VII. Popular Music

Pentatonic harmony

Bryn Hughes

Rock music, and more generally, popular music, owes a great debt to the blues tradition. One of the most pervasive scales in pop and rock music is the pentatonic scale, a five-note scale also firmly rooted in the blues. The pentatonic scale is related to the blues scale and the (it is a subset of both), but it contains no semitones. In popular music, the pentatonic scale is typically found in one of two rotations: the major pentatonic and the minor pentatonic scale (Example 1).


Example 1. Pentatonic scales.

Though the two listed above are the most common, you can build five different versions of the pentatonic scale by simply rotating the notes in the scale.

In rock music, a harmonic system based on the pentatonic scale is typically created by using the scale as chord roots of major triads or power chords. This leads to collections of chords that don’t belong to any mode or scale (Example 2). Note that in both of the collections of chords in the example below, there is a scale degree “conflict.” The first collection includes both [latex]\flat\hat{7}[/latex] (te) and [latex]\hat{7}[/latex] (ti); the second collection includes both [latex]\flat\hat{6}[/latex] (le) and [latex]\hat{6}[/latex] (la).

Example 2. Pentatonic harmony derived from two different rotations of the pentatonic scale.

Though many of the chord progressions drawn from the pentatonic chord families listed above could be accounted for by other schemas, it is helpful to relate them back to the pentatonic scale in this way, due to the scale’s inextricable link to the guitar itself, and especially to guitar solos that are performed in combination with these chord progressions.

Example 3 shows an excerpt from the Stevie Wonder song “Higher Ground,” in which the pervasive harmonic loop can be understood as derived from the pentatonic scale.

Example 3. Stevie Wonder, “Higher Ground” (1973).

Assignments
  1. Coming soon!

License

Icon for the Creative Commons Attribution-ShareAlike 4.0 International License

OPEN MUSIC THEORY by Bryn Hughes is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License, except where otherwise noted.

Share This Book