- indicate the volume of music. Musicians use a variety of Italian words to specify dynamics in Western musical notation.
- A indicates an increase of dynamic, while a or indicates a decrease of dynamic.
- The term refers to the length of a note as well as the accent level at the beginning of a note (its ).
- A tells a musician how fast or slow to play or sing a composition.
- Musicians music into historical eras, which are useful to memorize. Works within these historical periods tend to share similar style characteristics.
- divide up a work or movement into smaller sections.
In this chapter we will explore other elements of music besides pitch. These elements include dynamics, articulations, tempi, stylistic periods, and structural markers.
indicate the volume of music–how loud or soft it is. In Western musical notation we often use Italian words, which can be abbreviated, to describe dynamics. These words are usually italicized. In Italian, means loud, while means soft. These words are written onto sheet music, either below or above the staff or staves that one is playing or singing. We use several Italian words and suffixes to modify piano and forte to indicate additional dynamic levels. The Italian word means “moderately.” Musicians say “mezzo forte” to mean moderately loud, and “mezzo piano” to mean moderately soft. The Italian suffix means “very” or “extremely.” Musicians say pianissimo to mean “very soft,” and fortissimo to mean “very loud.” The suffix “–issimo” can be stacked; for example, one can say pianississimo to mean “very, very softly,” or fortississimo to mean “very, very loudly.” Some composers add even more “-issimo”s, but this is rare. However, you might one day spot a pppppp or an ffffff in music that you play or sing!
Dynamics are often abbreviated in Western musical notation. These abbreviations are as follows (loudest to softest):
- fff = fortississimo
- ff = fortissimo
- f = forte
- mf = mezzo forte
- mp = mezzo piano
- p = piano
- pp = pianissimo
- ppp = pianississimo
shows a graphic depicting dynamics from the softest to loudest:
There are three other Italian words which are commonly used to indicate a change in dynamic level. These are , abbreviated cresc., which means to get louder, and , abbreviated decresc., which means to get softer. The Italian word , abbreviated dim., is synonymous with decrescendo. Crescendos and decrescendos are indicated two different ways: either by writing out the abbreviation cresc. or decresc., possibly followed by dots, or by drawing . The term “hairpin” refers to the following symbols, which roughly approximate the shape of a bobby pin (or “hairpin”), as seen in
These hairpins are usually placed below sections of music to which they apply.
The term refers to a note’s length (how long or short it is), and to the accent level at the beginning of a note (its ). How a musician executes articulations depends on what instrument they play, or if they sing. Percussion instruments, plucked strings, bowed strings, winds, brass, and voices all have different methods of carrying out particular attacks and articulations. You will want to consult with a private teacher or a band, orchestra, or choir director for help with applying different articulations to your instrument or voice.
means to play or sing smoothly or connected. This articulation is indicated by a marking or a small line above or below notes.shows a slur (top line) and legato markings (bottom line):
The top line shows a slur above the notes, while the bottom line shows legato markings.
means to play or sing a note shorter than its usual duration. This articulation is usually indicated by a dot placed above or below notes.
means to play or sing a note with emphasis, or slightly accented. This articulation is usually indicated by a vertical wedge above a note, or a series of accents (sideways wedges).shows marcato markings (top line) and accents (bottom line):
The top line shows marcato markings above the notes, while the bottom line shows accents.
Accented notes can also be indicated by the italicized symbols sfz, sf, or fz (sforzando, forzando, or forzato). These accents are usually interpreted to be slightly more forceful (i.e. louder) than regular accents. These symbols work like dynamics, and are placed directly above or below the note to which they apply.
A (plural tempi) tells a musician how fast or slow to perform a composition. Tempi are usually indicated either specifically, by a metronome marking, or less specifically, by a textual indication. A is usually indicated in beats per minute (BPM). A work that is marked quarter note = 60 BMP would contain 60 quarter notes in one minute (one quarter note per second). It is useful to keep a free metronome application available on your cellular device. One such application is Pro Metronome.
Like dynamics, most tempi markings are written in Italian. They often appear at the beginning of a work, movement, or section, at the top left of the first staff or system. The most common tempi are as follows:
- Fast tempi: Vivace, Presto, Allegro, Allegretto (-etto is an Italian suffix meaning “little”)
- Medium tempi: Moderato, Andante
- Slow tempi: Adagio, Largo, Lento, Grave
shows a graphic depicting tempi from the slowest to the fastest:
Composers sometimes use additional Italian words, especially emotive expressions, to modify a tempo marking. Words like assai (very or rather), espressivo (expressively), or cantabile (singingly) frequently appear after tempo markings, especially in works written after the year 1800. For example, one might come across the following tempo markings: “Allegro Assai” (“very fast”), “Andante Cantabile” (“a moderate tempo, singingly”), or “Adagio Espressivo” (“slow and expressive”). Always be sure to look up the definition of any words that you do not know in your music.
Two more Italian words are commonly used to describe the speed at which music is played or sung. A means to decrease in speed (tempo). An means to increase in speed (tempo). Both words are generally italicized, and they are often abbreviated (rit. and accel. respectively). When these directions are meant to apply to several measures, they are often followed by dots. The dots continue as long as the direction is meant to be followed.
As you begin to study music theory, it will be helpful to have a basic familiarity with the ways in which music theorists and historically music. Time periods in music are flexible, but having a general framework to group musical compositions with certain stylistic similarities can be useful for musicians.
The following time periods are generally agreed upon by most musicologists:
- Medieval: c. 600–1400
- Renaissance: c. 1400–1600
- Baroque: c. 1600–1750
- Classical: c. 1750–1820
- Romantic: c. 1800–1910
- Post-tonal: c. 1900–present
shows a timeline depicting these time periods from oldest to most recent:
A few words and symbols indicate in compositions. Structural features divide up a work or movement into smaller sections.
A indicates that a note should be held longer than its regular duration. Fermatas often appear at the start or end of a musical section.shows a note with a fermata:
A indicates a break or a musical cutoff after a note or notes.shows a caesura after a note:
A indicates a breath for a wind instrumentalist or a vocalist. It indicates a pause for percussionists, keyboardists, or string players.shows a breath mark after a note:
indicate that a section of music should be repeated. First and second endings indicate the different endings played or sung the first time music is performed versus the second time it is performed.shows music with repeat signs:
Whileshows music with repeat signs and a first and second ending:
- Tutorial on Dynamics (Music Theory Academy)
- Tutorial on Dynamics (Lumen’s Music Appreciation)
- Dynamics Quiz (quizizz.com)
- Articulations (BBC)
- Articulations (libretexts.org)
- Tempo (BBC)
- Tempo (Music Theory Academy)
- Notes on Periodization in Musicology (Oxford History of Western Music)
- Historical Eras in Musicology (Naxos)
- Dynamics, pp. 13–17
- Dynamics, pp. 2–4, 18, 22
- Articulations, p. 1
- Tempo, p. 12, 21
- Tempo, p. 13
- Structural Markers, p. 9
- Mixed Matching, pp. 13–17, 23
- Dynamics Scale © Nathaniel Mitchell is licensed under a Public Domain license
- Crescendo and Decrescendo © Chelsey Hamm is licensed under a Public Domain license
- Tempi Scale © Nathaniel Mitchell is licensed under a Public Domain license
- Stylistic Periods Timeline © Nathaniel Mitchell is licensed under a Public Domain license
- Fermata © Chelsey Hamm is licensed under a Public Domain license
- Caesura © Chelsey Hamm is licensed under a Public Domain license
- Breath Mark © Chelsey Hamm is licensed under a Public Domain license
Indicate volume (amount of loudness or softness)
Italian verb meaning "to grow"
Italian verb meaning "to diminish"
Italian meaning "to diminish"
Refers to both a note's length and the accent level of its attack
Refers to the "front" of a note--how loud or soft it is played or sung
How fast or slow a work is to be performed; most tempi are in Italian or another non-English language
To divide time into different periods
Musical features that pertain to section divisions and form
Italian for "loud"
Italian for "soft"
Italian for "moderately"
Italian suffix which means "extremely"
Slag for a crescendo or decrescendo symbol
To play or sing smoothly or connected
A curved line placed over notes to indicated they should be played or sung without separation
To play or sing a note shorter than its usual duration
To play with emphasis or slightly accented
Usually indicated in beats per minute (BMP)
Decrease in speed (tempo)
Increase in speed (tempo)
A half-circle surrounding a dot that indicates one should hold a note
Indicates a break and/or a cutoff
Indicates a breath (for wind instrumentalists and vocalists) or a pause (for percussionists and string players)
Indicate a section of music is repeated