutyens, Elisabeth: Quincunx, Op.44, [0, 6, 11, 1, 5, 2, 7, 3, 4, 9, 10, 8], P0-I9
- Maderna, Bruno: Improvvisazione N. 1, [0, 11, 4, 8, 3, 2, 7, 6, 1, 5, 10, 9], P0-I9
- Maderna, Bruno: Musica su due dimensioni, [0, 2, 9, 4, 6, 11, 8, 10, 1, 3, 5, 7], P0-I7
- Martin, Frank: Petite complainte, [0, 11, 10, 6, 2, 4, 5, 9, 8, 7, 3, 1], P0-I7
- Martino, Donald: Fantasy Variations, [0, 3, 1, 10, 2, 8, 11, 5, 6, 9, 7, 4], P0-I7
- Matthias, Josef: Salambo, Op.60, [0, 6, 9, 2, 8, 10, 4, 7, 1, 11, 3, 5], P0-I1
- Messiaen, Olivier: Mode de valeurs et d’intensités, Series 1, [0, 11, 6, 5, 4, 3, 1, 10, 9, 7, 2, 8], P0-I1
- Morris, Robert: Entanglements, [0, 3, 10, 5, 11, 6, 1, 7, 9, 2, 8, 4], P0-I7
- Morris, Robert: Exchanges, [0, 4, 3, 1, 9, 5, 8, 6, 2, 10, 11, 7], P0-I11
- Morris, Robert: Pari Passu, row 1, [0, 6, 10, 11, 2, 3, 9, 1, 7, 8, 4, 5], P0-I7
- Morris, Robert: Refrains, [0, 3, 4, 2, 6, 10, 1, 8, 11, 7, 5, 9], P0-I11
- Morris, Robert: Roundelay, row 3, [0, 10, 9, 3, 4, 6, 8, 11, 2, 7, 1, 5], P0-I5,11
- Morris, Robert: Terrane, [0, 11, 1, 3, 2, 5, 6, 4, 9, 7, 8, 10], P0-I9
- Morris, Robert: Three Musicians, [0, 9, 7, 6, 8, 1, 11, 2, 4, 5, 3, 10], P0-I11
- Morris, Robert: Tournament for 12 trombones, [0, 7, 6, 4, 11, 8, 5, 9, 1, 3, 2, 10], P0-I9
- Nichols, Jeff: …its darkening opposite, or Set Portrait in a Convex Mirror, [0, 4, 8, 7, 11, 2, 3, 6, 1, 9, 10, 5], P0-I5
- Nono, Luigi: Incontri, [0, 2, 3, 8, 9, 6, 4, 5, 7, 11, 1, 10], P0-I1,7
- Nono, Luigi: Intolleranza, Baritone, [0, 2, 7, 9, 4, 6, 11, 1, 8, 10, 3, 5], P0-I5
- Nono, Luigi: La terra e la compagna (sketch), Series 3, [0, 9, 6, 3, 1, 4, 7, 10, 11, 8, 5, 2], P0-I11
- Nono, Luigi: La terra e la compagna (sketch), Series 5, [0, 7, 2, 4, 9, 10, 5, 1, 6, 11, 8, 3], P0-I3
- Nono, Luigi: La terra e la compagna (sketch), Series 7, [0, 5, 3, 10, 7, 1, 8, 9, 2, 6, 11, 4], P0-I9
- Nono, Luigi: La terra e la compagna (sketch), Series 8, [0, 4, 5, 11, 3, 6, 10, 2, 7, 9, 1, 8], P0-I1
- Nono, Luigi: Sarà dolce tacere, [0, 10, 5, 3, 8, 6, 1, 11, 4, 2, 9, 7], P0-I7
- Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 2, [0, 3, 6, 9, 11, 2, 5, 8, 10, 1, 4, 7], P0-I7
- Papaioannou, Yannis: Songs of the Lake, No.1, [0, 8, 5, 7, 6, 11, 2, 10, 1, 3, 9, 4], P0-I9
- Papaioannou, Yannis: Songs of the Lake, No.2, [0, 7, 4, 6, 5, 1, 9, 2, 8, 10, 3, 11], P0-I3
- Papaioannou, Yannis: Songs of the Lake, No.4, [0, 5, 11, 9, 6, 10, 7, 2, 3, 1, 4, 8], P0-I1
- Papaioannou, Yannis: Suite, “XP”, [0, 4, 2, 1, 6, 8, 3, 9, 7, 10, 5, 11], P0-I11
- Papaioannou, Yannis: Suite, “YP”, [0, 10, 9, 8, 1, 4, 5, 7, 3, 6, 2, 11], P0-I3
- Pentland, Barbara: String Quartet, No.3, [0, 11, 3, 6, 5, 9, 10, 8, 1, 2, 7, 4], P0-I1,7
- Perle, George: First string quartet, [0, 1, 3, 6, 10, 9, 8, 7, 4, 5, 11, 2], P0-I5
- Pousseur, Henri: Trois Chants Sacrés, [0, 10, 11, 4, 1, 5, 9, 6, 3, 7, 2, 8], P0-I7
- Preßl, Hermann Markus: ‘A 5’ für Bassklarinette, Vibraphon und drei Bratschen, [0, 6, 5, 8, 10, 7, 3, 2, 4, 9, 1, 11], P0-I9
- Preßl, Hermann Markus: Finstersonnen, [0, 3, 9, 6, 11, 5, 1, 2, 7, 8, 10, 4], P0-I1,7
- Pärt, Arvo: Perpetuum Mobile, [0, 11, 10, 5, 6, 9, 7, 1, 2, 8, 3, 4], P0-I1
- Pärt, Arvo: Symphony, No.1, [0, 1, 2, 7, 6, 3, 5, 11, 10, 4, 9, 8], P0-I11
- Reynolds, Roger: Ambages, [0, 1, 4, 5, 7, 6, 8, 9, 10, 11, 2, 3], P0-I3
- Rochberg, George: String Quartet, No.2 with soprano solo, [0, 11, 6, 5, 1, 2, 8, 7, 3, 4, 9, 10], P0-I9
- Santoro, Claudio: Peças para Piano, [0, 11, 4, 5, 1, 9, 2, 3, 7, 8, 6, 10], P0-I7
- Santoro, Claudio: Preludes 18-20, [0, 9, 1, 3, 2, 8, 10, 4, 6, 5, 7, 11], P0-I7
- Santoro, Claudio: Six Piano Pieces, [0, 10, 4, 1, 11, 2, 5, 6, 3, 9, 7, 8], P0-I7
- Schnittke, Alfred: Concerto Grosso, No.1, mvt 2, [0, 11, 2, 1, 8, 7, 10, 9, 6, 5, 4, 3], P0-I5
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 7, [0, 3, 11, 9, 10, 1, 4, 2, 7, 8, 5, 6], P0-I5
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 1, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], P0-I7
- Schnittke, Alfred: Concerto Grosso, No.3, [0, 5, 1, 4, 10, 8, 11, 9, 3, 6, 2, 7], P0-I7
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 1, [0, 3, 6, 10, 2, 11, 8, 5, 9, 1, 4, 7], P0-I7
- Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, new row, [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], P0-I5
- Schnittke, Alfred: Viola Concerto, [0, 11, 5, 2, 1, 6, 3, 8, 7, 4, 10, 9], P0-I9
- Schnittke, Alfred: Violin Sonata 2, [0, 10, 11, 9, 6, 8, 7, 5, 4, 1, 2, 3], P0-I1
- Schoenberg, Arnold: A Survivor From Warsaw, Op.46, [0, 1, 6, 2, 10, 9, 5, 4, 11, 3, 7, 8], P0-I5
- Schoenberg, Arnold: A Survivor From Warsaw, Op.46 (alternative), [0, 1, 6, 2, 10, 9, 4, 7, 3, 8, 11, 5], P0-I5
- Schoenberg, Arnold: Accompaniment to a Film Scene, Op.34, [0, 3, 11, 1, 10, 9, 6, 8, 7, 5, 2, 4], P0-I5
- Schoenberg, Arnold: Fantasy for Piano Four Hands, II (fragment), [0, 3, 6, 1, 7, 8, 2, 5, 11, 4, 10, 9], P0-I5
- Schoenberg, Arnold: Fantasy for Violin and Piano, Op.47, [0, 11, 3, 1, 7, 9, 5, 6, 2, 4, 10, 8], P0-I5
- Schoenberg, Arnold: Five Piano Pieces, Op.23, No.5, [0, 8, 10, 6, 7, 5, 9, 1, 3, 2, 11, 4], P0-I9
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.1, Op.27, No.1, [0, 11, 8, 2, 1, 7, 9, 10, 4, 3, 5, 6], P0-I5
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.2, Op.27, No.2, [0, 11, 4, 10, 2, 8, 3, 7, 6, 5, 9, 1], P0-I5
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.4, Op.27, No.4, [0, 2, 9, 5, 7, 3, 10, 11, 1, 8, 4, 6], P0-I1
- Schoenberg, Arnold: Moses und Aron, [0, 1, 7, 5, 6, 4, 10, 8, 9, 11, 2, 3], P0-I3
- Schoenberg, Arnold: Piano Concerto, Op.42, [0, 7, 11, 2, 1, 9, 3, 5, 10, 6, 8, 4], P0-I5
- Schoenberg, Arnold: Prelude To A Suite From “Genesis”, Op.44, [0, 8, 4, 7, 6, 2, 1, 10, 3, 5, 11, 9], P0-I5
- Schoenberg, Arnold: Serenade, mvt 5, “Tanzscene”, Op.24, [0, 1, 3, 6, 7, 9, 8, 10, 11, 2, 4, 5], P0-I5,11
- Schoenberg, Arnold: Six Pieces for Male Chorus, No.1, Op.35, [0, 9, 1, 3, 2, 11, 6, 8, 7, 4, 10, 5], P0-I7
- Schoenberg, Arnold: Six Pieces for Male Chorus, No.2, Op.35, [0, 3, 1, 7, 6, 8, 11, 5, 4, 9, 10, 2], P0-I5
- Schoenberg, Arnold: Six Pieces for Male Chorus, No.5, Op.35, [0, 6, 9, 1, 2, 10, 7, 3, 11, 5, 4, 8], P0-I5
- Schoenberg, Arnold: Sonata For Organ, [0, 6, 10, 2, 8, 1, 7, 5, 9, 4, 11, 3], P0-I5
- Schoenberg, Arnold: String Quartet, No.4, Op.37, [0, 11, 7, 8, 3, 1, 2, 10, 6, 5, 4, 9], P0-I5
- Schoenberg, Arnold: String Trio, Op.45, [0, 8, 1, 7, 2, 11, 9, 6, 4, 5, 3, 10], P0-I5
- Schoenberg, Arnold: Suite for Piano, Op.25, [0, 1, 3, 9, 2, 11, 4, 10, 7, 8, 5, 6], P0-I7
- Schoenberg, Arnold: Three Satires for Mixed Chorus, No.3, Op.28, No.3, [0, 1, 11, 3, 9, 5, 2, 4, 10, 6, 8, 7], P0-I7
- Schoenberg, Arnold: Three Songs, No.2, “Tot”, Op.48, [0, 1, 7, 11, 8, 2, 6, 5, 10, 9, 3, 4], P0-I5
- Schoenberg, Arnold: Three Times a Thousand Years, Op.50a, [0, 2, 11, 9, 10, 4, 3, 7, 5, 6, 8, 1], P0-I5
- Schoenberg, Arnold: Two Piano Pieces, No.1, Op.33a, [0, 7, 2, 1, 11, 8, 3, 5, 9, 10, 4, 6], P0-I5
- Schoenberg, Arnold: Two Piano Pieces, No.2, Op.33b, [0, 2, 6, 4, 10, 9, 7, 11, 8, 5, 1, 3], P0-I5
- Schoenberg, Arnold: Variations for Orchestra, Op.31, [0, 6, 8, 5, 7, 11, 4, 3, 9, 10, 1, 2], P0-I9
- Schoenberg, Arnold: Violin Concerto, Op.36, [0, 1, 6, 2, 7, 9, 3, 4, 10, 11, 5, 8], P0-I5
- Schoenberg, Arnold: Violin Phantasy, Op.47, [0, 11, 3, 1, 7, 9, 6, 2, 10, 5, 8, 4], P0-I5
- Schoenberg, Arnold: Von Heute Auf Morgen, Op.32, [0, 1, 7, 11, 9, 3, 6, 5, 2, 10, 8, 4], P0-I5
- Schoenberg, Arnold: Wind Quintet, Op.26, [0, 4, 6, 8, 10, 9, 7, 11, 1, 3, 5, 2], P0-I11
- Schuller, Gunther: Transformation, [0, 2, 4, 3, 8, 11, 9, 6, 5, 10, 7, 1], P0-I9
- Schwantner, Joseph: Modus Caelestis (m. 39), [0, 6, 11, 10, 5, 9, 4, 8, 3, 2, 7, 1], P0-I1
- Schwantner, Joseph: Wild Angels of the Open Hills, 2, “Angels of the Shadowed Ancient Land,” m. 21, [0, 8, 9, 11, 3, 7, 6, 5, 2, 4, 10, 1], P0-I1
- Searle, Humphrey: Toccata alla Passacaglia, Op.31, [0, 5, 6, 1, 10, 7, 9, 8, 3, 2, 4, 11], P0-I9
- Seiber, Mátyás: Concert Piece for Violin and Piano, [0, 1, 7, 6, 11, 10, 4, 5, 9, 8, 2, 3], P0-I3
- Seiber, Mátyás: Sonata for Violin and Piano, [0, 1, 11, 10, 7, 6, 8, 9, 4, 3, 5, 2], P0-I3
- Sengstschmid, Johann: Meditation für Orgel, Op.43a, [0, 6, 3, 1, 10, 8, 5, 2, 11, 9, 7, 4], P0-I5
- Sessions, Roger: Piano Sonata, No.3, mvt 2, [0, 1, 5, 4, 8, 2, 11, 10, 6, 7, 3, 9], P0-I11
- Sessions, Roger: When Lilacs Last in the Dooryard Bloom’d, [0, 2, 4, 10, 5, 8, 9, 1, 11, 7, 6, 3], P0-I11
- Shapey, Ralph: String Quartet, No.9, [0, 8, 9, 3, 5, 1, 2, 6, 4, 10, 11, 7], P0-I7
- Shostakovich, Dmitri: Symphony, No.14, mov. I, [0, 11, 9, 4, 3, 10, 8, 7, 5, 6, 1, 2], P0-I5
- Slonimsky, Nicholas: No. 1217a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 11, 6, 1, 8, 4, 9, 2, 7], P0-I7
- Slonimsky, Nicholas: No. 1224a Sixths (Twelve-Tone Patterns), [0, 9, 6, 3, 7, 10, 1, 4, 8, 5, 2, 11], P0-I11
- Slonimsky, Nicholas: No. 1238a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 9, 7, 5, 3, 2, 4, 6, 8, 1, 10, 11], P0-I1
- Slonimsky, Nicholas: No. 1241a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 9, 6, 3, 11, 5, 2, 8, 7, 10, 1, 4], P0-I1,7
- Slonimsky, Nicholas: No. 1252a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 2, 6, 8, 11, 4], P0-I9
- Slonimsky, Nicholas: No. 1252b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 10, 6, 2, 11, 7, 4, 1, 9], P0-I7
- Slonimsky, Nicholas: No. 1254a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 8, 11, 3, 6, 9, 1], P0-I1
- Slonimsky, Nicholas: No. 1254b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 10, 6, 4, 11, 7, 5, 2, 9], P0-I5
- Slonimsky, Nicholas: No. 1255a [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 2, 5, 8, 11, 3], P0-I3,9
- Slonimsky, Nicholas: No. 1255b [Slonimsky: Moto Perpetuo] Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 9, 6, 5, 1, 10, 7, 4, 11], P0-I1,7
- Slonimsky, Nicholas: No. 1258a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 5, 8, 11, 4], P0-I11
- Slonimsky, Nicholas: No. 1258b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 2, 10, 6, 4, 1, 9], P0-I9
- Slonimsky, Nicholas: No. 1259a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 1, 5, 7, 10, 3], P0-I9
- Slonimsky, Nicholas: No. 1259b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 7, 5, 1, 9, 6, 3, 11], P0-I1
- Slonimsky, Nicholas: No. 1260a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 1, 5, 8, 11, 3], P0-I3
- Slonimsky, Nicholas: No. 1260b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 2, 10, 6, 5, 1, 9, 7, 4, 11], P0-I7
- Slonimsky, Nicholas: No. 1263a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 1, 4, 8, 11, 5], P0-I11
- Slonimsky, Nicholas: No. 1263b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 7, 6, 2, 9, 4, 1, 10], P0-I9
- Slonimsky, Nicholas: No. 1265 Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], P0-I11
- Slonimsky, Nicholas: No. 1265a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 10, 2, 5, 8, 11], P0-I11
- Slonimsky, Nicholas: No. 1265b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 1, 10, 6, 4, 11, 7, 5, 2, 8], P0-I5
- Slonimsky, Nicholas: No. 1266a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 11, 4, 7, 10, 1], P0-I1
- Slonimsky, Nicholas: No. 1266b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 2, 11, 6, 5, 1, 8, 7, 4, 10], P0-I7
- Slonimsky, Nicholas: No. 1267a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 11, 5, 6, 9, 2], P0-I9
- Slonimsky, Nicholas: No. 1267b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 1, 10, 7, 5, 2, 8, 6, 3, 11], P0-I3
- Slonimsky, Nicholas: No. 1273a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 5, 9, 6, 2, 11, 8, 4], P0-I9
- Slonimsky, Nicholas: No. 1273b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 1, 2, 6, 9, 8, 4, 11], P0-I9
- Slonimsky, Nicholas: No. 1275a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 5, 9, 6, 1, 11, 8, 3], P0-I1
- Slonimsky, Nicholas: No. 1275b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 2, 1, 6, 9, 8, 3, 11], P0-I1
- Slonimsky, Nicholas: No. 1276a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 6, 9, 5, 2, 11, 8, 3], P0-I3,9
- Slonimsky, Nicholas: No. 1276b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 1, 2, 5, 9, 8, 3, 11], P0-I3,9
- Slonimsky, Nicholas: No. 1279a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 5, 1, 11, 8, 4], P0-I11
- Slonimsky, Nicholas: No. 1279b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 5, 9, 8, 4, 11], P0-I11
- Slonimsky, Nicholas: No. 1280a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 6, 9, 5, 1, 10, 7, 3], P0-I9
- Slonimsky, Nicholas: No. 1280b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 6, 2, 5, 9, 1, 10, 7, 3], P0-I9
- Slonimsky, Nicholas: No. 1281a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 2, 6, 9, 5, 1, 11, 8, 3], P0-I3
- Slonimsky, Nicholas: No. 1281b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 2, 1, 5, 9, 8, 3, 11], P0-I3
- Slonimsky, Nicholas: No. 1284a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 6, 9, 4, 1, 11, 8, 5], P0-I11
- Slonimsky, Nicholas: No. 1284b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 2, 1, 4, 9, 8, 5, 11], P0-I11
- Slonimsky, Nicholas: No. 1286a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 4, 7, 2, 10, 8, 5, 11], P0-I11
- Slonimsky, Nicholas: No. 1286b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 4, 1, 10, 2, 7, 8, 5, 11], P0-I11
- Slonimsky, Nicholas: No. 1287a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 2, 5, 8, 4, 11, 10, 7, 1], P0-I1
- Slonimsky, Nicholas: No. 1287b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 5, 2, 11, 4, 8, 7, 1, 10], P0-I1
- Slonimsky, Nicholas: No. 1288a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 4, 8, 5, 11, 9, 6, 2], P0-I9
- Slonimsky, Nicholas: No. 1288b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 4, 1, 11, 5, 8, 6, 2, 9], P0-I9
- Slonimsky, Nicholas: No. 258 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 9, 4, 3, 2, 1, 8, 7, 6, 5], P0-I5
- Slonimsky, Nicholas: No. 270 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 9, 7, 4, 2, 1, 11, 8, 6, 5, 3], P0-I3
- Slonimsky, Nicholas: No. 277 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 7, 5, 4, 2, 11, 9, 8, 6, 3, 1], P0-I1
- Slonimsky, Nicholas: No. 370 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 7, 1, 6, 4, 11, 5, 10, 8, 3, 9, 2], P0-I9
- Slonimsky, Nicholas: No. 388 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], P0-I5
- Slonimsky, Nicholas: No. 389 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], P0-I11
- Slonimsky, Nicholas: No. 390 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 3, 9, 6, 4, 7, 1, 10, 8, 11, 5, 2], P0-I5
- Slonimsky, Nicholas: No. 391 Miscellaneous Patterns [Diminished Seventh Chords] (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 9, 3, 6, 4, 1, 7, 10, 8, 5, 11, 2], P0-I11
- Slonimsky, Nicholas: No. 638 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 9, 10, 4, 3, 1, 2, 8, 7, 5, 6], P0-I5
- Slonimsky, Nicholas: No. 641 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 7, 6, 5, 4, 8, 9, 10, 11], P0-I11
- Slonimsky, Nicholas: No. 643 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], P0-I11
- Slonimsky, Nicholas: No. 644 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 6, 7, 8, 9, 10, 11, 5, 4, 3, 2, 1], P0-I11
- Slonimsky, Nicholas: No. 692 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 3, 5, 8, 10, 11, 1, 4, 6, 7, 9], P0-I9
- Slonimsky, Nicholas: No. 698 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 5, 7, 8, 10, 1, 3, 4, 6, 9, 11], P0-I11
- Slonimsky, Nicholas: No. 736 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 2, 7, 9, 8, 10, 3, 5, 4, 6, 11, 1], P0-I1
- Slonimsky, Nicholas: No. 813 Interpolation of Three Notes (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 3, 6, 9, 10, 1, 4, 7, 8, 11, 2, 5], P0-I5
- Slonimsky, Nicholas: No. 909 Infra-Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 9, 3, 6, 5, 2, 8, 11, 10, 7, 1, 4], P0-I1
- Spinner, Leopold: Concert for Piano and Orchestra, Op.4, [0, 2, 1, 9, 11, 3, 4, 7, 5, 6, 10, 8], P0-I7
- Spinner, Leopold: Ouverture for Orchestra, Op.5, [0, 11, 2, 10, 8, 1, 7, 5, 6, 9, 3, 4], P0-I5
- Spinner, Leopold: Quintet, Op.14, [0, 6, 4, 2, 8, 5, 1, 9, 10, 11, 7, 3], P0-I3
- Spinner, Leopold: Ricercata, Op.21, [0, 11, 8, 10, 2, 1, 4, 3, 7, 9, 6, 5], P0-I5
- Spinner, Leopold: Sonata for Piano, Op.3, [0, 9, 8, 6, 7, 10, 1, 4, 5, 3, 2, 11], P0-I11
- Spinner, Leopold: Sonata for Violin and Piano, Op.1, [0, 7, 6, 1, 3, 8, 5, 10, 2, 9, 4, 11], P0-I5
- Spinner, Leopold: String Quartet, Op.2, [0, 1, 7, 6, 11, 10, 4, 5, 8, 9, 3, 2], P0-I3
- Spinner, Leopold: Trio for Violin, Cello, and Piano, Op.6, [0, 1, 7, 4, 10, 9, 6, 5, 11, 8, 2, 3], P0-I3
- Spinner, Leopold: Variations for Violin and Piano, Op.19, [0, 8, 9, 1, 2, 4, 3, 5, 6, 10, 11, 7], P0-I7
- Spinner, Leopold: Zwei Lieder, Op.24, [0, 11, 1, 4, 3, 7, 5, 6, 9, 8, 10, 2], P0-I9
- Stockhausen, Karlheinz: Choral, [0, 1, 10, 6, 8, 3, 5, 2, 4, 11, 9, 7], P0-I5
- Stockhausen, Karlheinz: Klavierstück IV row 3, [0, 7, 1, 10, 11, 9, 5, 8, 4, 3, 2, 6], P0-I3
- Stockhausen, Karlheinz: Licht, Eve formula, [0, 4, 3, 2, 5, 6, 10, 11, 9, 1, 7, 8], P0-I1
- Stockhausen, Karlheinz: Plus-Minus, [0, 1, 7, 9, 8, 6, 3, 10, 2, 5, 11, 4], P0-I11
- Stockhausen, Karlheinz: Tierkreis, Aries, [0, 3, 2, 9, 7, 8, 11, 6, 1, 5, 4, 10], P0-I1
- Stockhausen, Karlheinz: Tierkreis, Sagittarius, [0, 6, 5, 2, 3, 4, 7, 8, 9, 10, 11, 1], P0-I1
- Stravinsky, Igor: A Sermon, a Narrative and a Prayer, [0, 1, 9, 11, 10, 7, 8, 3, 4, 6, 5, 2], P0-I3
- Stravinsky, Igor: Canticum Sacrum, II, [0, 11, 9, 6, 10, 8, 7, 5, 2, 4, 3, 1], P0-I1
- Stravinsky, Igor: Elegy for J.F.K., [0, 6, 4, 2, 8, 9, 3, 1, 11, 10, 7, 5], P0-I7
- Stravinsky, Igor: Introitus “T. S. Eliot in Memoriam”, [0, 5, 6, 4, 8, 9, 3, 2, 1, 10, 11, 7], P0-I7
- Stravinsky, Igor: Requiem Canticles, 1st series, [0, 2, 10, 11, 1, 8, 6, 7, 9, 4, 3, 5], P0-I5
- Stravinsky, Igor: Variations “Aldous Huxley in Memoriam”, [0, 10, 7, 9, 2, 8, 6, 11, 1, 5, 4, 3], P0-I1
- Talma, Louise: Piano Sonata 2, mvt 4, first row, [0, 4, 8, 2, 5, 10, 1, 11, 6, 9, 7, 3], P0-I11
- Talma, Louise: Six Etudes, Etude 1, [0, 3, 6, 8, 10, 2, 5, 7, 9, 1, 11, 4], P0-I7
- Talma, Louise: Six Etudes, Etude 5, [0, 4, 6, 11, 8, 3, 9, 1, 5, 7, 2, 10], P0-I1
- Talma, Louise: Six Etudes, Etude 6, [0, 8, 6, 9, 4, 5, 2, 1, 3, 10, 7, 11], P0-I7
- Toufektsis, Orestis: MIKRO-ALLAXI (EpiEnteka II), für 15 Musiker, [0, 8, 3, 7, 2, 4, 10, 11, 1, 6, 9, 5], P0-I1
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 1A, [0, 10, 9, 1, 4, 8, 7, 2, 5, 11, 3, 6], P0-I3
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 3, [0, 10, 8, 4, 3, 6, 5, 11, 9, 1, 2, 7], P0-I5
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 5, [0, 4, 3, 10, 6, 9, 1, 5, 2, 8, 11, 7], P0-I5,11
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 7, [0, 2, 11, 8, 5, 3, 10, 9, 1, 7, 6, 4], P0-I9
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 8, [0, 4, 3, 11, 6, 8, 2, 9, 10, 7, 1, 5], P0-I1
- Tranchell, Peter: Septet : [for] 2 violins, oboe, clarinet, horn, bassoon, cello : fifth dodecafonia, [0, 2, 1, 10, 3, 4, 11, 6, 5, 9, 8, 7], P0-I9
- Tranchell, Peter: Twice a Kiss sketch 1, [0, 9, 1, 2, 4, 8, 5, 7, 10, 6, 3, 11], P0-I7
- Tranchell, Peter: Twice a Kiss sketch 2, [0, 9, 1, 2, 4, 8, 3, 11, 5, 6, 7, 10], P0-I7
- Tranchell, Peter: Twice a Kiss sketch 3, [0, 1, 2, 4, 8, 9, 7, 5, 3, 6, 10, 11], P0-I7
- Urbanner, Erich: Adagio, [0, 3, 1, 11, 10, 9, 8, 7, 6, 4, 2, 5], P0-I5
- Volkonsky, Andrei: Musica Stricta, mvt 2, row A, [0, 6, 8, 9, 11, 10, 1, 7, 2, 3, 5, 4], P0-I1
- Volkonsky, Andrei: Musica Stricta, mvt 2, row D, [0, 4, 9, 2, 8, 10, 11, 1, 3, 7, 5, 6], P0-I3
- Volkonsky, Andrei: Musica Stricta, mvt 4, row G, [0, 6, 5, 4, 3, 2, 1, 11, 9, 10, 8, 7], P0-I1
- Volkonsky, Andrei: Musica Stricta, mvt 4, row H, [0, 6, 4, 9, 8, 2, 7, 1, 11, 5, 10, 3], P0-I7
- Wang, Xi-Lin: A Dilapidated Tombstone, [0, 4, 6, 3, 2, 10, 11, 5, 8, 9, 7, 1], P0-I11
- Weber, Ben: Five Bagatelles for Piano, Op.2, mvt ii, [0, 1, 2, 9, 6, 7, 4, 8, 5, 11, 10, 3], P0-I5
- Weber, Ben: Humoreske, Op.49, [0, 2, 4, 5, 7, 10, 1, 11, 9, 8, 6, 3], P0-I1
- Webern, Anton: Op.32 (un-finished), initial sketch, [0, 1, 9, 11, 3, 2, 7, 6, 10, 8, 4, 5], P0-I7
- Webern, Anton: 3 Volkstexte, “Liebste Jungfrau”, Op.17, No.2, [0, 11, 10, 6, 7, 1, 2, 5, 4, 3, 8, 9], P0-I3
- Webern, Anton: Cantata I, Op.29, [0, 8, 11, 10, 2, 1, 4, 3, 7, 6, 9, 5], P0-I5
- Webern, Anton: Klavierstück, [0, 1, 2, 11, 10, 4, 5, 6, 9, 8, 7, 3], P0-I7
- Webern, Anton: Quartet for Violin, Clarinet, Tenor Sax, And Piano, Op.22, [0, 9, 8, 11, 10, 2, 3, 4, 5, 7, 1, 6], P0-I3
- Webern, Anton: String Quartet, Op.28, [0, 11, 2, 1, 5, 6, 3, 4, 8, 7, 10, 9], P0-I9
- Webern, Anton: String Trio, Op.20, [0, 11, 6, 5, 10, 9, 1, 2, 7, 8, 4, 3], P0-I1
- Webern, Anton: Three Songs on Texts by Hildegard Jone, Op.25, [0, 9, 8, 11, 6, 10, 7, 4, 3, 5, 2, 1], P0-I1
- Wilson, Olly: Piece for Four’, [0, 8, 9, 4, 2, 6, 7, 11, 10, 3, 5, 1], P0-I7
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 10, [0, 10, 1, 11, 4, 2, 5, 3, 8, 6, 9, 7], P0-I7
- Wuorinen, Charles: Piano Concerto, No.3, [0, 5, 2, 1, 11, 3, 10, 9, 4, 6, 8, 7], P0-I9
- Wuorinen, Charles: Reliquary for Igor Stravinsky, [0, 11, 7, 5, 6, 8, 2, 4, 9, 3, 1, 10], P0-I9
- Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 1, [0, 4, 2, 6, 5, 8, 7, 9, 3, 1, 10, 11], P0-I3
- Yun, Isang: Funf Stücke für Klavier, Stück 1, Row 2, [0, 11, 10, 4, 2, 1, 3, 6, 5, 9, 7, 8], P0-I7
- Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 1, [0, 11, 1, 9, 10, 7, 5, 6, 8, 2, 3, 4], P0-I3
- Yun, Isang: Funf Stücke für Klavier, Stück 3, Row 2, [0, 4, 2, 8, 5, 6, 7, 9, 3, 11, 10, 1], P0-I3
- Yun, Isang: Funf Stücke für Klavier, Stück 4, [0, 1, 7, 8, 11, 3, 4, 9, 5, 2, 6, 10], P0-I5
- Yun, Isang: Funf Stücke für Klavier, Stück 5, [0, 11, 6, 3, 2, 10, 9, 1, 5, 4, 8, 7], P0-I7
- Yun, Isang: Gasa, [0, 11, 7, 8, 6, 5, 2, 9, 10, 1, 3, 4], P0-I9
- Yun, Isang: Riul für Klarinette und Klavier, [0, 5, 6, 9, 8, 4, 3, 7, 1, 2, 11, 10], P0-I7
- Zappa, Frank: Brown Shoes Don’t Make It, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], P0-I7
- Zappa, Frank: Waltz, [0, 11, 3, 2, 9, 1, 7, 8, 4, 10, 5, 6], P0-I7
- Zenk, Ludwig: An einen Springbrunnnen, Op.6, No.1, [0, 2, 3, 7, 6, 10, 9, 1, 5, 11, 4, 8], P0-I11
- Zenk, Ludwig: Piano Sonata, Op.1, [0, 1, 8, 4, 6, 5, 2, 10, 9, 3, 11, 7], P0-I3
- hauer, Josef Matthias: Zwölftonspiel für Oechester. 28. 9. 1954, [0, 5, 7, 4, 6, 1, 9, 3, 8, 11, 10, 2], P0-I3
Retrograde Inversion Combinatorial
These rows are combinatorial by retrograde inversion.
- Argento, Dominick: Evensong: Of Love and Angels, [0, 11, 9, 8, 5, 3, 4, 1, 2, 7, 10, 6], P0-RI8
- Bennett, Richard Rodney: Symphony, [0, 2, 9, 8, 3, 5, 6, 1, 7, 11, 10, 4], P0-RI5
- Berg, Alban: Chamber Concerto, mvts 2, 3, [0, 11, 10, 4, 5, 9, 7, 1, 2, 6, 8, 3], P0-RI9
- Berg, Alban: Lyric Suite, mvt I, m.7-9, [0, 3, 7, 8, 2, 1, 9, 6, 4, 11, 5, 10], P0-RI3
- Carter, Elliott: String Quartet, No.3, [0, 11, 2, 9, 5, 3, 4, 8, 10, 7, 1, 6], P0-RI2
- Copland, Aaron: Connotations, row 1, [0, 1, 3, 6, 2, 9, 8, 5, 10, 4, 11, 7], P0-RI3
- Copland, Aaron: Connotations, row 2, [0, 7, 9, 6, 2, 3, 8, 11, 10, 4, 5, 1], P0-RI9
- Copland, Aaron: Piano Fantasy, [0, 7, 2, 10, 8, 3, 6, 4, 11, 9, 1, 5], P0-RI10
- Cordero, Roque: Concerto for Violin, mvt 2B, [0, 5, 3, 11, 6, 8, 7, 2, 1, 4, 9, 10], P0-RI11
- Cordero, Roque: Sonata breve, [0, 1, 4, 11, 10, 7, 5, 8, 9, 6, 3, 2], P0-RI11
- Dallapiccola, Luigi: Due studi, ‘Fanfare’, [0, 1, 7, 9, 10, 3, 4, 2, 8, 11, 6, 5], P0-RI10
- Dallapiccola, Luigi: Preghiere, [0, 11, 2, 3, 8, 9, 7, 6, 1, 5, 4, 10], P0-RI11
- Dallapiccola, Luigi: Quattro liriche di Antonio Machado, ii, [0, 1, 4, 6, 7, 9, 10, 11, 2, 3, 5, 8], P0-RI1
- Dallapiccola, Luigi: Tre poemi, [0, 8, 9, 6, 3, 1, 2, 11, 7, 5, 4, 10], P0-RI9
- David, Johann Nepomuk: Symphony, No.8, Op.59, [0, 5, 9, 2, 6, 11, 3, 4, 7, 8, 10, 1], P0-RI11
- Denisov, Edison: Five Etudes for Solo Bassoon, row G, [0, 11, 5, 10, 4, 3, 9, 8, 2, 1, 6, 7], P0-RI3
- Dobbins, Bill: Concerto for Jazz Orchestra, [0, 9, 7, 4, 3, 1, 10, 11, 8, 6, 5, 2], P0-RI4
- Eisler, Hanns: >Spruch< for voice and piano, [0, 3, 11, 9, 5, 8, 4, 1, 2, 10, 7, 6], P0-RI8
- Eisler, Hanns: An den Schlaf, [0, 8, 2, 10, 11, 5, 6, 1, 9, 3, 7, 4], P0-RI10
- Eisler, Hanns: Chamber Symphony / Film music for “White Flood”, row 1, [0, 1, 2, 3, 11, 7, 6, 5, 9, 8, 10, 4], P0-RI2
- Eisler, Hanns: Chamber Symphony / Film music for “White Flood”, row 2, [0, 8, 2, 10, 11, 5, 6, 1, 4, 9, 7, 3], P0-RI10
- Eisler, Hanns: Deutsche Symphonie, mvt 4, [0, 10, 5, 6, 11, 7, 1, 4, 2, 8, 9, 3], P0-RI5
- Eisler, Hanns: Deutsche Symphonie, mvt 7, [0, 11, 8, 5, 2, 1, 4, 3, 10, 7, 6, 9], P0-RI1
- Eisler, Hanns: Deutsche Symphonie, mvts 2, 6, [0, 3, 11, 9, 5, 8, 4, 7, 6, 2, 1, 10], P0-RI8
- Eisler, Hanns: Five Pieces for Orchestra, mvt 1, [0, 6, 2, 3, 10, 9, 11, 5, 8, 7, 1, 4], P0-RI12
- Eisler, Hanns: Five Pieces for Orchestra, mvt 2, [0, 2, 3, 1, 11, 7, 5, 4, 8, 10, 9, 6], P0-RI2
- Eisler, Hanns: Palmström, Op.5, No.4, [0, 11, 2, 8, 3, 9, 6, 7, 10, 1, 4, 5], P0-RI11
- Eisler, Hanns: Sonata for Piano, No.2 (“in Form von Variationen”), Op.6, row variant 4, [0, 4, 3, 2, 9, 6, 10, 1, 7, 5, 8, 11], P0-RI6
- Eröd, Ivan: Die Seidenraupen, [0, 4, 6, 3, 1, 10, 8, 11, 9, 5, 2, 7], P0-RI4
- Florey, Hans: ‘Die Blume der Blumen’ für Gesang und Viola, [0, 3, 4, 8, 9, 6, 1, 7, 10, 11, 2, 5], P0-RI12
- Florey, Hans: ‘Fort, fort sind meine Rosen’ für Gesang und Instrument, [0, 7, 6, 3, 5, 9, 2, 10, 8, 4, 1, 11], P0-RI12
- Florey, Hans: Grabgesang, [0, 2, 8, 5, 10, 11, 4, 1, 6, 3, 9, 7], P0-RI10
- Florey, Hans: Griechisch-lateinisches Quadrat der Ordnung 4 mit Fuge in Klangnotation, [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5], P0-RI7
- Florey, Hans: Kleiner Doppelkanon, [0, 4, 6, 3, 8, 9, 7, 2, 1, 5, 11, 10], P0-RI12
- Florey, Hans: Magisches Quadrat der Ordnung 3, [0, 4, 6, 3, 8, 9, 7, 2, 1, 5, 11, 10], P0-RI12
- Frankel, Benjamin: The Curse of the Werewolf, [0, 3, 2, 1, 4, 8, 11, 5, 10, 7, 6, 9], P0-RI4
- Gerhard, Roberto: Concerto for Harpsichord, String Orchestra, and Percussion, [0, 2, 8, 7, 11, 5, 1, 4, 3, 6, 9, 10], P0-RI7
- Gerhard, Roberto: Gemini, [0, 11, 3, 1, 5, 4, 8, 6, 7, 2, 9, 10], P0-RI4
- Gerhard, Roberto: Leo, [0, 2, 1, 6, 5, 7, 3, 8, 9, 10, 4, 11], P0-RI7
- Gerhard, Roberto: Nonet, [0, 11, 1, 3, 5, 4, 10, 8, 2, 7, 9, 6], P0-RI4
- Gerhard, Roberto: Symphony, No.2, [0, 8, 1, 7, 5, 6, 10, 11, 2, 3, 9, 4], P0-RI1
- Ginastera, Alberto: Cantata para América Mágica, Op.27, [0, 7, 6, 5, 10, 11, 8, 1, 2, 9, 4, 3], P0-RI5
- Ginastera, Alberto: Piano Concerto, No.1, Op.28, [0, 11, 5, 1, 8, 2, 7, 6, 10, 4, 9, 3], P0-RI1
- Ginastera, Alberto: String Quartet, No.2, Op.26, [0, 5, 11, 2, 8, 1, 9, 10, 7, 4, 3, 6], P0-RI1
- Goehr, Alexander: Little Symphony, Op.15, [0, 3, 7, 10, 6, 4, 5, 2, 9, 8, 11, 1], P0-RI10
- Goehr, Alexander: Sonata in One Movement, Op.2, [0, 2, 7, 1, 4, 10, 6, 9, 11, 8, 5, 3], P0-RI2
- Harrison, Lou: Suite for Piano, [0, 1, 6, 2, 5, 7, 11, 4, 9, 8, 10, 3], P0-RI7
- Harrison, Lou: Untitled Piano Piece, [0, 10, 4, 3, 9, 7, 2, 8, 6, 1, 11, 5], P0-RI7
- Hauer, Josef Matthias: ‘Kaleidoskop’ für Orchester, [0, 9, 6, 7, 3, 8, 2, 4, 11, 1, 5, 10], P0-RI3
- Hauer, Josef Matthias: ‘Musik für Schule und Haus II’ 22. September 1956. für Violine, Bratsche und Klavier, [0, 7, 8, 1, 6, 5, 10, 2, 11, 9, 3, 4], P0-RI1
- Hauer, Josef Matthias: Labyrinthischer Tanz [Zwölftonspiel] für Klavier zu vier Händen. 16. November 1952, [0, 3, 8, 7, 2, 10, 6, 1, 11, 9, 4, 5], P0-RI10
- Hauer, Josef Matthias: Nomos, [0, 5, 7, 3, 9, 6, 11, 2, 8, 4, 1, 10], P0-RI12
- Hauer, Josef Matthias: Nomos, Op.19 (bb.1-36), [0, 5, 7, 3, 9, 6, 11, 2, 8, 4, 1, 10], P0-RI12
- Hauer, Josef Matthias: Nomos, Op.19 (bb.101-102), [0, 7, 4, 2, 1, 10, 9, 11, 8, 6, 3, 5], P0-RI2
- Hauer, Josef Matthias: Nomos, Op.19 (bb.129-130), [0, 9, 10, 4, 3, 7, 6, 2, 1, 8, 11, 5], P0-RI7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.131-132), [0, 9, 8, 2, 11, 3, 6, 5, 10, 7, 4, 1], P0-RI11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.133-134), [0, 8, 5, 11, 2, 7, 4, 6, 3, 1, 10, 9], P0-RI7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.141-142), [0, 5, 3, 4, 1, 11, 2, 6, 8, 9, 10, 7], P0-RI4
- Hauer, Josef Matthias: Nomos, Op.19 (bb.194-195), [0, 4, 2, 3, 6, 9, 5, 1, 8, 7, 11, 10], P0-RI6
- Hauer, Josef Matthias: Nomos, Op.19 (bb.198-201), [0, 8, 9, 11, 3, 5, 6, 1, 2, 7, 10, 4], P0-RI8
- Hauer, Josef Matthias: Nomos, Op.19 (bb.202-203), [0, 1, 3, 10, 7, 9, 2, 11, 4, 6, 8, 5], P0-RI10
- Hauer, Josef Matthias: Nomos, Op.19 (bb.208-212), [0, 9, 7, 2, 5, 1, 10, 6, 11, 4, 3, 8], P0-RI2
- Hauer, Josef Matthias: Nomos, Op.19 (bb.215-219), [0, 3, 8, 2, 6, 5, 4, 1, 10, 11, 9, 7], P0-RI8
- Hauer, Josef Matthias: Nomos, Op.19 (bb.255-257), [0, 7, 2, 6, 5, 10, 3, 4, 11, 8, 1, 9], P0-RI12
- Hauer, Josef Matthias: Nomos, Op.19 (bb.301-305), [0, 10, 2, 9, 8, 1, 5, 6, 11, 3, 7, 4], P0-RI10
- Hauer, Josef Matthias: Nomos, Op.19 (bb.337-338), [0, 1, 11, 5, 4, 3, 8, 9, 2, 10, 6, 7], P0-RI4
- Hauer, Josef Matthias: Nomos, Op.19 (bb.348-353), [0, 11, 9, 5, 10, 4, 6, 8, 3, 2, 1, 7], P0-RI9
- Hauer, Josef Matthias: Nomos, Op.19 (bb.395-402), [0, 2, 7, 10, 6, 5, 8, 9, 11, 3, 1, 4], P0-RI12
- Hauer, Josef Matthias: Nomos, Op.19 (bb.411-414), [0, 2, 8, 3, 5, 6, 7, 4, 9, 10, 1, 11], P0-RI8
- Hauer, Josef Matthias: Nomos, Op.19 (bb.467-471), [0, 5, 9, 1, 7, 2, 10, 4, 11, 8, 3, 6], P0-RI2
- Hauer, Josef Matthias: Nomos, Op.19 (bb.471-472), [0, 3, 11, 1, 6, 9, 2, 8, 5, 7, 10, 4], P0-RI12
- Hauer, Josef Matthias: Nomos, Op.19 (bb.473-474), [0, 6, 9, 1, 3, 11, 8, 4, 5, 7, 10, 2], P0-RI12
- Hauer, Josef Matthias: Nomos, Op.19 (bb.490-494), [0, 5, 11, 6, 9, 2, 8, 7, 10, 4, 1, 3], P0-RI11
- Hauer, Josef Matthias: Nomos, Op.19 (bb.496-498), [0, 10, 9, 4, 3, 7, 5, 8, 1, 2, 6, 11], P0-RI7
- Hauer, Josef Matthias: Nomos, Op.19 (bb.498-501), [0, 3, 1, 10, 7, 6, 2, 11, 8, 5, 4, 9], P0-RI1
- Hauer, Josef Matthias: Nomos, Op.19 (bb.525-527), [0, 10, 3, 9, 7, 1, 11, 2, 6, 4, 8, 5], P0-RI10
- Hauer, Josef Matthias: Nomos, Op.19 (bb.64-67), [0, 6, 9, 11, 8, 5, 4, 3, 1, 2, 7, 10], P0-RI5
- Hauer, Josef Matthias: Nomos, Op.19 (bb.82-83), [0, 2, 11, 8, 5, 10, 9, 1, 7, 3, 4, 6], P0-RI10
- Hauer, Josef Matthias: Nomos, Op.19 (bb.87-90), [0, 1, 11, 9, 8, 7, 10, 6, 4, 3, 5, 2], P0-RI8
- Hauer, Josef Matthias: Nomos, Op.19 (bb.91-92), [0, 4, 10, 1, 2, 7, 6, 8, 5, 9, 11, 3], P0-RI2
- Hauer, Josef Matthias: Tanz [Zwölftonspiel] im langsamen 3/4 Takt für zwei Violinen, zwei Bratschen und Klavier zu zwei Händen, [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5], P0-RI7
- Hauer, Josef Matthias: Tanz für Violine allein, [0, 7, 3, 4, 10, 9, 2, 8, 11, 1, 6, 5], P0-RI7
- Hauer, Josef Matthias: Zwölftonmusik [Zwölftonspiel] für Klavier zu vier Händen. Februar 1959 (Fragment), [0, 9, 3, 7, 4, 10, 2, 6, 1, 8, 11, 5], P0-RI7
- Hauer, Josef Matthias: Zwölftonmusik für Orchester, Op.86, [0, 2, 6, 3, 11, 8, 10, 9, 5, 7, 1, 4], P0-RI2
- Hauer, Josef Matthias: Zwölftonspiel 15. Juni 1957; für Flöte, Oboe, Bassklarinette, Fagott, 2 Violinen, Viola, Violoncello & Klavier vierhändig, [0, 8, 11, 6, 9, 5, 7, 1, 3, 2, 4, 10], P0-RI5
- Hauer, Josef Matthias: Zwölftonspiel 28. August 1948; für Violine und Klavier, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
- Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine (Flöte) und Klavier, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
- Hauer, Josef Matthias: Zwölftonspiel 31. August 1948; für Violine und Klavier; 2. Fassung, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
- Hauer, Josef Matthias: Zwölftonspiel März 1958; für Kammerorchester, [0, 5, 10, 4, 1, 7, 2, 11, 8, 3, 6, 9], P0-RI5
- Hauer, Josef Matthias: Zwölftonspiel November 1957; für zwei Violinen und Klavier, [0, 6, 3, 9, 1, 5, 11, 8, 10, 7, 2, 4], P0-RI6
- Hauer, Josef Matthias: Zwölftonspiel für Klavier. September 1956, [0, 8, 11, 6, 3, 5, 1, 10, 7, 4, 2, 9], P0-RI11
- Hauer, Josef Matthias: Zwölftonspiel für Klavier zu zwei Händen. Neujahr 1947 (mit einer Zwölftonreihe von Ernst Hartmann), [0, 10, 6, 3, 7, 4, 9, 2, 8, 11, 1, 5], P0-RI10
- Hauer, Josef Matthias: Zwölftonspiel für Orchester (August 1957), [0, 9, 4, 6, 11, 3, 2, 8, 5, 1, 7, 10], P0-RI3
- Hauer, Josef Matthias: Zwölftonspiel für Streichquartett, [0, 3, 7, 2, 9, 6, 4, 10, 1, 8, 11, 5], P0-RI9
- Hauer, Josef Matthias: Zwölftonspiel für Violine und Cembalo [Klavier]. 27. August 1948, [0, 9, 6, 2, 3, 10, 8, 5, 4, 7, 11, 1], P0-RI12
- Hauer, Josef Matthias: Zwölftonspiel für Violine und Klavier. 2. September 1956, [0, 6, 8, 1, 10, 5, 9, 3, 11, 4, 7, 2], P0-RI6
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche, Cello und Klavier, [0, 6, 9, 11, 4, 3, 7, 5, 2, 8, 10, 1], P0-RI3
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, Bratsche und Cello. Jänner 1948, [0, 1, 7, 2, 11, 3, 8, 5, 6, 4, 9, 10], P0-RI2
- Hauer, Josef Matthias: [Zwölftonspiel] ‘Johann Sebastian Bach hat das Wohltemperierte Klavier im Himmel vollendet …’, [0, 10, 5, 4, 2, 9, 8, 1, 3, 11, 6, 7], P0-RI2
- Hendler, Maximilian: Vier Miniaturen für Klarinette, Op.51, [0, 3, 5, 11, 8, 6, 10, 2, 4, 1, 9, 7], P0-RI11
- Husa, Karel: Hudba pro Prahu 1968, [0, 8, 2, 1, 7, 9, 6, 10, 3, 11, 5, 4], P0-RI9
- Husa, Karel: Mosaïques, [0, 6, 4, 3, 2, 9, 10, 5, 7, 8, 11, 1], P0-RI6
- Ives, Charles: String Quartet, No.2, mvt 2, [0, 1, 2, 11, 3, 7, 10, 4, 6, 8, 9, 5], P0-RI2
- Kokkonen, Joonas: Symphonic Sketches, mov. 3, row “III/A”, [0, 2, 1, 3, 8, 7, 5, 6, 4, 11, 9, 10], P0-RI3
- Kurtág, György: The Sayings of Péter Bornemisza, Op.7, [0, 11, 7, 8, 9, 1, 2, 10, 3, 4, 5, 6], P0-RI8
- Lackner, Peter: ‘Lied des Harfenmädchens’ für Frauenstimme und Klavier, [0, 3, 5, 11, 7, 10, 1, 8, 4, 9, 6, 2], P0-RI10
- Lackner, Peter: ‘Lied des Harfenmädchens II’ für Flöte, Klarinette, Posaune, Violine, Cello und Klavier, [0, 3, 5, 11, 7, 10, 1, 8, 4, 9, 6, 2], P0-RI10
- Lackner, Peter: ‘So lebe wohl’ für Singstimme und Klavier, [0, 2, 3, 8, 10, 7, 6, 5, 1, 11, 9, 4], P0-RI10
- Lackner, Peter: Kanon ‘kgV(3,5,7)’, [0, 3, 10, 9, 6, 5, 2, 11, 4, 8, 1, 7], P0-RI3
- Lackner, Peter: Kanon für Bläsersextett. Mai 1995,1996, [0, 9, 7, 3, 10, 1, 6, 8, 2, 11, 5, 4], P0-RI10
- Lackner, Peter: Kanon für Schrammel-Quartett. November 2002, [0, 4, 6, 3, 11, 9, 1, 5, 8, 2, 10, 7], P0-RI3
- Lackner, Peter: Kanon für Streichquartett. 18. Mai 1993, [0, 11, 4, 7, 1, 10, 5, 6, 2, 3, 9, 8], P0-RI11
- Lackner, Peter: Kanon für Violine, Violoncello und Akkordeon (Harmonium). 25. Oktober 1995, [0, 2, 1, 7, 6, 5, 3, 4, 10, 9, 11, 8], P0-RI7
- Lang, Bernhard: ‘Küstenlinien’; für zwei Klaviere und doppeltes Schlagwerk, [0, 9, 7, 4, 5, 11, 2, 1, 8, 10, 3, 6], P0-RI4
- Lutyens, Elisabeth: O Saisons, O Châteaux!, [0, 11, 10, 4, 8, 9, 3, 7, 6, 5, 2, 1], P0-RI8
- Lutyens, Elisabeth: The Valley of Hatsu’se, [0, 6, 11, 10, 8, 7, 9, 1, 3, 2, 4, 5], P0-RI6
- Lutyens, Elisabeth: Three Improvisations for Piano Solo, [0, 6, 9, 7, 8, 3, 4, 1, 10, 5, 11, 2], P0-RI3
- Maderna, Bruno: Quartetto, [0, 7, 2, 3, 6, 9, 10, 1, 4, 5, 8, 11], P0-RI9
- Maderna, Bruno: Streichquartett (Basisreihe 1), [0, 7, 2, 3, 6, 9, 10, 1, 4, 5, 8, 11], P0-RI9
- Maderna, Bruno: Streichquartett (Basisreihe 2), [0, 7, 10, 1, 6, 3, 11, 4, 9, 2, 5, 8], P0-RI1
- Mamlok, Ursula: Five Intermezzi for guitar solo, [0, 3, 6, 11, 2, 5, 1, 10, 7, 4, 8, 9], P0-RI5
- Mamlok, Ursula: Variations for Solo Flute, theme, [0, 2, 1, 11, 7, 3, 5, 6, 4, 10, 8, 9], P0-RI2
- Martino, Donald: Notturno (Row A), [0, 11, 10, 2, 6, 1, 5, 9, 4, 8, 3, 7], P0-RI12
- Messiaen, Olivier: Mode de valeurs et d’intensités, Series 3, [0, 11, 6, 4, 3, 9, 5, 2, 8, 1, 7, 10], P0-RI3
- Morris, Robert: 14 Little Piano Pieces, [0, 5, 1, 9, 10, 11, 2, 7, 3, 4, 6, 8], P0-RI10
- Morris, Robert: Arabesque, [0, 6, 7, 1, 3, 10, 8, 9, 4, 5, 11, 2], P0-RI1
- Morris, Robert: Arc, [0, 1, 8, 2, 4, 3, 11, 10, 6, 7, 5, 9], P0-RI4
- Morris, Robert: Broken Consort in Three Parts, Row 3, [0, 11, 3, 9, 7, 6, 10, 5, 1, 2, 4, 8], P0-RI6
- Morris, Robert: Brush, [0, 11, 6, 10, 7, 8, 3, 2, 5, 4, 9, 1], P0-RI6
- Morris, Robert: Concerto for Piano and Winds, [0, 1, 4, 7, 8, 10, 11, 2, 5, 6, 9, 3], P0-RI8
- Morris, Robert: Four Fold Heart Sutra, [0, 6, 7, 2, 11, 1, 10, 4, 9, 5, 8, 3], P0-RI1
- Morris, Robert: Four Play Nine, [0, 3, 2, 1, 8, 7, 10, 5, 4, 11, 6, 9], P0-RI3
- Morris, Robert: Four or Five Mirrors, [0, 11, 2, 3, 7, 1, 6, 5, 9, 8, 10, 4], P0-RI2
- Morris, Robert: In Variations, [0, 2, 9, 11, 5, 3, 4, 6, 10, 8, 7, 1], P0-RI2
- Morris, Robert: Inter Alia, [0, 1, 11, 5, 3, 4, 9, 10, 8, 2, 7, 6], P0-RI4
- Morris, Robert: MA, [0, 1, 5, 6, 4, 11, 8, 7, 9, 2, 10, 3], P0-RI5
- Morris, Robert: On the Go, [0, 9, 2, 3, 5, 8, 10, 11, 1, 4, 7, 6], P0-RI5
- Morris, Robert: Out and Out, [0, 11, 6, 3, 7, 9, 5, 8, 1, 2, 10, 4], P0-RI6
- Morris, Robert: Sung Song, [0, 3, 7, 6, 9, 2, 10, 5, 1, 8, 4, 11], P0-RI9
- Morris, Robert: Zoe, [0, 8, 6, 3, 1, 9, 7, 10, 4, 2, 5, 11], P0-RI9
- Musgrave, Thea: Triptych, Song 1, [0, 11, 9, 6, 5, 2, 10, 1, 8, 7, 3, 4], P0-RI11
- Nierhaus, Gerhard: ‘Polg’ – für Orchester, [0, 3, 1, 7, 11, 2, 10, 4, 8, 5, 9, 6], P0-RI2
- Nono, Luigi: Intolleranza, Soprano 2, [0, 1, 2, 7, 6, 11, 10, 5, 4, 9, 8, 3], P0-RI1
- Nono, Luigi: La terra e la compagna (sketch), Series 4, [0, 2, 9, 5, 6, 8, 3, 11, 1, 10, 4, 7], P0-RI2
- Papageorgiou, Dimitri: ‘Jarra Jarra’ for six block flutes, [0, 5, 3, 2, 6, 8, 7, 11, 1, 10, 9, 4], P0-RI8
- Papaioannou, Yannis: Pygmalion, [0, 2, 7, 5, 8, 11, 9, 6, 10, 3, 1, 4], P0-RI7
- Papaioannou, Yannis: Songs of the Lake, No.3, [0, 11, 8, 1, 6, 7, 2, 10, 3, 4, 9, 5], P0-RI7
- Papaioannou, Yannis: Suite, Basic row, [0, 1, 3, 10, 4, 6, 9, 5, 2, 8, 7, 11], P0-RI4
- Payne, Antony: Miniature Variations on a Theme of E.L., [0, 6, 11, 10, 8, 7, 9, 1, 3, 2, 4, 5], P0-RI6
- Preßl, Hermann Markus: ‘Sonnenuntergänge nach meinem Tode’; Fünf Haikus nach Günther Klinge für Sprechgesang, Alt-Saxophon und Crotales, [0, 4, 7, 9, 8, 2, 6, 10, 5, 11, 1, 3], P0-RI4
- Preßl, Hermann Markus: 6. Symphonie aus Es, [0, 6, 1, 7, 5, 8, 9, 11, 3, 2, 4, 10], P0-RI1
- Preßl, Hermann Markus: Ithaka, [0, 9, 7, 10, 6, 4, 2, 5, 8, 3, 1, 11], P0-RI4
- Ruggles, Carl: Evocations II (Series X), [0, 1, 7, 2, 8, 9, 11, 10, 5, 6, 4, 3], P0-RI9
- Santoro, Claudio: A Menina Boba, “A Menina Exausta”, [0, 5, 10, 7, 3, 11, 1, 8, 2, 9, 6, 4], P0-RI10
- Schiske, Karl: Symphony, No.4, [0, 8, 11, 3, 2, 6, 1, 9, 4, 5, 7, 10], P0-RI2
- Schmid, Erich: Bagatellen for Piano, Op.14, [0, 1, 5, 2, 6, 7, 4, 8, 10, 3, 9, 11], P0-RI7
- Schmid, Erich: Notturno, Op.10, mvt 1, [0, 4, 6, 3, 9, 8, 5, 11, 1, 2, 10, 7], P0-RI12
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 5, [0, 1, 7, 10, 4, 11, 5, 6, 9, 8, 2, 3], P0-RI11
- Schnittke, Alfred: Improvisation and Fugue for piano, [0, 8, 11, 3, 9, 2, 5, 7, 6, 10, 1, 4], P0-RI11
- Schnittke, Alfred: Serenade, [0, 1, 7, 3, 10, 9, 8, 6, 5, 11, 4, 2], P0-RI10
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 3, [0, 4, 7, 11, 2, 6, 9, 10, 1, 5, 8, 3], P0-RI6
- Schnittke, Alfred: Sonata, No.1 for Violin and Piano, mvt 4, [0, 4, 7, 3, 6, 10, 9, 5, 1, 2, 8, 11], P0-RI10
- Schoenberg, Arnold: Die Jakobsleiter, [0, 1, 4, 3, 7, 6, 11, 2, 10, 9, 5, 8], P0-RI7
- Schreiner, Thomas: Stück für drei Violinen, [0, 2, 1, 7, 4, 10, 9, 6, 8, 5, 3, 11], P0-RI2
- Sengstschmid, Johann: Scherzo für Blockflötenquartett, Op.28, [0, 7, 9, 4, 6, 1, 8, 2, 11, 5, 3, 10], P0-RI1
- Slonimsky, Nicholas: No. 1243a Crossing Sixths (Crossing Intervals), [0, 1, 9, 4, 6, 7, 3, 10, 11, 2, 8, 5], P0-RI1
- Slonimsky, Nicholas: No. 1249a Crossing Thirds (Crossing Intervals), [0, 11, 3, 8, 6, 5, 9, 2, 1, 10, 4, 7], P0-RI11
- Slonimsky, Nicholas: No. 1251a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 2, 5, 8, 11, 4], P0-RI1
- Slonimsky, Nicholas: No. 1251b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 5, 3, 11, 6, 2, 10, 7, 4, 1, 9], P0-RI11
- Slonimsky, Nicholas: No. 1253a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 11, 3, 6, 9, 2], P0-RI5
- Slonimsky, Nicholas: No. 1253b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 9, 6, 4, 11, 7, 5, 2, 10], P0-RI9
- Slonimsky, Nicholas: No. 1261a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 5, 9, 1, 6, 7, 10, 3], P0-RI4
- Slonimsky, Nicholas: No. 1261b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 10, 7, 5, 2, 9, 6, 3, 11], P0-RI8
- Slonimsky, Nicholas: No. 1262a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 3, 6, 11, 2, 8, 9, 1, 5], P0-RI10
- Slonimsky, Nicholas: No. 1262b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 5, 3, 11, 8, 4, 1, 7, 6, 2, 10], P0-RI8
- Slonimsky, Nicholas: No. 1264a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 5, 8, 11, 4, 7, 10, 2], P0-RI6
- Slonimsky, Nicholas: No. 1264b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 3, 2, 10, 6, 5, 1, 8, 7, 4, 11], P0-RI12
- Slonimsky, Nicholas: No. 1268a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 11, 2, 6, 9, 3], P0-RI5
- Slonimsky, Nicholas: No. 1268b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 3, 1, 9, 6, 4, 10, 7, 5, 2, 11], P0-RI9
- Slonimsky, Nicholas: No. 1272a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 1, 6, 9, 5, 2, 11, 8, 4], P0-RI1
- Slonimsky, Nicholas: No. 1272b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 6, 1, 2, 5, 9, 8, 4, 11], P0-RI1
- Slonimsky, Nicholas: No. 1274a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 9, 6, 2, 11, 8, 3], P0-RI5
- Slonimsky, Nicholas: No. 1274b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 1, 2, 6, 9, 8, 3, 11], P0-RI5
- Slonimsky, Nicholas: No. 1282a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 2, 5, 9, 6, 1, 10, 7, 3], P0-RI4
- Slonimsky, Nicholas: No. 1282b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 5, 2, 6, 9, 1, 10, 7, 3], P0-RI4
- Slonimsky, Nicholas: No. 1283a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 3, 6, 8, 2, 11, 9, 5, 1], P0-RI10
- Slonimsky, Nicholas: No. 1283b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 6, 3, 11, 2, 8, 5, 1, 9], P0-RI10
- Slonimsky, Nicholas: No. 1285a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 1, 5, 8, 4, 11, 10, 7, 2], P0-RI6
- Slonimsky, Nicholas: No. 1285b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 6, 9, 5, 1, 11, 4, 8, 7, 2, 10], P0-RI6
- Slonimsky, Nicholas: No. 1289a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 1, 5, 8, 2, 11, 9, 6, 3], P0-RI5
- Slonimsky, Nicholas: No. 1289b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 7, 10, 5, 1, 11, 2, 8, 9, 6, 3], P0-RI5
- Slonimsky, Nicholas: No. 262 Infrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 11, 10, 5, 4, 3, 2, 9, 8, 7, 6, 1], P0-RI3
- Slonimsky, Nicholas: No. 348 Infra-Inter-Ultrapolation (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 10, 1, 7, 4, 2, 5, 11, 8, 6, 9, 3], P0-RI2
- Slonimsky, Nicholas: No. 647 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 2, 11, 5, 8, 10, 7, 1, 4, 6, 3, 9], P0-RI10
- Slonimsky, Nicholas: No. 685 Interpolation of Three Notes (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 1, 3, 6, 8, 9, 11, 2, 4, 5, 7, 10], P0-RI9
- Slonimsky, Nicholas: No. 735 Inter-Infra-Ultrapolation (Quadritone Progression; Equal Division of Two Octaves into Three Parts), [0, 6, 9, 11, 8, 2, 5, 7, 4, 10, 1, 3], P0-RI8
- Smith, Hale: Evocation, [0, 1, 7, 2, 9, 5, 8, 3, 10, 11, 4, 6], P0-RI2
- Spinner, Leopold: Die Nacht, Op.29, [0, 4, 1, 2, 5, 6, 7, 10, 8, 9, 11, 3], P0-RI6
- Spinner, Leopold: Drei Lieder, Op.15, [0, 2, 3, 9, 6, 10, 8, 4, 7, 5, 1, 11], P0-RI12
- Spinner, Leopold: Lieder for Voice, Clarinet, Violin, and Cello, [0, 7, 6, 3, 11, 9, 2, 1, 4, 8, 10, 5], P0-RI6
- Spinner, Leopold: Suite for Clarinet and Piano, Op.10, [0, 4, 1, 6, 5, 2, 8, 10, 7, 9, 11, 3], P0-RI6
- Stockhausen, Karlheinz: ‘Mantra’, [0, 2, 11, 7, 8, 5, 10, 6, 4, 3, 1, 9], P0-RI7
- Stockhausen, Karlheinz: Klavierstück IV, row 1, [0, 11, 4, 10, 9, 5, 8, 6, 2, 1, 7, 3], P0-RI9
- Stockhausen, Karlheinz: Tierkreis, Aquarius, [0, 3, 5, 4, 11, 10, 9, 8, 7, 6, 2, 1], P0-RI3
- Stockhausen, Karlheinz: Tierkreis, Leo, [0, 5, 11, 6, 3, 2, 8, 7, 9, 10, 4, 1], P0-RI5
- Stravinsky, Igor: The Owl and the Pussy Cat, [0, 2, 9, 11, 8, 6, 5, 7, 10, 1, 4, 3], P0-RI8
- Talma, Louise: Seven Episodes for flute, viola and piano, [0, 9, 11, 4, 6, 3, 8, 1, 10, 2, 5, 7], P0-RI3
- Talma, Louise: Six Etudes, Etude 2, [0, 3, 9, 5, 11, 2, 8, 4, 10, 6, 1, 7], P0-RI2
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 4, [0, 7, 6, 1, 3, 4, 2, 11, 9, 5, 10, 8], P0-RI7
- Tranchell, Peter: Piano piece for Carl Dawson (unfinished), 6, [0, 8, 3, 6, 4, 9, 10, 5, 7, 1, 11, 2], P0-RI12
- Volkonsky, Andrei: Musica Stricta, mvt 2, row C, [0, 10, 11, 9, 4, 5, 7, 2, 1, 3, 6, 8], P0-RI9
- Volkonsky, Andrei: Musica Stricta, mvt 3, row F, [0, 1, 9, 3, 5, 6, 7, 11, 10, 8, 4, 2], P0-RI6
- Walker, George: Spatials, [0, 3, 9, 11, 2, 8, 7, 5, 4, 1, 10, 6], P0-RI11
- Weber, Ben: Five Bagatelles for Piano, Op.2, mvt v, [0, 9, 1, 8, 2, 7, 3, 5, 6, 4, 11, 10], P0-RI9
- Webern, Anton: 3 Lieder, “Ave, Regina Coelorum”, Op.18, No.3, [0, 11, 3, 2, 1, 7, 6, 10, 9, 8, 5, 4], P0-RI2
- Webern, Anton: 3 Volkstexte, “Armer Sunder, Du”, Op.17, No.1, [0, 11, 6, 7, 4, 5, 8, 9, 10, 1, 2, 3], P0-RI11
- Yi, Chen: Near Distance, [0, 1, 10, 3, 4, 6, 8, 9, 11, 5, 7, 2], P0-RI4
- Yi, Chen: Symphony, No.2, [0, 6, 2, 3, 7, 9, 10, 4, 5, 11, 8, 1], P0-RI9
- Yi, Chen: Woodwind Quintet, [0, 11, 1, 7, 9, 8, 10, 4, 6, 5, 2, 3], P0-RI8
- Zenk, Ludwig: Abend in Lans, Op.3, No.2, [0, 1, 6, 4, 5, 2, 7, 8, 3, 10, 11, 9], P0-RI6
- Zenk, Ludwig: Adagio for Orchestra, [0, 3, 11, 8, 6, 2, 7, 5, 9, 4, 1, 10], P0-RI2
- Zenk, Ludwig: Piano Sonata, No.2, Op.4, [0, 11, 6, 8, 7, 10, 5, 4, 9, 2, 1, 3], P0-RI6
All-Combinatorial
Finally, rows are all-combinatorial when the combinatorial property holds for all transformations in at least one transposition. Notice how the whole-tone hexachord [0,2,4,6,8,10] (in any ordering) stands out for its highly combinatorial properties.
- Apostel, Hans Erich: Fischerhaus-Serenade, Op.45, [0, 4, 8, 3, 11, 7, 1, 9, 5, 2, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: All Set, [0, 4, 5, 11, 6, 10, 7, 3, 1, 2, 9, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: Arie da Capo, [0, 7, 8, 6, 2, 1, 10, 5, 11, 9, 4, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: Composition for Four Instruments, [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Composition for Four Instruments, row i, [0, 10, 9, 8, 7, 5, 11, 1, 2, 3, 4, 6], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Composition for Four Instruments, row ii, [0, 9, 11, 2, 4, 1, 7, 10, 8, 5, 3, 6], T6; I7; RI1, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Composition for Four Instruments, row iii, [0, 4, 3, 8, 7, 11, 5, 1, 2, 9, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Four Instruments, row iv, [0, 4, 1, 8, 5, 9, 3, 11, 2, 7, 10, 6], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Synthesizer, [0, 9, 1, 8, 4, 5, 7, 2, 3, 6, 10, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Tenor and Six Instruments, [0, 11, 7, 5, 6, 1, 4, 3, 10, 8, 2, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: Composition for Twelve Instruments, [0, 1, 4, 9, 5, 8, 3, 10, 2, 11, 6, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Composition for Viola and Piano, [0, 3, 4, 8, 11, 7, 9, 2, 1, 5, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Du, row i, [0, 9, 2, 10, 11, 1, 7, 5, 4, 8, 3, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Du, row ii, [0, 5, 2, 10, 9, 7, 1, 3, 4, 8, 11, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Babbitt, Milton: Groupwise, [0, 5, 4, 6, 10, 11, 2, 9, 3, 1, 8, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: My Complements to Roger, [0, 3, 7, 8, 11, 4, 2, 6, 1, 9, 10, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: My Ends Are My Beginnings, [0, 11, 4, 8, 7, 3, 5, 6, 9, 2, 10, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Paraphrases, [0, 11, 3, 10, 8, 1, 7, 5, 4, 6, 2, 9], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Partitions, [0, 7, 9, 10, 2, 11, 5, 8, 4, 3, 1, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Relata I, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Relata II, [0, 1, 11, 2, 10, 3, 9, 8, 4, 6, 7, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: Semi-simple variations, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: String Quartet, No.2, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Babbitt, Milton: String Quartet, No.3, [0, 11, 6, 7, 5, 1, 10, 2, 9, 3, 4, 8], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: String Quartet, No.4, [0, 2, 9, 7, 11, 10, 1, 8, 4, 3, 5, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Tableaux, [0, 11, 4, 6, 10, 5, 2, 1, 7, 9, 8, 3], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Babbitt, Milton: The Widow’s Lament in Springtime, [0, 11, 9, 2, 10, 7, 1, 4, 8, 3, 5, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Three Compositions for Piano, No.1, [0, 5, 7, 4, 2, 3, 9, 1, 8, 11, 10, 6], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Two Sonnets of Gerard Manley Hopkins, [0, 2, 3, 4, 7, 5, 11, 6, 10, 9, 8, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Babbitt, Milton: Vision and Prayer, [0, 11, 8, 3, 7, 4, 10, 9, 2, 6, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Babbitt, Milton: Woodwind Quartet, [0, 3, 1, 2, 11, 10, 8, 9, 5, 7, 6, 4], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Baker, David: “Status Symbol” from “The Black Experience”, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Barber, Samuel: Piano Sonata, Op.26, [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Berg, Alban: Altenberg Lieder, [0, 1, 11, 10, 2, 9, 3, 8, 7, 6, 5, 4], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Berg, Alban: Lulu, Primary / Main / Basic Row, [0, 4, 5, 2, 7, 9, 6, 8, 11, 10, 3, 1], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Berg, Alban: Lulu, Schigolch, [0, 2, 3, 1, 4, 5, 6, 7, 8, 9, 11, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Berg, Alban: Lulu, whole-tone row, [0, 2, 4, 6, 10, 8, 11, 7, 9, 1, 3, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Berg, Alban: Lyric Suite, Primary Row / mvt I, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Berg, Alban: Lyric Suite, mvt I, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Berg, Alban: Lyric Suite, mvt VI, [0, 2, 4, 7, 9, 11, 6, 8, 10, 1, 3, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Berg, Alban: Schliesse mir die Augen Beide, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Berio, Luciano: Cinque Variazioni, [0, 2, 4, 1, 3, 5, 8, 10, 6, 7, 9, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Berio, Luciano: Sequenza I, [0, 11, 10, 9, 8, 7, 4, 6, 5, 3, 1, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Boulez, Pierre: Le Marteau sans Maître, cycle of Bourreaux de solitude, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Boulez, Pierre: Notations, [0, 2, 7, 6, 1, 8, 4, 9, 5, 11, 10, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Britten, Benjamin: The Turn of the Screw, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Carter, Elliott: String Quartet, No.2 (sketch) 1, [0, 4, 8, 3, 7, 11, 6, 10, 2, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Carter, Elliott: String Quartet, No.2 (sketch) 2, [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Carter, Elliott: String Quartet, No.2 (sketch) 3, [0, 2, 4, 6, 8, 10, 1, 3, 5, 7, 9, 11], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Denisov, Edison: Concerto for Guitar and Orchestra, Row 1, [0, 6, 10, 4, 8, 2, 3, 9, 1, 7, 11, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Denisov, Edison: Five Etudes for Solo Bassoon, row B, [0, 11, 6, 5, 4, 10, 9, 3, 2, 7, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row C, [0, 6, 11, 5, 4, 10, 9, 3, 2, 7, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row E, [0, 1, 7, 6, 5, 11, 10, 4, 3, 8, 2, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row I, [0, 6, 1, 7, 2, 8, 3, 10, 5, 11, 9, 4], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Five Etudes for Solo Bassoon, row J, [0, 6, 5, 11, 4, 10, 9, 3, 2, 7, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Denisov, Edison: Octet for Winds, mvt 2, row A, [0, 1, 3, 2, 4, 5, 8, 7, 6, 11, 9, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Denisov, Edison: Octet for Winds, mvt 2, row B, [0, 6, 11, 5, 4, 10, 9, 3, 2, 8, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Eisler, Hanns: Der Zweck der Musik, [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Eisler, Hanns: Deutsche Symphonie, mvt 8, [0, 3, 1, 11, 2, 10, 8, 9, 6, 7, 5, 4], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Five Pieces for Orchestra, mvt 3, [0, 3, 2, 1, 5, 4, 6, 9, 8, 11, 10, 7], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Gegen den Krieg, Op.55, [0, 3, 2, 5, 4, 7, 6, 8, 9, 10, 1, 11], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Eisler, Hanns: Man lebt von einem Tage zu dem andern (“Kantate im Exil”), [0, 10, 11, 3, 1, 8, 7, 4, 2, 6, 9, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Eisler, Hanns: Palmström, Op.5, No.5, [0, 10, 11, 9, 8, 1, 7, 6, 5, 3, 4, 2], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Praeludium und Fuge über B-A-C-H for String Trio, Op.46, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Eisler, Hanns: Suite for Orchestra, No.1, mvt 4, [0, 4, 2, 3, 1, 11, 7, 10, 9, 8, 6, 5], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Evans, Bill: Twelve Tone Tune, [0, 10, 2, 3, 1, 11, 4, 6, 9, 8, 5, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Fine, Vivian: Chaconne for piano, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Finney, Ross Lee: Fantasy in Two Movements for solo violin, [0, 1, 3, 5, 4, 2, 11, 10, 8, 6, 7, 9], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Finney, Ross Lee: Sonata Quasi una Fantasia, [0, 1, 3, 2, 4, 5, 6, 7, 9, 8, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Gerhard, Roberto: Chaconne for Unaccompanied Violin, [0, 11, 4, 2, 1, 3, 9, 10, 8, 6, 5, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Gerhard, Roberto: Libra, [0, 6, 1, 7, 2, 8, 4, 9, 5, 10, 11, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Gerhard, Roberto: The Plague, [0, 1, 9, 11, 8, 10, 4, 5, 6, 2, 3, 7], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Gielen, Michael: Six Songs, for bass, violin, viola, clarinet, bass clarinet, and piano, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 1, [0, 1, 6, 7, 8, 2, 10, 11, 5, 4, 9, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 2, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 5, [0, 1, 7, 6, 5, 11, 2, 8, 9, 10, 4, 3], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Don Rodrigo, Op.31, Row Class 7, [0, 1, 8, 2, 7, 6, 5, 11, 9, 10, 4, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Quintet, Op.29, Row Class V, [0, 5, 4, 7, 3, 2, 6, 9, 8, 1, 10, 11], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Ginastera, Alberto: Quintet, Op.29, Row Class VII S, [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Sonata for Cello and Piano, Op.49, [0, 3, 2, 1, 10, 11, 8, 9, 5, 4, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class III, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 1, [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 4, [0, 2, 1, 5, 3, 4, 7, 8, 6, 10, 9, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 6, [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Ginastera, Alberto: Sonata for Guitar, Op.47, mvts II and III, Row Class II 7, [0, 9, 10, 11, 8, 7, 6, 3, 4, 5, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Ginastera, Alberto: Turbae ad Passionem Gregorianam, Op.43, mvt II, [0, 5, 1, 7, 6, 11, 8, 2, 3, 4, 9, 10], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Ginastera, Alberto: Violin Concerto, Op.30, [0, 11, 2, 3, 4, 1, 6, 5, 8, 9, 10, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Hartmann, Karl Amadeus: Symphony, No.4, [0, 1, 3, 2, 11, 4, 5, 10, 7, 6, 8, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.139-141), [0, 2, 10, 1, 11, 9, 8, 5, 6, 4, 7, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.143-145), [0, 9, 10, 2, 1, 11, 4, 6, 7, 5, 8, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.331-334), [0, 4, 3, 2, 1, 11, 7, 10, 5, 6, 8, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.362-365), [0, 7, 5, 3, 10, 8, 4, 2, 9, 6, 11, 1], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
- Hauer, Josef Matthias: Nomos, Op.19 (bb.503-507), [0, 10, 1, 2, 3, 5, 7, 11, 4, 8, 9, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
- Hauer, Josef Matthias: XXIX. Zwölftonspiel für Cembalo; mit der Sokolowski-Reihe zu Bachs Geburtstag, [0, 11, 2, 1, 4, 3, 10, 5, 8, 9, 6, 7], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Hauer, Josef Matthias: Zwölftonspiel für zwei Violinen, [0, 2, 3, 11, 1, 10, 8, 6, 4, 9, 7, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.13, [0, 3, 5, 7, 8, 10, 9, 6, 4, 2, 1, 11], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.19, [0, 1, 4, 5, 8, 9, 11, 10, 7, 6, 3, 2], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.28, [0, 5, 7, 8, 9, 10, 11, 6, 4, 3, 2, 1], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.30, [0, 1, 2, 6, 7, 8, 11, 10, 9, 5, 4, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.6, [0, 2, 4, 6, 8, 10, 9, 7, 5, 3, 1, 11], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Hendler, Maximilian: ‘Die vollständige Ordnung der symmetrischen zwölftönigen Modi’, No.1, [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Hendler, Maximilian: aus den fünf Liedern nach Texten von Karl Hans Haysen für Singstimme und Klavier : ‘Erkenntnis’, Op.45-2, [0, 9, 2, 4, 7, 11, 8, 10, 5, 1, 6, 3], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Huber, Klaus: Zwei Sätze, [0, 3, 1, 10, 11, 8, 6, 9, 7, 2, 4, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Ives, Charles: On the Antipodes, [0, 3, 11, 8, 4, 7, 10, 9, 6, 2, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Ives, Charles: Tone Roads, No.3, [0, 11, 1, 3, 2, 10, 5, 8, 4, 7, 6, 9], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Jung, Joachim: , [0, 11, 3, 10, 2, 1, 7, 8, 4, 9, 5, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Klein, Fritz: Die Maschine: Eine extonale Selbstsatire, Op.1, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Klein, Fritz Heinrich: Variationen, Op.14, [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/A”, [0, 2, 7, 4, 3, 5, 6, 1, 11, 8, 10, 9], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/B”, [0, 2, 3, 1, 4, 5, 7, 8, 6, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Kokkonen, Joonas: Cello Concerto, mov. 2, row “II/C”, [0, 9, 11, 10, 7, 2, 6, 3, 5, 4, 1, 8], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
- Kokkonen, Joonas: Woodwind Quintet, mov. 1, rows “I/A” and “I/B”, [0, 2, 11, 9, 10, 1, 3, 6, 4, 5, 7, 8], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: Quaestio temporis, Op.170, [0, 3, 11, 4, 2, 1, 7, 8, 10, 5, 9, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: String Quartet, No.6, Op.78, [0, 10, 11, 8, 1, 9, 3, 7, 2, 4, 6, 5], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: Symphonic Elegy for String Orchestra, Op.105, [0, 1, 9, 11, 10, 2, 3, 7, 6, 8, 4, 5], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Krenek, Ernst: Zwölf Variationen in Drei Satzen, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 6, 8], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
- Krenek, Ernst: Zwölf Variationen in Drei Sätzen, Op.79, [0, 1, 3, 10, 2, 5, 11, 7, 4, 9, 8, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
- Kukuck, Felicitas: ‘Der Gottesknecht’: 6. Kantate, [0, 11, 10, 1, 2, 3, 8, 9, 6, 5, 7, 4], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Lackner, Peter: ‘An alle Außerirdischen’. Kanon für drei Singstimmen, Kontrabaß und Klavier, [0, 4, 9, 7, 11, 2, 5, 1, 8, 10, 6, 3], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: ‘Es fiel ein Reif in der Frühlingsnacht’ für Singstimme und ein Melodie-Instrument, [0, 9, 4, 7, 2, 5, 1, 8, 10, 11, 3, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: ‘Euphorbia obesa’. Kanon für Oboe, Englischhorn und Fagott., [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: ‘Flügelaltar’ für Klavier, [0, 9, 11, 10, 2, 7, 1, 8, 4, 5, 3, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
- Lackner, Peter: ‘Venus-Quadrat’ für Violine und Klavier, [0, 7, 2, 5, 9, 10, 11, 6, 8, 4, 3, 1], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: 2. Kanonzyklus, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Das Buch der Wandlungen I für Frauenstimmen und,oder Klavier, [0, 8, 3, 5, 1, 10, 7, 11, 4, 2, 6, 9], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: INITIUM TRIPLEX. 28. Juni 2016; für drei Tasteninstrumente, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Lackner, Peter: KANON für A, O & Gsellmanns Weltmaschine. 8. Oktober 1958,2008, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon T2 à 6, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon T3 à 4, [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon T4 á 3, [0, 5, 7, 2, 4, 9, 11, 6, 8, 1, 3, 10], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon T6 á 2, [0, 10, 8, 3, 1, 5, 6, 4, 2, 9, 7, 11], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Blockflötenquartett. April 2005, [0, 10, 11, 3, 1, 2, 8, 7, 9, 5, 4, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Lackner, Peter: Kanon für Flöte solo und N. N., [0, 3, 7, 10, 2, 5, 11, 8, 4, 1, 9, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Flöte und Elektronik. Februar 1999, [0, 10, 2, 7, 9, 5, 11, 3, 1, 8, 4, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Klavier zu vier Händen, [0, 10, 5, 3, 7, 8, 6, 4, 11, 9, 1, 2], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Klaviertrio, [0, 2, 4, 9, 5, 7, 3, 1, 11, 6, 10, 8], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Orgel, zweimanualiges Cembalo oder Klavier, [0, 7, 2, 11, 4, 9, 6, 8, 1, 5, 3, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für Orgel. 21. November 1994, 4. Februar 1995, [0, 8, 5, 1, 4, 9, 2, 11, 7, 3, 10, 6], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Lackner, Peter: Kanon für Schwegel, diatonisches Hackbrett und Violine, [0, 8, 4, 10, 6, 2, 5, 1, 9, 3, 11, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für Schwegel und zwei Geigen, [0, 6, 4, 2, 10, 8, 9, 3, 5, 7, 11, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für Streichquartett. 22.September 2003, [0, 8, 10, 4, 2, 6, 9, 1, 11, 5, 7, 3], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für Violine, Viola und Akkordeon. 11. Juni 2007, [0, 11, 1, 2, 3, 10, 4, 9, 8, 7, 5, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Lackner, Peter: Kanon für Violine solo, [0, 11, 2, 7, 10, 9, 3, 4, 1, 8, 5, 6], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
- Lackner, Peter: Kanon für drei Klaviere. 28. 6. 2016, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Lackner, Peter: Kanon für drei Violinen I, II August 1998, [0, 2, 10, 4, 8, 6, 1, 9, 11, 5, 3, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Kanon für zwei Singstimmen und Ensemble zur Skulpturengruppe LEM von Axel Kirchmayr und einem Text von Hannes Waltl. September 2004, [0, 2, 9, 10, 5, 7, 1, 11, 4, 3, 8, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für zwei Trompeten, Horn, Posaune und Tuba. 1. Mai 1993, [0, 1, 2, 10, 3, 5, 11, 9, 4, 8, 7, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
- Lackner, Peter: Kanon für zwei Violinen, [0, 7, 4, 5, 9, 2, 3, 8, 11, 10, 6, 1], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für zwei Violinen. Frühjahr 1992, [0, 2, 4, 7, 9, 11, 5, 3, 1, 10, 8, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Lackner, Peter: Kanon für zwei Violinen und Klavier. 1. Dezember 2004, [0, 10, 2, 6, 8, 4, 1, 9, 11, 3, 7, 5], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: Moebiusband I für zwei Melodieinstrumente, [0, 6, 8, 2, 7, 1, 11, 5, 3, 9, 4, 10], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Lackner, Peter: Trauermusik für Fagott, Kontrafagott und Pauke, [0, 6, 2, 8, 10, 4, 11, 5, 9, 3, 1, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Lackner, Peter: kgV (3,4) [zweistimmiger Kanon für Klavier], [0, 10, 2, 3, 5, 7, 1, 11, 9, 8, 4, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Lang, Bernhard: ‘Der Golem’ nach Gustav Meyrinck, [0, 4, 7, 8, 11, 3, 5, 2, 9, 1, 10, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Lang, Bernhard: Der Reigen, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Lang, Bernhard: Hemma (Music Theatre Hemma Klagenfurt 2015), [0, 5, 10, 2, 3, 1, 7, 9, 8, 4, 11, 6], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
- Lang, Klaus: ‘Von der Ligurischen Küste zum Trasimenischen See’; Trauermusik für Violine und Klavier, [0, 5, 9, 8, 10, 7, 1, 4, 2, 3, 11, 6], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
- Leibowitz, René: Trois pièces pour piano, Op.19, [0, 4, 3, 1, 2, 5, 6, 9, 10, 8, 7, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Ligeti, György: Le Grand Macabre, [0, 6, 5, 11, 10, 4, 9, 3, 2, 8, 7, 1], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Liszt, Franz: Eine Faust Symphonie, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Luo, Zhong-Rong: Chang’e, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Dusk, row 2, [0, 3, 7, 5, 8, 10, 1, 11, 6, 2, 4, 9], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Morning Glory, [0, 2, 5, 9, 7, 10, 3, 11, 1, 4, 6, 8], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Picking lotus flowers at the riverside, [0, 2, 5, 7, 10, 3, 1, 4, 6, 9, 11, 8], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Luo, Zhong-Rong: Three Piano Pieces, “Arabeque”, row 2, [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Lutosławski, Witold: Musique Funébre (Funeral Music), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Lutyens, Elisabeth: Essence Of Our Happinesses, Op.69, mvt II, Part I, [0, 11, 1, 10, 2, 3, 8, 9, 5, 6, 4, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Lutyens, Elisabeth: Motet (Excerota Tractati Logico-Philosophici), Op.27, [0, 11, 3, 7, 8, 4, 2, 6, 5, 1, 9, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Lutyens, Elisabeth: The Numbered, Altered Primary Row (swap pitches 2 and 3), [0, 11, 10, 1, 2, 9, 3, 4, 8, 5, 7, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Lutyens, Elisabeth: The Numbered, Primary Row, [0, 10, 11, 1, 2, 9, 3, 4, 8, 5, 7, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Mamlok, Ursula: Haiku Settings, No.5, [0, 11, 8, 7, 4, 3, 5, 6, 9, 10, 1, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Mamlok, Ursula: Panta Rhei, [0, 7, 4, 11, 8, 3, 10, 9, 6, 2, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Mamlok, Ursula: Panta Rhei, secondary row (mvt 4, Piano), [0, 11, 8, 3, 4, 7, 2, 1, 6, 9, 10, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Martino, Donald: Notturno (Row B), [0, 7, 11, 10, 9, 8, 2, 1, 6, 3, 4, 5], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Matthias, Hauer Josef: Zwölftonspiel für Holzbläser, Streicher und Klavier. April 1951, [0, 4, 9, 11, 7, 2, 3, 6, 8, 10, 5, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Messiaen, Olivier: Livre d’orgue, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Mittendorfer, Josef: aleatoric row, [0, 2, 7, 1, 8, 6, 10, 5, 4, 11, 3, 9], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Moevs, Robert: Musica da Camera, [0, 1, 11, 3, 4, 2, 9, 10, 8, 7, 5, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Morris, Robert: By Far, [0, 1, 4, 11, 3, 2, 6, 7, 5, 10, 8, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Morris, Robert: Clash, [0, 3, 11, 10, 8, 1, 7, 9, 2, 6, 4, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Morris, Robert: Concerto for Piano and Strings, [0, 1, 6, 11, 7, 5, 10, 8, 4, 3, 2, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Morris, Robert: Roundelay, row 1, [0, 7, 4, 11, 9, 2, 6, 3, 10, 5, 8, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Morris, Robert: Roundelay, row 2, [0, 5, 9, 7, 8, 10, 4, 11, 1, 6, 2, 3], T6; I11; RI5, (0, 2, 3, 4, 5, 7)
- Morris, Robert: Roundelay, row 5, [0, 3, 11, 4, 1, 2, 8, 10, 5, 9, 7, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Morris, Robert: Roundelay, row 6, [0, 10, 5, 11, 4, 6, 8, 7, 2, 3, 9, 1], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Morris, Robert: Tête‐à‐Tête, [0, 3, 11, 10, 1, 8, 2, 6, 9, 5, 4, 7], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Nono, Luigi: Canti per tredeci, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Nono, Luigi: Composizione per orchestra, No.1, [0, 1, 7, 6, 2, 8, 4, 3, 5, 10, 11, 9], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Nono, Luigi: Cori di Didone, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Nono, Luigi: Ha venido, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Nono, Luigi: Il canto sospeso, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Nono, Luigi: Intolleranza, Alto, [0, 6, 7, 1, 2, 8, 9, 3, 4, 10, 11, 5], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Nono, Luigi: Intolleranza, Tenor 1, [0, 6, 11, 5, 10, 4, 9, 3, 8, 2, 7, 1], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Nono, Luigi: Intolleranza, Tenor 2, [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Nono, Luigi: La terra e la compagna (sketch), Series 1, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Nono, Luigi: La terra e la compagna (sketch), Series 2, [0, 6, 1, 7, 11, 5, 2, 8, 10, 4, 3, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Nono, Luigi: Variazioni canoniche sulla serie dell’Op.41 di Arnold Schönberg, [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Panufnik, Andrzej: Sinfonia di Sfere (Symphony, No.5), Chord 1, [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Preßl, Hermann Markus: N. N. 50; ‘Die Zeremonie des Abschieds’, [0, 9, 4, 2, 7, 5, 8, 1, 6, 3, 11, 10], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Pärt, Arvo: Diagrams, [0, 11, 2, 1, 3, 4, 9, 10, 7, 8, 6, 5], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Riegebauer, Sigrid: Toccata, [0, 3, 1, 2, 11, 10, 4, 5, 8, 7, 9, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Rochberg, George: Sonata-Fantasia, [0, 11, 10, 4, 5, 6, 9, 8, 7, 1, 2, 3], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Rochberg, George: Symphony, No.2, [0, 8, 1, 4, 9, 5, 6, 2, 3, 10, 11, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Sande, Henrik: ‘Volkslied’ für zwei Singstimmen und Klavier. 24. 12. 2015, [0, 2, 4, 5, 7, 9, 10, 8, 6, 3, 1, 11], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Sande, Henrik: 4032 Töne für Klavier sechshändig, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Santoro, Claudio: Sonata, No.1, [0, 10, 3, 8, 11, 1, 2, 9, 7, 4, 5, 6], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Schnittke, Alfred: Concerto, No.2 for Violin and Chamber Orchestra, [0, 11, 1, 2, 10, 3, 4, 9, 5, 6, 8, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 6, [0, 11, 2, 1, 9, 10, 7, 8, 4, 3, 6, 5], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Concerto Grosso, No.3, (mvt 3, 4), row 8, [0, 11, 7, 9, 10, 8, 6, 5, 3, 4, 1, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Concerto Grosso, No.3, monogram 3, [0, 11, 2, 1, 3, 4, 10, 9, 7, 8, 5, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Piano Sonata, No.1, mvt 2, mm. 72-76, [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Schnittke, Alfred: Sonata, No.2 for Cello and Piano, mvt 2, [0, 2, 3, 1, 4, 5, 11, 10, 7, 9, 8, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.1, [0, 2, 1, 10, 3, 11, 5, 9, 4, 7, 8, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.4, [0, 11, 10, 1, 3, 2, 4, 9, 8, 6, 5, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.4, mvt 2, m.40, [0, 5, 10, 3, 2, 7, 8, 1, 6, 11, 4, 9], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.122, [0, 1, 11, 2, 10, 3, 4, 9, 8, 7, 6, 5], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: String Quartet, No.4, mvt 4, m.31, [0, 11, 9, 10, 8, 7, 6, 5, 3, 4, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Symphony, No.7, mvt 3, row X, [0, 1, 10, 11, 2, 3, 9, 4, 5, 8, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Schnittke, Alfred: Symphony, No.7, mvt 3, row y, [0, 1, 11, 10, 8, 9, 7, 6, 5, 4, 3, 2], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Schoenberg, Arnold: Fantasy for Piano Four Hands, I, [0, 4, 2, 5, 3, 7, 11, 10, 1, 8, 9, 6], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Schoenberg, Arnold: Four Pieces for Mixed Chorus, No.3, Op.27, No.3, [0, 11, 7, 9, 10, 8, 4, 5, 1, 3, 2, 6], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Schoenberg, Arnold: Modern Psalms, The First Psalm, Op.50c, [0, 11, 8, 4, 7, 3, 1, 5, 2, 6, 9, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 1), [0, 11, 3, 4, 8, 7, 2, 1, 5, 6, 10, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Schoenberg, Arnold: Ode To Napoleon Buonaparte, Op.41 (view 2), [0, 1, 9, 8, 4, 5, 7, 6, 10, 11, 3, 2], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Schoenberg, Arnold: Psalm 130, De Profundis (unfinished), Op.50B, [0, 6, 5, 1, 11, 7, 4, 8, 9, 3, 2, 10], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Schoenberg, Arnold: Serenade, mvt 4, “Sonett”, Op.24, [0, 10, 11, 7, 8, 9, 4, 2, 5, 1, 3, 6], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Schoenberg, Arnold: Suite, Op.29, [0, 4, 3, 7, 11, 8, 9, 6, 5, 1, 2, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Schoenberg, Arnold: Three Songs, No.3, “Madchenlied”, Op.48, [0, 6, 8, 10, 2, 4, 9, 5, 3, 11, 7, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Schwantner, Joseph: …and the mountains rising nowhere, [0, 11, 8, 7, 4, 3, 2, 1, 10, 9, 6, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Schwantner, Joseph: Elixir (Consortium VIII), [0, 8, 4, 3, 7, 11, 10, 6, 9, 5, 1, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Schwantner, Joseph: Elixir (Consortium VIII), m.22, [0, 1, 4, 5, 8, 9, 6, 7, 10, 11, 2, 3], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Schwantner, Joseph: In Aeternum (Derived Row), [0, 3, 11, 2, 10, 1, 7, 4, 8, 5, 9, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Schwantner, Joseph: In Aeternum (Principal Row), [0, 4, 11, 6, 10, 5, 1, 9, 2, 7, 3, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Schwantner, Joseph: Modus Caelestis (A), [0, 6, 7, 1, 11, 5, 4, 10, 8, 2, 3, 9], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Seiber, Mátyás: String Quartet, No.2, [0, 2, 3, 1, 4, 11, 5, 10, 7, 9, 8, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Seiber, Mátyás: Ulysses, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1214a Thirds (Twelve-Tone Patterns), [0, 4, 8, 11, 3, 7, 6, 10, 2, 5, 9, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1215a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 7, 2, 9, 4, 11, 6], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1216a Foutths (Twelve-Tone Patterns), [0, 5, 10, 3, 7, 2, 9, 4, 8, 1, 6, 11], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1218a Fourths (Twelve-Tone Patterns), [0, 5, 10, 3, 8, 1, 6, 11, 4, 9, 2, 7], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1219a Fourths (Twelve-Tone Patterns), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1220a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1221a Fifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1222aFifths (Twelve-Tone Patterns), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1223a Sixths (Twelve-Tone Patterns), [0, 8, 4, 1, 5, 9, 6, 2, 10, 7, 11, 3], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1225a Sixths (Twelve-Tone Patterns), [0, 8, 4, 7, 11, 3, 6, 2, 10, 1, 5, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1226a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 8, 2, 4, 6, 1, 11, 9, 3, 5, 7], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1227a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 4, 2, 8, 6, 1, 11, 9, 7, 5, 3], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1228a Minor Sevenths (Twelve-Tone Patterns), [0, 10, 2, 4, 8, 6, 11, 1, 5, 3, 7, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1229a Major Sevenths (Twelve-Tone Patterns), [0, 11, 10, 9, 8, 7, 1, 2, 3, 4, 5, 6], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1230a Major Sevenths (Twelve-Tone Patterns), [0, 11, 3, 4, 8, 7, 1, 2, 6, 5, 9, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1231a Major Sevenths (Twelve-Tone Patterns), [0, 11, 4, 3, 8, 7, 1, 2, 9, 10, 5, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1232a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1233a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1234a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1235a (Twelve-Tone Spirals), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1236a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 6, 8, 3, 1, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1237a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1239a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1240a Converging and Diverging Whole-Tone Scales (Twelve-Tone Spirals), [0, 11, 9, 2, 4, 7, 5, 3, 6, 8, 1, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1242a Mutually Exclusive Diminished-Seventh Chords (Twelve-Tone Spirals), [0, 8, 4, 11, 3, 7, 1, 9, 5, 10, 2, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1244a Crossing Sixths (Crossing Intervals), [0, 3, 8, 7, 4, 11, 1, 2, 10, 5, 6, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1245a Crossing Fifths (Crossing Intervals), [0, 5, 7, 10, 2, 3, 9, 8, 4, 1, 11, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1246a Crossing Fourths (Crossing Intervals), [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1247a Crossing Thirds (Crossing Intervals), [0, 3, 4, 11, 7, 8, 10, 5, 2, 1, 6, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1248a Crossing Thirds (Crossing Intervals), [0, 5, 4, 1, 8, 9, 11, 6, 3, 2, 7, 10], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1250a Crossing Seconds (Crossing Intervals), [0, 11, 2, 9, 4, 7, 6, 5, 8, 3, 10, 1], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1256a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 11, 4, 6, 9, 1], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1256b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 9, 4, 2, 11, 7, 5, 1, 8, 6, 3, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1257a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 1, 6, 9, 2, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1257b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 5, 2, 10, 6, 1, 9], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1269a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1269b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1270a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 11, 3, 5, 9, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1270b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 2, 10, 6, 3, 11, 7, 5, 1, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1271a Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 2, 6, 9, 1, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1271b Quadritonal Arpeggios (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1277a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 2, 5, 8, 4, 11, 9, 6, 1], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1277b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 3, 7, 10, 5, 2, 4, 8, 11, 9, 6, 1], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1278a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 1, 9, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1278b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 6, 10, 1, 9, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1290a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 1, 5, 6, 2, 10, 7, 3, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1290b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 9, 5, 1, 10, 2, 6, 7, 3, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1291a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 2, 6, 7, 3, 11, 9, 5, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1291b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 10, 6, 2, 11, 3, 7, 9, 5, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 1292a Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 3, 7, 10, 6, 2, 1, 9, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1292b Quadritonal Arpeggios; Inversions (Division of Twelve Tones into Four Mutually Exclusive Triads), [0, 4, 8, 11, 7, 3, 2, 6, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1293a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 4, 5, 7, 9, 6, 8, 10, 11, 1, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1293b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 3, 1, 11, 10, 8, 6, 9, 7, 5, 4, 2], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 1294a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 4, 7, 5, 2, 6, 3, 10, 1, 11, 8], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1294b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 8, 11, 1, 10, 3, 6, 2, 5, 7, 4, 9], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 1295a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 2, 5, 4, 3, 1, 6, 8, 11, 10, 9, 7], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1295b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 9, 10, 11, 8, 6, 1, 3, 4, 5, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1296a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 7, 8, 3, 4, 11, 6, 1, 2, 9, 10, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 1297a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 9, 7, 2, 4, 6, 5, 3, 1, 8, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1297b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 10, 8, 1, 3, 5, 6, 4, 2, 7, 9, 11], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1298a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1299a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 9, 2, 7, 4, 5, 6, 3, 8, 1, 10, 11], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1299b Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 10, 1, 8, 3, 6, 5, 4, 7, 2, 9], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 1300a Two Major Hexachords (Miscellaneous Dodecaphonic Patterns), [0, 11, 1, 10, 2, 9, 6, 5, 7, 4, 8, 3], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1303 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 2, 3, 7, 10, 5, 11, 4, 1, 9, 8, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1304 Invertible Dodecaphonic Progressions – With all Different Intervals. (On a Minor Triad), [0, 3, 7, 8, 10, 5, 11, 4, 2, 1, 9, 6], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1310 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 5, 1, 4, 2, 3, 9, 8, 10, 7, 11, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 1311 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 9, 10, 2, 5, 11, 8, 4, 3, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1312 Invertible Dodecaphonic Progressions – With all Different Intervals, [0, 7, 10, 2, 3, 5, 11, 9, 8, 4, 1, 6], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1314 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 2, 7, 4, 5, 9, 3, 11, 10, 1, 8, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1315 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 4, 5, 2, 7, 9, 3, 1, 8, 11, 10, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1316 Invertible Dodecaphonic Progressions – With all Different Intervals. (White-Key Row of Six Notes), [0, 7, 4, 5, 9, 2, 8, 3, 11, 10, 1, 6], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1317 Invertible Dodecaphonic Progressions – With all Different Intervals. (Mother Chord), [0, 11, 7, 4, 2, 9, 3, 8, 10, 1, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 1318 Invertible Dodecaphonic Progressions – With all Different Intervals. (Grandmother Chord), [0, 11, 1, 10, 2, 9, 3, 8, 4, 7, 5, 6], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 230 Ultrapolation of Three Notes (Ditone Progression; Equal Division of One Octave into Three Parts), [0, 6, 5, 11, 4, 10, 9, 3, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Slonimsky, Nicholas: No. 405 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 7, 5, 3, 10, 8, 6, 1, 11, 9, 4, 2], T6; I9; RI3, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 407 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 415 Ultrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 453 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 10, 3, 2, 1, 6, 5, 4, 9, 8, 7], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 459 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 469 Infrapolation of Two Notes (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 482 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 11, 1, 3, 2, 4, 6, 5, 7, 9, 8, 10], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 485 Infra-Interpolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 2, 3, 1, 5, 6, 4, 8, 9, 7, 11], T6; I9; RI3, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 496 [Shostakovitch: Prelude No, 2] Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 4, 3, 5, 7, 6, 8, 10, 9, 11, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 499 Inter-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 2, 7, 3, 5, 10, 6, 8, 1, 9, 11, 4], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 505 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 5, 3, 1, 8, 6, 4, 11, 9, 7, 2], T6; I7; RI1, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 508 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 10, 8, 3, 1, 11, 6, 4, 2, 9, 7, 5], T6; I5; RI11, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 512 Infra-Ultrapolation (Sesquitone Progression; Equal Division of One Octave into Four Parts), [0, 8, 4, 3, 11, 7, 6, 2, 10, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 570 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 3, 2, 5, 4, 7, 6, 9, 8, 11, 10, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 572 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 574 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 576 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 9, 2, 11, 4, 1, 6, 3, 8, 5, 10, 7], T6; I7; RI1, (0, 2, 3, 4, 5, 7)
- Slonimsky, Nicholas: No. 578 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 579 Ultrapolation of One Note (Whole-Tone Progression; Equal Division of One Octave into Six Parts), [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 637 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 3, 2, 4, 5, 7, 6, 8, 9, 11, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 639 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 5, 4, 3, 6, 7, 8, 11, 10, 9], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 640 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 7, 8, 9, 6, 5, 4, 1, 2, 3], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 642 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 11, 10, 9, 8, 7, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 645 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 11, 10, 8, 9, 7, 6, 4, 5, 3, 2], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 648-654 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 655-657 Permutations (Semitone Progression; Equal Division of One Octave into Twelve Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 749 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 753 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 4, 8, 9, 1, 5, 6, 10, 2, 3, 7, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 754 Interpolation of Two Notes (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 5, 7, 9, 2, 4, 6, 11, 1, 3, 8, 10], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 793 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 794 Infra-Ultrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 10, 11, 9, 7, 8, 6, 4, 5, 3, 1, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 799 Infra-Infrapolation (Sesquiquadritone Progression; Equal Division of Three Octaves into Four Parts), [0, 2, 7, 9, 11, 4, 6, 8, 1, 3, 5, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Slonimsky, Nicholas: No. 822 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 823 Ultrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 1, 10, 11, 8, 9, 6, 7, 4, 5, 2, 3], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 824 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Slonimsky, Nicholas: No. 875 Infrapolation of One Note (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 6, 5, 11, 10, 4, 3, 9, 8, 2, 1, 7], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Slonimsky, Nicholas: No. 903 Inter-Ultrapolation (Quinquetone Progression; Equal Division of Five Octaves into Six Parts), [0, 4, 8, 5, 9, 1, 10, 2, 6, 3, 7, 11], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Slonimsky, Nicholas: No. 915 Miscellaneous Patterns (Diatessaron Progression; Equal Division of Five Octaves into Twelve Parts), [0, 10, 2, 8, 4, 6, 5, 3, 7, 1, 9, 11], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Slonimsky, Nicholas: No. 997 Infra-Interpolation (Diapente Progression; Equal Division of Seven Octaves into Twelve Parts), [0, 8, 4, 7, 3, 11, 2, 10, 6, 9, 5, 1], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Smith, Hale: Contours for Orchestra, [0, 5, 6, 4, 10, 11, 7, 2, 1, 3, 9, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Spinner, Leopold: Chamber Symphony, Op.28, [0, 11, 10, 6, 4, 5, 2, 1, 3, 7, 8, 9], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Spinner, Leopold: Fantasy for Piano, Op.9 , [0, 1, 4, 5, 2, 3, 8, 9, 6, 7, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Spinner, Leopold: Ich lieb’ eine Blume for Four-part mixed Choir, [0, 11, 2, 4, 9, 7, 1, 3, 10, 8, 5, 6], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Spinner, Leopold: Sonata for Clarinet and Piano, Op.17, [0, 3, 4, 1, 2, 5, 11, 8, 7, 10, 9, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Spinner, Leopold: Sonatina for Cello and Piano, Op.26, [0, 1, 11, 2, 4, 3, 9, 10, 8, 5, 7, 6], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Spinner, Leopold: String Quartet, No.2, Op.7, [0, 3, 4, 7, 8, 11, 1, 10, 9, 6, 5, 2], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Spinner, Leopold: Trio for Clarinet, Cello and Piano, [0, 1, 7, 6, 5, 11, 10, 3, 4, 2, 9, 8], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Steinbauer, Othmar: Violinsonate, No.1, Op.15, [0, 5, 2, 10, 7, 3, 11, 8, 4, 1, 6, 9], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Stockhausen, Karlheinz: Gruppen, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Klavierstück IX, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Klavierstück VII, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Klavierstück X, [0, 8, 1, 10, 9, 11, 5, 3, 4, 7, 2, 6], T6; I3; RI9, (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Kreuzspiel, [0, 10, 9, 11, 7, 2, 8, 1, 4, 6, 5, 3], T6; I3; RI9, (0, 2, 3, 4, 5, 7)
- Stockhausen, Karlheinz: Tierkreis, Cancer, [0, 7, 11, 10, 9, 8, 3, 6, 4, 1, 5, 2], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Stockhausen, Karlheinz: Tierkreis, Scorpio, [0, 4, 3, 11, 7, 8, 10, 9, 2, 5, 1, 6], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Stravinsky, Igor: Agon, “Pas de deux”, “Four trios”, [0, 1, 4, 3, 2, 5, 6, 9, 8, 11, 10, 7], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Stravinsky, Igor: Canticum Sacrum, II & IV, [0, 11, 1, 3, 4, 2, 7, 6, 9, 5, 8, 10], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Stravinsky, Igor: Fanfare for a New Theater, [0, 11, 1, 3, 4, 2, 5, 7, 6, 8, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Stravinsky, Igor: Movements, [0, 1, 7, 5, 6, 11, 9, 8, 10, 3, 4, 2], T3,9; I3,9; RI6,12, (0, 1, 2, 6, 7, 8)
- Talma, Louise: Passacaglia and Fugue, [0, 4, 2, 9, 11, 7, 8, 3, 1, 6, 5, 10], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Talma, Louise: Six Etudes, Etude 4, [0, 1, 5, 9, 4, 8, 7, 6, 11, 2, 10, 3], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Wang, Jian-Zhong: Five Pieces for Piano no. 1, “Pastorale” (variant), [0, 3, 5, 7, 4, 2, 11, 9, 6, 8, 10, 1], T6; I1; RI7, (0, 2, 3, 4, 5, 7)
- Webern, Anton: Op.32 (un-finished), later sketch, [0, 1, 2, 11, 10, 9, 5, 4, 3, 6, 7, 8], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Webern, Anton: 3 Lieder, “Erlösung”, Op.18, No.2, [0, 3, 11, 2, 10, 1, 9, 5, 8, 4, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- Webern, Anton: 3 Volkstexte, “Heiland, Unsere Missetaten…”, Op.17, No.3, [0, 9, 8, 7, 11, 10, 4, 5, 6, 3, 2, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Webern, Anton: Concerto for Nine Instruments (Konzert), Op.24, [0, 11, 3, 4, 8, 7, 9, 5, 6, 1, 2, 10], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Webern, Anton: Symphony, Op.21, [0, 3, 2, 1, 5, 4, 10, 11, 7, 8, 9, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Webern, Anton: Variations for Orchestra, Op.30, [0, 1, 4, 3, 2, 5, 6, 9, 8, 7, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Webern, Anton: Variations for Piano, Op.27, [0, 8, 7, 11, 10, 9, 3, 1, 4, 2, 6, 5], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Westergaard, Peter: Mr. and Mrs. Discobbolos, [0, 2, 1, 4, 3, 5, 8, 6, 10, 7, 11, 9], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Wolpe, Stefan: Four Studies on Basic Rows, No.1 – Study on Tritones, [0, 6, 7, 1, 2, 8, 11, 5, 10, 4, 9, 3], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Wolpe, Stefan: Four Studies on Basic Rows, No.2 – Study on Thirds, [0, 11, 9, 8, 10, 7, 6, 5, 3, 2, 4, 1], T6; I1; RI7, (0, 1, 2, 3, 4, 5)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 1, [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 11, [0, 11, 2, 1, 4, 3, 6, 5, 8, 7, 10, 9], T6; I9; RI3, (0, 1, 2, 3, 4, 5)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 2, [0, 2, 4, 6, 8, 10, 11, 1, 3, 5, 7, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 3, [0, 3, 1, 4, 2, 5, 6, 9, 7, 10, 8, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 4, [0, 4, 8, 2, 6, 10, 3, 7, 11, 5, 9, 1], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 5, [0, 5, 2, 7, 4, 9, 6, 11, 8, 1, 10, 3], T6; I3; RI9, (0, 2, 4, 5, 7, 9)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 6, [0, 6, 1, 7, 2, 8, 3, 9, 4, 10, 5, 11], T3,9; I5,11; RI2,8, (0, 1, 2, 6, 7, 8)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 7, [0, 7, 2, 9, 4, 11, 6, 1, 8, 3, 10, 5], T6; I5; RI11, (0, 2, 4, 5, 7, 9)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 8, [0, 8, 4, 1, 9, 5, 2, 10, 6, 3, 11, 7], T2,6,10; I3,7,11; RI1,5,9, (0, 1, 4, 5, 8, 9)
- Wolpe, Stefan: Four Studies on Basic Rows, No.4, “Basic Row” 9, [0, 9, 1, 10, 2, 11, 6, 3, 7, 4, 8, 5], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Flute Variations II, [0, 1, 3, 2, 5, 4, 9, 10, 6, 8, 7, 11], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Second Sonata, Source set, [0, 2, 10, 3, 5, 7, 6, 4, 1, 11, 9, 8], T6; I11; RI5, (0, 2, 4, 5, 7, 9)
- Wuorinen, Charles: Second Sonata, Voice 2, [0, 2, 10, 9, 11, 1, 6, 4, 7, 5, 3, 8], T6; I5; RI11, (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Second Sonata, Voice 3, [0, 2, 4, 3, 5, 1, 9, 7, 11, 10, 8, 6], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Sonata for Piano, [0, 3, 2, 4, 5, 1, 11, 8, 9, 7, 6, 10], T6; I11; RI5, (0, 1, 2, 3, 4, 5)
- Wuorinen, Charles: Third Piano Sonata, [0, 7, 5, 2, 10, 9, 3, 4, 8, 11, 1, 6], T6; I1; RI7, (0, 2, 4, 5, 7, 9)
- Zhou, Jin-Min: Piano Quintet, Scherzo, [0, 10, 5, 4, 6, 11, 7, 9, 2, 3, 1, 8], T3,9; I1,7; RI4,10, (0, 1, 2, 6, 7, 8)
- Zillig, Wilfried: Das Opfer, [0, 11, 3, 4, 8, 7, 10, 9, 1, 2, 6, 5], T2,6,10; I1,5,9; RI3,7,11, (0, 1, 4, 5, 8, 9)
- Zimmerman, Bernd Alois: Perspektiven, [0, 2, 10, 8, 4, 6, 3, 1, 5, 7, 11, 9], T1,3,5,7,9,11; I1,3,5,7,9,11; RI2,4,6,8,10,12, (0, 2, 4, 6, 8, 10)
- Zimmermann, Bernd Alois: ‘Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne’, [0, 1, 11, 2, 10, 3, 9, 4, 8, 5, 7, 6], T6; I7; RI1, (0, 1, 2, 3, 4, 5)
- For more on the preparation of this list, please see the open access research publication linked to this dataset: Gotham and Yust, DLfM 2021. The code and latest version of record for the list are hosted in this repository and the research paper is open access to all when approached from this contents page. In addition to Jason Yust, I would also like to thank the creators of foregoing lists of this kind (notably the Schoenberg-Berg-Webern collection here and a wiki here), the hundreds of analysts whose work is represented here, and the scholars who contributed entries to this new, combined and enlarged collection: Elizabeth West Marvin, David Maw, Rachel Mitchell, Sam Reenan, and Laurel Parsons. To contribute your own corrections or new entry to this list, please email me (Mark Gotham) at < FirstName [dot] LastName [at] tu-dortmund [dot] de > with all the relevant information: Row; Composer (Last Name(s), First Name(s)); Composition including opus number; Year; Source (e.g. URL or PDF). The row can be in any consistent text or numerical format such as ‘A-Gs-G-Cs-F-Fs-C-E-Eb-D-B-Bb’ or [0, 11, 10, 4, 8, 9, 3, 7, 6, 5, 2, 1]. ↵